‘Tis the season to show off trees! I’m no exception, so here is my contribution.
A few years ago I had the idea of creating a portable Christmas decoration to sell in my shop. I wanted something small, cute and as eco-friendly as possible. The solution? Needle felted mini trees.
I think they’re rather fun, even if I do say so myself. The colours are bright and who doesn’t like miniatures?
Each tree has a wire frame to ensure stability. I needle felt the the larger components (tree trunk, copse and base) around the wire and the rest is made separately and stitched onto the main part.
It’s quite fun to felt the baubles, I used to take small amounts of differently coloured wool with me to doctor appointments and such and, whilst waiting, I could get 4-5 balls created. It was also a great conversation starter.
To finish things off nicely, I glue the whole ensemble onto a sturdy piece of locally sourced wool disc and, as they say, Bob’s you uncle.
They’ve been quite the success this year, I’m down to the last one at the time of writing!
Another holiday idea was to create a wreath that could be used over and over again. Have I mentioned I like reusable, eco-friendly things? 🙂
I had some needle felting foam that I regretted buying. It wasn’t the best quality foam and I found out I hated using them, so they’d been languishing in my stash for a couple of years. I didn’t want to throw it away. One day it dawned on me: I could cut and use them for something else.
I love these wreathes and each year I look forward to hanging mine in my front door. They’re not huge because I had to take the foam’s original size into consideration but isn’t it cute?
It wouldn’t be a post written by me without some sewing fun. I felt brave and bought some jersey knit fabric to make a Stasia dress by Sew Liberated. You might know a lot of sewers avoid jersey due to its stretchy nature. My previous experience hadn’t been the best but this time I was determined to succeed.
Fun fact: despite my determination, for some reason I didn’t make a mock version of the dress beforehand. I just moved on ahead directly to cutting the good fabric!
The consequence of this is that my sleeves ended up a bit shorter than I’d wanted, so I think I’m going to cut them and create a ¾ sleeve instead.
Can you tell I’m so happy with the result? The black dots and stripes on the fabric are just so cute to me. My poor mother still wonders how I ended up going from wearing just black to being obsessed with mustard yellow, but here we are.
That’s it for today. Can you believe it’s already December? This is my last post for the year, so I wish you a great New Year, filled with fibre and other fun stuff. See you in 2022.
Given that it is already nearly the end of November, I thought I would finally indulge myself with thoughts of the festive season. As I am sitting here writing, a few thoughts came to mind including how advertising for Christmas seems to get earlier each year. Here in Ireland I have seen ads in August which, like the vampire seeing sunrise, causes me to turn quickly away, run in the opposite direction, and bury my head.
That said, we have a local and, until recently, privately owned supermarket who sells Easter eggs on Christmas Eve. What started as a joke one year became a tradition locally. The supermarket owner, sadly now gone to his reward, would hold an annual Christmas dinner for his elderly customers. Every year each customer was gifted a shopping trolley load full of groceries which they got to wheel home from the party. This kindness was not advertised. It was not used as a form of promotion. This is what made it so special. I suspect this story is not unique. There are a lot of kind folk in our world. If you can lighten our hearts with a story like this one please feel free to share it in the comments section.
In the spirit of sharing I thought it might be fun to make and share a felted Christmas tree with you all. It is made around a very simple book resist (only three pages) and takes less than 50g of merino wool. I am including full instructions for anyone new to felting or to the concept of using book resists so if you would like to give it a try, here is what you need:
Your usual felting equipment (bubble wrap or equivalent, soap, warm water, vinegar, your hands, towel etc)
50g Merino wool
Enhancements (eg silk viscose etc) – optional
Bandage cotton (or a piece of cotton with a really loose weave)
Heavy plastic for resist (I use under floor insulation material) also decorator’s plastic which will act as a protector between the pages of the book resist.
Pins, needle, thread, scissors
Kitchen roll holder (optional but good for popping the tree on to shape and dry)
Step 1 – making the book resist:
Using the floor underlay (resist material) draw an Isosceles triangle – draw a 40cm line and mark at 20cm. Now draw a 60cm line up from that point. Join the top to both sides of the 40cm line as in the photo:
Now cut out two of these triangles from the resist material and join them together along the central line using a needle and thread. Also put a little stitch through the two resists (see the arrow in the picture). This will create a three page book resist:
Step 2 the layout:
Next, cut out three triangles, the same size as the resist, from the bandage cotton. Place the first one on the first page of the resist. Since it is white on white it is hard to see in the photo. Spray it with water to keep it in place.
Weigh out 3 x 15g of the merino wool. Using approximately 10g, lay down the first layer of the fibre in a “criss cross” manner. Now lay out the additional 5g and then add on embellishments.
Wet down and cover with a sheet of light plastic protector. Wet the protector and rub the fibre through the protector:
Once the fibre is wet through, lift up the bottom of the protector. Place a thin roll of fibre along the fibre just at the base of the resist. Now fold over the excess of the laid out fibre over this roll. Wet down and add a little embellishment to the base. This will tidy off the base. Cover with the protector.
Then turn the page to page 2 of the resist:
Next lay out the second triangle of bandage cotton and spray it to keep it in place. Then, fold over the edge of the fibre onto the second page of the resist (see arrows):
Repeat the laying out process in the same manner as before. Once this is complete, cover with another sheet of the protector and continue on to page three of the book resist. Tidy in all the loose fibres around the edges:
Step 3 felting and fulling the tree:
Start the felting process, gently rubbing the fibres through the protector. Take special care of the edges of the pages. Once the fibres are secure, it’s time to roll. Using the bubble wrap pool noodle and towel and leaving the protectors in place roll approximately 60 times in each direction (north, south, east and west) on each page:
Once the tree has started to shrink, set aside the pool noodle and the bubble wrap and roll using the protector (leave the resist in place) 60 times in each direction on each page:
Then remove the book resist and the protectors:
Turn the tree inside out and continue fulling with the bandage cotton on the outside. Check every now and again to make sure the tree surface is not felting together:
Work the bottom edge by rolling the edges (see arrow in photo):
Keep shrinking the tree until there’s 40% shrinkage (the tree’s height reduces from 60cm to about 36cm. During this process, I warmed the felt up in the microwave (40 to 50 seconds on high each time being watchful not to burn the wool):
Step 4 – Getting scissor happy and finishing off:
Measure out spaces for slits and cut into each space at an angle so that the flaps are shaped like a V. I graded these so that the bottom layer is 3cm deep, next layer up is 2.5cm etc. In total there are 6 columns of flaps. (Just be aware that the first and third photos here show just one of three sides of the tree – I still have it shaped like the book resist is inside). Tidy up the bottom of the tree and seal all the cuts.
Rinse using some vinegar in the final rinse and roll in a towel to remove excess water. Shape the tree pulling out the flaps along the way. Leave to dry:
Looking slightly wonky when wet!
Here’s a view from the top of the tree to show how I chose to shape mine.
Here is the finished tree. The 40% shrinkage has helped with stability despite its height. I popped a set of fairy lights inside it to finish it off. With the benefit of hindsight, I should have added contrasting embellishment to the tree as I found the ‘green viscose on green merino quite flat, especially when the light is turned off. Examining the surface closely the sheen of the viscose has been lost, especially given the amount I used. I think white would have been a lot more impressive. Having said that, this will give me the opportunity to take fabric paint to the piece. Gold or silver, what do you think?
Here are alternatives I made a few years ago. These little trees were felted on ordinary resists using small, medium and large triangles. Sorry the photos are not better but the trees are still in storage. I embroidered silver stars on the red tree, inserted lights in the green one and sewed little baubles onto the white one:
I love hand made Christmas decorations. It doesn’t really matter what they are made of – it could be fabric or felt or perhaps paper. Maybe crochet or knit. I believe that the one thing they all share is that they are made out of love. What do you think? Do you have some favourite pieces that you would like to share? Or perhaps this piece has spurred you on to making something – perhaps even a Christmas tree. I would love for you to share them here.
Wishing you joy, peace, health and happiness this Christmas!
sending a virtual hug to each and every one of you,
I ordered some sari silk a while back as part of a larger order from World Of Wool. I am ordering wholesale so I ordered 1 kg of each of the colours I wanted. the first 2 look very similar here but the first has a lot of green and red and the second has quite a lot of black. I had expected the pink one to be much more purple. It is called Royal Robe. Every batch is different, so you are always taking a chance. It would be great if they took new pictures for each batch but I suppose that would be a big hasssle for them. And they do warn you so no complaining.
That is a lot of sari silk.
I did make up some small bags of it and sold them on the guild’s Facebook page. I will offer it again soon. I still have lots. I haven’t played with it much at all. So last weekend knowing it would be rainy at the market, so slow and I would be bored, I grabbed some of the silk and a spindle to try spinning it. I brought an older cheaper spindle because I knew I would probably be doing as much dropping as spinning. I was right. It is very short and very frustrating to try to spin, especially since I usually do more of a long draw. I tried for a while then gave up and plied the tiny amount I had spun.
I told you it was small. Here is a close up.
It is very pretty and shiny but I will not be spinning more this way.
Next was to try blending some with some wool.
I picked these two shades of merino. I think they are mallard and duck egg. They seem to be the same colour but have different saturations of the dye.
And these 3 sari silks to blend in. Looking now I see I picked the 3 primaries.
First I did the turquoise lagoon. I did a layer of the dark, then the light and then the sari silk. I carded it several times to blend it and then rolled it into a rollag
It is very subtle but I think it will add some shin and interest when I spin it.
Next, I did the Salsa, I did the same thing a layer of each of the wools and then some sari silk
And lastly the wildflower
Now I have to spin them up. They are not the neatest rollags but I think they will work. I will do some recarding if I have to but I hope I don’t have to.
Imagine this: you’ve planned that project in your head. You’ve gone through all the steps and know what needs doing. You have all the materials, and you’re getting ready to work on it. It’s going to be epic!
Except… something goes terribly wrong and the end result is nothing like what you expected.
I’m sure we’ve all been there. Craft long enough and, be it due to bad luck or simple statistics, something will go wrong.
The problem: The yarn above is a colourway of mine called Love Heart Meow. At first glance, it looks exactly as it should, except something went wrong during the dyeing process and the end result is “muddy.” You can’t really tell in the photo, but in real life I can definitely see it and it’s driving me mad.
The solution: I’m going to overdye it. I find that when things don’t go as planned, a blue overdye can save things around. Who knows, maybe I’ll create a new colourway?
(Shameless plugin moment: I’m getting back to blogging in my own website and I’ll be sharing the over dyeing process over there very soon! I’ll of course still be working on new content for our lovely blog here.)
A while back I was doing an exchange with a dyer friend of mine and decided to send her some hand dyed silk cocoons. Silk comes at a price for the poor silk worm, so I was very keen to “make it count” (yes, I’m the soppy type).
I carefully dyed each cocoon, making it so that the exterior and the interior were slightly different and adding variation in shade/colour. I was rather chuffed with the result.
Of course, I then proceeded to ruin things beautifully. I don’t know what happened in my brain but I decided to set the colours with more acid… by dunking the cocoons in hot water.
If you’ve ever dyed these precious things, you’ll know they need to be steam set if you want them to retain their shape. Hot water is most emphatically not the right thing to do, as I remembered even as I was dunking them in the H2O.
The problem: I had a hot mess in my hands, the cocoons all melted into each other, were soft and (to me, at the time) completely useless.
The temporary solution: Remove from water and back away from the project! Make some tea. Curse out loud. Come back later.
The real solution: After keeping whole thing away from sight a while, I looked at it again. It was a mess, but I could make it into something different. The colours were pretty. Then it hit me…
Tah-dah, wall art to the rescue. The colours are actually brighter in real life.
I sewed the Cocoon Combo to some black felt, added some beads and shiny embroidered stars in gold and silver. The shape of the thing was asking for an oval embroidery hoop, so I bought one in a suitable size and Bob’s your uncle.
It looks like something done on purpose, doesn’t it? It’ll be our secret.
Now, this wouldn’t be a post by yours truly if I didn’t add a little sewing, would it?
While perusing one of my usual fabric supply sites I stumbled upon the most fun cat fabric. As with most things in the crafty brain, I had the “button” sorted but not the “suit,” so to speak. I had to come up with something to create with that fabric!
I decided on the Metamorphic Dress by Sew Liberated because it looked comfy and, best of all, asked for two complementary fabrics (the cat fabric had a “friend” that I thought made the cats look even cuter. Aaand, I’ll stop using metaphors now.)
I love this dress. It works great on its own or as a top layer, making it good for more seasons. It’s meant to be reversible, but this one isn’t (there are reasons but I shan’t go into them).
One great thing about being short is, I never need as much fabric to make something as the pattern says I do. After careful calculations, I knew exactly how much to buy and order it I did.
The bad thing is, if you don’t have extra and make a mistake… well.
I was on the phone with my other half and got distracted. Instead of cutting the top layer a specific way, I did it wrongly. I immediately noticed the disaster, but it was too late. My soul hurt. I didn’t want to order more fabric because of this!
The problem: No extra fabric and the huge unwillingness to buy more. I was doomed.
The temporary solution: The same as with the cocoons! Back away from the project. Make some tea. Curse out loud. Come back later.
The real solution: I had a little extra of the gingham fabric. Patchwork to the saving.
I had only made a mistake with one half of the fabric, so that became the back. I cut that piece in two and added a strip of the under layer fabric to the middle. It almost looks like it’s a proper feature, at least to my eyes.
I’ll have to confess I felt rather smug after this. My solution worked, I didn’t have to buy extra fabric and my dress is perfectly wearable.
My smugness was somewhat abated after my mum saw the dress and said it looked like a maid’s apron, but that’s another story…
That’s it, three examples of things that didn’t go as planned but had a solution. If you let your brain think about it for a while in the background, I bet you’ll come up with alternative endings for your “mistakes.” Like the cliché goes, mistakes can be opportunities to do better later. Beats giving up, right?
Finally, the random photo of the day:
My lovely osteopath Jane went on holiday to the Shetland Islands and I asked her to send me some sheep pics. She obliged and I thought I’d share them with you.
In my last post, I showed you how I was creating some mark making tools for our annual art retreat. We had the retreat and had so much fun creating abstract artworks. I apologize for the poor quality of the photos as the light is very bad at the lodge where we stay and I was in a bit of a hurry.
The process involved each of us starting with the same size piece of painter’s canvas and then ‘changing’ the canvas with a variety of media and techniques. Some of the steps were timed and some not. It took us nearly a full day to ‘complete’ our pieces. Some of us are still working on them, some may tear them up to use in a different way and other’s may keep the end result as is.
Here are some of the supplies that we used and you can see the piece of folded canvas at the front of the table.
We did construct a few more mark making tools, mine are on the left, Paula’s in the middle and Louise’s gelli printed feather brush is on the right.
I thought it would be interesting to see the pieces as they progressed so I will show each person’s piece separately.
This is Deb’s piece from start to finish.
Here is Louise’s piece. I think she is still working on it.
Here is Paula’s piece. You can see the light shining through the picnic table in these photos. We usually forget that the picnic tables have spaces in between and this always causes issues with such things as printing or marking over the surface. I think Paula is planning on cutting/tearing this into smaller pieces to use in some manner.
And here’s Sally’s. You can’t see this in the last photo but she has added hand stitching and beading. She was not sure if she is finished with it or not.
And lastly, this one is mine. I think I am finished with it and actually happy with the result. Usually, I don’t tend to like my attempts at abstraction. I didn’t add much color so maybe that’s why I like this one better.
We had a great time and I am always amazed at the different styles that come from each person. We know each other well enough that it would be easy to recognize who’s piece is whose.
After I had retired from full time work in 2006 I was finally able to join SNADS – our local amateur dramatic society. I live in a small market town in Dorset and SNADS was the main source of entertainment for our area at that time (as it had been since 1930, although newspaper archives indicate that it was around at least as early as 1883). I had seen most of the productions which they had put on since we moved there in 1999 and longed to join in, not only on stage, but behind the scenes. During any one year there are at least 4 productions – Pantomime in February, Spring Play in May, a Variety Show/Revue in the summer and the Autumn play in early October, and as soon as that was over, the round started again with preparations for the following year’s Panto.
We had a fantastic wardrobe mistress, but she needed help with costumes, especially at Panto time as there was so much to do.
My first foray into costume was to make a full head cat mask for the summer review. Two of our members were to sing Rossini’s Cat Duet and the director decided that it would be fun to have a disreputable tom cat watching them from the side-lines. I had recently learned to wet felt 3D items using a resist, so I made the mask from wet felted pieces and needle felted details. I didn’t want the actor’s eyes to show through and anyway, I needed to give the cat it’s proper “slit” irises. So I stitched into the eye holes a piece of doubled yellow organza and just painted the vertical slit. (It is quite possible to see what’s going on through organza if it is held close to your face.) How to give him a proper nose? I needled the correct shaped nose on the mask, then I painted on some artist’s gesso, let it dry and added some more. Gesso is textured so it was necessary to file the nose to make it a bit smoother, also the gesso is white, so I painted the nose with black enamel paint which I nicked from my husband’s paint store (he’s a model maker). After a couple of coats of that, Tom had a shiny(ish) black nose. Add some “bitten” ears and “wonky” whiskers and he was nearly done. The cat’s mouth was open – it allowed the actor to breathe and gave Tom naughty grin. Finally I gave him a pink tongue and white tips to his ears.
The next production that I was involved in was the pantomime Cinderella, written and directed by one of our members. I was asked by the wardrobe mistress if I would dress both the Fairy (“Fairy Nuff”) and Buttons’ dog, Beau. The director wasn’t quite clear about what kind of dog Beau should be, except that he was to be comic. So I did a sort of 3D needle felt sketch of the dog’s head as I saw it – black and white with one ear cocked.
However I’d got it wrong – Beau was to be a black poodle.
After some discussion with the wardrobe mistress, we decided that the actor would wear a black polo necked top, thick black tights and black gloves. I managed to find a piece of curly black faux fur to make a short jacket, with enough left over to make pompon for the top of the head and the end of the tail, the long dangly ears and wrist and ankle rings to simulate the correct style poodle cut. I was to make a full head mask. For this I made a wet felt hood using a resist and a further piece of flat felt incorporating some of the curly faux fur trimmed from the bought fabric. A lot of that moulted out though because it was nylon or polyester and very slippery. Enough was fixed in however to give the right effect.
I made a needle felted muzzle – again with the mouth open to reveal the red tongue and white teeth, and to allow the actor to breathe. The nose I made in the same way as for the tom cat – shaped with the felting needle, gessoed and painted. The muzzle was attached to the hood/face with stitching and felting needles. Some of the flat felt was cut to represent the dog’s lips and attached by stitching and needle felting to the muzzle. The “Disney-esque” eyes were again painted organza and were stitched on the inside of the mask.
The ears and head pompon were also stitched on. I added a piece of brown fabric and a belt buckle around the dog’s throat to simulate a collar and allow the mask to be firmly secured over the actor’s polo necked top. I have worn this costume myself a couple of times in subsequent Carnival processions – great fun.
Since the actress cast for the part of Fairy Nuff had a figure which could easily cope with a glamourous costume, for the base I was given a basque that fitted her. She was to appear out of a compost heap at the edge of the stage, so I set to and made lots of autumn coloured leaf shapes – mainly oak – out of different brown bronze and gold metallic organzas. I sandwiched sparkly bits between layers of organza. I machined stitched around the edges and along the veins of each leaf and then cut out the shapes with a soldering iron. This sealed the edges and prevented fraying. Then, with the basque on a dressmaker’s dummy I attached large pieces of bronze organza for the tail, and then added the strategically placed leaves.
The wings were made from two lengths of flat wire (originally from a pop-up fabric laundry container) covered with more organza, this time creamy white but with sparkles and sequins added. These were attached to the back of the costume by stitching the wire to the shoulder straps of the basque and covering the join with some dark bronze/gold chiffon.
The crown was made from bronze Christmas decorations (that year bronze was in fashion over here – UK). I used bronze plastic icicles, some foil stars and some more organza leaves attached to a head band. I can’t remember what the wand tip was made from – possibly a bunch of tinsel.
I actually got a speaking part in this Panto – only a couple of lines but a step up from what I’d had before. I don’t have a proper photo, this was before my husband had a digital camera, however I’ve managed to extract a clip from the video we had made of the show. It’s a bit fuzzy if enlarged but I think you can get the gist. I’m in the gold dress with my exclusive “Toilet Duck” perfume, and my punchline? “It drives the men Quackers!”
After this show, we had one final “adult” Revue and then we moved to where we are now based. Try this link it should show you the hall we left, Sturminster Hall, and eventually the Community and Arts building, The Exchange, which is now our home. https://stur-exchange.co.uk/about/ Unfortunately it seems that a second link, on the above page, may not yet be working – this is a new website in the process of being fully set up so here’s the brochure which was produced the year after it opened.
The staircase balustrade is wrought iron made by a local craftsman and represents the river Stour which runs through our town. All the Rooms in The Exchange are named after rivers and streams running close by, and it is just beginning to open again to live theatre as well as community groups.
We at SNADS started off our return with an Adult Cabaret a couple of weeks ago, for once without a male Balloon Dance or a ladies Fan Dance, but there was a Pole Dance!
More about my exploits with SNADS (including an explanation of the picture of the wicked queen) later. Watch this space.
It has been a very busy week and I am afraid I do not have much to report.
I added a few rocks to the picture and I built up the bottom edge to be more feeling of depth. it looks a little better in person but not sure if it was worth the effort, but maybe.
I still have to add a thread or fine yarn element. I thought a few dandelions around the rocks would work. I found a nice dark green variegated thread that Jan had picked up for me.
This is a needle felted picture it is squishy, not flat and “solid” like when I wet felt a picture and then add definition or extras with a needle. I think it may make things difficult. I made a few stitches, making sure to keep them loose because I don’t want the flowers quilted into the picture. As you can see in my mind these are large rocks, good for sitting on and watching the sea.
That did not work. It still looks quilted and I think the thread is too thin. they may have looked better with flower tops but still like they are in the rock rather than beside the rock. At least they were easy to take out.
Fine yarn is next up. Fine is a relative term, right? Yes, I am sure it is. This doesn’t have a label but I am sure it’s a Briggs and Little sport single.
I will try this next but I think it may be too thick. If this doesn’t work I will look for some green embroider floss. I am sure I have some. If that doesn’t work I may try to think of some stumpwork maybe, something else I could do separately with thread and then attach to the picture or maybe embrace the squishyness and quilt a simple flower or bird outline, large to cover the whole thing. Or maybe add some fabric like Ruth did and stitch on that.
And one more thing, to make Jan and Bernadette jealous. My mom bought me a basket.
My husband said, “we don’t have a cobra.” I have a feeling he wants it to stay that way. LOL
In case you didn’t see it the idea is you pick a card from felting four different category card decks. With felting wool is a given.
My picks are:
Fibre: use thread or fine yarn
Colour: use cool colours
Structure/Technique: needle felting
Other: No Larger Than An Index Card ( 3inches by 5inches, 7.5cm by 12.5 cm)
This one took me a while to figure out. I kept thinking of a cold picture even though I do know cool colours doesn’t mean a cold picture. I don’t usually do needle-felt pictures I usually wet felt and then do a little needling and stitching. I am glad it’s only a small piece.
To start I cut the right size piece of prefelt for the base. I got this to try out From Monica of The Olive Sparrow. I have to say so far it is very nice to use. It’s quite thick and nice to needle into, not too hard and not too soft. Just like baby bears bed.
Next, I picked my colours for a nice scene. Most of it is merino except the two-tone green. It is corriedale.
Laying it out. and tacking it all down. I wanted sky and water and a clifftop.
The sky and sea are blending together. I went online and had a look at some sea and sky pictures. There seems to be a definite dark line where they meet but when I added it to the picture, it looked odd. I decided to pop an island in.
That looks better but it looks lonely so I added another one and greyed them out a bit to make them look a little farther away.
That is where it stands now. You will notice there are no threads or fine yarns. That will be next. I will probably add some grasses and flowers to the foreground with stitching and maybe a tiny lighthouse on the rock. I am not sure yet what I want to do.
Anyone who tell you they don’t have a box, draw or even cupboard of failures or “ not going how I wanted to” is either in denial or hasn’t done enough yet. My tale is about one such piece. I don’t even have a full original photo to show you so dissatisfied was I. The picture below is the starting block. To explain the original context of the piece it was two logs of wood at the forefront with a tree and mountain scene as the back drop. The second picture is of the top of the piece. I am sure you can visualise them before the chop.
I already had in my minds eye where the piece was going ,as previously having done a rock pool scene ,I wanted to achieve something similar on a woodland setting.
Although in my minds eye I could see the finished piece getting there was unknown. The piece was a wet felt project using dyed silk to create the logs and silk and fibres to create the moss and ground. I then needle felted to create depth and texture.
After studying it for awhile I decided if I established the proportion in the top left hand corner the rest would flow from there. I knew I wanted it to be multi dimensional but wasn’t sure if it would work. I stand here honestly admitting I am not the best embroiderer in the world but best foot forward added grasses in wool yarn and stalk and leaves in silk yarn to the existing blue flowers which I added at the wet felting stage with nepps. Still at this point I wasn’t happy as it still felt “ flat”. I decided to see if I could have a play and make dandelions which I could sew on top separate thus creating the second dimension I wanted.
But how? Out came my trusty stash of bits and bobs where I found some green and yellow prefelt I had made. With my embellishing machine I added further wool in differing shades of green. I then made a template of a dandelion leaf and cut them out. A final run over with the machine to strengthen them and a trim up and they were ready. I did the same with strips of yellow which I sniped and rolled. Sewing the base tightly together made a very pleasing dandelion shape , well in my eyes at least. After positioning them on the piece I was happy and created the stem with string and couching stitch.
I was happy it was now taking shape. The only area I was unhappy with was the blue flower in the foreground was knocking the whole piece out of proportion. After a tentative test decided to remove part of it completely. With this area removed ( the area between the two logs) it made more sense.
I made more leaves on my embellishing machine in different shades of brown and green and along with stones ,which I had needle felted, I added to creat the woodland base. I also embroidered some clover with bullion knots ( don’t look to closely, I have already explained about my lack of skill and this was my first attempt at this stitch).
And so to the foreground. More leaves were made and added to the blue flower. I’m afraid this flower is not a true but made up flower but at least I had free reign to create. I added french knots to the nepps to add depth.
I must admit the piece is not yet complete as I am now adding french knots to create the moss and will be adding more stones and maybe another clover ( if I can master bullion stitch that is).
All in all I am quite pleased with the piece
My point is never give up on a piece. I find some times just moving a mount around a piece of work completely changes you appreciation of it and can send it off in a completely new and pleasing direction.
If anybody would like to see the finished piece I will give a quick update when next I post.
I’ve just taken down my work from a Made in Whitstable group exhibition at a local arts centre gallery so thought I’d tell you about the felt pieces I had in the exhibition.
Made in Whitstable is a loose affiliation of artists and makers who have a close connection to the town, on the coast in SE England.
With a diverse artistic group it’s not always easy to find a title that everyone is comfortable with. ‘Connections’ seemed to offer enough room for people to work with in their various styles and mediums.
This exhibition was postponed from Easter 2020 so it was great finally to get some work out there, and to catch up (albeit at a distance and in a mask) with people I haven’t seen for a long time.
As I’ve described in previous blogs, this year I’ve been learning from online workshops. I’ve long been interested in both seed heads and shells and these have both continued to feature in my recent work. Reflecting on this, I realise they are all forms of natural protective cases and although it’s not a snappy title, I decided it was a good ‘connections’ theme for me.
This is a picture I made specifically for the exhibition.
These photos show the oyster shells laid out, prefelt shells in a single sheet, then cut up and laid onto a background of white Norwegian batt (lower half) and tan Perendale batt (top half). There’s a recycled silk scarf laid over the tan batt layers to give the impression of a pebbled beach in the distance.
Layout for the turnstone, using a combination of merino wool and prefelt; fully felted turnstone and a trial with two birds. I decided to go for just one. I needle felted the turnstone into place then added the eye, beak, legs and a few feather details
I also made some smaller pictures along the shell & seed pod theme
Top left: mussel shell with recycled silk sea, cotton scrim wave foam and prefelt pebbles
Top right: Oyster shell with mixed wool and yarns and fabric barnacles on a recycled silk background
Bottom left: pink shell on a recycled silk beach with cotton scrim wave foam and mixed wool and silk fibre sea
Bottom centre: paper felt shell on recycled silk background
Bottom right: Corriedale, silk and yarn background with multiple-resist circles, hand stitching and a sycamore key
I also had various 3D shapes in the exhibition.
Left – based on a eucalyptus seed pod. I made this in a wonderful workshop by Gladys Paulus in November 2019. I covered that workshop in my first blog for the Felting and Fiber Forum. Various wool batts and mohair locks.
Top right – conker made in two parts (using the stem technique I learned from Gladys). Outer made from Perendale and Norwegian batts, inner is merino wool tops
Bottom right – based on a hazelnut, also made soon after Gladys’s workshop.
Here’s a poppy seed head I made this year after Fiona Duthie’s Fibre + Paper workshop. Mulberry paper is felted into the felt surface. The paper adds structure, folds and pleats well and can be drawn on / painted. I painted this with watercolours. I had to make the top separately so stitched it on. A local craftsman made the base; the pod is held on a piece of dowel attached to the base.
This nigella seed pod is also paper felt but made side-on with pre-felted ropes and thicker wool sections (not prefelted) to allow variable shrinkage (learned from Soosie Jobson). I had a reclaimed jarrah wood and dowel stand made for this.
And finally, I included a few plant holders and some earrings.
Here’s my display area – I did put the cards (bottom right) on a small table!
There were lots of good exhibitors. Here’s a small selection: top left fused glass by Irene Southon; middle left acrylics by Josephine Harvatt; bottom left watercolours by Sarah Louise Dunn showing local sites commissioned by Whitstable Museum to illustrate a map of the town; right, prints by Linda Karlsen. Work by Irene, Josephine, Sarah and Linda (Wearartworks) can all be found on social media like Instagram and Facebook. They and other exhibitors can also be found on Made in Whitstable’s Facebook and Instagram.
The footfall was rather disappointing and I would guess that sales were down on previous years, but it was really good to get some work out on show and to see what other people had been creating.