Snow and Ice – Guest Post Carole G.

Snow and Ice – Guest Post Carole G.

This is a guest post by Carole G. one of our forum members. You can follow her here: 

https://www.facebook.com/BagsaLicious/

https://craftybeetle.wordpress.com/

During a recent very cold winter with thick ice and deep snow, I was inspired by the start of the melting process on a stream – the ground was frozen, the rocks covered in snow but little by little patches of water were starting to appear under the thick ice and white snow. It was the magic of the slow melt that influenced this piece of felt work.

I started off with a blue layer of felt and built on it in white, my fibres included merino and silks. As I wanted patches of blue to show through I let the background blue peep through in places and added runs of blue into to the top layer of white.

Here is a close up of the fibres showing how the silk adds a new dimension.

I partially felted the piece then stitched buttons in by pulling the loosely felted fabric over the buttons and sewing them in at the back of the fabric. I continued wet felting until I was happy that the button shapes were sturdy and then removed the buttons to leave stone like shapes in the piece.

And this is how it looked as a whole piece.

Although happy with the effect I felt the piece needed sparkle it needed the magic of the snow and ice so I embellished with beads both matte and sparkly and added stitch to create this ice and snow piece.

You can follow my creative meanderings on both:

https://www.facebook.com/craftywomanScotland/

https://craftybeetle.wordpress.com/

First Quarter Challenge 2018

First Quarter Challenge 2018

A few weeks ago I showed some printed fabric transfers I’d applied to muslin. Or tried to apply-I lost the instructions so they didn’t all turn out very well! I trimmed them down and nuno felted them recently for the First Quarter Challenge. The first one was a small image of a face, I used some Skudden wool for this sample:

It attached well, and evenly:

It wasn’t a great photo to use, and got distorted with the shrinkage, but I think other designs or images would work well. On this close up you can see the difference between the plain muslin and where the design is, and how you can still see the weave at least in the blue part. It shows how much the Skuden migrated too:

The other transfer I tried was one which had printing mistakes on, and also I tried to remove the transfer paper too soon, so the coating was left on in most parts. I used Rambouillet top for this sample (first time I’d used it and I love it!) This is the whole piece:

I think there were only tiny corners of letters which came out properly, so it was just varying degrees of coating left on. I think this is one of the thinner patches, the space between the letters is wide enough to see the coating and where it ends on the fabric:

There was lots of the coating left on here:

From this angle you can see how the part with the most coating on didn’t attach at all, like most people predicted:

This is a photo of the back, which also makes it obvious where it attached, and didn’t:

And just because I loved it so much, here’s a close up of the tiny crimpy texture of the Rambouillet felt!:

And finally, no, this isn’t a pizza base I was making, it’s actually part way through making a piece for Ann’s Second Quarter Challenge, which I’ll show you finished next time 🙂

Learning to Hand Stitch

Learning to Hand Stitch

I really like the way stitching looks on felt. I like machine stitching and took Ruths on line class. Machine stitching class  It was very good. I need to do lots more practice. I am a little busy around home and farm at the moment for that so I thought I would work on expanding my stitching ability with a regular needle . I can take it with me and do it anywhere.

I do know a few stitches. I am quite good at french knots because I like to make sheep.  I did this little bag recently.

On the bottom half I did some flowers. I used french knots and a daisy stitch.

This is what it looks like closed. It still needs ironing to get it flat.

So then I went on to do some practice flowers on a piece of felt I had

and some close ups.

The first leaf, the one at the bottom didn’t work out so well. So for the second one I drew a leaf shape. I used ball point pen because it was what I had in my purse while I was waiting in the van for kids. What do you use that won’t disappear while stitching but will disappear easily after you are done.

At this point I thought I should be more systematic. I thought I would just go back through the Take a Stitch Tuesday challenge. We did It on the Forum a few years ago. feltandfiberstudio.proboards.com/board/16/challenges  unfortunately the links lead you to a new take a stitch Tuesday challenge that started in January. If you are interested follow the link in any of the posts. You can still see all our posts for the challenge we did.

So I went looking for another stitch dictionary to use. I found this one that groups the stitches in to families I like this Idea. stitch dictionary I learn the basic stitch and some interesting variations, so I started. First I drew a wavy pattern and then I clamped it in my new to me embroidery hoop stand and  started stitching. Then I took a picture, at least I hadn’t gotten far before I remembered to take a picture.

This is the finished stitching, it is just simple back stitch. I tried some different stitch lengths.

I had hoped to get further than this for you but life keeps interfering. I haven’t decided if I like the hoop stand. It’s a bit strange to use but it’s nice that I can just stick the needle in and walk away. I haven’t made it very far yet but so far I am enjoying it.

Autumn in the Mountains

Autumn in the Mountains

I told you last week about our nuno felting party. I made six landscape pieces that I plan on adding either hand or machine stitching.

I don’t think I showed you this one. I used a piece of prefelt, covered it entirely with silk and then added a variety of wool for the mountains and curls for the autumn “bushes” and ground cover. It has a little bit of nuno as surface design so I suppose it counts in the 2nd Quarter Challenge. I had already started a little bit of outline stitch with stem stitch and hand dyed wool thread when I realized I hadn’t taken a photo of the piece before stitching.

The silk sky got a bit hairy so I decided to shave it down. This is the before shaving photo.

And the after shaving photo. It does make a difference in the shininess and colors in the sky.

Here is the finished piece. I used a distorted detached chain stitch in the “bushes” and a straight stitch for the grasses. The next question is how I am going to finish and frame the piece. I do like organic edges but I don’t think it looks as professional when you’re trying to sell a piece. So I cropped the photo on the right as if it was in a matte and frame. What do you think? Leave the organic edges or cover them?

 

Time For Tea

Time For Tea

I took three tea cosies along to a craft fair I attended last year and I sold all three.  They were two sheep cosies in natural wool (Corriedale) and the third was a blue Merino cosy.

20170124_111522

20161123_135712

I have plans to attend more fairs this year so I thought it was time to replenish my stock.

I had an ample amount of Duck Egg Merino from World of Wool, so I thought this would be my main body colour.  I then chose the rest of the ‘pallet’ to compliment it, picking out white and blue silks, blue and orange nepps, and Clementine, Turquoise and Denim blue Merino.  This was just a starting point, embellishments could be added or changed along the way.  It is always work in progress.

PALLET

I cut a resist from my favourite product for this kind of project and that is pond liner. The resist measures 15” along the bottom and 10.5” up from the bottom to the highest point.

20180104_093657

Firstly I needed to make the loop that will sit on top of the tea cosy, as this has to be added part way through the laying out process.  This is achieved by taking a length of the wool, this was about seven inches end to end, and adding a few of the colours that will be used on the main body to the middle section.   It is important to keep the ends of the wool dry, so I wrap mine in cling film, roughly two inches at each end.

DRY LOOP

The middle of this parcel now has to be wet felted to create a small strong loop.  Try to keep water away from the cling film sections.  You have to start felting it with light hands or it will squash flat.  I normally put a little water on my bubble wrap, rub the soap through the wetted area and carefully roll the parcel backwards and forwards very carefully until it forms a ‘skin’, then you can continue with normal pressure and felt it into a hard rope.

I weighed 100g from the ball of wool.  At this stage you could split it in half to ensure both sides have an even amount of wool, but because I prefer to keep turning the piece over, I do mine by eye.  I put down two layers, wet it all down, flipped it and did the same on the other side.  Before adding the final two layers each side, I took the cling film off the loop ends and fanned out the wool.  I then placed the fanned out wool over the front and back of the cosy ridge, and finished adding the final two layers of wool each side, adding more wool over the fanned out wisps of wool.  You could also position the loop back to front on the cosy instead of side to side, as shown on my blue spotted tea cosy above.  If you didn’t want to make a loop, you could wet felt a small ball in corresponding colours and then sew it onto the ridge of the cosy when it was dry.  Both options work well.  Here is a tip for the felt ball option.  As you will be sewing from the inside of the cosy to attach the ball, and you will be bringing the needle up through the ball to secure it to the ridge, because you do not want to see your sewing thread anywhere on the ball, you could bring the needle and thread right out the top, slot a small bead on and take it back down and through again to secure on the inside.

LOOP FANNED

LOOP INSERTED

I then added a design back and front using the other wools and embellishments and continued felting.

DECORATION

Once it passed the pinch test I cut it open along the bottom, took the resist out and fulled it.  The opening always needs more attention after you have done this, cutting it straight and then re-felting the cut raw edge.  A method I have adopted is to not pay too much attention to the opening until the cosy is dry (mine take a few days, even on a radiator)  I then steam iron the whole cosy,  re-wet the bottom and re-felt the raw edge.

Here it is finished.

20180105_114244

I am sure it will keep someone’s tea warm for a while!

UPDATE – I took this along to a gallery and it sold at the start of February – very happy!

 

 

Mostly Naturals

Mostly Naturals

I’d planned to finish off a couple of projects yesterday – a bird pod, probably from last year, and a vessel I started at the well being centre on Monday – but thought that since I was getting all my felting stuff out, I’d do a ‘quick’ sampler piece with lots of different wools to take to the centre because a few members want to order some wools for felting at home. Well, it took a little bit longer than I’d planned, and I only used 15 different wools! This is it with the rows laid out:

I think this photo shows the colours a bit more accurately:

I used a few embellishments, but didn’t pile them on, like I usually do 🙂 I loosely twisted a silk hankie:

Added some teased apart silk noil:

A little bit of Bamboo staple fibre:

I took a quick photo after felting, before I hung it on the washing line to dry:

I can’t remeber if I ever showed this bird pod, but this is the one I’d planned to finish:

This is the vessel I started on Monday, still damp:

And the other side:

I really intended finishing them later on, but actually got around to felting those pieces of scrim with transfers on, so at least I’ll have those to show next time!.

Guest Blog Post – The Bird And His Breakfast

Guest Blog Post – The Bird And His Breakfast

This is a guest post by Lyn of Rosiepink. She created a wonderful piece for the Second Quarter Challenge. Thanks Lyn!

The second quarter challenge is to use fabric as a surface design instead of a base, so
out came my boxes of fabric! Spring has come to my garden and it’s a welcome sight after the winter, so what better place to find inspiration for my challenge piece – the bird and his breakfast.

First I drew a bird. It’s not accurate, anatomically speaking, but I like its quirkiness.

After a lengthy rummage through my fabric stash – and finding lovely pieces I’d
forgotten all about – I chose two very open weave fabrics for the background and the
bird so that the nuno felt would end up flat rather than ruched…

…then I made two pieces of nuno felt using four fine layers of white merino wool under
each piece of fabric.

The brightly coloured fabric was a triangle, so I cut it in half and placed the two pieces
together to make a square to make the felting easier – you can see the cut in the photo
above.

Both pieces of nuno felt needed a light shave to remove the superfluous white fluff from
the surface to reveal the bright colours. You can see the white fluff obscuring the colours in this angled shot…

…and here’s a close up of pre and post shave – quite a
difference.

The bird has 12 distinct shapes within its form, so I used the drawing as a pattern to cut
12 shapes from the brightly coloured felt when it was dry.

Using the side of a dark blue ‘Sharpie’ pen point, I touched along the edges of every
shape to give a little definition. I coloured in the eye, using the same pen, then added
three small white stitches for the eye-glint.

I needle felted the pieces into place – it was a bit like doing a jig-saw! I didn’t go too
close to the edges of the nuno felt shapes because I thought it might disturb the surface
too much. I needle felted gently so that the shapes adhered to the background but didn’t flatten, so the bird is in relief.

The worm is wool yarn needle felted into place. The piece of worm going from the
ground to the beak is thin compared to the bit hanging from the bird’s beak to show how
stretchy worms can be!

Great post, thanks Lyn!

Nuno Felting Party

Nuno Felting Party

My local art group just happened to plan on nuno felting with this month’s meeting which coordinated wonderfully with Ann’s 2nd Quarter challenge of using fabric and nuno felting as a surface design.

Paula had everything set up for us and we were ready to start nuno felting.

Louise was doing a combination of string, alpaca and cobweb style felt. Her second piece had a piece of fabric in it but I didn’t get a photo of that.

Paula used a fabric that was sold as “Halloween” fabric and applied wool on both sides.

Paula also made a second piece with cheese cloth.

Sally used a variety of different fabrics on her green piece.

Sally created a second piece too.

A bit of rolling action happened in the middle of the pieces above.

Here are my pieces. I forgot to take a photo of the layout but the left hand photo is laid out and wet down with the finished pieces on the right. I am planning on adding stitch to these. I actually made a total of 6 pieces by going back to Paula’s the next day. So  loads of felting is finished.

I will show you more when the stitching is added.

Hat workshop with Sarah Waters

Hat workshop with Sarah Waters

Although I’ve made a lot of 3D felt, I’ve never made a hat (I’ve made berets, but they don’t really count). This is because:

  1. I don’t wear hats (unless it’s extremely hot or extremely cold, neither of which happens much in the UK)
  2. I’ve never found a hat that suits me (which may be related to point 1)
  3. I don’t have a hat block.

However, when the London branch of the International Feltmakers Association announced a hat workshop with Sarah Waters in March, I signed up. I’d seen Sarah’s magnificent Stone exhibition at the Knitting and Stitching Show last October – wonderful textured work on a huge scale – so thought it would be good to learn from her.

Thankfully, the hats we made were on a smaller scale! Sarah had brought along examples of various styles for us to try on to decide which suited us.

After a lot of umming and ahhing I decided to go for the cloche hat because the height and the brim were more flattering to my rather round face.

We started by making some samples to assess shrinkage rates and also experiment with different colours and textures. Sarah had generously brought along lots of offcuts of prefelt and fabrics for us to play with, in addition to our own considerable stashes!

These are my three samples, of three, five and seven layers of fibre. Although most people used three layers, I ended up using seven, because I wanted my hat to be very firm!

After measuring our heads and making some mathematical calculations, we got on with drawing out our resists and laying out.

Here is the inside of my cloche (Sarah reminded me that the inside of the brim would show, so I added some fabric along the bottom).

This is the outside.

Please note here the spots of gold-coloured fabric. This was a silk chiffon that was dark blue on one side and gold on the other. I’d used it in one of my samples and it worked quite well when felted, giving a subtle sheen (it’s the triangular shape at the top of the left-hand sample). Here I’d laid it on top of some thick circles of leftover pink prefelt.

However, when I got to the fulling stage, I decided the shape wasn’t really working. The hat was too tall – it hadn’t shrunk enough because I’d used so many layers. So rather than trim off the excess at the bottom, I reshaped it into more of a pork pie hat, with a partly upturned brim and a flatter crown. It actually suited me much better!

But remember the gold fabric? Well, the gold colour completely disappeared in the final hat, leaving much subtler blue circles, which was a bit disappointing.

This is a perfect example of what I like to call AFOT EUWA (aim for one thing, end up with another!).

Here are some of the other lovely creations made in the workshop by Emily, Nina and Sue.

And a final group shot!

How often do you aim for one thing but end up with another? 🙂

 

 

Latest Makes

Latest Makes

I got a really cool embroidered cushion cover years ago (probably over 15, thinking about it) and the back kept splitting at the seams. I mended it a few times, but it was past repair so when I went to the fabric shop recently I had a look for some fabric to replace it. I found a really nice abstract plant/paint splash design, though that’s not so obvious from the small cushion back:

It doesn’t exactly match the front, but now I have a reversible cover! This is the front:

We had a ‘play day’ at the well being centre the week before easter. I’m sure I work better the less thought I put into something! I just grabbed a couple of colours of Merino and a few wool ‘kebab’ tubes from the bag someone else had got out. I honestly don’t think I could have made a nicer piece if I’d planned it!

This week most of us did some form of nuno felting. A couple of us did a bit of ‘extreme nuno’, laying out various fabrics, then 4 really fine layers of Merino, and bingo-wing-busting amounts of rubbing until our pieces are roughly a quarter of the starting size! I need to stop using so much blue, it is a nightmare to photograph, but this is my finished piece:

I loved the ripples on this red fabric:

I can never resist using a bit of scrim and synthetic chiffon for these pieces:

This was from some fabric donated by Judith or maybe Terri, a nice shiny piece of viscose:

I’m not sure what this fabric is, one of our members brings us lots of offcuts to use. I like the way it just crumpled:

And this is the back, there was quite a bit of texture, but I liked how there was a lot of definition from a piece of organza which had kind of bent out of shape:

If you missed it, Ann’s 2nd Quarter Surface Design Challenge is Nuno Felting, so have a look here and join in 🙂