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Month: October 2019

Registration Open Now for Online Felted Concertina Hat Class

Registration Open Now for Online Felted Concertina Hat Class

Would you love to learn how to make some really fun felt hats? Then you need to take this wonderful online class with Teri Berry, Felted Concertina Hats.

The online class registration is now open and you can sign up here. The class starts on October 24 and is a four week course. You’ll learn all about how to make concertina felt hats and Teri shows you some great adaptations and how to move forward to create other felt hats.

 

You’ll learn about hat blocks, shaping and sizing your hats.

You’ll also learn how to make this cool snail hat as well as how to blend colors and make silk stripes.

So sign up now to learn how to make some really cool felt hats. You do need some felting experience but you do not need to have made a hat before. If you are confident making felt pods, bowls, bags etc. over a resist you will be able to make these hats.

Don’t miss the fun! Register now to take this wonderful online course.

My latest makes and a competition!

My latest makes and a competition!

 

So what have I been up to lately? Well this and that! I finally joined facebook a year ago to promote my work and workshops.  I also opened up my Etsy store, so I have been a bit busy.

I have been lucky to also receive a few commissions.  A lady asked me to make her favourite, a dragonfly! Well it’s good to step out of your comfort zone and try new things isn’t it.  Luckily it was well received and here it is finished and then a picture when Gloria framed it.

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I have a few fairs coming up including a two day fair, so I need to up my stock.  I really love making a wet felted picture and free motion sewing it.  I didn’t have any sheepy ones so here is one in its fluffy stage and then onto the sewn version.

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Because of the upcoming shows and dare I mention the C word – Christmas. I thought I would make a few similar snowy cottage cards, with the view to getting them printed onto cards as I have done in the past.  I put them on my facebook page and asked people which one they thought I should use as the card.  Votes where across the board, but I have chosen one.  I won’t say which I prefer, but which one do you like?

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Finally I have a little prize giveaway going on on my fb page.  I want to get the following picture printed onto cards also, but I need a title!  If you would like to contribute a title that would be wonderful.  The persons who’s title I choose I will send a card to them, a small prize maybe, but it was made with love!

Stained Glass in felt part 1

Stained Glass in felt part 1

As I stared at a blank piece of felt thinking about what I wanted to try next, I looked around my increasingly cluttered office and considered my options. I considered: the sudden increase in freshly washed wool; spinning, weaving and felting magazines; plants brought inside to rescue from the winters’ impending cold; reference books; hat blocks; baskets and, somewhere under the pile of wool is a Poang Ikea chair (I may have to find it a new home –its very comfy to sit in but so hard to get out of). From among this clutter, I spotted a ball of green fine wool I bought at a Value Village.

Hummmmm……..

I have had this thought flitting around in the back of my brain for a couple years now. It has kind of worked its way to the surface among all the washing of sheep-shedding. It involves another approach to considering felt pictures. I have enjoyed and had reasonable results from treating fibre like a Watercolour painting when felting; thin layers of colour to build up to the final colour. (Fox) I have also used fibre like acrylics; mixing the exact colour I want and applying it in a much more graphic manner (Frog). I have treated fibre like a 3-D Grassi painting which is sort of combining both acrylics and watercolours. I want to explore this further. (Polar bear and Octopus) However, in the back of my mind, I have been curious about using fibre like stained glass.

Stained glass and tracery windows have this amazing graphic outline in either the stone or the lead chasing. There is a similar graphic expression in colouring book pages. The lines are usually black outlining areas of colour. The colour areas can be solid or it can be more subtly shaded. There was a science fiction illustrator I liked, who used red under paintings and let them come through in his final pieces. You can see a similar outline under painting in some of the Group of Seven landscapes too. So this would be a bit more like thinking of an oil under painting. I did not get to try oils at school but did watch other students use theirs.

Now that the techniques were decided upon, what should the subject be?  Sheep, Flowers, a rose windows?

I pulled out the foam kneeling pad from Dollarama (they should be back on sale by February) and another piece of the felted wool Duvet to use as a base. It was not the right size so after a bit of opposite diagonal tugging it became a much better size. I did not want to draw with a sharpie marker this time so I outlined the area with pins to give me a 5×7 image. (This means you have to replace the pins and check your measurements when you lift you’re felt from your foam base. If you cut a template to the size you will be matting or framing to this will make resetting quicker.)

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I pulled out the ball of green wool yarn that had caught my attention and lay the loose end over the wool playing with different shapes. Looking at the spewed yarn made me think of a quatrefoil.  This means I will need something to make a circle with. Hum.  Ah!   The handy bottle of Robax Platinum; not only good for my back but also to use to make a circle of yarn around its base! I attached the tail end of the yarn and started to needle felt the yarn into the background. I figured out quickly that if you tip your needle towards the attached end of the yarn it was easier to control the line and not have it distort as it became affixed to the felt base.

 

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Using pins as turning points for the yarn enabled me to layout a quatrefoil

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If you do not pin the yarn directly into the felt it will hold it in place but still allow the yarn it to move.  As you start to affix the yarn to the base felt there will be take up or shortening of the yarn but the yarn can slide past the pins but still keep your basic shape.

Once I had a shape, I considered filling it in. I had been combing some locks and had a bit of comb-waste to play with. I did the sections between the quatrefoil in blue and then did the quatrefoil in purple.

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I realized it was not a rose window I had created but a Viking shield so I needed to make at least another one. I have noticed using photo reference is easier in the design and perspective phase. Working right out of your head can be more stylized and a bit trickier. Both can create interesting results!

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Again I used the useful Robax bottle as a template and created more round shields (as opposed to a kite shield which is more Norman, not Viking). I extended off the edge of the pictures so I could get the composition I was developing. The prow won’t show but the curve going up to the prow would.  I should add a third shield to give the rhythm I would like. Next will be to start laying in planks on the ship.

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Laying in the planks I had to cross the round shields I felted up to the shield then skipped over to between the shields then cut the unattached part crossing in front of the shield. This was trimmed back and felted into the edge of the shield.

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I am not sure if I like the angle of the planks yet so I may pull them off and try again but I will sit and think about it for a bit. I will likely move the 5×7 outline in pins down a bit so more of the third shield will show. (working with a predetermined standard size will make matting and framing much easier later.)

While I think about the plank angles I had better go look at The Gokstad or the Oseberg Viking Ships. If you are lucky enough to live near The Viking Ship Museum in Oslo, Norway you can see them in person. I will have to use the internet.

I will continue to work on this technique and see how it turns out. But if you suddenly have an overwhelming need to try this too you might check out a ready-made source of images I should have considered more before I began this. With the explosion of stress-reduction adult colouring books, we have a lot of options to inspire us.  I am suspecting that simpler line drawings will be most effective but I am curious to see what catches your eye.  There are some free downloads of colouring pages in PDFs that might get you started at  https://www.justcolor.net/ . Otherwise, try a google search under image for adult colouring pages, printable. Many of the images are a bit busy so you may have to simplify them.

Third Quarter Challenge Coming Along.

Third Quarter Challenge Coming Along.

I showed you a blank canvas last time.

I have finally moved forward from there.  It was a slow start. I had a hard time finding a lightweight dissolvable stabilizer. But I did in the end.

Step one was to trace my pattern onto the stabilizer.

I did the rivers first and then the roads. I had to spin some yellow for the roads. I thought it would be easier to use then roving for that part.

I did the rivers first because the roads go over them.

I got the major roads done.

Next, are the secondary roads. That’s all that shows form this level of zoom. I think I will put them in with thread and outline the whole city in red. Hopefully, by my next post, that will be done. once I am finished I can move onto the fourth quarter challenge and get it done in time.

Fabric Collage Landscape Part 1

Fabric Collage Landscape Part 1

I was inspired by Antje’s post recently about creating a fabric landscape. I have had this on my list of things I wanted to do for a long time. So thanks Antje, for giving me the push to get it started. I have piles of hand dyed and commercial fabric. Many are just small pieces and scraps and I thought this would be a good way to use some of them up.

First I needed to find some inspiration. I looked through my photos of Glacier National Park and I wanted to create a landscape featuring Hidden Lake where we had hiked several years ago. Sadly, that was one of the years that we had thick smoke in the area from wildfires so my photos were not impressive. So I googled images of Hidden Lake and found one I liked to use as inspiration.

I used heavy interfacing as a backing and then started putting together my sky fabrics. In Antje’s post, she didn’t mention anything about fusing the fabric down as I would normally do so I decided to just wing it. I added threads over the top and then started stitching.

I started with light blue thread and stitching across trying to catch all the various elements down. I switched to a darker blue thread and then to two tones of orange thread. It was a little frustrating as pieces moved as I went but I just kept going.

I had less control over where each piece of fabric was and that made it less “perfect”. But that’s OK because I was trying to see if I could do a piece that was more “abstract”. (Not that I ever get too abstract.)

Then I started finding the mountain fabric colors and giving them a trial against the sky. I did put fusible on the backs of the mountains so I could iron them in place before I added the “texture” on top.

I continued to play around with a variety of fabric pieces to get the mountains the way I wanted.

Then I moved on to the green mid ground. On the left, I am trying the fabric I might use to see if it is the correct value and color. Then I cut out pieces to the correct shape for the mid ground area with trees.

I realized at that point that I would need to place the water before I attached the green as there was water on the left hand side underneath the green “fingers” of land that stretched into the lake. So this is a trial for the water.

Then I needed the reflection of the sunset in the lake. I tried a piece of cheesecloth on the left but it was a bit too pink and also too textural. I wanted the water to feel smooth against the textures of the trees and foliage. So I found a couple of pieces of hand dyed sheer silk organza and gave them a try. It’s looking better but still feels a bit dark in the reflected area. I also tried the green in the foreground. It’s looking more like a landscape but I still have a long way to go. It takes a lot of time for the trial and error of finding the right piece of fabric for each portion of the landscape not to mention the time spent stitching.

I hope you don’t get tired of seeing the process of this fabric collage as it appears there will be several posts to go before it is completed.

Fourth Quarter Challenge 2019 Colourscapes

Fourth Quarter Challenge 2019 Colourscapes

This challenge is inspired by our trip to Mottisfont Abbey where Kaffe Fassett exhibited over 70 glorious items including furniture fabric, clothing and wall hangings.

“I create in palettes of colour because that is my main obsession.” Kaffe Fassett

We were allowed to take photographs of Kaffe’s work at the exhibition – this is one of his wall hangings …

Kaffe Fassett Exhibition at Mottisfont

…and a close up of another.

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Please click on the link below, scroll down a little, and you will come to a very short video of Kaffe Fassett talking about and showing some of his work.

https://www.nationaltrust.org.uk/mottisfont/features/kaffe-fassett-exhibition-at-mottisfont

So this quarter’s challenge is to make a “colourscape” using whatever fibre media you enjoy working with.  It can be realistic or abstract and any shape or form.

Go wild with this challenge and be as free as you like!

We often use our photos to inspire us, so we’d like to share some with you.

Chihuly Glass installation at the Bellagio in Las Vegas, US

Chihuly glass installation at the Bellagio in Las Vegas 1

Chihuly glass installation at the Bellagio in Las Vegas 2

Bar top in a hotel in Las Vegas, US

Bar top in a hotel in Vegas

A Peacock in Madrid, Spain

Peacock in Madrid

Jellyfish in a Singapore aquarium

Jellyfish in Singapore aquarium

Gaudi mosaic in Barcelona, Spain

Gaudi mosaic in Barcelona

Meadow in Christchurch, UK

Meadow in Christchurch, Dorset

Leaves on the ground at Kew Gardens, London

Leaves on the ground at Kew Gardens, London

Fishing nets in Crete

Fishing nets in Crete

Glass House in West Dean gardens, Chichester, UK

Glass house at West Dean gardens, Chichester

Trees at Mottisfont Abbey, UK

Trees at Mottisfont Abbey

Lego installation in Singapore botanical gardens

Lego installation in Singapore botanical gardens

And finally some blueberry leaves in our garden in the autumn …

blueberry leaves in the autumn in our garden

… and at this time of year, in some parts of the world, the trees and shrubs will be giving a wonderful display of colour!

We hope that you enjoy this challenge and that it brightens this quarter of the year.