I have been busy trying to get pieces ready to go to the framers and I also needed to create my tree piece for the 3rd Quarter challenge, summer trees. Here’s the piece I created called Thick with Green. I am sorry about the quality of most of these photos. Somehow, many are blurry but at least the final few photos came out OK, my apologies.
I was thinking about a thicket of birch trees from a distance with green leaves. The sketchbook page above was created in one of my art and design classes. I used this as inspiration.
For the background, I used a piece of nuno felt. The silk is on the back this time. I had some white yarn that I decided to couch down to make distant tree trunks.
Then being inspired by the leaves Ann M. used on her summer tree, I decided to try some variegated green cheesecloth. I tore it into pieces and stretched it to give a more organic feel. Then I hand stitched it in place. The stitching disappears into the cheesecloth.
Then I added more tree trunks. This time I twisted two pieces of the yarn together and couched them in place.
More cheesecloth was stitched down on top of these tree trunks. Now what to do with the ground? I feel like I am always saying that about my landscapes. I never seem to plan the ground very well in advance. I don’t do much needle felting but I decided in this case, it would work the best. I felt like stitching would be too detailed since this was supposed to be a more distant landscape.
Here’s the grass added with a variety of green roving and needle felted in place.
Then I found I already had some green fabric that would work for the “matte”. I stitched the nuno landscape down and laced it around card. This piece ended up to be 8″ x 12″ and it’s ready to frame. Now to take all the pieces to be framed and then send them off to the gallery. Check, another task off my list.
I bought a new to me car. The visor mirror cover was glued shut for some reason. When we tried to unstick it, it just came right off. Maybe it had fallen off so they glued it back on? I don’t know. The result is when I put the visor down I have the mirror. Even though you are not really looking at the mirror, it is distracting while driving. Must be because I am so beautiful I can’t resist looking at myself. LOL It is actually very hard to take a picture of a mirror and not be in the picture.
My thought is to make a felt cover for it and velcro it on to hide the mirror but I could still remove it if I needed the mirror.
I measured the mirror and a small amount around it to get the finished size I will need. I think I will add a little more.
Then I thought why not try Ildi’s method of felting with outlines and wet wool? I have some pencil roving and lots of wool and it’s a good sized to try it out. Here is a link to one of Ildi’s posts so you can see what I am talking about. https://feltingandfiberstudio.com/2022/06/27/felted-rug/
So far I have measured and done a couple of sketches of possible designs. these are smaller than they need to be but that is the size of the paper. I will have to find one of the larger sketchbooks to do a final design and then try to use the computer and the printer to enlarge it for shrinkage.
Aaaand, that is as far as I am. The plan is to have it for my next blog post, but we all know about the best laid plans of mice and men. I have my fingers crossed. It’s going to be a busy week.
We have three public houses in Sturminster Newton (at one time there were 11 in our small market town!) and The Bull Tavern is one of the oldest. The building consists mainly of a 3 roomed 17th Century cottage with an attic room, built of old timber infilled with wattle and daub. Some additions were made in the 18th Century. Records show that the cottage was definitely an alehouse by the late 1700s. Apparently there was a slaughter house at the rear and a Pound where straying animals were kept until collected – upon payment of a fee of 1 shilling (which must have been a fortune when you consider that a married man’s weekly wages at the Town’s Workhouse were all of 9 shillings and a single man’s only 6). Part of the C18th additions was a stable block (which eventually became a skittle alley and later part of the restaurant of the pub). It is rumoured that the horses stabled there were used to help get carriages and carts up the adjoining steep hill leading to Sturminster Common and the small community of Broad Oak.
About 18 months ago, after our then favourite landlords moved from the White Horse Inn in Hinton St Mary, the pub was closed for refurbishment. Hinton is a village about 1.25 miles away, where the Pitt-Rivers manor house is situated. We used to walk there 3 times a week – our exercise with benefits – but since the benefits had disappeared we decided to patronise The Bull – for our exercise of course. The only trouble with that was that it’s uphill on the way home whereas it was down hill from the White Horse.
During that time we had come to enjoy the chats with Marianne and Lance, the Bull’s managers. Lance being the very good chef, and Marianne “Front of House”. Early in January 2021, they announced that on Christmas Day they had got engaged.
One of my felt paintings – commissioned by a mutual friend – had been given to the White Horse landlords as a wedding present a few years ago, and Graham, my husband, suggested that I do something similar as a wedding present for Lance and Marianne.
My interpretation of an early image of The White Horse, Hinton St Mary
Although The Bull itself is a very interesting building, I wondered if I should do a picture of an actual bull for them. No date had been set for the wedding at that time, but I thought I should at least start collecting reference pictures, both of the pub itself, including some of their Pub sign and of some animals. I thought about breeds that might have been around in the 16th Century – White Park Cattle and black Gloucesters; and also looked at Herefords since that was the breed on the Pub sign.
The Bull Tavern and it’s signGloucester and Park White Bulls3 Hereford Bulls. I eventually picked the one at top left.
In the end I decided on a Hereford bull. After a lot of thought and manipulation of pictures, and also starting on a background field for the bull to stand in, I still could not come up with a layout that I was happy with. One idea was to surround the image of the bull with cameo pictures of nearby local landmarks – the water mill and the mediaeval bridge – with perhaps an image of the pub itself as well.
Initial composite picture
Second go at composite picture
Then, just after Christmas 2022, Marianne said that they had set the date for the wedding – 10th June 2023. Now I had to get my ideas together and get on with it. The picture would need to be simplified if I was going to get it done and framed in time.
It was about then that my picture of the horse on the hillside in Devon was finished and it occurred to me that I could use a similar method of producing a figure with more depth.
Detail from my Glorious Devon picture showing the horse added to the finished landscape.
I finally decided upon a cameo type picture of the bull’s head and shoulders and I would use the background which I had made back at the beginning of this saga. I would paint (with wool) the shoulders and neck and outline of the head on to a piece of flat wet felted core fibres. With a separate face and ears, and a further separate set of horns and the nose on another piece. I would cut all of the pieces from the backing when these were substantially finished. I would fix the torso and neck onto the original background and layer on the face and ears, horns and nose, then I would do the final titivating and framing. I made a start and here are the initial progress pictures:
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As I said earlier, it was intended that this picture would be a wedding present for Lance and Marianne, but at the beginning of April this year, they told us that, because of various unforeseen difficulties arising out of successive pandemic lockdowns (which included them catching Covid between lockdowns so having to shut the pub again) they had decided to give up the tenancy of the pub. They had obtained a job, with accommodation, managing a Touring Caravan Park in Cornwall. Marianne was leaving almost immediately and Lance would stay on for a couple of weeks, with his last trading day on the 19th April. So the picture was going to have to be a leaving present.
That caused a bit of a panic at home as you can imagine, so I had to get my head down and finish it NOW! These were the final steps;
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I managed to finish the picture and, with Graham’s help, I mounted it in a deep box frame in time to hand it over to Lance on the 19th, when we went in for a final lunchtime meal.
So here’s the completed and framed picture – my entry for the 2023 Third Quarter Challenge – Something Special About Our Town.
Thankfully I have friends with grey wool. Jan and Bernadette found me some grey in many shades so I could complete my picture. I explained to both that I only needed a little bit, a handful would be more than was needed. I just needed it for a few rocks on my picture
Picture of wool
picture of me taking a picture
I didn’t take any progress pictures of the rocks. I was busy poking and talking.
And finally the finished picture, or so I thought. when you take a picture, you can see so much more sometimes. I really don’t like the roots over the rock. I had tried putting a rock in front of the tree but that looked worse. So, I will take the roots off and continue from there.
I managed to take the roots off and played with the rock some more and now I think it really is done.
This is the final installment of my large nuno felted autumn landscape, it is finally finished and I have even stretched it over stretcher bars so it is ready to go the framer next week. It is my entry for the 4th Quarter Challenge of the year long tree challenge. I’m way ahead this time. Yay!
In my last post, I was trying to determine how to handle the ground and prevent the background trees from “floating”. I decided to try leaf litter on the ground. I used the same fabric and paper that I used for the leaves on the branches. You can see on the left hand photo the first attempt. I had some leaves that were already cut out but these were much too big. It made the ground move forward since the leaves were the same size as the foreground tree leaves. Not the look I wanted. So I cut the leaves into tiny pieces and scattered them about. I didn’t want to bore you with all of the time I took arranging the leaves. You can see the progression from left to right. I had taken over 10 photos of this progression but thought I would show the first, middle and last photos. Perhaps you can tell a difference that way! Once I had the leaves where I wanted them, I glued them down with an archival gel medium. I don’t usually use glue but these pieces were so small, I thought that was the best option.
Next up was to determine the color of the “matte”. This is the fabric that I stitch the nuno felt down on to hold it in place for framing. I decided to go with the darker grey fabric. Then I stitched along the edges of the nuno felt to hold it to the background fabric. Normally, I would then lace the fabric over matte board or foam core but this piece is big and I decided to use stretcher bars instead. The stretcher bar frame is 23″ x 34″. I wrapped the fabric around the stretcher bars and stapled it in place. The hardest part of that process is getting the nuno felt landscape in the right position since you staple from the back side.
Here’s the piece on the stretcher bars ready to be framed. I will use my usual slim black frame. Did anyone notice anything else that was changed at the very end? Calling Down from the Branches is now ready to go to the framers and then off to the gallery.
The next step to do for my summer tree is to get it some leaves. I decided I wanted some texture so thought I would use some silk fabric to make some needle felted nuno felt.
I found some of my boxes of fabric and had a rummage for some green I found mostly silk and some stuff labelled nylon which is a very good imitation of silk.
The green and brown was my first thought but best to try them all.
I pulled out my sampling tree. The one that looks like a peg having a bad hair day. 😉
I then thought maybe I could put the dark fabric down and then add some other fibre on top. the dark fabric is the nylon. It’s a very loose weave so it pulls threads when you poke it.
I tried adding some loose threads but they just looked messy. I think they would make great vines in a swampy picture
I decided it was a waste of fabric to put the dark green down first It would be too hard to leave some showing properly and it would prevent any of the branches from showing.
On to the real tree, I did fiddled with the branches in the middle and it does look better naked. Not that much of it will show but still, it was good practice.
I tried adding it all as one piece but I couldn’t scrunch it properly. So I pulled it off.
I added the silk in small amounts
and all done, I left a few holes for the sky and a few branches peek through. I left the edged raggy to add to the texture.
And here’s the finished overall look. I like the overall look. I am going to have to fiddle with the roots. Combined with the slant of the land, they are making the tree look like it’s leaning over. I think a little poking in on one side and poking out on the other should fix it. I am going to have a look for the wool I used for the grass portion of the background to maybe put a little over the roots. I will have to do some googling for pictures of roots.
Next, I think I will add some rocks around the roots and maybe a few around the field in the thin spots. Then maybe some tufts of grass with stitching. I may fiddle with the cloud too. I am still thinking.
I have been continuing to make progress with my large autumn landscape.
I began by looking for silk fabric in the correct colors. I found a yellow orange and a yellow green. But I needed a lighter mid yellow. I didn’t have that in silk fabric but I remembered some rice paper that I had painted yellow and coated with matte medium. I could use that for leaves too. To prevent the silk leaves from fraying as much, I ironed a light weight fusible to the back side of the fabric. Then I cut out a variety of leaf shapes. The secret to making leaves look more natural is just cut them out freely by hand. The shapes will be all different and the sizes won’t be exactly the same but that is what you want. I found a photo online to give me an idea on how the leaves should look and used that for inspiration.
When I was stitching the leaves down, I wanted some movement and the feeling of the leaves about to fall. Therefore, I only stitched them down with one or two straight stitches. This allowed the fabric leaf to come out from the background and be more three dimensional.
Cutting and stitching individual leaves takes a bit of time but I liked the result.
Here’s the piece after adding leaves. I may add a few more in a couple of places but I am evaluating now to see what else the piece might need. I haven’t cut off the bottom edge but I will be doing that shortly. I could add fallen leaves at the base of the background trees. Or I could add a bit of grass here and there. Or I could leave it alone. What’s your vote?
My idea for a name for this one is “Calling Down from the Branches”.
I was looking through some of the simpler backgrounds I had on hand to jump-start my summer tree. I did this agt our guild social so I was too busy chatting to get you a picture before I started.
I decided to use some more of the pencil roving I have. It is sold as Buffilo roving or Brigs and Little Country Roving. It comes as 5 strands of thin pencil roving wound into a cake. It looks to me like it has been prepared to go through a spinning frame and then be plied into usable yarn. Why else wind 5 strands together? https://briggsandlittle.com/product/country-roving/
This is the brown I am using but not a solid colour so it has more depth. I wound off 2 strands to pop into my felting bag.
When I am not sure of my artistic ability ( most of the time), I tend to go small. If it’s little it is harder to see it’s not very good. However, trying to make a small tree in the distance did not go well. It looks more like some sort of demented scarecrow. You can see it’s quite a nice background though.
So I ripped it off and started a much bigger tree in the foreground. You can see how using the pencil roving makes it easier to make branches as you lay them in for the trunk.
I tidied that up top and bottom and that is as far as I have made it.
I like the way the pencil roving forms the tree but I think I need to add a little lighter ( and maybe darker) colour to help define it more. I am not happy with the blob in the top middle of the trunk. I think I will have to open it into the branches more. I will have to do some searching for pictures of winter trees to see how that part looks. It may not matter once I add the leaves. Isn’t it funny how you know exactly how a tree looks until you come to make one? I also have to work out what I want for the rest of the picture. Maybe some rocks, sheep are always popular, a fence?
The only other thing I did this week was to make some felted balls for my goddaughter, for her cats. Again, too much talking and not enough picture taking. they are small styrofoam balls with a bell pushed into them.
I have been continuing work on my large autumn landscape. I added the large tree trunk and branches and was planning on adding leaves to complete the piece.
However, I decided it need darker branches on the larger, foreground tree. I had some black wool yarn that I decided to use for machine cords. I twisted three pieces of black yarn together and then zigzagged over them by machine with a near black thread. Some of the yarn pieces I left apart so that there were narrowing branches of either two or one yarn diameters.
Then to start stitching them in place. I didn’t have a specific plan as to where they would go, I was just winging it. I couched the cords in place and in the thicker areas, I used two machined cords couched side by side.
Here’s the piece after I had couched all the machined cords in place. You might also notice that I have folded the bottom of the piece up to see what it would look like without the bottom four inches or so. I liked the look of it better. It feels like a better scale to me. I haven’t cut it off yet, but I think I will soon.
Then I decided that I needed thinner branches coming off the thicker foreground branches. So I used the same almost black thread in size 12 (Sulky cotton machine thread) and stem stitched the other branches. Click on the photo to see the branches in more detail.
Next up is leaves for the foreground tree. I will be cutting those out of yellow, yellow orange and yellow green silk. My plan is to add fusible web to the backside of the leaves so that they will not ravel at the edges. Then I will probably add a bit of grassiness at the base of the backgrounds trees and call it good. But you never know, I will evaluate to see if it needs anything else when I get to that point.
I have managed to get some stitching completed on my large autumn landscape. The background birch trees were hand stitched down first. I want to do background leafiness before I add the larger birch in the foreground.
To add the distant leafiness, I looked through my stash for fabric that would work. The photo on the left shows painted nylon organza. The photo on the right is dyed silk habotai.
It’s a little hard to see but I have added the nylon organza at the top. First, I used a wood burning tool to burn out areas of the organza to give it a leafy appearance.
Here you can see the effect better in the close up photo. I hand stitched all the pieces down with very small stitches to hold it in place.
Next I added some single cut leaves from silk organza. I had these left over from The First Leaf.
The next step is to stitch down the foreground birch trunk and add foreground leaves. At that point, I will decide how many leaves might be on the ground. I don’t want to make it exactly like the smaller piece. What would you suggest adding to the foreground at the base of the large birch?
