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Shibori Shrug Jacket

Shibori Shrug Jacket

Heres another throw back post. I thought if I do not remember doing this maybe you won’t either. I hope you like it.

After seeing Ruth’s jacket it reminded me I had made a small one for one of my daughter’s dolls years ago. I thought I should give it another try but life size this time. I thought about doing it seamless but decided that it would make something that is a simple design into something complicated. Although I am not a great sewer I was sure sewing 2 straight seems on my machine should not be beyond me.

There are quite a few pictures so I have put them in a gallery for ease of viewing. If I could figure out how to post pictures side by side or in groups I would but that is beyond my skill level.

First I made a large piece of nuno felt. I used silk gauze and merino wool. After it was finished I put it in a red dye bath. It came out quite nice. It’s hard to tell from the picture because my camera did not like the red at all. The one you see was the best of a bad lot.

The next thing to do was the shibori. I finger pleated the middle of the piece starting at one short end. I very carefully held it flat and tight while I tied it. The first tie is the hardest one. After that you just pleat it up tying every couple of inches. You don’t want to be too neat about it. If the pleats are to perfect you get straight lines. You want your pleats to be tight so some of the material will resist the dye in the second bath. This type of shibori is supposed to make a bark like pattern. I put the tied up piece in a purple dye bath hopping for a nice red purple to appear on my cloth. It came out black. After it was dry the gauze side had more of a purple look but still very dark.

I sewed up my jacket. I made the material far too wide so the jacket ends up long. The short sides overlapped a lot when folded up. I had to have long “lapels” to make it work. It is not a mistake it’s a design feature, just ask me :O) It is still to long for me. I think it may look good one someone who is tall and thin. Two things I am not.

All in all not a bad try. I’ve made another piece of nuno felt to try again, I made it narrower this time. Now I have to find the time to sew it up.

Making Felted Sheep

Making Felted Sheep

Another flash back post. some needle felted sheep. I hope you like them.

With the start of show season gets closer I realise I only had a few sheep left. Time to make sheep parts.

sheep body 1 sheep head 1

I have to make bodies and heads. I roll them up and give them a few pokes. I use 2 needles held together with a hair elastic. It makes them comfortable to hold.

needles

There will be white sheep too

sheep head 2

Once they are rolled and poked they get put in to the legs of some nylons.

sheep parts ready fo the wash

These will go into the washer and dryer with a regular load of laundry.

I also make wet felted snakes to be cut for legs and a flat sheet of felt to cut ears out of.

sheep parts

I can’t find my bag of black spare parts.  may need to make more.

This is what the finished sheep will look like.

sheep small

They all get a safety pin on one side so you can wear them.

Better Late Than Never

Better Late Than Never

I’m tardy on completing the First Quarter Challenge using a resist in a different way.  I had a few ideas, but then Cathy (Luvswool) loaned me a resist she had used in a class a few years  ago.  I still procrastinated not having a clue what to do with it.

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I covered the resist using the first layer of Icelandic on all sides.  then I left it for a week while I traveled.  I was still unsure of what I wanted to do with it.  Then on Earth Day I was inspired to use some deep jewel tone merino fibers and made some batts.  I didn’t want really striped areas so they went back into the carder to blend them a little more.

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I debated about using the fibers horizontally, but ended up using them vertically.  I suppose it wouldn’t have mattered either way.  I still wasn’t  sure about what shape it would take until I finished fulling it.

Here it is drying on my towel holder.

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Views from each side. The Icelandic wool underneath really muted the bright tones, but I liked the way it turned out.

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From the top.

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I don’t know what to call it, but it sits nicely by itself and will probably decorate the coffee table in my living room where the colors will be right at home.

I think I’ll try another shape after I finish the Second Quarter challenge.

 

Workshop with Vilte Kazlauskaite in Slovenia

Workshop with Vilte Kazlauskaite in Slovenia

Our guest artist/author today is Nada Vukadinovic also know as Halay on the Felting and Fiber Forum.  She has generously offered to share her workshop experience learning a Fiber Inlay Technique.

A few weeks ago I attended a workshop in Maribor, Slovenia, given by internationally renowned textile artist and felter, Vilte Kazlauskaite from Lithuania. Her work is fabulous. You can see her creations here: http://vilte.tumblr.com/

She held three workshops, but I was able to attend only one. It was called Fiber Inlay Technique. Quite intriguing, I had no clue what this could mean and I was very excited to learn about it.  I attended only one afternoon workshop. On  the previous day attendants learned something about  fabric manipulation in nuno felt, and the last day was devoted to the creation of a vest.

We were working with two types of silk: ponge and chiffon and were expected to create a piece of work, either a shawl or something similar, a flat piece anyway. I decided to make a square piece which I will probably use for a cushion.

First we were asked to draw a pattern on a piece of paper in the form of a mosaic that we would like to appear on the finished work, e.g. a bird, or something abstract.

I decided to draw something simple.

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We used different sorts of fiber (mulberry silk, viscose, bamboo, and flax.)

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When we were finished laying out fabric and fibers we began rolling and rolling. When we noticed that the wool has penetrated through all the layers of silk, we started kneading the piece and then rolled the project without the rod. The shrinkage percent was from 40-50%.

This is what we got in the end:

 

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Unfortunately, we were working only with white silk and some blue and white fibers, but I imagine it would be interesting to play with different colours, especially different colour fibers.  The fiber I personally used for the first time was flax and  fell in love with it.   I am already planning  to buy some and dye it.

 

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To put fiber inlay technique in a nutshell, it means lots of silk and different fibers. Here are some more photos showing Vilte’s work: beautiful textures.

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And here is some yummy hand dyed silk.

 

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Vilte uses natural dyes only.

It was nice to learn something new. Here in Slovenia we don’t have many opportunities for learning new felting techniques, but the situation seems to be improving. We are planning to invite another master from Ukraine and are getting quite excited about it.

Thank you Nada for sharing this exciting technique with us!

4th Quarter Challenge – Land Art

4th Quarter Challenge – Land Art

I didn’t think I’d ever find time to do the 4th Quarter Challenge. When I chose Land Art, I thought it had a really good scope for some interesting felt sculptures. I really liked the work of artists using twigs and branches, whether they were abstract, patterns, designed by colour, or like Tom Hare’s work in willow, sculptures of plants, leaves, seeds, or even a sliced apple. I really liked this lotus seed head: http://www.tomhare.net/files/cache/6241679806767b541ec85e7977677c16_f44.jpg

I had a vague idea of what I wanted to do and how I wanted to do it. Something sculptural based on the things I’d seen with holes and stems and curves. I even thought I might do a series. Well, time was running out and I hadn’t started, and I was thinking about what I could do to take part that wouldn’t take as much time. For a few weeks I’ve had a piece of felt with a balloon inside, hanging in my living room doorway, it was the result of me thinking I’d try felting a winter woolly hat, and it ended up looking more like the start of a balaclava or fetish mask! So, I thought I’d improvise and use that. It wasn’t far off the shape I’d pictured, and though I would have preferred to work with wet felt not fulled, I thought it was worth a try. So, I started cutting, wetting and shaping, and I was happy to see it was starting to look interesting! I rinsed it and put another balloon in to keep it’s shape while it dried. I thought it looked really good, it was nice and firm and kept its shape without the balloon. I attached some string to get a photo, and this is what I saw when it spun around:

OLYMPUS DIGITAL CAMERAA ribcage! My fancy felt sculpture was meant to look plant-like, but it looked like a carcass! I took the string off and put it on the table, but it sunk a bit and that didn’t look less dead either!:

OLYMPUS DIGITAL CAMERAI reshaped it, the way it was meant to be, and that looked much better! I know it doesn’t look like any plant or seed in particular, I wasn’t copying anything, I just had a vague idea of shape, lines and holes:

OLYMPUS DIGITAL CAMERADifferent angle:

OLYMPUS DIGITAL CAMERAIt does look much better hung up, less flat and more round. While I was messing around taking photos, I stood it upside down and squashed it, and that looked really interesting!:

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A Felt Beret

A Felt Beret

The other week I decided to make a beret to see if I remembered how as I haven’t made one in years.  They seem to be making a bit of a comeback where I live.

I decided on a nice bright red

side one first side wet

I added some white throwsters waste for some interest

silk on beret silk on beret close up

After some rubbing and rolling I cut a small hole to get the resist out and to make a hole for my head.

cut out for head

The whole stretches easily to the correct size

fulling and stretching the head hole beret finnished

As it turns out a little bigger ( not much) would have been better it is a size small so tight on my head.  I stretched it as much as I could.   Just as well as I do not look good in a beret. I could make it bigger by cutting and adding sewn on brim but I am lazy.

finished beret 1 finished beret 2

I really like how the silk worked. It is quite big but I was thinking the you could put your hair inside it.

 

 

 

 

 

Cheese cloth Nuno Felt Experiment.

Cheese cloth Nuno Felt Experiment.

A while back Ruth got some free samples of some cheese cloth  or cotton gauze from Cheese Cloth Fabric.com. She dyed some and sent me some samples. I also had a more open weave cheese cloth that I will use so you can see the difference. I thought if I am going to use my time I should make something that will be salable in the end so decided to make bracelets or cuffs so I could easily compare the cottons.

gauze on black
gauze on black
gauze on white
gauze on white

The pink on the left is the sample sent to Ruth and the purple on the right is the gauze I got at a place called Lens Mill  http://www.lensmill.com/ in Guelph Ontario. You can see the purple is a much more open weave.

first two samples first two samples wool on

Ruth sent to colour samples. Here is before and after adding the wool.

purple gauze ready to felt purple gauze  2 ready to felt

I did one sample of the purple flat and one scrunched up. You can see my template marks behind the right one.

purple gauze finished purple gauze  2 finnished close

I like the way both these tuned out. they are very different than the tighter weave cotton.

green gause finished close orange finnished orange 2 finnished

I did a scrunched up pink one for comparison. I think I like the scrunched up ones the best. I may add some beads in to folds.  They will be for sale later in the summer once I get some buttons and button holes done.

 

 

 

Easter Baskets

Easter Baskets

With Easter around the corner, I decided to make Easter baskets for my grandsons this year.

Since I didn’t have a container the size or shape I wanted, I chose to make a resist using Rosiepink’s “How to Make Vessels with a Resist” ebook.

I wanted to put a different design on each side, but have both the same. A bunny on one side and a chick on the other.  Then I made a resist design on paper and cut a template from plastic flooring material.  After sketching out a design, I made some prefelts in colors I didn’t have because I decided it would be easier to control the small design pieces.

prefelt

I cut out the designs from the prefelt and needle felted them together using yarn to decorate the eggs.  I used an extra white layer underneath the bunnies because I didn’t want the background colors coming through after fulling.  I also used another layer under the bottom of the eggs to level them out.  Before laying out on the resist:

chick and bunny

At the last minute I changed the position of the eggs making them vertical instead of horizontal.  When I put the designs on the resist they were too tall!  Back to the drawing board to make a bigger resist.  I added another two inches in height to accommodate the height and shrinkage.

Since they are baskets, I wanted to make them look like it.   So, I alternated background colors on the first layer.  It got tricky on the second layer because the roving was laid out perpendicular and the colors didn’t match because of the staple length.  I found the sparse spots and filled in those colors first then proceeded with the second layer design careful to alternate the side colors as well. I used four layers total one side at a time.

First layer
First layer

 

After I finished felting, fulling and shaping, I noticed my bunny and chick designs were too low.  I’m sure the kids won’t care, but I’ll know better next time.  I was very pleased with the final result.  Although, the bunnies need some whiskers. Any suggestions?

easter baskets 2

To finish it off, I made basket handles by braiding roving, then felting and fulling them.  I also used Zed’s “Polymer  Clay Simply Made” ebook to make “egg” buttons. That was fun, too.  I still have to put them together.  The handles are soft which was intentional so that we could easily pack them and use the buttons to remove the handles.

What spring or Easter projects are you working on?

Thanks to Lyn and Zed for creating such easy to follow tutorials!

Meet the Supplier: Dreamspin Fibres

Meet the Supplier: Dreamspin Fibres

We would like you to meet one of our sponsors and a friend of mine Maureen Harding of Dreamspin fibres.  We met a few years ago at a fiber conference and became friends. We live far enough apart that we only get together a few times a year but we always have a great time felting and trying new things. She doesn’t mention it here but she has a sale on select fibers at the moment.

m silly


Q-4 Three types of fibre you can’t live without?

Merino, silks, silk fabric but other fibres depending on the project

Q-3 Have you always been a felter?

I’ve been felting for 15 years, before that I was spinning and knitting.

Q-2 Two tools you use all the time?

Pool noodle and plastic window screening. (and ball brause)

Q-1 One fibre art technique you love the most?

I have to say felting. But also enjoy spinning and knitting

store room

What is your business?

We sell wools, prefelts, fabrics for nuno felting, a few felting tools, mostly for felters.

Why and when did you start selling fiber?

It was an outgrowth of my interest in sheep and wools.  Initially I raised sheep, learned to spin, learned to felt, and started buying other fibres wholesale for my own purposes. After a while I started selling fibres at fibreart venues and would make up articles to show what can be done with the fibres. People started asking me if I would teach them how, and this led to doing workshops in felting.

What kind of items do you sell?

As well as fibres for felters, I also sell felted articles such as nuno scarves, felted hats, and felted bags at various shows throughout the year.

dreamspin prefelt


What do you think makes your business different from similar ones?

We pride ourselves on our fast service, orders are made out the same or the next day. We offer free shipping on orders over $100 in North America. And we are always happy to offer assistance and advice over the phone, or email.

Where are you located?

Near Campbellford in Ontario

Where can we find you on the internet

Dreamspinfibres.ca

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Shrinkage

Shrinkage

A little different angle on the fingerless mitts today. I thought I would how you the shrinkage I get on them. I am using a 23 micron merino for the body of the mitts.fingerless mitt white 1 fingerless mitt flowered 1

The bottom layer is the resist, Next is the mitt when I take it off the resist and then the finished mitt. I think there is more then 30% shrinkage but not 50%. The stems are a single yarn and the flowers are made from prefelt.

There are 2 other pairs without there resists. the stripes are multicoloured merino wool the bluish mitts have a sparkly commercial yarn on them.

fingerless mitt green fingerless mitt blue 1

Tomorrow is blending wool on the carder so I have enough wool to make more. I am down to small amounts of colours and I have no black left.  Just as well we are in for really cold temperatures and then a snowstorm.

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