Anyone for Kinusaiga – a crash course?

Anyone for Kinusaiga – a crash course?

Recently, a friend of mine mentioned that she was heading to a class to explore Joomchi. It is something that I would be interested in learning about but I have enough rabbit holes in my life at the moment. Curious (for future reference) I asked about the venue and headed online to check it out. I was scrolling through the lovely website and I came across a different course, one offering a three hour session on Kinusaiga. The photos of the finished work were really attractive but I got a bit of a shock when I saw the cost, which I considered prohibitive to most people. So out of principle, I decided to give it a miss. But my curiosity was roused at that stage so I googled the term and found many videos on YouTube. I can’t attribute my new knowledge to just one of these videos as presenters had their own view of what to look out for when making Kinusaiga. So this post is an amalgamation of my learning from my short visit into the rabbit hole.

Kinusaiga originated in Japan and is a form of fabric collage. It is a great way to use up fabric scraps and I found the whole process quite meditative and enjoyable. The process involves drawing a simple pattern which is transferred onto a foam block which has been covered in double sided sticky paper. Each section of the design is treated as a pattern piece which is used as a basis for a shape cut from fabric. You add on extra fabric to the shape to allow for tucking into the foam block so that none of the raw edges are showing. The sticky background holds everything in place. I think it’s probably easier to explain if I go through it step by step. I improvised with my materials as I wanted to produce my picture from stuff I already had. This might suit but you can buy kits online – I checked some out but I found them very expensive for what was on offer.

Materials:

  • Foam board – I used leftover scraps from the board I use when I am framing pieces but thicker is ideal if you have it to hand as there is less likelihood that you will pierce the back of the board.
  • 2 sided sticky paper. One side will stick to the board and one side to your fabric to keep it in place. I used some 2 sided sticky tape that I had left over from sticking down a floor rug.
  • Craft knife.
  • Metal nail file (one with a pointy end) or sharp small scissors (like an embroidery scissors).
  • Paper and pencil (for drawing your pattern)
  • Marker (for example a Sharpie pen) to outline your final drawing.
  • Fabric scraps (I used fabric I had left over from my mask making days of the early 2020’s)
  • 2 Scissors one for paper and one for fabric cutting.
  • 2 sided selotape

The how to:

Step 1

Sketch a very simple design being mindful that each outline is going to become a cutout. I used a two sided felted mobile that I made some years ago as my starting point:

My inspiration was based off a felted mobile I made some time ago

Here is my outline:

simple recreation of the chosen design

Step 2

Now number each section that you are going to cut out and take a photo of this for reference:

Here I numbered all the pieces and took a photo for reference

Step 3

Stick the two sided sticky paper or tape to the foam board, leaving the protective cover on the top layer of the paper/tape (I did not take a photo of this but you can see it in the next photo)

Step 4

Place the drawing on top of your covered foam board and secure. Cut through each of the shapes using your craft knife. Be careful with the knife and make sure it pierces through the sticky paper/tape and through the foam BUT that it does not pierce the back side of the foam board. Set aside each of the cut pieces of your design (now you can see why it is helpful to number them).

The drawing was secured on the foam and each section was cut out
with an imprint left on the foam block

Step 5

Choose fabrics from your stash that you feel will look pleasing together

my selection of fabrics

photo

Step 6

Start cutting out your shapes making sure that you allow extra fabric so that you can push this down the side of the corresponding cut in the foam board. Remove the cover off the sticky paper/tape (my tape was blue so it is easy to see this in the photo)

Inserting the first shape (the blue is the sticky tape)

Step 7

Align your shape so that you have enough fabric to push down the side of the foam board. Use your metal nail file or your small scissors to do this. Carefully trim off any excess if you find that the allowance is too big.

first piece inserted

Be sure to work methodically when securing the fabric. It makes it easier to complete and you can see your picture build up, which is nice. I was unhappy with one of my fabric choices when I laid them down initially so I was able to change them – the materials were very forgiving. One of the photos has an arrow on it to show where I changed my mind about a particular fabric.

Step 8

Finally secure the overhang at the side of your picture to the back with double sided sticky tape. Add a frame if you fancy. My fabrics were chosen at random from the stash so are a tad garish. It’s far from perfect but not too bad for a first try. Also, looking at the last photo I see I could have ironed some of the fabric before I used them, but sometimes it is good for me to leave precision behind and just go have fun.

finished picture

I hope this is a project you will try. It is fun, mindful and quick to complete. Let me know what you think and be sure to post your work so that we can include them in the gallery.

Helene x

One thought on “Anyone for Kinusaiga – a crash course?

  1. I don’t think I’ve ever seen this method Helene. It’s quite intriguing! I may have to go down this rabbit hole one day. I looked at some Pinterest photos and found lots that interested me and gave me some ideas. I wonder how many more techniques are out there in the world that I have yet to discover?? Tesi

We would love to hear your thoughts!

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Discover more from Felting and Fiber Studio

Subscribe now to keep reading and get access to the full archive.

Continue reading