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Author: mariees26

Retired Nurse Practitioner. Irish Woman abroad. Devoted granny.
Knitting adventure continued.

Knitting adventure continued.

My post this month is another mixture of things.  I have continued my reacquaintance with knitting, and I want to become a more skilled hand knitter.  It is such a comfortable task to sit with in the evenings, and time passes very easily.  I have made another hat, and an asymmetric triangular scarf.  I loved the hat that Carlene wears sometimes, and Ann suggested where to get the pattern.  This hat has a wonderful name “Anemone Hat”, the main body looks so complicated, but is quite straightforward really.

Pattern obtained, then some time spent studying it, especially the rib, or the Moebius half-twist as it is called.  However, I have only just become familiar working with a circular needle, so this form of beginning the hat was a stretch too far for me, or a little like ‘double dutch’ as the expression goes, so I did some plain knit and purl rows instead.  I may try the moebius another time.  The yarn used was from my sister, and is King Cole stylecraft, 50% wool and 50% acrylic.  There is a much wider variety of yarn types today than was available when I was younger.

Leonor connected me to a free pattern for a scarf on her website, that promised to be easy to knit.  I had one skein of wool, from West Yorkshire spinners 70% Falkland wool, 20% lyocell, and 10% Cashmere, in a lovely soft green shade, and is soft to touch.  I was hoping it would be soft around my neck, because sometimes wool can be prickly.

I needed help with a scarf because I could not figure out how the triangular shape would be achieved; in the end this achievement was actually quite simple really.  So I began knitting, starting with a few stitches and ended up with over 150 or so, and I could carry on until I was happy with the length, with enough yarn to continue, and in the end I had a triangular scarf.  Then a cool wash and pinned it onto the ironing board to block it.  I practiced some simple lace pattern stitches to break up the plain knitting.

Early on during the winter, the Dean of Gloucester Cathedral put out a call for some volunteer embroidery people to help repair an altar cloth that has a lot of wear and tear from use over the years.  I belong to a group of women who do crewel work; we meet twice a month for two hours each time, to work on our own projects, or just to stitch.  Four of us decided to help out with this task, and we car share twice a month over to the Cathedral.  The Dean provides use with tea and coffee! Gloucester is about a 45 minute drive from me.

The altar cloth needs repair to many areas.  All of the embroidered motifs have been appliqued onto a base of hard wearing linen.  Many of the motifs have become loose, and some of the motif threads are degrading almost as soon as they are touched.  There is a lot of gold work on the cloth too, much of this is also loose, and takes time to stitch back down, but so worth the effort, and it makes for a lovely sheen on the work.  We are using cotton embroidery thread, and some silk thread.

The cloth will be returned to use as an altar cloth, we are repairing it for use during church services, and not to museum conservation quality.

No one is quite sure how old the cloth is, the embroidery thread is disintegrating in places, and the only thread that is not perishing is the white thread that is couched around each motif.  This is an example to us of how likely it is that the dye used could be the main reason for the coloured threads to perish.

This work will keep us all busy for some months, but I do enjoy it.  A sample of my stitching is the featured image – practice work really.

Revisiting knitting

Revisiting knitting

Hello everyone,

My post this month is about knitting. My mum taught my sisters and me how to knit when we were growing up and at school – not my brothers though…… I remember knitting jumpers (Aran patterns), socks and mittens. I have a vague memory of knitting gloves, and one sister remembers knitting gloves too.

That sister has continued to knit throughout the years, and she makes some wonderful items. I have not knitted since then; I also used to crochet at that time and enjoyed it very much. I think crochet is much easier to learn and remember, it seems much less complicated than knitting does these days, and I taught (assisted by YouTube!) oldest grand daughter how to crochet some time ago.

So when Christmas was over, and all the decorations put away, I decided that I would reacquaint myself with knitting and it’s language again. There had been a knitting show on TV before Christmas, and that also encouraged me ‘to have a go’. My sister gave me some of her needles – mostly circular ones, and some double pointed needles. I had used the DPNs with my mum to make socks, so they were familiar, but the circular variety were alien to me, and would have been to my mother also. My sister said I would get used to them ‘ in no time’, but with dire warnings about not twisting the cast on stitches when joining the circle. This was a struggle, and there was a lot of muttering, and some (in)appropriate words used during this battle.

Another dilemma was what yarn/wool to use. I had known 4ply and double knit when younger, but now there is fingering weight, spindthrift, lace and many other types. Totally confusing, plus pattern instructions are different – no longer many rambling lines of letters and numbers to lose your place on, and there are graphs showing the patterns. I don’t know if this is good wool or not – but it felt nice to touch.

What to make.

I decided on a hat, and it looked achievable and after a bit of reading I borrowed a couple of books from the library, and registered on Ravelry. There is a small local yarn shop in my town, and I paid a visit there.

I found one mistake when I was knitting, (too many stitches) but I left it in, and then corrected the stitch count – I did not want to undo it. There was  another mistake with the design graph – I corrected that with a pencil on the chart, I will erase it before I return the book to the library. Both photos above illustrate the errors.

 

I am pleased with the hat and how it looks when finished, and really happy that I did not give up. I found the pattern a challenge for the first half, but it became easier as I progressed. I don’t like pompoms, so I crocheted a flower shape and secured it with a button. I had 2 buttons to choose from and decided to use a red one.

         

I enjoyed my own challenge.

I cannot get my pictures any smaller, it is so frustrating! I use a MacBook Air, and it’s tools to ‘edit’ the photos. I use my phone to take photos, and make them about half a Mb to upload. Apologies.

A Tea Cosy and other efforts.

A Tea Cosy and other efforts.

Hello.

For my post this month, I have made a felt tea cosy, started and completed a quilt, and my grand daughter photographed me in the denim jacket that I have worked on over the last few months.  Tea cosies seem very popular just now – I’m thinking about Lyn’s wonderful cosy from a couple of weeks ago – my cosy is a little more sober than Lyn’s beauty!

I had watched a video tutorial some time ago from Fiona Duthie; she was demonstrating a vessel in a vessel technique,  I thought it looked intriguing and so very effective.  I don’t think I had the skill to make something similar, but I thought perhaps I could make a tea cosy using the instructions.

I made a paper pattern for the cosy, then made a double pattern using some flooring underlay, and made it bigger by about 3 inches all round, for the inside and outside layers.  I was hoping that this would yield the correct size when shrinkage is complete.

I found the layout to be a little confusing, especially the inside out view of one side of the cosy.  I had the tutorial up on my laptop while I was doing the layout, along with a pair of socks – one right side out, the other inside out – to ensure I got it right.  I wanted the outside to be green, and the inside – that would be visible through some apertures – to be purple.  It is even confusing trying to describe the process here.

The felting went well, the shrinkage worked, and the size turned out as I hoped.  I think (know) that I made the green (outer) side thicker than the inside; I thought that the inside would not fit properly if it was the same thickness as the outside.  My other conundrum was where to cut the windows in the outside layer, how many, the shape and size – a one time only decision.  It is now dry and the inside fits very nicely.  I will probably try to do a vessel in a vessel next year sometime, and I hope to manage the challenge of the vessel’s narrow neck that is in the video tutorial.

 

So, onto the next item – my quilt. This has been brewing in my head for a little while, and I needed to get on with it. It is made using the many, many hexagon shapes that I have made and squirreled away over the last few years ‘for a future project’.  These hexies, small and large, some pieces of my old embroideries, and some vintage tray cloths, were used for the quilt top.  All of these various items were then appliqued onto nine rectangle shaped pieces of fabric (an old cotton high thread count bedsheet). These were then joined together using some coordinating fabric as sashing, into one large piece of ‘fabric’. I used some of the same fabric for the border around the quilt edge, and also used some to make the binding.

 I had to find some backing fabric, and batting for the ‘sandwich’.  The backing fabric is actually a deconstructed  king size duvet cover, and it coordinates very well with the quilt top.  Then all I had to do was to put the three layers together and to quilt ‘the quilt’.  I used my sewing machine to quilt in straight lines, in a sort of grid, but not a complicated design, and I drew the lines on with a Frixion pen.  It was quite heavy to move the quilt through the machine, and that was a bit tiring really! I am super happy with the result, and it looks just how I imagined it would. Quilts can be very expensive items to make, both in materials and time. The quilt top materials were all repurposed, and charity shop finds, the backing fabric – a duvet cover, was a charity shop find too, a good label though, so the batting was the only item I had to buy.

I had promised to show my jacket, so attached is a photo of me wearing it, and I am very pleased with it too, lots of compliments given which is very gratifying, there is a little difficulty in understanding how I completed the stitching – even after I have explained how I worked the shapes – eyes tend to glaze when I mention a grid!!

Some of these photos are very large again, apologies.

Jacket completion

Jacket completion

To finish the back of my jacket, I needed to decide what pattern to stitch on the remaining back panel. I wanted it to have a similar look to the panel on the other side.

I drew another grid to help me with the design; it is a 2cm grid, again drawn with a Frixion pen. I used an egg cup to make the semi circular shapes.

The initial long oval shape I drew can be done in a portrait or landscape orientation, and it can be left like this if using a smaller grid, for example 1cm, and a smaller item to aid with drawing semi circles. I repeated the design in the opposite direction with the egg cup, and now it looks completely different.

The design has a tessellating feel to it, and I think it does look very effective; hopefully you can see this in the stitched pattern. I have taken the design up to the back yoke to match the other side. I have added some further stitching to the earlier patterns I made on the back yoke – two further circles stitched along with a pattern development on the completed circles.

Both side panels together, showing the different patterns achieved with a grid and a pen!

Extra stitching, and another couple of circles to the back yoke.

Again, I have used a variety of embroidery floss to stitch the design, and I feel that both sides compliment each other very well. Some of these patterns do look complicated to sew, but are really just a wavy line, and stitched on the diagonal. The tricky bit is where the lines meet, or cross over.

The inside of the stitched area is not too untidy, so I will leave it for now while I think about it for a little longer. I may add some lining to the yoke area especially, and I will probably sew that to the seams.

I will probably add more stitching to the jacket as time goes on, mainly to the front yokes, but I feel that it is fine for now, and time to look towards something else.

I am really glad that I made the decision to do some stitching on this jacket. I am having second thoughts about whether I should have used just one colour to stitch, but this is not classic sashiko, it is just some decorative stitching in the style of sashiko. I wear it out too.

My photos have turned out a little better I think? They look ok on here as I am typing this, and inserting them into the text, but what they will look like when posted is another story. Probably huge again. Pale denim with some stitching on does not make for good photography I feel. One photo looks a little blurred as I am writing this, but that may possibly be due to the remnants of the ‘seasonal cold’ that I have had for the last 2 weeks, but I am gradually recovering.

Stitching progress

Stitching progress

My post this month is – surprise – more stitching on my jacket. Last time I was unsure of what pattern or design to stitch on the side panels at the back of the jacket. I did think about a group of straight lines in a vague fan shape for these panels, but I wanted something that would be a little more challenging for me to do, and also, would be interesting to look at.

I saw a design that I liked very much from ‘The Green Wrapper’ on her Youtube channel – I have mentioned her work previously. I changed the pattern slightly and worked it on a 2.5cm grid, and then used a 5cm diameter circle, in a pattern, so that each circle interlocks with it’s neighbour. This interlocking of circles provides the final pattern.

         

I drew the grid, and circles with a Frixion pen; some circles are misplaced, and are clearly visible, but I did not risk removing them with the iron, for fear of removing too much of the correct marking, and having to repeat it all again. Luckily, I could clearly see the path of the pattern, and I added extra pen marks to assist. To draw the circles I used a small sherry glass, it was a touch under 5 cm diameter, but also just perfect! The two photos below show where I have made mistakes.

                

The next decision was to decide to use just one colour thread, or many colours. I went with the latter, and I did not think too much about the direction of each colour in the stitching. I used stranded embroidery floss, and a little wax to help ease it through the fabric.

Initially, I planned the pattern up to the armscye, but halfway through the stitching I decided to extend it up to the yoke. I do think it looks better having the pattern fill the space of the panel. The stitching is almost complete on this side, and I have removed the pen marks on the lower half of the panel with the iron, so that the pattern is more easily visible. The colours are not as bright in the photos as they are in real life, but I hope that you can see the pattern fairly well.

                                 

Now to decide what to put on to the other side panel, whether to do the same one, or find a different design.

Progress on my denim jacket

Progress on my denim jacket

My Studio post this month is about the stitching progress on my denim jacket. Last time, I had made a start on the centre back panel with a grid pattern. The colour of the thread is a muted green, similar to a sage green colour, I like it a lot. The thread I have used is DMC coton a broder, so, not a stranded embroidery floss, and the whole thread is used. My stitching is in the style of sashiko, but I do not regard my efforts as sashiko.

I do not have any sashiko thread, which I think is a little thicker than the coton a broder. I wanted to use materials that I have without having to buy anything new – my jacket being a (bargain) charity shop buy, and it’s pale blue colour does suit the muted colours of my thread. I may buy some proper sashiko thread in the future though.

Marking the grid.

I did buy 2 pieces of a ‘Solvy’ pattern paper sometime ago to try out – curiosity really, and I had seen some people use it on IG. The idea is to stick the paper to the item you wish to enhance or mend, stitch the pattern and then soak the item in water to dissolve it. However, I found it very difficult to stitch through (on denim), I found it was only possible to do one stitch at a time, as opposed to taking several bites of fabric without the solvy. It is definitely not the easy solution as described by IG or YouTube people. I used one piece, and extended the pattern on the rest of the back panel using a ruler and a Frixion pen. The first photo shows the Solvy paper in place as I mark my pattern, and a partial pattern completed due to sore fingers.

These two photos showing progress and the grid.

A YouTube channel, for such stitching that I like very much, is called ‘The Green Wrapper’; the presenter demonstrates on small squares of fabric, mostly a 10cm square, or a 20 cm square; text on the screen describes, and gives instructions to achieve the sashiko design. Sometimes she uses items of clothing to stitch on. I have followed her instructions, and they are really clear.

I drew some circles, some interlocking, using two different sizes of a drinking glass. I then drew the grid using 0.5 cm lines with the frixion pen, and followed the channel directions, and pausing the channel several times until it was stuck in my head! It is amazing that such seemingly complicated patterns can be made using a simple grid, and basically a running stitch. I used two other colours of thread (ran out of the green)

 

I remain undecided about what to stitch on the side panels; I have drawn a fan shape of lines radiating from the bottom upwards, but I will wait a while before committing with needle and thread.

I love how my jacket looks. I have worn it out a few times, and friends have been complimentary about it. I will do some thinking about the front of the jacket too, and will write more about it for next time.

Some of my photos remain large, I am sorry about this, but I did manage to make two of them a little smaller – hope for me yet!!!

 

A less ordinary denim jacket, and a finish.

A less ordinary denim jacket, and a finish.

Until recently, a denim jacket has not featured in my wardrobe, but one is never too old for a style change! I spotted a denim jacket in my local charity shop, it felt like a good quality cotton, and in a nice muted shade of blue. It was a good fit, so that was a bonus, and it came home with me.

I had been adding stitching to my patched jeans for some time, and I wanted to try some stitching or embroidery on a jacket, but without the jacket costing a lot of money. I like the effect of the stitching on my jeans. They are my gardening/diy/decorating jeans really, but they also look rather nice when washed. There are a few different fabric patches used in the photograph of one leg below, and in the other jean leg – no photo. The jeans (in photo) are just washed – the stitched area looks very rouched, but is flat when ironed. So, these jeans have quite a bit of life left in them, and the stitching will add strength to the patches and the cotton fabric.

I drew a grid type pattern on the back panel of my jacket at an angle, and a smaller portion of the pattern on the lower part of the panel. I have stitched both of these in a sashiko style of sewing, but it is not sashiko. I have used coton a broder embroidery thread; the whole thread is used – it is a single strand, and it behaves very well. The shade is a a muted green, and I like it very much

I used a water soluble fabric with a design on to aid me with placement of the grid. There are lots of online sellers offering these designs to make repairs and patching of garments more attractive. I had two pieces with different designs on them, and my simplified change to this one worked well for me. The water soluble material dissolves easily, but needs a couple of rinses to clear properly. It is not as easy to stitch through as some of the blurb portrays it to be. Drawing on the fabric with a heat erasable pen is good, but care is needed with any graph/lines or design, and it is easier to pass the needle through to make several stitches, than it is on the printed design.

I will add more stitching over the next few forum posts, and probably more colour too.

I do like adding stitching as a decorative effect, this photo below is from on a forum post in 2022.

My blanket is now complete too. I have added  a backing of french terry fabric, it is very soft to touch now. The youngest grandchild said it was a bit scratchy, so I decided to add the backing. I did not wish to cover the lovely blanket stitch along the blanket edge; I had to fold under an edge and sew it down using the sewing machine. I think it turned out ok – even the corners – they were more tricky than I imagined.

I used some embroidery floss with a stitch to tie both together. I am hoping that these ties will escape from searching little fingers.

Completion.

Completion.

I had a viral illness all over the Christmas period, or perhaps, a severe bout of ‘man flu’! I really only began to feel better mid January. Mostly, sneezing, runny nose and, tired all the time with little energy for anything, and that included any productive thinking about my blanket and this post.

I eventually managed to heave myself out of the doldrums, and I began to think about what I needed to complete the stitching design on the blanket top. There are quite a few small areas that are a little threadbare, and some areas that have provided comfort for the odd moth or two as well. So, a plan was needed to cover as many of the holes as I could, while adding to the overall decorative effect at the same time.

I found an old woollen tea cosy on one of my charity shop trips, and this had some areas that were embroidered with a pretty floral design. Some areas had a little moth damage, and the wool embroidery area was really pretty, but was very grubby. I washed the tea cosy by hand in very cool water with a little liquid soap and some washing soda, with very gentle movement in the bowl. Following a little soak it was much brighter – same colour as my blanket! I was unsure how fast the dye of the embroidery wool would be, but it was ok, and only a very little dye run was visible.

I cut out the embroidered areas of the tea cosy, two large, and three smaller, and positioned them in place on the blanket, and moved them about until I was happy with the overall look. They were stitched down with a blanket stitch, and most of the threadbare areas of my blanket were covered.

Then I embroidered some random groupings of flowers in other areas on the blanket using different colours of floss. These were done in a lazy daisy stitch. I added french knots, or a satin stitch to the centre of the flowers. The floss I used is quite old, and it did not always agree with french knot making! Then I added some green stems using fly stitch.

I think the whole effect is quite pretty, and the overall effect of the felt and stitched corners works very well with the embroidery. I think I can call it done now, but I still need to put a backing on it to cover the workings on the reverse.

My photos are awfully large still, I have tried to make them smaller, so apologies.

The Fourth Corner: Winter.

The Fourth Corner: Winter.

I have chosen to decorate the last corner of my wool blanket with some winter greenery in recognition of the season and Christmas, and I think some holly and mistletoe is an appropriate choice.

Holly and ivy were used as traditional decorations for the home at Christmas, it was a part of my childhood, and we all loved trying to find the nicest and shapeliest sprigs of each for our Mum. I have carried this on in my own home. I don’t remember seeing any mistletoe growing in the area of my childhood home in Ireland, nor in Yorkshire, where I lived for some time, but there is an abundance of it where I now live in Herefordshire. I did try to grow some last year on the crab apple tree in the garden, but no joy from all the seeds (about 50) stuck to the branches. I may try again early next year.

       

The tree on the left is a large maple and you can see the ‘balls’ of mistletoe around the top very easily. The photo on the right is of a large mistletoe ‘ball’ (different tree), the berries are just about visible. Both trees in the local park.

There is a national mistletoe day, and this year it is on 7 December. Each year there is a mistletoe and holly auction in a town/rural area not far from here (Tenbury Wells), the auction dates this year are 26 November. and 3 December. A Mistletoe Festival is held each year – 7 December this year – when the druidic myths and traditions around mistletoe are celebrated.

A certain amount of mistletoe is harvested for this auction, but future harvests needs to be protected too.  Many people will gather some of their local mistletoe, or buy a bunch from a garden centre. It keeps well, and I generally collect some for my home the week before Christmas

My post is due on 9 December, quite close to Christmas, and around the time when I would be out looking for some greenery to help me with my Christmas decorations. So, a timely post!

I have a holly tree in the garden with lots of berries on it this year, so it is very easy to pop outside to collect a sprig. Mistletoe grows practically on every tree here, unfortunately quite high up on the trees and therefore difficult to reach. But occasionally there will be some that is within reach to snip a piece off.

Once again, I have free machine stitched the holly sprig shape onto the wool blanket, along with the some leaf shapes. Not all holly leaves are sharp and prickly, which is lucky when trying to find a nice sprig. I have also free machine stitched the mistletoe sprig shape.

                                                       

I have stitched some pre felted leaves to the blanket to add a little extra dimension. I made these some time ago, and these I have hand stitched using a blanket stitch. I compared which shade of red floss is the closest colour for the berries, and then embroidered these in place.

The colour of mistletoe berries are more like small pearls in colour and shape, quite white/opaque, and difficult to show up on the wool cloth; so I have used a pale golden colour floss to embroider these berries so that they can be seen a little easier than a white colour would be.

The blanket will need a little more work I think. I will add a decorative feature to the centre, probably a little more stitching, and then I will find a soft backing to complete, this will make it more comfortable next to the skin.

 

 

The third corner. Autumn

The third corner. Autumn

Autumn has arrived. Time for celebrating harvests, and gathering the fruits of the hedgerow. There are many  apples, plums, damsons, bullace,  greengages, and pear trees all laden with fruit, a little dexterity is needed to get a tasty snack, or to collect for pies, crumbles and jams. Many a blackberry has been collected and eaten, or frozen, made into jam, or used to make a tasty liqueur by soaking in vodka, or whiskey along with a little sugar, and left to mature in readiness for adding to a glass or two of bubbly at Christmas. Yum. Not the whiskey obviously! Not forgetting the profusion of hazelnuts, walnuts and glorious conkers, and sweet chestnuts that are such a treat to find.

 

Each year from early August, I go searching for some hop vines that may have escaped from cultivation, and moved into the hedgerow at some point. I am not sure if there is an actual wild hop though. From mid August to early September I am on the lookout for the tell tale leaf shape and colour, and lime green  shade of the hop flower, as the vine clambers over nearby trees and shrubs, and hoping that I can remember the spot that I collected them from the previous year.

 

So, for the third corner of my blanket I have decided to needle felt an impression of a small portion of the hop vine that I collected early September.

I love finding these vines. I use the dried hops along with some lavender to make little pillows to slip inside a larger pillow to encourage a restful sleep. I also hang a hop vine in my kitchen, such a lovely decorative addition, and I change it each year.

 

               

Hop growing is plentiful in Herefordshire where I live, and also in Kent, but alas they are not as widely grown as in years gone by – but I am hoping that I am mistaken in this belief. It is lovely driving along and spotting a field with the hops stretching up the tall poles and wires. I’m not sure where else in the UK they are grown other than already mentioned, but with so many craft beer makers in this country the growing of hops is unlikely to die out any time soon.

I have needle felted my hops and used some yarn to illustrate the vine. A photo shows the size of the vine I am using. I have removed all the leaves – as I usually do – but some are present for size.

 

                 

I have machine stitched over the ‘hops’ to secure, and also added stitching to the vine. The hop flowers are a lovely shade of green, with a touch of yellow when fresh, and gradually the colour fades as the flowers dry.

                 

I have stitched the leaves using my machine too, and I have left them bare, so to speak. I was planning on adding some colour to the leaves, but I think they look better without.