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Category: Weaving

Updated needed on my Name tag Part 1 (a 3-part process).

Updated needed on my Name tag Part 1 (a 3-part process).

Part 1:  Old and New, Part 2: the Lanyard and the card stock marudai and Part 3: needle felting of the picture and the name

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Many Years ago, Ann did a program at the OVWSG (local guild) on making your own felted name tag. She had taken a couple old blankets and fulled them (as you already know shrinking of woven or knit stuff is fulling, the term felting refers to coalescing fibres into a non-woven structure like fabric.)  She cut paper of about the same size to work out our design (our name and something with it; flower, spindle, shuttle, etc.) She had felting needles to use with yarn to write our names and draw our picture.  I hope we do this program again.  it was quite a while ago and we have a lot of new members now.

My name tag is certainly showing its age. It’s usually in the bottom of one of my spinning baskets that I take to demos. It is now looking worn and it’s about time for it to be replaced.

Part 1 Old and New -the preparing of the tag

 

The original name tag was about 2 x 3 inches and used a pin to attach it to whatever I was wearing. Pins are not always appreciated by fabric so I wanted to upgrade my new one to a lanyard so I could just loop it over my head.

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about 3 inches by 2 inches 2-3

I needed something sturdy and with enough stiffness not to bend when it was suspended. I picked a small, left-over cutting from my part of the unfortunately felted wool duvet that had been donated to the guild for dispersal amongst the felters who wanted it. ( I think I told you about that already). we carefully removed the outer cover to salvage the felted wool within.

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-Carsonby Hall Felt in 2018 4-5

It was reasonably firm but not the colour I wanted as a base so I added a nice Prussian blue to even out the surface and fix the colour. I will cut it down to make it a bit more rectangular when I finalize the design.

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I used  the evil Metal Multi-tool that I got from the Woolery (Wow! That’s fast for laying in background!) if you are doing anything flat that you want to work quickly this may be the tool for you. I made fast work of the base for Sheep ears in a workshop with Wendo at Almonte Fiberfest.

8“Felt Craft’s Ten-Needle Tool”  I found mine at the Woolery

Base done I went on to the lanyard

Check back, Part 2 the Lanyard

 

Inflicting Fibre arts on unsuspecting relatives.

Inflicting Fibre arts on unsuspecting relatives.

Last month Glenn and I took a trip down to Oakville to visit his parents and one of his brothers and part of their family who had also come for a visit. It was going to be crowded at the house so we stayed at a hotel with a pool (I got to go swimming and do pool exercises each morning). I had been hoping to see both of my nieces but Fiona could not escape from her work so I was only able to enjoy the company of Jennifer and her Mom Marg (I did not inflict fibre on Grant!) (Really I will get to the fibre stuff)

 

When the nieces had been very young, both our families had all lived in Ottawa. I had bought them excessive numbers of Barbies (because there dog kept trying to keep the population down by eating them) and had taught them how to weave Barbie blankets on a plastic loom.

 

Two years ago they visited in Oakville at xmas. while I was desperately finishing Alex’s Xmas Polar bear, I got both girls doing sculptural needle felting.  It went quite well and Fiona seemed to really like it.

 

This visit I was determined I would further their Fibre arts indoctrination. I brought supplies for pictorial needle felting, spinning (Wheel and spindle) and Japanese cord making (Kumihimo).

 

There was a lot of running around town and family visiting happening but in preparation for the landscape I took pictures of my Mother-in-laws amazing garden. I also caught shots of some of the wild life you see in their back yard. I was not sitting outside when the Raccoon and rabbit went by. (More about inspirational images in another post)

 

We  finally had a quiet day (the day before they left) and started on the drop spindle. I used the same make-it-yourself Turkish drop spindle I had used at the Gaming convention to Spin the Golden fleece.

 

For those that missed it the DIY spindle requires;

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  • 4 six inch (short) meat skewers
  • 1 longer meet skewer with the wide end cut down. (my cheap garden sheers cut them nicely)
  • (optional nail file to clean up the cut on the skewer)
  • 6 small elastics
  • 2 bulldog clips (I have medium ones but if you want less weight and momentum use smaller ones. If you want more weight and thus greater momentum use larger ones)
  • One leader cord (piece of string) about 3 feet long tied in a loop.

We assembled the spindles and I showed them the “Park and Draft” method of spinning.  You build up the twist then park the spindle between your knees. Next focus on the fibre, draft out what you want the twist to deal with and let the twist slide up to the top of that section. Add a bit more twist if necessary then wind onto the spindle. After a bit of this they put it all together and did the drafting and adding twist together.

With the first yarn successfully completed we moved on to try the wheel.

 

I had brought with me from Ottawa the new-to-me Lendrum Rook. Gord Lendrum made about 40 of them between 1984 to 1986. There a very nice little upright wheel with a very odd tensioning system. The one I have has a problem with the upright that supports the wheel.  It’s lost its’ glue and now will rotate so you have to straighten the wheel each time you set up to spin. But once you have her strait she spins like a dream!

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Both Marg and Jennifer seemed to have enjoyed the wheel. Both were able to make respectable yarn.

 

Next Jenifer and I moved on to Kumihimo with the card stalk marudai. She selected her colours, and set up her marudai.

 

She also likes blue, the green was a nice highlight with the blues.

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The supplies you will need to make a Moridi are heavy card stock (I’m using 110lb cardstock, a cereal box would work too). I made a template in publisher then saved it in PDF and Jpeg.

 

 

You will also require;

  • 8 slots,
  • a hole in the center and
  • 7 strands of yarn.

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“100% Cotton, each skein is 7.3m/23.9ft.” I found these at Dollarama

Good options are

  • tiny elastics and a
  • mid-sized Bulldog clip

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Ok now that you have run out and collected all the equipment, measured (I have heard it’s about 3 times longer than what you want to make) and carefully cut out your marudai, here is what to do next.

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Set up:

Depending on how you set up the colours and position them around the marudai you will get different patterns. (I have not yet tried all the variables yet) gather all the 7 strands together and Tie a knot (leave extra length after the knot if you want to have a fringe). Either push the knot through the hole in the centre to the back side or from the back side thread the yarn through, leaving the knot. I add the bulldog clip to the knot so it won’t slide through the centre hole. Skipping one slot (I skip the one with the direction arrow when I am setting up) space your strands into the 7 other slots. Wind your strands up so there is about 4 inches loose; the rest wound up in a butterfly. Use the knot for marudai bobbins or elastic to keep if from slipping when you don’t want it to. (See the picture above)

 

How to weave:

This is really important. There are only 3 steps!

Step 1) From the empty slot count clock wise to the third strand.

Step 2) Pull it out of its slot and move it to the empty spot.

Step 3) Rotate the marudai so that the empty slot is towards you again.

Repeat from step 1 until you run out of yarn to weave.

 

When the cordage you are making gets too long curl it up and clip it with the bulldog clip.

Keep the marudai surface flat and the strands will not tangle as much.  Also keeping them not too long will help keep them in order.

 

This is a fast, portable way to make cordage. This particular pattern, 7 strands in an 8 slot marudai, makes a number of variations depending on colour and strand placement. It is easy to pick up and put down and not lose your place

 

Jennifer really enjoyed Kumihimo. I sent her back to California with extra cotton to weave with on the airplane.  I look forward to seeing what she will do with her cordage. Now let’s see if she finds herself a spinning wheel and a drop spindle!

 

 

 

Felt and basketry

Felt and basketry

This is a guest post by Kim Winter of Flextiles.

Some of you may know that as well as being a felter I have recently developed an interest in basketry. Given that I love making 3D vessels and sculptural felt, this is probably no great surprise!

My preferred method at the moment is random weaving, as I love the organic, freeform texture of this technique. After starting with cane, I moved on to work with paper yarn, which I like much better. I think my textile background has instilled a preference for softer materials! 😉

I can also dye the paper with indigo or other natural dyes, like this piece dyed with eucalyptus. And untwisting the ends of the paper produces some delicate feathery effects.

I had the idea of combining felting with random weaving after seeing a photo of a cape gooseberry.

cape gooseberry

I thought that if the orange fruit in the centre was made from felt, it would make an interesting contrast with the paper carapace. So I wove the paper case, leaving a hole at the top, and then inserted a small orange felt sphere and stitched the two together with very fine fishing line. I then finished the top with some twining and a little tassel.

felt and paper cape gooseberry
Photo: Owen Llewellyn

I decided to develop this further into a submission for an exhibition with the theme of “fragility”. With widespread concern about the human effects on our fragile environment, I read that scientists at Kew Gardens estimate that one in five plant species are in danger of extinction due to activities such as intensive farming, deforestation and construction.

So the idea for my piece, called “One in Five”, was to make five stylised seeds combining felt and paper yarn, to represent the fragility of the environment in general as well as their own precarious existence.

The second pod I made was based on a sycamore seed. I needlefelted the two seeds first before wet felting them, and then wove the paper wings around them.

felt and paper sycamore seed
Photo: Owen Llewellyn

I used a similar technique for the third seed, which was based on a bean pod.

felt and paper bean pod
Photo: Owen Llewellyn

The fourth seed was slightly different – no random weaving was involved. Instead, I wrapped several strands of paper yarn together, feathered the separate ends, and covered the wrapped ends with felt to resemble a dandelion seed.

It was a bit tricky to felt around the paper without making it soggy and droopy. So I ended up applying some matt varnish to the paper to protect it before felting, which worked a treat.

felt and paper dandelion seed
Photo: Owen Llewellyn

The fifth and last seed was the most difficult. I wanted to make a spiky seed case, a bit like a chestnut, but it was tricky to work out how. I eventually made a random weave sphere and then looped short lengths of paper yarn all over it. I started feathering all the ends, but then decided that the overall effect was too much and that I should just feather a few randomly. So I had to reloop quite a few bits of yarn!

felt and paper spiky seedcase
Photo: Owen Llewellyn

Having finished making the seeds, I had to decide on the best way to display them. They would obviously look better suspended rather than lying on a flat surface, but in one of the galleries where this exhibition will be displayed we cannot hang things from the ceiling.

One of the other advantages of felt and paper is that they are both very light materials – each of the seeds weighs only a few grams. So I thought I could somehow mount a branch on a wall and hang them from that.

I spent days looking for the perfect branch. Luckily, we’ve had a few blustery days recently, so there has been no shortage of branches, even on London pavements! I finally found one that’s not too heavy, is an interesting shape and has some lovely lichen.

branch

So then it was off to a photographer friend, Owen Llewellyn, to take some pictures that would hopefully wow the selectors and persuade them to accept my submission. After experimenting with three different backdrops we finally went for a plain grey background, though there also some interesting experimental shadow pics!

five seeds on branch
Photo: Owen Llewellyn
dandelion seed with shadow
Photo: Owen Llewellyn
bean pod with shadow
Photo: Owen Llewellyn

Anyway, it clearly worked, as I have just heard that my submission has been accepted for the exhibition, which will be on display in London at the end of May and Birmingham in October. Phew!

Card Weaving Class

Card Weaving Class

This last weekend I took a Card weaving class at my Guild. Judy Kavanagh was the teacher. I am not a weaver but this looked so fascinating I wanted to give it a try.

After Judy explained generaly how it all worked and how the chart we would use to thread our cards worked we picked our colours and made our own charts for the colours we had picked.

We used playing cards to make our cards. First we cut them square and then we punched holes in the corners and labeled them so we could thread them correctly.  We wound a short warp (the long threads we put through the holes) I don’t have a picture but you just wound threads around the 4 corners of a warping board. We could have used anything with about a 1.5 meter circumference.

Then following our charts we  threaded the cards. It looked a bit of a mess to start, but after making sure all the cards were the right way and I straitening them we were all set.

 

 

Some of us tied to the cabinet doors and others to the looms.  We started weaving.  It got very quiet as we all concentrated. The shuttles we used were made by Judy. I bought this one because I really liked it and didn’t want to give it back.

We rotated the cards 4 turns forward weaving between each turn and then backwards 4 turns weaving between each turn so that we made lozenge shapes in our weaving.  We tried variations on that.

Here is a short video (taken by Judy) of me actually weaving…..  applause here. LOL

Ann doing card weaving from Judy Kavanagh on Vimeo.

You can see that mine is smaller than the others. Judy said to beat the weft (the cross fibers we are putting in) very firmly. It seems we have different definitions of firmly. No matter, the only thing I didn’t get to try because of it was making my weaving round like a tube. My weaving was to inflexible. You can see the little broken thread sticking out on the right hand side of the right hand picture. That is where I tried to pull it into a tube and broke the thread instead. if you click on the picture it will pop up bigger so you can see it better.

It was cool. This was only 10 cards but you can do as many as you like. There is a free program that you can use on line to make patterns for up to 64 cards I think it is. https://twistedthreads.org/ You have to join to play with it but its free. You can get very complicated, turning some cards forward and some back at the same time. You can spell out words and do very complicated patterns and pictures. If you google image card weaving patterns you will see so many. I couldn’t chose which to show you.

 

 

 

 

 

 

Some Spinning and a New Loom.

Some Spinning and a New Loom.

Things are still very busy here with the bottle lambs. So there is not much time for felting.

I have managed to do some spinning. It all still needs plying.

This one I think will have to be plied with somthing else. I think that if I try to pull the yarn out of the middle as well as the outside it will get hopelessly tangled with all the curls.

Sunday I am picked up a new to me ( and Jan of the polar bear and bull frog). This is an upright tapestry loom. The loom has come all the way from Sudbury. It was transported down by a lady down to visit her daughter saving Jan or I from having to do the long drive up there. As you can see it is all in pieces in my van. I have to clear space for it. that will hopefully happen over the next moth or so as my husband builds his new space and I get to take over his old space. My plan is to make some fleece rugs. I think Jan is planning a Viking cloak.

 

Demo Last Weekend

Demo Last Weekend

This last weekend my guild did a Demo at the Carp Fair I went on the Sunday.  I took a blending board to make some more rollags. I had some hand cards with me and I had a spindle I was spinning a rollag on so I could explain it all.  It was very popular with the visitors to the fair. .

Bernadette was spinning Rambouillet on her wheel. In this picture she is Chain plying it.

Jan was working On the Edo Challenge. And Yes that is an octopus. I am hoping to get her to do a post about her progress. Here she is explaining it to some visitors.

Her fish was there on display and tried to eat a passing child.

Julie was weaving. She is doing shibori on the loom. She weaves the draw strings right into the scarf ready to be tightened up and then dyed. She has a finished sample onto of her loom.

 

And lastly 2 of the display tables.

I didn’t get any of the third table except Jan’s Fish.  We had a great time chatting with people about spinning, weaving and felting.  Have you been doing your crafts in public lately?

 

Wild and Crazy Yarns Woven then Felted

Wild and Crazy Yarns Woven then Felted

I still had a bagful of yarns left over from my Wild Table Runner so I decided to do a little weaving with some odds and ends. It was a mixture of synthetic, wool and wool blends.

I used a black metallic acrylic yarn as the warp.  It was a bit stretchy but I intended to felt it when finished so I wasn’t concerned.

Here it is still on the loom.

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I went back and forth on what to use as the background. Finally I decided I wanted to keep the colors from getting lost and chose a white prefelt covered loosely with a white merino batt.

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Here it is after felting.  As you can see even the white merino is more beige than the white bamboo.

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Its kind of wild, but fun.  There is a lot of dimension since some of the warp and that crazy eyelash yarn  are sticking up.  Most everything else including the wide orange and purple synthetics felted in nicely.

Some closeups:

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From the side:

20170205_135941It was fun to see how the different yarns reacted.  I’m not quite sure of what it reminds me of, or what I’ll do with it. But it was a quick and easy project after traveling.

If you missed my Caribbean Inspiration you can see it here:  https://feltingandfiberstudio.com/2017/01/30/some-inspiration-and-fun-from-the-caribbean/

 

Mini Weaving

Mini Weaving

It seems lately everyone is into weaving. This past summer I was shopping with my daughter in law at Joann’s and this mini loom caught my eye.  I actually thought it might be something to do with the grandsons.

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The last time I wove anything was on one of those metal looms using loops to make pot holders.  Yeah, I’m showing my age.

I forgot about the loom when I got home then when I was gathering all my scraps for the 4th Quarter challenge I found it under a pile. Ok, let’s see how this works and what all the hoopla is about.  Looks easy enough.

I have a tubful of yarn so that’s where I started. I thought an autumn theme would be nice. The black acrylic/wool combo also has a little silver bling, the pink ball is mohair and the multi colored yarn is thick and thin with a little blue and white thin threads.  I also added some polyester and silk scraps and hand dyed boucle.  The ball of yarn under the string is the alpaca I used to make my Ginkgo leaves a while back.  Not pictured is hand dyed green pencil roving.

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They don’t sell the warp so I decided to just use string. Besides I didn’t want to invest in anything if it was something that I wasn’t going to do a lot of.

I didn’t like using the shuttle, so I just used my fingers.  Here it is on the loom:

20161113_144410Here’s a closeup:

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The instructions were not helpful so I ended up finding a video online.  I used the alpaca as fringe. I wasn’t following a particular pattern just kind of winging it.

Of course, I had to hide the ends which was a lot more fiddly than I like.  But I like the overall look.  I decided to make it a wall hanging and cut a piece of bamboo to tie it to.  You can’t tell from the picture, but it’s hanging on a light gold wall.  Sorry about the shadow .

20161113_151758It took me a lot longer than anticipated.  But I’m happy with the results.  I may try another to felt.  But I don’t see myself investing any larger looms.  I admire those of you who have the patience to dress a loom and weave away.

 

Unknown Botany Lap Waste Update

Unknown Botany Lap Waste Update

I finally got around to felting a sample of the turquoise Botany Lap waste I used on a piece I blogged about a couple of weeks ago. It was the lighter blue stripes on the back of the piece, and in patches in a couple of places. Noy surprisingly, it didn’t felt in exactly the same way as the purple sample I tried and mentioned last time:

OLYMPUS DIGITAL CAMERAIt even separated at one end like the purple piece did:

OLYMPUS DIGITAL CAMERAThis is how it looked at the window:

OLYMPUS DIGITAL CAMERAI bought some ‘slik n soft’  50/50 Superfine Merino and Tussah Silk in the same order, so just out of curiosity, I made a small sample of that. I’d started to worry I’d lost my felting skills, but it was pretty obvious as soon as I’d wet the 50/50 down that it was already starting to felt:

OLYMPUS DIGITAL CAMERAI don’t think I’ve ever used a really blended blend before (if that makes sense?!), I liked how it turned out. I’m still none the wiser about what those tops are, but at least I know it’s not something I did, or didn’t do!  Before I tried felting any of the Botany Lap waste tops, I’d tried spinning some. It was only the 2nd time I’d used my wheel, so thought the trouble I was having was beginner’s issues and also because I was trying tops. My first attempt had been from blended batts I’d drum carded and was much easier. I’d always planned on using the spun yarn for weaving anyway, so used some on one piece:

OLYMPUS DIGITAL CAMERAI made a fibre sampler at the Well Being Centre the other day, using staple fibres in 3 different ways. From top to bottom: Nylon, Plastic, Soy Staple, Bamboo, Cotton. I forgot to use Viscose. The first column is ‘as it comes’; the second column is the fibre ‘fluffed up’ and the third column is some fibre and some wool fluffed up/loosely blended together:

OLYMPUS DIGITAL CAMERAThis is a close up of the Plastic fibre all fluffed up:

OLYMPUS DIGITAL CAMERAAnd this is how the fluffed up Soy looked after felting:

OLYMPUS DIGITAL CAMERA

Woven Burlap and Wool Basket

Woven Burlap and Wool Basket

Recently I was sent some free burlap products to try out from BurlapFabric.com. They sent burlap in different colors, bags, strapping and a table runner. I gave some of these items to the women in my surface design group to play with and we will have more examples of using burlap soon.

Burlap Products from BurlapFabric.Com

Here’s a photo of some of the burlap I got. You can see more of their products here.  They also sell cheesecloth and broadcloth.

Burlap Strapping

I decided to try out some of the strapping that they sent. I used the smaller 2″ variety in the center of the photo. It took me a while to figure out who I was going to use it and then I was cleaning out my studio and ran across a tutorial on how to weave a basket from brown paper bag strips. Thus the idea for using the strapping along with some beautiful wool yarn that my friend Nanci had given me was born.

Project Supplies

So I thought I would show you how I created the basket. I am not a basket maker or a weaver so I was just making it up as I went along. I did use some paper strips to work out how long the burlap strapping needed to be and that I had enough for what I wanted to make. I ended up using 6  pieces of strapping that were 16″ long. I used about one half of the skein of yarn that was originally 90 yards long. The yarn is a hand dyed merino wool yarn.

Burlap Strap Weaving

To start, I wove the burlap strapping together to make the bottom of the basket. I wanted it to be sturdy and wasn’t too sure of my weaving skills so I decided to sew the bottom pieces together on the sewing machine.

I pinned the strips together making sure that there wasn’t any space left between the strapping. Then I sewed around the edge of the woven square. Hopefully, you can see the stitching on the photo on the right. I used cotton thread that was nearly the same color as the strapping so it would just disappear.

Next, I decide to fold in the edge pieces where I would begin weaving so that my basket would have a distinct “right angle” from the bottom to the edge. I ironed along the fold so it would make a sharp edge.

Unfortunately, all the weaving photos I took were all blurry. It was a bit difficult taking photos and weaving at the same time. I did leave a long tail of yarn when I started weaving. I’m not really sure why I did this but it came in really handy. Since I haven’t done any basket making or weaving, it took a bit for me to figure out how to get this to work. I kept fiddling around until I started using the long tail of yarn to wrap around the weaving yarn so that it would be the opposite direction when I went around the basket again. Otherwise, it kept ending up not being the opposite over and under direction when I did the next level of weaving. I’m not sure this is making sense to anyone but me or if it was because I had an odd number of straps or what.

Corner with Weaving Long End In

Here is the corner I am talking about. All the other corners are smooth but this is where I used the tail end of the yarn to start the next round of weaving. You can also see in this photo that I folded the top edge of the burlap strap and tucked it under the yarn on the inside of the basket.

Ironing Folded Top Edges

Once I had tied off the yarn end and tucked it out of sight, I ironed the top folded edge too. I am sure there is some specific way you are supposed to end your weaving but I just made it up and hoped for the best.

Sewing Top Edge

I then put the top edge back under the sewing machine and stitched it down.

Top Edge Stitching

Here you can see the stitching at the top of the basket.

And here’s the finished basket. It’s actually very sturdy and I love the yarn. I had been saving it for the right project and it worked very well for this basket. I hope anyone who is a basket maker or weaver will forgive my ignorance in the process 🙂

Thanks to Pearl at BurlapFabric.com for the supplies. It was fun trying out something I don’t normally use! There will be more burlap posts in the future showing what my friends did with their ideas for using burlap in fiber art.