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Second Quarter Challenge finished …..I think.

Second Quarter Challenge finished …..I think.

I think I have finished stitching my second quarter challenge. I showed it to you at the beginning of the challenge when I had just started the stitching it, here: https://feltingandfiberstudio.com/2016/04/13/stitching-some-felt-and-a-frame/

Since then I have finished stitching all the trees. I tried several stitches I saw on line at this great site.  http://www.embroidery.rocksea.org/stitch/  I also made up a couple.

finished 2nd quarter challange 2

I also added some topography to my mountains and foreground to give it more texture and depth. I couched down the multicoloured yarn using a variegated embroidery yarn. The other yarn I stitched through the back so the stiches are not seen except at the end where I didn’t want them to fray.

finished 2nd quarter challange 3 finished 2nd quarter challange 4

I took and angled shot so you could see how the yarns stick up.

finished 2nd quarter challange 5

This is the over all picture.  I am happy with it and enjoyed doing the different stitches. I am not sure if I should do something to the clouds. What do you think. What would you suggest?

finished 2nd quarter challange 1

 

 

Second Quarter Challenge: Stewart Stephenson

Second Quarter Challenge: Stewart Stephenson

As you probably know we have decided to pick a different artists for our quarterly challenges this year. This quarter I have chosen Stewart Stephenson http://www.stewartstephenson.com/home He is a Canadian artist that has a large body of work in a variety of mediums and styles. I think there is something for everyone here.

He has a gallery in Vancouver British Columbia Canada

gallery-img1 stevenson 1 stevenson 3 stevenson 5 stevenson 2stevenson 4

It says he did some sculptures but I couldn’t find any pictures. I even sent them an email asking about them but got no response. If you find some please share them with us. Have fun with this.

Don’t forget there will be a post over on the felting and fiber forum where you can ask questions, discuss and post pictures of what you where inspired to make.

 

Nuno Challenge Experiment One

Nuno Challenge Experiment One

The second quarter challenge over on the http://feltandfiberstudio.proboards.com/ is mine but I have yet to start. Today I started. Months ago I made a shrug jacket and then died it blue. It would not stop bleeding. I rinsed it for days. Changing the water several times a day. I reheated it in vinegar water and still it bleeds, so I gave up. with all the work  it has great texture.

blue experriment 2 blue experriment

To get the great texture it shrank a lot. It will no longer fit anyone.

blue experriment 3

Next I unpicked the sewing. Not an easy task. The stitching was really sunk into the felt. Next it was into the washer. I have a front loader. I hope it works well it isn’t as aggressive as at top loader. I have shrunk a sweater down from an extra-large to a child’s small in it so I had high hopes.

Here is the finished twice washed piece. The red piece is the original finished sized before all the rinsing and  washing. The coke can is for size reference.

blue experriment 4

Here are the close-ups. The texture is much tighter and the piece is much stiffer.

blue experriment 5 blue experriment 6

The biggest surprise was that there are definite lines of wool on the silk side. I am imagine it’s where each rows of wool overlapped. I only laid the wool in one direction for this piece.

 

 

Nuno Felting Experiments

Nuno Felting Experiments

I started thinking about Ann’s challenge right after it was announced in April but this is the first time I have been able to start working on the challenge actively. I wanted to try several different ideas I had for nuno that I hadn’t tried before. One was to try a cut prefelt shape sandwiched between two pieces of silk, the second was to try using rows of cheesecloth attached by felting and the third was to use locks as embellishment on nuno felt.

Pre Yarn Layout - BackI started with the largest piece that will be used on a project for an exhibition planned in October. This is the back side of the silk where I used preyarn to give a branching effect.

Layout FrontI then flipped the silk over and applied merino wool mixed with a variety of other fibers including silk noil, cashmere, angora, tencel, flax and banana fiber that I had carded into batts over the last month.

Added LocksNext came the locks which I added randomly over the surface. These were hand dyed Wensleydale locks and they are pretty coarse so I was wondering how they would migrate through the silk. I used 5mm silk gauze that I had previously hand dyed.

Finished Green Nuno

Here are the end results. I got lots of texture which I really wanted.

Texture Green NunoThis is the back side. You can see where the locks migrated through in the spots that look more yellow. No problems migrating through the silk.

Pre Felt on SilkMy next attempt was with the prefelt. Here is the shape that I cut out and I used some silk I already had. I did think to myself, this is 8 mm habotai silk and I don’t know what kind of wool is in the prefelt as I made it several years ago. Will it work? You should always listen to yourself.

Pre Felt SandwichI covered the prefelt with another piece of silk and then felted the piece by rolling. The fibers were migrating but not very quickly and not evenly. I kept working at it but it was slow. Next time I do this it will be with 5mm silk gauze and merino prefelt.

Finished SandwichHere is the result. I got a lot of ruching which is expected with 8mm habotai and all of the prefelt design is not attached. It would have worked better if I had listened to that little voice that warned it might not work.

Orange Pre FeltNext up was the experiment with cheesecloth and prefelt.

Hand Dyed 90# CheeseclothThe prefelt was another left over piece with unknown wool content. Here’s the cheesecloth. It’s 90# so pretty close weave for cheesecloth.

Cheese Cloth Strips

I ripped it into strips.

Ruffle Layer LayoutLaid it on the prefelt and then added a little bit of wool on the base of the cheesecloth that I wanted to felt in.

Wet Down and Plastic LayerI then wet that section down and covered it with plastic.

Second LayerThen I added another layer of cheesecloth and a bit more wool. Wet that layer down, covered with plastic and repeat.

All Layers Wet Down and CoveredThese are all the layers ready to start rolling.

Checking LayersIn the middle of felting, I did check the layers and did a bit of rubbing over the added wool.

Finished Layers

And here’s the result. Layered cheesecloth in rows that have been nuno felted in to the felt. They are very sturdy and you can’t pull them off.

Side View Cheesecloth LayersHere’s a side view where you can see the felt on the bottom. This would certainly have been simpler if I had just sewn the layers of cheesecloth down with the sewing machine. I’m not sure what the benefit of felting them would really be. But I guess on a three-dimensional piece that could not be sewn. it might be useful.

I enjoyed these experiments and have to think up some more ideas. I do have another idea floating around using Zed’s idea of nuno and resists that she showed earlier. Hopefully, I’ll have some time to try that idea out as well. Have you done anything for the nuno challenge? We’d love to see so please post it to Flickr or the forum.

Second Quarter Challenge – Abstraction

Second Quarter Challenge – Abstraction

I have been attempting to work on Ann’s second quarter challenge but I have a really hard time with abstraction. I guess that most of my work ends up being realistic. I find it difficult to take an idea and make it more abstract. Do you find it easy or hard to do abstract work? At least with felt, it is harder to do very fine details so the process kind of lends itself to abstraction.

So I decided I would do some sketches with watercolors and ink. I looked online for photos and found one of birch trees. I took out all the background and just picked a dark blue. Then I was planning on painting the birch trees with pinks and oranges to represent the sunlight hitting them. I got to this point and just couldn’t add in the pink and orange. I tried it on some scrap paper and hated it. So this isn’t really abstract. What do you think?

Next I tried abstracting a photo of red twig dogwood in winter. Again, I really simplified the background and I used red paper cut into tiny slivers for the dogwood. I think this is a little better but I’m still not all that happy with the composition.

My local surface design group has been doing a monthly challenge where we pick an artist and then do something based on that artist’s style. This past month was a local artist, Marshall Noice, so I looked him up and lo and behold, he works in an abstract manner. I could take care of both challenges with one project. 🙂 I printed out two of his pieces and pasted them into my studio journal.

I had never really examined Noice’s work before and both of these examples are pastels on paper. I love the rich, deep colors and I do like the abstract nature of his work. So I decided I would try a photo of willow trees in winter to see if I could achieve a similar effect. Again, I used watercolors and ink in my studio journal.

Here’s the result. It seems a little anemic to me. Especially the bottom portion. But it is somewhat abstract, perhaps. I’d love to hear your critique. I am thinking of doing one of these pieces in felt. Which would you choose and why?

This last photo is definitely not abstract. Just thought I’d throw it in since it was the next page in my studio journal. So that’s what I’ve been working on in my spare time besides my stitch homework. I’ll keep plugging along with the abstract challenge. And it is a real challenge but I guess that’s the point, right?