Same Picture, Different Techniques and Outcomes

A while back, I purchased Moy Mackay’s book Art in Felt and Stitch.  I like her use of bold colors and particularly like her flower and bird pieces.  While chatting with Cathy (Luvswool), I learned she also had Moy’s book and we both liked one particular vase of flowers in the book called Anemones.  We decided to do our own interpretation of that picture below.  (The quality is not great because I took a picture of the picture in the book.)

Moy anemonesCathy –

Moy lays out her fibers from start to finish, with “brushstrokes” of fiber, much as a painter applies paint to the canvas.  When she is finished laying out her merino roving, she then felts the entire picture as one piece.  Later, she needle felts details and then embroiders with machine stitching.

My approach was a bit different, in that I prefer to layout my base first then wet felt it so that I end up with a pre-felted white base on which to paint my picture.  I had previously used this technique in creating other felt painting and so was comfortable with the approach.  After my white domestic 56′s base (2 layers) was completed and dry, I began the process of laying on merino fibers in various colors, not exactly the same as Moy.  I added tussah silk highlights and then wet-felted the entire piece.

After drying, I began to needle-felt details, such as shadowing for the vase, some detailing for the flowers.  I chose not to machine stitch or hand embroider, rather I allowed the needle felting to be my finishing.

Cathys Moy

Newly armed with a stapler gun and some stretcher bars, I backed the 12″ x 12″ piece with blue commercial felt and framed it.

IMG_5752

Marilyn –

I chose to follow Moy’s method as mentioned above in Cathy’s description. For me there were a few firsts — I had never “cut” roving, had done free motion machine stitching or embroidered felt.

base

I made the base from batts I had made using dark colors, then added the lighter accents, the vase, then built the picture from the background forward laying out the background leaves then cut the flowers and laid them out.  I added some silk embellishments, angelina and nepps, then I wet felted the piece.

moy layout

After it was dry, I needle felted around the vase and added needle felted shadows on and around the vase and some details in the flowers.  My challenge came when I started the machine embroidery.  The felt around the flowers was thick because of the layering of the background leaves. My machine wasn’t happy about that.  After a couple of broken needles and a lot of frustration, I finally finished.  I added a couple of hand embroidered flower details to finish it.  I enjoyed trying a new technique, but will keep in mind the potential thickness issue when doing anything similar again.

Moy 2

After cleaning it up a bit, it is now sitting in the “to be framed pile.”

 

 

 

Posted in Mixed Felting Techniques | Tagged , , , , , | 3 Comments

Present For My Mum

A few weeks ago, my mum was talking about getting her bedroom redecorated. I’d been struggling to think of what to get her for her birthday, so this gave me an opportunity. I casually asked about the colours and she said she wasn’t sure because she wanted to match the paint to the wallpaper she was having on one wall, luckily, she knew what the wallpaper was called, so after she left, I looked it up:

ella wallpaper biggerMy first thought was to try to convince her to have the nice blue and brown version! But, I resisted and downloaded the picture. Then I opened it in Photoshop and tried to pick out all the colours and made an image with a few stripes in the various shades.

ella wallpaper shadesThen I printed out the sample and stripes and started to plan a wall hanging for her new room. I wanted something soft, texturey, not too neat. ‘Raggy’ is the best word to describe what I was after, I think. I spent a couple of days making blended batts in the shades I wanted. Then I spent a few days making twists of wool and fibres and also spun some ‘arty’ yarns for the piece. Unfortunately none of the photos I took came out  :(  but when I’d finished making them there were at least 150 lengths of wool, commercial art yarns and fibres twisted or spun together. I laid out a couple of layers of wool tops, then carefully added all the twists where I wanted them. I had to take my table outside to felt it because it was so big and I knew I’d make a mess.

OLYMPUS DIGITAL CAMERAThis is a close up of it with the netting on:

OLYMPUS DIGITAL CAMERAAnd a peek under the netting

OLYMPUS DIGITAL CAMERAIt didn’t take as long as I thought it might for it to felt, probably because it took so long to make sure it was all thoroughly wetted! This is when it was all wet down and starting to felt.

OLYMPUS DIGITAL CAMERAAnd this is the finished piece:

OLYMPUS DIGITAL CAMERAI knew as soon as it was dried that my mum would want it as some kind of rug/mat and the first thing she said was ‘Oh, this is going on top of my drawers, it’ll be perfect.’ Some of the yarns I made were by plying handspun merino with commercial yarns, but mostly I just plied half thick, half thin merino together. Closer view of the middle:

OLYMPUS DIGITAL CAMERAHere are some commercial boucle yarns, one twisted in on the left and the one I laid on top is mohair from Marilyn, I think. There are a couple of my yarns in there too:

OLYMPUS DIGITAL CAMERAI’d forgotten I used some organza and cotton gauze in the twists too, you can just see a bit of organza here:

OLYMPUS DIGITAL CAMERAYarny Texture:

OLYMPUS DIGITAL CAMERAI thought a bit of colour might make a change from all the natural wools and fibres this week :)

Posted in Uncategorized, Wet Felting | Tagged , , , , | 35 Comments

Felting Along

I am felting along. I do not have anything much to show for it yet but I am plugging away at several things.

I am almost finished the instructions for a nuno felt bracelet kit I plan on selling. I have all the instructions for the felting done but still need to do the finishing, adding buttons and button holes. It takes so much longer to do than you think it will.

Pull the wool roll

check fit again

I have been working on finishing some other bracelets. This is the one I am working on at the moment.

bracelet in progress

I have been spinning on a new drop spindle made by my friend Judy.

spindle 2

Have you been tackling big jobs or small ones so far this summer?

 

 

 

 

Posted in Design, Finishing/Framing, Nuno Felting, Spinning, Stitching, Uncategorized, Wet Felting | Tagged , , , | 12 Comments

Shibori Felt Sample

I have made a couple of pieces of shibori felt before but not for a while. I wanted to try it with two layers of color and cut back the top felt.

This is the shibori felt I made in the past. For the sample I am made today I used some wool that I got as a gift. I’m not sure what breed it is but it felt a little coarser than merino but it felted easily.

MINOLTA DIGITAL CAMERA

This is the wool I used. I think it’s German packaging.

MINOLTA DIGITAL CAMERA

So I laid out a circle of red wool with a fairly thick layer.

MINOLTA DIGITAL CAMERA

Then I added a layer of green wool.

MINOLTA DIGITAL CAMERA

I wet it down and rubbed for a bit on each side. I then rubbed it gently on rubber stair tread.

MINOLTA DIGITAL CAMERA

Here is the felt at pre-felt stage on the back side.

MINOLTA DIGITAL CAMERA

And here is the green side. It’s already starting to shrink a little bit as you can see by the wrinkles.

MINOLTA DIGITAL CAMERA

I then used straight pins to figure out where I wanted to put the folds in the felt.

MINOLTA DIGITAL CAMERAI stitched it together using a running stitch and button thread. I pulled the thread tight as I went. I then fulled the felt keeping the folds tight together as I fulled.

MINOLTA DIGITAL CAMERA

Here is the piece after fulling. I removed some of the thread but it still has some in there as I couldn’t find a lot of it.

MINOLTA DIGITAL CAMERA

Here’s the back side after fulling.

MINOLTA DIGITAL CAMERA

And then I took a pair of scissors and cut off the top of the ridges revealing the red wool underneath.

MINOLTA DIGITAL CAMERA

I love the textures and the contrasting colors.

MINOLTA DIGITAL CAMERA

Here’s a little closer view. I’m not sure what I’ll do with this piece but I do like the way it turned out. Have you tried this technique? I’d love to see what you’ve made, come on over to the forum and show us!

Posted in Wet Felting | Tagged | 27 Comments

What Does Your Calling Card Look Like?

In a few weeks, Cathy (Luvswool) and I are going to attend the Midwest Fiber Fair in Grayslake, IL.  I started thinking about what a great opportunity it might be to introduce some people to the Felting and Fiber Forum/Studio.  But I didn’t have any business cards.

So, while working on one of my felt projects I decided that if I’m representing a fiber collaborative I should have business cards that reflect that concept.

I pulled out a bunch of prefelt pieces leftover from other projects and piled up a stack of embellishments and went to work. Of course, I forgot to take a picture before I felted them.  I used just one layer of prefelt so that it wouldn’t be too thick and proceeded to play with the embellishments using yarn, silk, silk habatoi, silk hankies,  sari threads, throwsters waste, silk gauze with sequins and ribbons.

When I finished felting/fulling the pieces, I cut out a business card size plastic piece and cut out the cards while the felt was still wet and soapy.  Then I worked the edges some more before rinsing and drying.

biz cards wool side

After they dried, I steamed and shaped them a little more. Some of them shrank while drying so I did a bit of pulling and stretching.

I didn’t want to sew them on, so I used three different types of glue (Elmers Clear, Sobo and Tacky Glue) to see which would work best, but all worked nicely and didn’t leave any residue.  I applied it using a wooden stick so it was evenly covered. The nice thing about the glue was that while it was wet I was able to stretch and manipulate the felt to cover the card.  To make sure they stayed put I piled a couple of heavy books on them to let them dry and flatten.  I left the organic edges because I like that look.

2014-06-27 13.10

I’m not sure how people will react to wool business cards, but I think it sends the right message.  I’m definitely a fiber enthusiast.

2014-06-27 13.09

The next time I make more cards I will stick to silk and embellishments that are flatter.  While the yarn and ribbon are nice and very textured, it is a bit more bulky.  What do you think?

 

Posted in Marketing | Tagged , , , , , , | 29 Comments

Using Black and White Viscose together

I think most of the natural wool and fibre panels I’ve posted about have used one breed of wool and one fibre. I did post about Humbug (black and white striped) Jacob about a month ago, and I’d used both black and white viscose top with that. This first piece is light grey Swaledale, it’s mostly a creamy white with light and dark grey flecks which give it the light grey appearance. I blended some black and viscose tops by hand and laid them on top of the Swaledale:

OLYMPUS DIGITAL CAMERAThe overall appearance of the blend is a dark grey, with white streaks:

OLYMPUS DIGITAL CAMERAThe separate colours are a bit more obvious close up, I like the way the fibres appear to sit just on the surface, lightly tangled with the Swaledale fibre.

OLYMPUS DIGITAL CAMERAThis is a bit closer and slightly at an angle, showing where the fibre is a little bit thicker, I like the twists and waves.

OLYMPUS DIGITAL CAMERAThis next piece is one of my favourites, it’s English 56s with Angora locks. I don’t know if there’s a proper name for older goat locks, I’ve heard ‘yearling’ used, but I don’t know how old the goat was these are from. They are a lot thicker and generally less soft and more wavy than curly kid mohair. I loosely combed the locks through a handcarder with either black or white viscose, to blend with the locks. I laid them out loosely alternating each row: black, white; white, black etc.

OLYMPUS DIGITAL CAMERAAn angled shot:

OLYMPUS DIGITAL CAMERAA close up where the locks were felted in more:

OLYMPUS DIGITAL CAMERAAnd a supermacro of course:

OLYMPUS DIGITAL CAMERADo you prefer combinations of wool and fibres which have lots of character and texture or do your prefer the more softer effects of fibres closely felted to the surface of a smoother wool?

Posted in natural wools, Other Fibers, Wet Felting | Tagged , , , | 25 Comments

Making a Felt Hat with T-pins

A little while ago I received some T-pins. I had never used them before. I haven’t mad and hats with folds for some time as they are difficult to get the folds where you want them. As you try to put the second fold in the first one can easily get pulled out and so on. with the T-pins it was much easier. I could put a fold in and then pin it and then work on the next one.

hat with pins

 

The hat block is a hard foam raffia hat block. the only place I know that sells them is Franks, http://www.franksupply.com/raffia/hatmaking-supplies.html  I left all the pins in while it dried. Here it is after is is dry. It is merino wool with silk lap on accents

hat1 hat 2 hat 4 hat 3

 

I am quite pleased with it. I haven’t yet decided if I want to leave the organic edge or if I want to trim it smooth and even.

Posted in Design, Experiments, Felted Hats, Uncategorized, Wet Felting | Tagged , , , , , , , , , | 25 Comments