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Some More Happy Felt Slipper Makers.

Some More Happy Felt Slipper Makers.

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A couple of Sundays ago  I had a Slipper Workshop. I had 4 ladies that had not felted before. There were no crazy toes in this group.

As usual, I was too busy talking to take all the pictures I should. So we start with everyone finishing the wool layout for their slippers.  I have them do both sides dry, and then put them together. 2 were doing a reg slipper and 2 the ear template. You can see them on the front 2 tables.

 

 

After they had everything together and wet they added some embellishments.

 

Then there was rubbing(no picture). I am definitely too busy talking during that, to help distract them so it doesn’t seem so long.  And then rolling, Usually by this time I have them all chatting.

Then it’s time to cut them open and see how they look.  The faces say these don’t look right, it’s never going to work, and they will never shrink enough to fit.   We change how they are folded

And then …..Oh no, not more rolling

once they have mostly shrunk it’s time to make them fit, just the way they want them to. Some like them a little big, some like them to fit like a glove. the glove people have to do some fulling on their own personal slipper blocks, better known as their feet.

I managed to make a short video of one of the ladies fulling her slippers on her feet. Not only that, I uploaded it to YouTube and managed to embed it here. Thank you Leonor for the help on that front. At least I think it was Leonor, I can’t find the email anymore. Edit: It turns out it was Terry that helped me, Sorry Terry. Thank you for the help.

And lastly, 2 ladies shared their finished slippers.

Everyone seemed to have a great time and be happy with their slippers, You can’t ask for better than that.

 

Felt Vessel Workshop

Felt Vessel Workshop

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I had my first workshop of the fall season last weekend. It was a fun one, Vessels. I like vessels because they do not have to fit anyone when they are done. They can go completely sideways from the original idea and still turn out great.

I had 5 lovely ladies for the day. They had a great time( or seemed to at least) and I had fun too. I love to see people marvelling at the magic of felting and go from very sceptical to amazed at what they have made.

In this class, they all started with the same round resist. Everyone always asks about size. In this case a good sized dinner plate. Very technical.

On to the pictures

Laying out the wool. I like to teach laying out 2 sides without wetting and then go back to do the wetting and wrapping. I don’t know that there is any great difference but I don’t like laying out wool on a wet resist of wet wool.

here they are wrapping one side of the wool around the resist. For those whose layouts grew a lot, we feather the wool towards the middle so it will be more even. You can see the second side waiting to be placed on top, wet down and then wrapped around.

Next, were the embellishments. This part is fun for them and me. I love to see how diverse the ideas are. I usually bring wool, handspun yarn, silk tops, throwsters waist, trilobal nylon, sari silk waist, silk hankies and locks for people to use. I seem to be missing one pot.

Then, of course, there is all the rubbing and rolling. This is the point where I usually gabb on about wool and felt, the eganomics of making felt and sheep….. and anything else that helps pass the time so there are fewer complaints about how long they have to rub or roll. It is a boring sort of thing to do, I usually listen to an audiobook.

We talked about different ways to cut open your felt to get different types of pots and how shaping can change them. one lady said she wanted a pot more like a fruit bowl shape. I suggested turning her pot into two bowls by cutting across the middle. She decided not to but it inspired 3 others to cut their pots at 1/8, 1/4 and 1/3 to get 2 pots as a set.

 

I am missing one there Not sure how that happened. Here are some pictures students sent me of the pots dry

 

Shepherdess and sheep coming along.

Shepherdess and sheep coming along.

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The deadline is getting close and I need to get done. As Jan will tell you soon it was Fiberfest weekend in Almonte. a small town close to where we live. I was on the demo team for Sunday. So I planned to work on the shepherdess and sheep as my demo project. First I had to get the shepherdess some clothes. Not too hard you think or at least I thought.

 

I forgot to take starting pictures but here is the shirt and skirt ready for final fulling.

felt shirt and skirt ready for fulling

 

 

And this is the shrinkage after fullingfelt shirt on resist showing shrinkage felt skirt on resist showing shrinkage

The skirt was fine but the shirt was way too stiff. so I made another using a lot less wool and felted it along with the cloak.

For the cloak, I decided to use some prefelt I had. I cut the first side a little bigger than the resist then folded it around and basted it into place. This seemed like the best idea to keep everything in place.

grey prefelt stitched together at the seam

And here it is shrunk

cloak on resist showing shrinkage.

I liked it and it fit well except for the hood. I didn’t like it at all.  I thought for the hood I wanted, it would be best to do it separately. do more cutting and sewing. and shirt number 4. I don’t remember what was wrong with shirt 2 but shirt 3 would have been good if I hadn’t cut the neck too big.

And finally, all the parts of the clothing are dry and ready to move on to the next steps.

For the next post, I hope to have the shepherdess all done and a colourful flock of sheep for her to tend.

Progress Made

Progress Made

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I am making some progress. I refelted the cut diamonds

 

They are now in a bag waiting for me to work on the diamond project.

I did more work on sheep and shepherdess.

Jan made me a wire shape or the shepherdess for me.  Then I wrapped it in some waste wool and used a felt ball for the head. than wrapped that in Corriedale.

Once I added wool it was not stable enough to stand. So I asked Jan about adding a piece of wire front and back to stabilizers. so she took it and started working on it. We added a ball in the bottom but then I decided she was too tall for the sheep I was making, and she cut the ball in half and squashed her down. Jan added a snail tail that stabilises her well. It will be covered by her cloak.

I have been putting sheep together. I make the parts separately. Long snake to cut into leggings and ovals for heads. I made some flat pieces in the 3 colours for the ears. I cut them out but I want to felt them some more.

After I add the ears to the sheep I will add the curls like the orange sheep on the right. I also need to make some clothes for the shepherdess. I think she will be a brunette but I don’t think she will get a face.

Lastly for today, is why felting small things and holding them with your fingers and talking to people is not a good combination.

 

 

The Quest Continues

The Quest Continues

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I left you last time as I was about to felt my sequins. I put the fabric on both sides of some felt and felted them most of the way. They felt quickly. The fabric they are attached to has a very open weave.

After they were dry I cut out diamonds.

sequined fabric cut into diamonds

I now have a great admiration for everyone who sews costumes or anything with sequins. What a mess they make. Sequins have ambitions of being glitter and being everywhere. I am sure I will be finding them in odd places they flew for quite a while.

cut sequin mess on a towel

 

I felted then again to seal up the edges

diamond shaped sequined fabric

A quick trip in a side direction. Jan did some shopping for me at Twist. I didn’t ask for anything but she knows I would have bought it if I had been there.

A New Brunswick woold worker who specialises in fibre arts accessories, had made a palm felter.  It looks really beautiful, it feels really nice in your hand, and it works great. It has a shorter profile and shallower indentations and is lighter than the other similar ones we all know. I found that one quite heavy when I had a look at it at a fibre show.

Back to sparkle. I made 4 colours using super bright trilobal nylon to make some squares. The nylon is on both sides. Again I felted them most of the way and they will need to be felted a bit more to seal up the edges.

after cutting them out I had little shards of sparkly nylon all over. I guess sparkle just likes to spread.

 

I think I have way more than 75 diamonds already. Jan has been working on her dragon hand for this project. I am sure you will hear about it from her.  I have had to pause this project to get on with my sheep and shepherdess for the Guilds retrospective at the Museum. They need to be ready much sooner. I need to make more legs. but that’s another blog post.  As always seems to be the way, you curse along ( lol, that was supposed to be cruse along but curse seems to fit too) with no deadlines or pressing projects then, all of a sudden you have too many.

 

 

 

21) adjusting the Pink Sweatshirt the little pet combs are being used as carders as blend purles, pink and a bit of light grey and white
Part 2, Maureen Shared her vacation, which became A Little Needle Felted Landscape

Part 2, Maureen Shared her vacation, which became A Little Needle Felted Landscape

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Part 2 of Jan’s picture.

Now that i have sat and thought for a while, lets get back to felting fun!!

Monday, July 22nd: I have spent some time to consider, looked at my digitized progress felting, and have decided what to do next. The shadow is not deep enough in the sweatshirt, the spinning wheel needs more definition, and the suggestions of flowers, need more suggestions. Let’s see if I spot anything else I need to improve.

I had a short-staple small batt of yellow that had tiny nepps in it. I would not have had fun spinning it but a tiny pinch and a pair of embroidery scissors shortened the fibres even further and I got the nepps to look a bit more like yellow flowers.

adding the suggestion of yellow wildflowers17) adding the suggestion of yellow wildflowers

I had some carded top in white that I pulled off a staple length, then cut it into short bits about ¼ inch to maybe 1cm long. I then opened out the fibre creating more of a cobweb, that, was positioned where I wanted bits of white flowers to be.

Top cut with scissors 1/4 inch or about 1cm18)Top cut with scissors

That’s a bit better….

19) the wisps of short fibers of white, teased into loose cobwebs to suggest many little white flowers amongst the various greens19) the wisps of short fibers of white, teased into loose cobwebs to suggest many little white flowers amongst the various greens

The yellow is still a bit too intense…yellow can do that, I laid over a light spiders-web-whips of white. It’s getting better. Now let’s try to define the wheel a bit better.

20) I like the wheel, but let’s fix the pink top it had deeper shadows.20) I like the wheel, but let’s fix the pink top it had deeper shadows.

21) adjusting the Pink Sweatshirt the little pet combs are being used as carders as blend purles, pink and a bit of light grey and white21) adjusting the Pink Sweatshirt

Hum. No the edges are too strong but I like the tonal values, they are a little darker looking in the photo than the felt.

The angles are not quite right yet, let me fix that. There is something odd with the shorts too, they’re too short.

seeing more spots that need a bit more work 22) a few more spots that need work

Ah, looking at the angle of the back is not right. I think it was a wisps that extended themselves a bit wider when I wasn’t watching. The angle at the elbow is also a bit off…  I can fix that too.  This may be due to not putting a reference frame in as I was transferring the image and the image slipped a bit as I was using the Sharpie. I will remember to use pins and more reference points next time.

Oh now I have to do a bit of touch-up on Ann’s Sheep so I will get back to this later this week.

 

Wednesday, July 24th:

Marie is having another woolly Wednesday on YouTube, so while I wait for that to start I am continuing to fix the sweatshirt, I am almost done, I think…

nuged wool over a bit to fix the angle on the back and have lenthend the shorts. still fussing a bit with the hint of flowrs too.23) I have nudged the wool over a bit to fix the angle on the back and have lengthened the shorts. still fussing a bit with the hint of flowers too. the sweatshirt looks much better, I’m almost there.

Hum, still missing the highlights

fixed the highights on the sweatshert and i think i may have it to my likely. 24) fixed the highlights on the sweatshirt and I think I may have it to my liking.

That’s close I think I should look at the picture in a mat.

adding mat and frame floating felt by pressure so I can assess it. Yellow arrows show specks on the mat from the frame paint chips.25) adding mat and frame floating  the felt by pressure so I can assess it. Drat! bits of black flecks on mat!

The frame is lint-ing bits of black paint onto the mat, the Yellow arrows show specks on the mat from the frame paint chips. they were very obvious to me in person and they will annoy me if I leave them (13 years of picture framing coming back to haunt me!!!)  I will take it apart and clean it again.

Yes, I think that’s better let me think about it for a bit but I may be done!

took the frame apart and recleaned the mat, dusted the mat and wiped the frame. then put it together again.26) re-matted with a cleaner mat.

I will look into a better mat.  it’s a standard size so it should not cost the price of a full sheet of mat board for an 8×10 mat. I wonder if I can find a piece of acid-free 2py to go with it?

I am going to leave it in this mat and frame for a bit and see if it still feels finished.

I wonder if Maureen will recognize the picture! I am so glad she posted it! You never know where you will see an image or idea that inspire you.

The Quest for Diamonds

The Quest for Diamonds

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Did I get your attention? My quest is to make diamonds, felt ones, that sparkle and shine. As you have heard from several of us the Ottawa Weavers’ and Spinners’ Guild is 75 years old this year. It is our diamond anniversary, so the exhibition theme for our Fall Sale and Exhibition is diamonds. You can interpret that any way you want. I thought Jan and I could collaborate, My part is the diamonds and probably a helmet but I will let Jan tell you about her part.

So now I am on a quest for the best way to make the diamonds. Originally I thought I would use a small resist that I could leave inside to help them be more 3D. I was thinking I could pull and shape them.

Well, that didn’t work out at all. the squares couldn’t be pulled and the diamonds didn’t look right with the middles pulled. It was partly because trying to get them pulled and a bit pointy was so hard. The big reason though is their size. When you try to stretch them you are pulling on two ends of the same fiber.  Jan said kind things about them but truthfully they are terrible. It would only be worse if I tried to make them nuno felt. They look better in the picture than in person.

On to the next idea. I decided, who cares if they are 3D?  Flat would be fine if they are the right shape. Next is a piece of shiny ( probably polyester) fibre from my stash.  I thought it would felt in but wasn’t sure. Also, I decided I wanted August’s page to be pink so I combined the two. I used a piece of white prefelt and pink merino

I added some red sparkly fabric to one corner. It doesn’t look sparkly but it is.

 

Even dry the camera wants to focus on the wool and not the sparkle. It needs shaving but I am out of razors. The next stop Dollarama for the econo bag of razors.

One more try this week. I cut out some silk, some sparkly and some sequined fabric. Wow, is it fiddly to cut without cutting the sequins and they still fly everywhere. I put some face down and then put red prefelt on top.

 

Then some black prefelt and I tried to match up the fabrics to the bottom ones.

I rubbed this longer than usual to make sure the fabrics were stuck. My plan had been to stop at the soft felt stage. Cut out some diamonds and then finish felting. Unfortunately, I was listening to a good book and just kept going on autopilot.  and before I knew it it was done. Now it is drying. I will cut out some shapes tomorrow and see what they look like. We may have to modify the project.

How would you make felt diamonds? All advice gratefully accepted.

top of landscape sowing sky sea and rocks with cut outs from the oican
Maureen Shared her vacation, which became A Little Needle Felted Landscape

Maureen Shared her vacation, which became A Little Needle Felted Landscape

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I know some of us are very lucky to live near an active guild.  Many fibre arts people don’t have that source of fibre friends and inspiration. One of our guild members was on a road trip. She kindly brought us along vicariously through her posted shots.  Some were of the spots where she had stopped and spun yarn. One of the shots she shared with the guild particularly caught my eye.  It was a good composition, but the tilt of the horizon bothered me.  I could fix that…..

the original photo of Maureen’s Vacation spinning picture “spinning in front to the Arches at Arches Provincial Park”. not the odd tilt of the horizen. 1) Maureen’s Vacation spinning picture “spinning in front to the Arches at Arches Provincial Park”

Tuesday, July 09th: I was at the Kanata Games Club on Tuesday night, Glenn was busy and I had wool, a nametag size piece of green wool, needles, and scissors, now where is my felting mat and the fine Sharpie I thought I had?  Ok give me a minute, I know where the dollar store is, just down the hill from the gaming. It’s a bit too far to go with the walker, but really close by car. I was back with a garden foam kneeling pad and 3 fine sharps (and snacks) by 6:30 pm.

one print out of the photo to use as a template and another few to use as reference. i have croped the picknick table and some of the width mostly trees2) 6:30-ish pm at the Kanata Games Club.

The piece of green I had grabbed was a bit shorter in length than I wanted. It was also not as rectangular as I would have liked. It’s wool, So not a problem!!! I just added more wool fibre to make it the size I needed.  A bit of work with the Clover multie-needle tool and I had a solid felt base the size I wanted.

I am again using the template method of image transfer and a bit of divine editing of the angle of the horizon.

template method; cutting out the sky then using the remaining image to mark the sky, i have flatened the horizen so the picture is now on a slight angle. i did not add reference marks since the image fit over the felt i was working on. that will come back to hont me later.3) Cutting off the sky and then straightening the Horizon.

sky and horizen in, fixing not squaire felt base 4) Straitened the horizon, and squared up the short corner of felt.

cutting the next section of the photo out and then adding the sea5) cutting the next section out and then adding the sea

Cutting out the rock and the next section of ocean.6) Cutting out the rock and the next section of the ocean.

Continuing to cut away a section of the photo, draw in the new edge then felt in the open area7) Continuing to cut away a section of the photo, draw in the new edge then felt in the open area

I am not the fastest of feltres, this is about 3.5 hours.  Glenn has just finished his gaming and it is time for me to pack up and head home. I am pleased with the progress so far.

 

Wednesday, July 10th:

Resumed felting, ……time for a break, I got over-focused on felting.  Where did I put the camera? On drat, I missed a big chunk of time,  I had better stop for a photo break.

Continuing to cut out a section, then use sharpie to denote the edge, then add wool. replacing the remaining picture to check angles.8.1-8.2) Continuing to cut out a section, then use a sharpie to denote the edge, then add wool.

Laying over the un-felted space with the remains of the reference photo, to see how the image is coming along. You can also see that I have stuck the wool mat in a heavy freezer zip-lock bag. It has not entirely kept the fiber from transferring but the migration has been reduced drastically. This is the third name tag/ picture I have been working with the green base wool on this wool pad. I have been using the same side of the pad but now have rotated the plastic bag. I should last till the end of this picture then I will likely change it for another freezer bag. If you are curious let me know and we can investigate this further, looking into ways to reduce wool transfer to your work surface.

9) My Reference image is now on the computer, note zip lock baggie with all pieces that have been cut out so far.9) My Reference image is now on the computer, note the zip lock baggie with all the pieces that have been cut out so far. it’s above the Right corner of the felting.

I now have my reference image up on the computer, as I am working while waiting for Marie, from Texas, to start Wooly Wednesday on YouTube. You can see the parts of the image I have already cut off in a zip lock baggie so I can refer to them if I need to. (such as the area at the top left where I still need to add a tree in front of the water I have already felted.

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 10.1-10.2) This felting experience was enhanced by the nibbling of blackberries,  just make sure your fingers are clean before getting back to the wool. note the Sharpie it’s double ended (Fine and Extra fine tip)

I am now adding the outline for the right arm. In addition, note the double-ended sharpie (Fine/Extra Fine), and the heavy zip lock bag over my wool felting mat is reducing the amount of wool wanting to transfer into the pad. Blackberries are also very inspirational but don’t let them change the colour of your fingers and then your wool.

the arm is in11) Arm is in

adding shorts12) adding shorts

this is about at 10.5 hours13) This is about 10.5 hours

I still have a lot of detail work to do adding all the flowers a bit more edge defining and tree extensions. But I am quite pleased so far. Time for bed.

 

Thursday;  Finished writing my blog post for the 14th and started writing this one. Ok, I am as slow at writing, as I am at felting. (I did wind up writing about Ann’s Name tag before getting back to finish this one.)

 

Monday, July 15h: I brought the little landscape in to get Ann’s opinion. She said it looked like Maureen’s hair was curly I will try to fix that. I also consulted on the sheep name tag I was making for her.

picture in zip lock bagie, held on to shelf by a magnaet.14) Waiting for a consultation with Ann and I was working on her sheep name tag

I worked a little bit on Wednesday and got the tree in the top left corner blocked in. as you will see when I got back to work at the social. I like to be able to put a piece down and think about what I want to do next, decide on my options and then look at it again with fresh eyes and Reassess.

 

Monday, July 22nd:

By this point, it’s getting down to details and finishing touches. You can’t tell but in person, the straw yellow is not as embedded and solid as it looks in the photo.

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15.1-15.2) Assessing the progress I have made so far.

I have added a bit of a suggestion of wildflowers and fussed with the green undertones but something is not yet right.

Helping your brain to not just look, but see what it’s looking at can be challenging.

When you are working and get to the point you are unsure, it may be that your eye and your brain are arguing.

The eye says “this is what I am looking at” and the brain says “I know what a tree looks like! I don’t have to look at another tree” There are a few ways to help the brain pay attention and actually see what it is looking at. Here are a few I learned while painting but can be applied to felting too (which is painting with wool).

  • Use a mirror to look at your felt image. By reversing the image, it gives a fresh perspective and often you can see a proportion or angle that is not quite right.
  • Photography (camera, cell phone, iPad); look at the felt image as a digital image. You often will spot something off in the photo you did not notice in the work. You can also digitize the image you are working from. It lets you scroll in close to part of the painting to see details,
    • see the image in black and white or
    • oversaturate the image with colour to see hidden colours.
  • rotate your image and reference until it’s upside down (inverted). It becomes easier to see negative space and spatial relationships when the image is not looked at in the usual way.
  • Set your work and image look at it sitting vertically (on an easel or propped up against something so you are not looking down at it) Step back and look at the work.
  • Take a break, go do something else. Come back with “Fresh eyes”.

16) ways to help your brain see what you are looking at 16) ways to help your brain see what you are looking at

Remember that it’s your image, it doesn’t have to be exactly the same unless you want it to be. You can be the god of your landscape and move a tree, make a shrub shorter or fuller or remove it. Do you feel the image needs more sky? Then add it. As long as the image makes sense  (no double points of light sources unless you are on an alien planet with 2 suns) it will be believable. You are unlikely to hang the photo reference beside your finished piece, so move a tree if it offends you. If you are working on a portrait, you have to be a bit more accurate. Then use the above suggestions to help get as close as you can to the original.

I have put my piece aside, so I can think about it and see the image with fresh eyes before I finish the fine details. So I have switched to work on another little project for Ann. (which you  have seen; https://feltingandfiberstudio.com/2024/07/24/name-tag-sneaky/ .) Next time i will show you what i find and how i fix it. Have fun and keep felting!!

 

Making a cover for a teapot handle and July’s page is done.

Making a cover for a teapot handle and July’s page is done.

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I have a teapot I really like, it has good balance and is easy to pour from.  I like it, except that it has a metal handle that gets hot resting on the teapot.

I decided to make a cover for the handle. I did it for another teapot years ago. Here is the link to it https://feltingandfiberstudio.com/2016/07/18/a-busy-week-2/

 

I made 4 thin layers. 2 thicker ones would have been good for this small project but I can’t layout thicker without really working on it. I got a nice firm felt at 50% shrinkage.

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Once it was the right size, I rolled it into a tube to dry. The silk pops  so nicely once it is dry

Rolled up to dry
Dry tube ready to go

The only thing left is to sew it onto the teapot. I used some thick, black cotton thread and whip stitched it on

And here it is.

The funny thing in the lid handle is part of the original messy background I couldn’t get rid of. I made a cup of tea right after finishing and it worked perfectly, no more burnt fingers.

The other thing I finished today is my July Page of slow stitch on felt. No hidden meanings this month, just some random designs.

 

 

 

finished rag weave material
About that ‘groove’ …

About that ‘groove’ …

Comments 16 comments

In April I talked about getting my groove back and trying something new.  Groove, rut, six of one, half dozen of the other, right?  Not really.  I had the opportunity to purchase a large quantity of pre-cut jersey rags from the Guild.  Bright yellow was perfect for a summer project and perfect to get me moving again.

The project is all done.

The final weigh-in is 2.5 kilos or 5 pounds.  Right now it needs to rest for a few days.  The plan is to do some minor repairs because there are always small repairs and then decide what to do with the material.

finished rag weave material

Some of the repairs are very small, just need a clip,

Some need a bit more of a reweaving and inspection.

And some really came as a surprise.  I must have been asleep at the switch with this one, but it’s totally fixable and I’ll take care of it.

Once I had used up all the rag I was left with too much warp thread for me to comfortably cut the threads and I was sure there was more to be made from this fibre. Weavers are known for being economical (aka cheap).  The work needed in warping a loom is significant and I hate wasting the time and the fiber.

So I found a bobbin of deep blue cotton and gave it a try. And I liked it, so now the warp is used not just for rags, but for cotton as well.

simple twill weave for cotton cushion cover

The final product is enough to make a great cushion cover or bag, or table drape, or maybe a project bag.  Lots of potential for this fabric. It’s surprisingly thick just as it sits without finishing.  So once it’s been washed it will be even fluffier and more dense.

finished cotton twill for cushion cover    Hem stitched finished edge on woven cushion cover

I did try hem stitching the edge and found it is not my strong suit.  But I’ll keep practising and someday I’ll be happy with the final result.

For now, everything is resting; me included.  The fibres need to come back into their original shape and that takes a bit of time.  I need to do the repairs and inspection of the final product and tie off all loose ends before it goes into the laundry.  Then I’ll see where I go after that.

I may want to leave the huge 7-meter piece for a display our guild is having this fall at a museum, but I’ll talk to our curator about that first. So many decisions, and so much fun for the next project.   Thinking of doing a linen table runner, never tackled one of those.