Hi all, although I haven’t been doing much felting myself I have been teaching others to do it. I ran my Nunofelt scarf class again this last weekend. I had five lovely ladies at the Ottawa Valley Weavers’ and Spinners’ Guild classroom.
The first part of the class is talking about all the fibres. Students are amazed at all the kinds of silk. I usually bring hankies, tops, throwsters waste and recycled sari silk along will wool BFL locks and sparkly nylon. They get to pick their hand dyed scarf blanks and then spend at least 15 min trying to decide what embellishments they want to use. It’s lots of fun watching and helping with colour and texture choices.
Silk hankies
Silk Tops
Dyed Silk Throwsster’s waste
sari waste
Sparkly nylon
It is so hard to pick.
Then it is on to lay out the wool. Once this starts I put the silk blanks away so no one is tempted to change their mind halfway through the layout. I keep all the wool and embellishments out until they wet everything.
Everyone enjoys using the ball browser sprayers to get everything wet.
In this group, they all stayed together during the different stages of felting. Often they become staggered; someone wants to be first done and another will be very relaxed and go slower. In the end, they always finish and it’s interesting to see the different styles of learning and doing the same thing.
rubbing
rubbing
rolling
rolling
I didn’t get any pictures of the gently squishing and tossing to full but here they are finished.
nuno scarf
nuo scarf
nuno scarf
nuno scarf
nuno scarf group
nuno scarf group
All in all a great class with happy students.
The only odd thing that happened was one lady had brought her own wool, marked merino and she was sure it wasn’t superwash. She added my embellishments. One of her colours did not stick to the scarf anywhere. My first thought was it was superwash. However, it did seem to felt and grab the silk embellishments on top of it. Nowhere she had used the copper coloured wool stuck to the silk backing. It was attached by other colours surrounding it so it’s all one piece but I have no idea what was/is going on with the wool, any ideas?
Around mid-November I was rummaging in a chest of drawers trying to create space for visitors to store their clothes, while also thinking about making some felt Christmas cards to sell at various events. I came across a scarf I’d felted more than 10 years ago and never done anything with.
Scarf I made more than 10 years agoView of scarf from the other end
‘Hmmm…..’ I thought. ‘This is taking up space and I’ll never wear it.’
Why not? Firstly, I can’t wear wool next to my skin. I find it way too prickly/itchy. And secondly, I didn’t like how it had felted. You could almost see the little thought bubble appear above my head: “I wonder if I could make some Christmas cards out of this?”
The scarf didn’t fit the bill for a traditional Christmassy look, but that’s one of the things that appealed to me about it.
Let’s first go back to the scarf-making, in April / March 2014. No, I’m not an exceptional record-keeper, I just have a lot of photos on my phone and happily they’re all automatically dated.
I started off with a bright orange silk scarf I’d found in a charity shop. It was what I think of as raw silk: soft and loosely woven. I wasn’t even sure it would felt well but, foolish as I was in those days, it didn’t occur to me to make a sample, I just ploughed on optimistically.
I decided to add shapes in bright rainbow colours so made a big sheet of multi-coloured merino wool light prefelt, broadly following the colours of the rainbow.
Light ‘rainbow’ prefelt
I cut circular shapes out of it and laid them along the scarf, still following the rainbow sequence. I laid orange merino round the edges and set about felting it.
Original scarf layout
When it was finished, I wasn’t very pleased with it. The silk was unstructured and flimsy and it seemed to hang wrongly. I don’t think that type of raw silk works well as a base for felting, certainly not on its own. I didn’t take a photo of it.
I left it for a while and came back to it about a year later. I thought maybe felting a solid wool layer on the reverse might improve the hang and structure. I felted 2 layers of white merino onto the back. Now it was firmer but a bit too stiff and still didn’t hang well, but in a different way. I just wasn’t happy with it.
That’s the point at which I gave up on it and popped it into a drawer. Since then it’s been shunted around but I’ve never decided what to do with it…..until now.
On to the card making. I decided simple triangular tree shapes might be nice for festive cards so I made myself a little tree template and set about the scarf with my rotary cutter.
Cutting up the scarf to make triangle tree shapes
For the first few cards I refelted all the cut edges of each triangle. This was nice, but took quite a long time both to do and to dry, so I decided to go with raw edges: it didn’t make a lot of difference to the appearance and it certainly speeded up the making. I cut out some different card and paper backgrounds, glued them onto cards, stuck the trees to the backgrounds and drew a stem and decorative dot on top of each tree. Mostly I used acrylic pens but where I didn’t have a suitable colour I used other permanent markers. Here’s the first batch.
Some of the triangles were a little plain and, as I had my acrylic pens out, I decided to do a bit of doodling. I admit, I was rather enjoying myself by this stage. Perhaps I got a bit carried away (some of the trees started to look like pizza slices)!
I grouped the trees into threes, choosing ones that had three different colours on them wherever possible. I found some bright pre-cut papers and chose the nearest colours to the trees in each group. Then I swapped them around so that each tree was on a background that matched one of the others in its group. I finished off by swapping the colours again for the dots and stems.
Here’s a close up. The trees have green, purple and turquoise on them. I picked out the matching papers, put the lime green tree on the purple paper, the turquoise tree on the green paper and purple tree on the turquoise paper. Then I finished off with the dot and stem in the third colour that wasn’t on the tree or background paper.
It’s hard to describe just how much I was enjoying myself, though some of that may be because I was almost certainly supposed to be doing something boring like cleaning or tidying up.
I did sell some of the cards and sent a few too. They’re not the best cards I’ve ever made but I did enjoy making them and was happy to have repurposed a scarf that didn’t really work. I still have plenty of felt scarf left so I may do something else with it in the future.
A little later, I made some other cards that I liked better and that sold really well.
In my charity shop moochings I recently found a really beautiful, large hand-marbled silk scarf. It was way more expensive than anything I normally buy. I’m normally in the £2 – £4 range for a silk scarf and this was £8.50. However, it really was big and interesting and I was intrigued as to how well it would felt. So, I splashed the cash. The marbled dyes sit on the surface of the fabric so I wondered how well the wool fibres would penetrate the silk. Age and experience do have their advantages: this time I made a small sample to make sure it felted well, which it did.
I cut out a long rectangle of merino and silk prefelt and laid a section of the scarf full length along it, flush with the edge of one long side and covering half of the width. Sorry, I forgot to take a photo so I here’s a quick sketch, literally on the back of an envelope.
Once it was felted and dry, I cut it into thin strips ready for printing. I’d found a royalty-free image of a plain green fir tree and, using photoshop elements, dotted it with robins to look like baubles. I printed the images on heat transfer paper, then, using my heat press, printed a tree on some of the strips. I stuck the strips to long cards and this was the result. Not as much fun to make as the other cards but I do like the result better.
8 ‘Robins’ cards above and a close up of one of them, below
On the remaining strips, I printed an image of a friend’s cat, to which I’d added (in photoshop) a Santa hat. I had six felt strips for the cat but one didn’t print properly which left me with five. I thought I’d better save one to send to the cat owner and was going to offer the other four for sale but my cat-owning friend decided he’d like to send the cards, so bought all four. There are lots of cat and dog lovers around so maybe I’ll make some of those next year. What do you think?
Four ‘Layla’ cards above and a close up below
While I was on a roll, I repeated the process using an animal print scarf and a blue patterned scarf to make some cards that are not season-specific. People do seem to like this type of design and quite a few say they or the recipients will cut them out to make a bookmark or just put the card in a frame. The horse chestnut is from a painting my Mum did, the honesty was composed from some photos I’d taken, the ferns were from a royalty-free image I found online and the birds are all from photos of my previous large felt pictures.
I know I’ve said it more than once before but I do love a bit of fabric re-purposing, whether second-hand or from a failed project.
I know you’re thinking, fish for Christmas? Don’t you raise turkeys? Why are you having fish? Well, we did have turkey and the traditional fixings. In this case, the fish was a present. When I asked my husband what he wanted for Christmas, he said fish.
In the last few years, he has taken to cooking, particularly new things. I appreciate this so much. I have been cooking dinner since I was 15, and I just do not want to do it any more. Anyway, his idea was he does not know how to cook fish and would like to figure it out. He thought if he got them as a present he would get on with doing that. My thinking was, if I buy fish before Christmas, it will be in the fridge too long before he has a chance to cook it, what to do? I could just make a card, I owe you some fish fillets of your choice. How boring is that?
A couple of days before Christmas I decided to make him a fish.
I drew an image of a fish and traced it onto some fulled wool from an old wool coat.
Then fixed the nose. I didn’t want to needle that close to the edge. Having done that before I know it can distort things.
Then onto the felting. I did well with following the lines not remembering until after that the easy way to do it is to lay the wool across the line, felt the line and then fold it over to the correct side.
Fish Head
Tail
I decided the front was a bit plain. I thought of adding gull lines but I didn’t want them to show on the skeliton side. Instead, I made a fin separately and added it, completely forgetting to take a picture. You can see the line from it in the first picture below. It was covered by a piece of the skeleton. I didn’t want the bone lines to show on the front so I used “invisible” thread to sew the skeleton down. the felt Snakes are from scraps. when I cut open a reaist I always roll the cut of bit into a snake and then store them in a bag for later use. Then I carefully cut it out of the background.
And this is the finished fish.
He was thrilled with the fish. He loves hand/homemade gifts. So next week we will go pick out some fish.
This is my first post of 2025 so I will wish you all a Happy New Year! I hope you have a happy and healthy year.
It’s the time of year when thoughts turn to warm woolly sweaters( jumpers). So, where do they get all that wonderful wool in amazing colours? Why for colourful sheep of course. Dyed in the wool as it were. And where do you get those? Well, you make them of course. They can really spruce up a manger scene for Christmas or you can add them to the scenery of your model railroad or add a pin and wear them.
I had 8 lovely ladies to make some cute little sheep. There should have been 9 but one couldn’t make it so her sister who was there paid her materials fee and took some supplies to her so she could make a sheep at home.
After this point, once the students arrive, I forget to take pictures. We start with the legs. I show them how to make them with needle felting. It is long and tedious to make them dense enough to hold the sheep up. Then I show them how to make wet felted snakes to cut up for legs. You can see a plastic bag on the table it has the sheep samples and all the snakes I made so they could have legs and move on the the rest of the sheep. they make bodies, heads, and ears and then they needle felt them all together. they usually look a little wonky at this point and everyone has a good laugh at them and worries there sheep will not look right.
Most of them look like they are on stilts at this point. It is better to start that way and then do some hoof trimming at the end, to get the length you want.
Next is the best part, giving them their colourful ( or natural) coats. we used Bluefaced Leicester curls. they are small nice curls.
As they have all their wool, their personalities emerge.
Everyone seems happy, I will need to find out if I had any comments on the evaluation forms. Fingers crossed there are no complaints. When you teach with our guild we have the student fill out an anonymous evaluation. It helps to head off problems before they really start and sometimes you get good ideas for your next class. Students pop them into an envelope and it’s sealed. Someone else opens it and has a look and you get the feedback later.
This is my last post for the year so I hope you all have a
Last time I left you with the main part of the helmet drying. I also made a nose piece and strapping.
It seems I did not take pictures as I thought I had. I guess I must just think about taking pictures and then when I am busy working it is completely out of my mind. Jan got one of me working. I was using a darker grey to create the look of rivets as I attached the strapping and nose guard. I look so serious.
We did get lots of shots of it finished. And not so serious
Here are a couple on the hat stand in my studio
I am happy with the way it turned out. I need to make it look like it lost a battle. I wet it down again and rolled it in a towel to get most of the water out. I scrunched it into a ball and then opened it again. I think it looks like a crumpled helmet.
So then it was off to the guild Sale and Exhibition. I think we put Jan’s part and my part together the morning we opened. I think we were both too busy on set-up night to even think about it. It is all a bit of a blur.
we did a little photo shoot after the sale too it is very hard to get a good shot into the inside of the helmet.
I have no idea what to do with it now. What do you do with your projects after the show?
Hi All It seems I forgot I had to post today so I am late. I am reposting a post showing some of the past Holiday Exchange Cards that we have done. I did remove the links to sign up for this exchange.
Hi all, for those who may not know we also run an interactive forum for felting and fiber folks. It’s a great place to share your work, ask questions and help each other out. http://feltandfiberstudio.proboards.com/
Each year we have a holiday exchange. You make a small felted postcard or similar size card with some felt on it.
Here’s the timeline:
October 4-Nov 9: people sign up
November 10 partners are announced.
November: Make your card, contact your partner for an address
December 1: Mail your card
Here are some of the cards from our past exchange, there has been lots of variety.
Along with the Ottawa Valley Weavers’ and Spinners’ Guilds 75th anniversary Show in Almonte that Jan told you about here https://wp.me/p1WEqk-hG9 we also had a smaller exhibition at our guild sale with the theme of Diamonds. I told you about making the diamonds here https://wp.me/p1WEqk-his They needed something to make them more relivent so I enlisted Jan to make a dragon hand. I am sure she will tell you about it. Then I thought I should make a bowl for everything. That seemed a little boring so I decided a Knight’s Helmet would be much more dramatic.
The helmet needed to be sturdy to hold the shape so I decided to use some Tyrollean wool batt I got before the pandemic, I think. It makes a nice sturdy felt. I think it is a type of Bergschaf. I am told bergschaf just means mountain sheep and not a particular breed. It would be a different breed in different places.
It had this helpful chart on the back.
It is a very nice grey, the batt is fairly consistent and I didn’t need to add many extra bits to thin spots. Most batts I have tried have been very inconsistent in thickness.
Next was laying out wool for the top, bottom and nose peice of the helmet.
At this point, I decided I didn’t want the nose piece attached. it was going to affect the shrinkage in the spot so I removed it and made it a separate piece along with the strapping that will go on later as well.
After that, it was a lot of rubbing and rolling and bashing until it was shrunk to the right size.
then it needed to dry in the right shape. I wanted it to be round. No idea why, it was just what I had in my head as the idea. I found a bowl the right size and stretched it into shape, fine-tuning the edges by using small tugs until the edge was “straight” Sorry for the bad picture, it was on the dining room table and windows or glass fronted cabinets are the only options for backgrounds.
Next time I will show you the extra pieces being added and the finished piece.
You may remember I had to redo the Shepherdess’ cloak. I didn’t like the way the hood on the one peice cloak fit, so I made another one making the body and hood separately.
I sewed the hood to the cloak and it looked much better but, naturally, I did not take a picture of that. I immediately moved on the decorating the cloak. I thought if she had multicoloured sheep she would want to show that off on her cloak and so I decided to add some nice fuzz to her cloak to help her show it off and keep warm.
Next, the shepherdess needed some hair, up to now she has been bald. It’s a look that works for some but I thought she would be cold or might get sunburn so she needed some hair.
Very quickly she became a lovely brunette with some naturally coloured Teeswater.
trying on her new cloak (ignore the messy background, there is no time for housework when cloaks must be made.)
Time to be put together. Off to the guild studio for a photoshoot.
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And lastly, they got installed at the gallery for the guild show. Jan will have more pictures on Saturday. I stole these from a guild post she made because I haven’t made it to the show yet. Thanks to Lianne for giving them some grass to stand on.
You may think this is the end but there is more. Someone’s Dragon raided my flock
She says he is just lonely but he looks a little hungry to me.
I spent some time working on the flock of sheep. Maybe not the most elegant sheep transport and sounds a bit like a horror show when you say a bag of sheep and sheep parts but it’s a bit of a production line when working on a flock of them.
As you can see I was being supervised in my Dr Franinstien endeavours. In this picture, she is wearing her first shirt and coat. You can see the sleeves are too big around and I didn’t like the way the hood worked on this one.
Last time I had finished the clothing, or so I thought. I ended up doing the shirt 4 times to get it the way I wanted it. The third one would have worked but I cut the neck hole too big.
I did get them finished and she had a dress fitting. I added a blanket stitch to the neckline and a blue star to her dress. I think this kind of dress is called a pinafore. You can see some of her flock in the background.
I took her to the Almont Fiberfest that Jan told you about and she supervised while I got her sheep some wool. This is the opposite of the way sheep, wool and shepherdesses usually work.
And another unshearing.
Next post there will be hair, a new coat and more colourful sheep. And a picture of them on display at the museum.
Happy Thanksgiving to all our Canadian followers. I hope you had a great Turkey Day!
In my last post, I showed you Mr. Mers’ new fishy northern pike spots (in silk!) and his son’s fancy new hair, eyes and jewellery. now let’s look at Mrs. Mer.
Mrs. Mer
I have been questing for the perfect Red for her Kohaku Butterfly Koi body. Koi-red comes in a range of red-nesses from an orange-red to a deep intense red and in various intensities of those reds. I had found a small project bag of reds in various fibre types and preparations. I had picked up a very promising red with silk top and locks to match but it had too much pink in nature light, I had another set that had too much yellowness to the red, making for more of an orange colour. The locks I found to go with it were fabulous and if I do a mermaid that is part goldfish it would be perfect.
Mrs. Mer perused my offerings and we both agreed on the deep red bat from Alpaca Tracks T(h)read Lightly and the lustrous long locks from Monica at Olive Sparrow. So dark red it is!
3.1 Alpaca tracks small bats of red wool
Odd I was sure I had a shot of Monika’s locks, let me look a bit more…oh I have a shot from the Olive Sparrow booth at the Almonte Fiberfest on Sept 7-8th. The bat and locks go together perfectly!!
3.2 The top row way to the left is right red Mer hair I was looking for. The are lots of different colours of locks in 2 lengths.
Ok, I have the colour of fibres I was looking for! Next where to put the fiber. Great more fun research!! (really, I do enjoy the quest. research is fun!!!)
After a lot of previous browsing about koi and butterfly koi, I decided on Kohaku (the white fish with red spots) if you are curious you can check out a brief overview here. https://nextdaykoi.com/koi-fish-facts/many-faces-kohaku/
After looking over the options of head and body patterns, and reading up on scale types, we decided that Yondan or Godan would likely be best. If you count the red hair as a spot she would be a Godan pattern but if the hair is not counted as a spot she has the Yondan pattern. Since go is 5 in Japaneses, I bet you can guess how many spots a Yondan koi has! (4)
3.3 this is a helpful chart showing Kohaku (red and white Koi)
I found the batt of “Canadian Wool” was an interesting springy, crimpy wool, not coarse but not as soft as merino or even corriedale. It is not a long staple and it needle felted wonderfully. I think it was the T38-333 I was using to add the red wool. (if you were curious about the needle used)
When I had started to block in the fishy parts of Mrs. Mer, Ann suggested it looked like the fish was eating her. I kept that in mind as I started to work on the spots making sure the red spot at her waist/hips were integrated with both her human and fish parts. Thinking of non-fishy parts I finally got around to adding her ears.
The long locks were the perfect colour and a lovely long wavy length. I found a small hair clip so she could wear her hair partly up.
3.4 Side view of Mrs Mer admiring her new hair in a side view.
3.5 Mrs. Mer Back view
3.6 close up of Mrs. Mer admiring her new hair
I sent Ann a picture to get her suggestions.
Ann said, “Needs Eyebrows.”
Hummmm, ok, I can do that.
3.7 close up showing new eyebrows and her new necklace
I think both Mrs. Mer and Ann should like that! Did you notice her shell necklace? Those are very tiny stone beads (one strand of Red Agate, 2mm)
I got new project bags so Mr and Mrs Mer would not get over excited and mess up their hair! (I will have to consider a non-see-through project bag if I find them cuddling again!!!) I added Shark-boy and the Mer pets, Sharkette and Miss Manta, to another project bag. I printed out a copy of their entrance forms, for each of them, ready for pick up for the Almonte show.
Item #2 Ice Dragon
I had asked Glenn what else I should send, and he suggested either the Ice Dragon or chickadee I had made for him. I went with Ice Dragon since I would need the chickadee for a workshop in December.
4.1 Ice Dragon, ¾ view
4.2 Ice Dragon, Back view
4.3 Ice Dragon, which I had made for Glenn ¾ view from the back
Item #3 Maureen’s Vacation
My third submission is Maureen’s Vacation which you saw earlier too. If you would like to get more information on this one look back to Summer 2024.
I chose it because it shows one of the guild members enjoying spinning outdoors. it seemed to make sense to include it in a show about the guild and its members!
5 Landscape of Maureen’s vacation
I packed everything up, Glenn lugged it all out to the car, and off we went to the guild social on Monday. Ann got to check out the Mers and their new hair and spots!
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6.1-6.3 Ann Inspects the Mer’s at the studio
6.4 some of the items ready to go to the Almonte Textile Museum
There were quite a few pieces ready to go to the Almonte show, waiting on the table for pickup. The organizing team will get them after the social. I am sure we will let you know when the show is up and ready for viewing!
Now on to moose bags again! I have one more partly 3D moose bag underway and am starting a more 2D version of the picture too. I will keep you updated on these as they progress (I hope you are not getting bored with variations on a moose!!) (I am trying to inspire more Moose augmentation!!)
Until the next time we chat, Have fun and keep felting!