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Craft Basket Makeovers – part 1

Craft Basket Makeovers – part 1

A good few years ago now, after I had acquired and learned how to use my spinning wheel, I was casting around for some means of storing the associated equipment in a reasonably respectable way.  The wheel and associated bits lived with us in our living room and needed to be tidy.

Quite by chance I came across a shop selling off cheaply a large deep cane laundry (I think) basket.  It was only going cheap because one of the handles was broken and it had no lid.  The much reduced price compensated for something which was no problem as far as I was concerned.

I used to work in Maidstone (Kent) and nearby there was a lovely shop called C&H Fabrics (sadly no more) which sold both dressmaking and curtain fabrics and haberdashery.  I could never bypass their remnant section – they almost always had something good and large enough to be really useful.  I managed to purchase several large pieces of curtain fabric of a design which was really “with it” at the time (most rarely  for me, I am usually following several years behind fashion fads).  This was during the time when Macramé made it’s first appearance and I was very “into” this.  So I removed the remaining cane handle and instead added two twisted cord macramé handles.

laundry basket without lid, with macramé handles, filled with spinning equipment

 

Then I set to and lined the whole of the basket using the curtain material, making sure that there were pockets around the sides of sufficient size to take threading hook, spare bobbins; flyer; carders; ball winder and my Neatsfoot oil – my wheel had a leather connection between the treadle and the footman – the bits that actually drive the wheel, and the neatsfoot oil is a good natural conditioner for leather and ok for oiling the metal parts.  The rest of the associated bits – fleece, box of carded rolags, tea towel used as a lap cover, cord for tying skeins and niddy noddy would just sit in the middle.

Now I needed a lid for the basket to keep the dust out (our bungalow was very dusty because part of it was still a building site).  So I cut two circles of the fabric and a circle of wadding.  I attached the wadding to the wrong side of one of the circles, by machine quilting around the pattern/motifs printed on the fabric. On the other circle, which would be the underside of the lid, I added a zipped pocket.  I then finished the lid by stitching the circles right sides together with another length of macraméd cord attached to one side.  Then, after turning the circles the right side out, and hand stitching the turning gap, I attached the other end of the cord to the basket. The lid sat on top of the basket with everything safely inside; well except for the niddy noddy which was too tall and had to stick out of the side, so it made do with a length of cord to attach it to the basket.  My brother in law had made the niddy noddy for me, having already made one for my sister.  It is purposely on the large side because each circle of a skein wound on it would be 1 yard long.  This made it easy to calculate the skein’s length.

Lined spinning basket with lid folded open to shop equipment in pockets
Finished basket open

Finished basket with closed lid to show quilting, with niddy noddy poking out of top.
Finished basket, closed.

The fitted out basket sat comfortably by my chair and spinning wheel while I was working at home, but was a bit big to take with me when I went to my spinning group each week. Luckily my sister, having visited the Willows and Wetland Centre on the Somerset Levels, gave me a large basket which she had bought there.  The Levels is a large flat low lying area where Withy Willows have been commercially grown for basket making for at least the last 200 years.  In fact willow baskets and other items have been made there since pre-Roman times.  If you are interested there is more information on the area here: Somerset Levels (As an aside, Glastonbury Abbey, also referred to in the link, used to own much of Sturminster Newton where I now live, despite Shaftesbury Abbey being much nearer to us and owning most of the rest of the surrounding land.)

But I digress.  The basket which my sister gave me was intended as a picnic basket.  It was short and wide and it’s carrying handles positioned so that it was carried flat.

picnic basket on lawn with handles up
See how the handles work to carry the basket flat?

It was just what I needed to carry tops (roving?) and spinning equipment when I was away from home.  Of course it needed to be fitted out with pockets to keep everything tidy and safe.  I had sufficient fabric left of the remnants used for the large basket to make them match.  I lined the base of the basket adding pockets at one end for flyer and bobbin, lap cover and oil.  I didn’t want to spoil the look by using the plastic box for my rolags and by then I had learned basket making courtesy of the WI.  So I made a basket to fit, lined it and made a lid with more of the fabric.  The lid of this little basket was quilted in the same way as the lid of the large basket, and also attached with macramé cords made from fine crochet cotton, with a wooden toggle closure.

small handmade cane basket with fabric lid attached by macramé cord with macramé and wooden bead closure
Rolag basket in the sun

By this time I was also “into” Tunisian Crochet. I had been making ordinary crochet items for as long as I could remember but fell for this new (to me) technique. So in addition to storage for threading hook, personal bits, glasses etc., I needed storage for at least one Tunisian crochet hook – this looks like a knitting needle, but instead of a point it has a hook. I also needed somewhere safe to put large sheets of paper patterns, as I tend to use diagram type patterns and they take up a lot of room. So I set-to to line the lid of the basket with just one layer of the fabric, but with pockets, short & fat and long & thin attached. I sewed this onto the inside of the lid but left one of the shorter ends unattached so that I could tuck paperwork etc., inside.

Open lined picnic basket showing lid lined and with pockets, and with rolag basket and other equipment in the basket.
All my equipment (almost) in the basket.

Incidentally, the sharp eyed amongst you may have noticed that odd bit of hooked wire tucked away in the longer tube/pocket and be wondering what it is.  It’s a do-it-yourself lazy kate – a device for assisting with plying yarns from one, two or more separate bobbins.  An old shoe box (or a basket) and this bit of wire are all you need, poke the wire through one end of the box, slot the bobbin(s) on and poke the wire through the other end of the box.  It’s not the best way to do it, but if you put some tension on the yarn by passing it from the bobbin around the wire once before taking it to the wheel for plying, it works.

Oh and a quick boast – can you see the handle of the threading hook poking out of one of the lid pockets?  The handle was actually a light pull which I had made while having a go at wood turning some years earlier, and the hook is only an unbent paperclip – but it works ok too.

So that was my basket set up and ready for journeys.  Oh yes, the niddy noddy.  That was too big again, so it had to sit on top.

Closed picnic basket with niddy noddy on top attached by cords but with handles down.
Basket with niddy noddy (but the handles are down so I’ll have to remove the niddy noddy, put the handles up and replace it because the right handle won’t go over the end of the niddy noddy – then I can pick up the basket.)

Eventually the cane hinges of the lid, and the cane closure wore out so they were replaced with macramé cords.

Some time before I moved from Kent to Dorset in 1999, I wrote an article about these baskets and submitted it, with photographs, to the Journal for Weavers Spinners & Dyers as I thought it might be of interest to them.  Apparently not though; I eventually received a letter returning the photos (but not the article, so I’ve had to rewrite it!) and saying “… the Editorial Committee … felt that the article was rather too indirectly concerned with weaving, spinning and dyeing ….”   Oh well!

Nuno Felting Landscapes

Nuno Felting Landscapes

I have started creating some nuno felted landscapes so that when the world returns to “normal”, I will have work that I can take to different galleries to sell. These are created with hand dyed silk (5 mm) and white merino prefelt. Some of the silk I used this time was dyed by my friend Paula Rindal. She gave me her silk when she decided to stop felting. Thanks Paula!

This is one of the pieces of silk from Paula. I see an autumn landscape developing from this piece. I don’t always have a plan in mind until after these are felted. Then I look at the piece from all angles and decide what I “see” in the piece. Then I progress from there. This one I am planning on hand stitching.

This piece was one of my hand dyed pieces of silk. I haven’t quite decided on this one yet but it might be mountains in the distance with Montana wildflowers in the foreground. I might use a combination of machine and hand stitching.

Again, another one of my hand dyed pieces of silk. I think this might be a lake with mountains in the distance, perhaps machine stitched?

This last one I based on a photo I took of the Whitefish river. I laid the pieces out based on the photo and then it will be all machine stitched. You can see I have started by adding background trees. I forgot to take a photo of this one before I started stitching.

So what do you see in these? It’s always interesting to me that people see different things in an abstract background. What would you create out of the top three backgrounds? I will be showing you the progression of each of these as I work through them but I’d love to hear your thoughts.

Playing with Fabric Scraps

Playing with Fabric Scraps

Hello again. I know its been a long time since I’ve posted and I sincerely thank everyone who has contributed to the blog in my place.  I definitely feel it has enriched our community and broadened our scope.

Because of health issues in our family, I haven’t been doing much creative work.  But managed to do a little fabric manipulation with fabric scraps.  I had bought a book a long time ago by Ann Small, Layered Cloth, The Art of Fabric Manipulation. Anyone who knows me or followed me knows I love texture.  I was intrigued.  Plus it was something I could work on a little at a time.

Like  everyone else, I collect all things fiber and found a stash of five fabric pieces I had bought at a thrift store. Perfect, but I needed one more for six layers. No problem.  I had an old Egyptian cotton sheet laying around I had used several years ago to make small pillowcases.

I wasn’t too concerned with colors, but it worked out fairly well. I cut five inch squares out of each cloth. They are different weights of cotton and or blends.

My first sandwich. Excuse the shadows the light wasn’t very good.

 

 

 

 

 

 

 

The book gives many examples of patterns.  I was really excited to experiment. I started in the middle and using the width of the presser foot to make the next row.

I assembled a variety of tools, not knowing which would work best going through five layers.

 

 

 

 

 

 

 

The blue scissors proved to be most useful on most of them. Although my hands were not happy with me.

If you look closely at the pic above on the right, you’ll notice how stringy the one corner is.  This is because it was cut on the grain.

For the next five sandwiches I alternated fabrics and designs.

After stitching and cutting, I roughed up the samples to get them to open up.

 

 

 

 

 

 

After being washed and dried.

 

 

 

 

 

 

 

The circular design was difficult to cut through the layers.  I had to use the seam ripper to open it up far enough to get the scissors in and hope I’d get through the first five layers and not cut all six. The finished piece is very thready even after washing twice, dried in the dryer.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

On the following one I decided to slash squares. So I used a piece of  stitch and tear  to draw my pattern then stitched it to the sandwich and followed the square pattern. Again I had to use the seam ripper to get started.

 

 

 

 

 

 

 

After stitching, slashing, washing twice and drying, here is the result. I found it interesting that not all squares opened, but every other row did creating it’s own pattern.

Here are all six of them together after they were washed, dried and trimmed.

I have to say the pink is my least favorite, but it was a fun project to see how different each pattern turned out.  I’m sure using different fabrics and perhaps even using a tie dye type fabric you can get some really fun outcomes. Have you ever tried this?

I’m not sure what I’ll do with them now.  Any suggestions?

Finishing the Panels

Finishing the Panels

Last week I showed you two large panels I made using scraps.  Since then I created three more.

One long panel.

20161116_145808  20161118_122459

20161118_122511Two short ones.

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Here they are laid out on the floor.

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Here’s the final project.

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So, whats underneath?

My Simplicity Needle Felting Machine naked.  Sorry about the lighting, this was our first snow and kind of cloudy.

Now you see it.

20161204_142455Now you don’t.

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I was amazed that I got the sizes right.  I purposely left the edges organic.  Its a little lopsided but the top of the machine is narrower than the bottom.  Now I can change it around for a different look when the mood strikes.

Did you see that coming?

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Samples from the Nuno Paper Lamination Class

Samples from the Nuno Paper Lamination Class

I just finished Ruth Lane’s online class.  Since I am also papermaker, I was excited to combine the two passions and see the results.

It was a fun experiment using a variety of papers, dyes, paints and fabrics.  Some worked, some didn’t, but that’s how we learn.

This first one is a paper napkin from one of my Grandson’s birthday party earlier this year on organza.  Since I was experimenting, I used some batts with unknown fibers in two colors, blue and green.

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I decided not to further embellish it since the “characters” were nicely defined.  I suppose I could add some greenery and clouds.  But I wanted to show the results this far.

The next one is also “finished.”  I used a tree stencil on organza with unryu paper which is very fibery.  Again it is on a batt of unknown fiber.

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I embellished around the stencil with silver silk hankies.  It felted very nicely.

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Since these were experiments, I wasn’t concerned about perfect edges and left them organic.

Here’s a closeup of the center.  You can see how those fiber areas look like branches and connect the trees.

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I got great texture as you can see from this side view.

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The one project I completed was a stenciled bird pic.

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I used a couple of paper and fabric types with this stencil, but chose this one to finish even though the colors faded.  It was a dyed paper towel on cotton voile.  You can’t see it in the pics, but the bumps from the towel can be seen in spots. I used it on a merino batt.

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I forgot to cover the edges of the voile, so I used machine stitching to cover the edges.

I decided to hand stitch the rest. There is a lot of dimension in the paper, although it’s not too obvious in these pics.

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I wanted to keep it simple.  I used double rayon thread with threaded backstitches and some satin stitches to embellish it. The green is a variegated thread. I purposely just outlined because I wanted the birds to be the center of attention. Forgive my poor stitching. Here are some closeups.

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Now I have to decide whether to frame it or leave it organic.

Thanks Ruth!  It was a unique class. I need more practice. I’m still working on the final projects.

2nd Quarter Challenge Part 2

2nd Quarter Challenge Part 2

It seems as if everyone is anxious to reduce their UFO stash.  While I haven’t put a dent in mine, it does feel good to create something new out of scraps.

Sifting thru my scraps, I was having a hard time coming up with ideas.  But then one evening while watching the local news it hit me.  I grew up in Chicago and now live about 50 miles west of it in the middle of corn country.  I always loved seeing the city scape either driving in or flying over.

I didn’t want to copy a picture, but compile my own city scape made up of buildings I thought were unique.

My first attempt I used a purple for a sky color. And a teal for the water.  It was too dark and didn’t let the buildings pop.

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Not having enough blue scraps for the sky I felted a piece of prefelt.  Then added some fluffy wool clouds for dimension.

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Of course a lot of buildings are gray or black, but as you can see I chose to use more of my wallet material for my centerpiece building — The Willis Tower (formerly known ans will always be The Sears Tower to me.) In reality it is black.

The red building on the right was a left over piece of a business card.  I thought it was just right for a real red CNA (Continental National America) building on the lake shore.

On the left is the Crain Communications building also known as the Diamond  building.

Once the pieces were pinned, I used a combination of hand stitching to keep everything in place, machine stitching for the windows and antennas  on the Willis building and details on the Crain building.

The Willis Tower is not leaning in real life, but we do live in the Windy City and buildings do sway. Actually, the sewing must have shifted it.  I debated pulling it out, but decided against it.

I also used free motion stitching in the foilage area at the lake front.  There was still something missing. What is a lake without boats?  If you look closely, the sails are blowing in the wind, again adding dimension.

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I tried a couple of mats, but decided on the black and white one.  I don’t have a frame yet, but probably basic black.

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Or I could use a 5 x 7″ frame by itself.  Sorry about the black background. It’s a metallic slate gray frame.

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What do you think?

Don’t forget to post your 2nd Quarter Challenge on the forum.

 

 

 

Free Contemporary Designs for Fiber Art

Free Contemporary Designs for Fiber Art

My friend Deb Stika and I are working up a book proposal using Deb’s designs. These are contemporary designs that Deb has drawn and that we both thought would work really well as designs for various types of fiber art including hand stitching, machine stitching, wet felting, needle felting, screen printing, surface design, silk painting, mixed media and more. The designs are in 5 categories including psychedelic, circles, nature, tapestry and graphic. The plan is to have 5-10 designs in each category and to have examples that have been completed in each design in a variety of media. You could also use these designs to print out and color with colored pencils or pens. There does seem to be a new fad of “adult coloring” books and these designs would be fun to color.

When you are writing a book proposal, you as an author need to be able to show to the publisher that there is interest in that type of book and that there will be an audience for the book. So Deb and I thought we would give away a few of the designs here to our readers and see what the response is. We would love your feedback and for you to spread the word on social media about the proposed book and the free designs. We would also love to see whatever you make using any of the designs. Perhaps, if the book proposal is accepted, your piece might even be included in the book.

The links to the PDF version of these designs will be included below. Please feel free to use the design in your own work. Please make sure to attribute the design to Deb Stika when showing your work. If you would like to sell items with these designs, please contact us before doing so.

Contemporary Designs by Deb Stika, copyright Deb Stika

This is the first design in the graphic category. The nice thing about these designs is that they could be used in so many ways. For example, you could enlarge the design if you wanted to use it in wet felting to make a wall hanging. Or if you wanted to use it in hand stitching, you could keep it at a smaller size.

Contemporary Designs by Deb Stika

Here is Deb’s interpretation of the design in hand stitching and then coloring in the background.

Contemporary Designs by Deb Stika

Here is my interpretation done with free motion machine stitching on dyed felt. How would you interpret this design? I could see this design being used for 2 dimensional needle felting in natural wool colors. Or even using a variety of hand stitches to fill in the colors once the outline was completed. I also think this would be cool if enlarged a bit and used as a design for a silk painting. I’m sure you can come up with other ideas on how to use the design.

Graphic 1

Just click on the link above to get the PDF version of this design.

Contemporary Designs by Deb Stika, copyright Deb Stika

This design is part of the nature series. Again, I can see many possibilities with this design. Applique, cut back applique, wet felting with prefelt pieces, screen printed on a t-shirt, or wet felted and machine stitched.

Contemporary Designs by Deb Stika

Here is Deb’s hand stitched interpretation. The background was actually printed by me during several of our local surface design sessions. I don’t actually remember what all I did to this piece of fabric. But it was sitting unloved in my stash and Deb liked it, so I gave it to her. I just love the end result! Deb has hand stitched hand dyed felt as well as including other hand stitches. Don’t forget that you can enlarge any of these photos by clicking on them.

Contemporary Designs by Deb Stika

And here is my machine stitched creation from Deb’s nature design. This is fused, hand dyed fabric applique pieces that I covered with sheer silk organza and then machine stitched. I really like how even though we used the same design, our pieces are very different. Have we got your mind whirling with ideas on how to use this design in your own way?

Nature 1

And again, here’s the free PDF at the link above for you to try your own piece with the nature design. So I will make this a mini challenge for everyone. Use one or both of these designs to make something in your own methods and media. Then let us know what you created either by showing it on the forum or sending it to me by e-mail at laneruthe at gmail.

Please let me know in the comments if this type of book would be something you would consider buying. Are you looking for fun designs to use in your work? Would you prefer to have just the examples and designs or would you prefer specific how to projects with the designs? We’d love to hear your thoughts and ideas!

 

Around the Web

Around the Web

felting around the web 4

http://jill-harrison.webs.com/apps/photos/photo?photoid=165390738

http://gifeltro.blogspot.ca/2013/10/unaltra-grande-fatica.html

http://feltingannie.blogspot.ca/2013/09/working-on-felted-landscape.html

stitching around the web

http://anajskreativestagebuch.blogspot.ca/2013/09/filz-fur-tanja.html I had a hard time deciding where to put this it is great felt but the stitching is such a big part of it.

http://dogdaisychains.blogspot.ca/2013/10/prettiness.html

weaving around the web 300

http://www.ingedam.net/gallery.html she does card weaving on her loom as part of a loom woven piece.

mixed media around the web

http://red2white.wordpress.com/2013/10/04/leaf-press/

spinning around the web

http://www.spinartiste.com/can-you-spin-this-suzanne-corriera-says-sure-thing

surface design around the web

http://alisaburke.blogspot.com/2013/10/my-new-line-of-accessories-and-giveaway.html

More Fingerless Mitts

More Fingerless Mitts

Can you tell I am on a roll with these. I did this pair a little differently. Instead of doing it around a resist I made a flat piece of black felt and then sewed on some sari waste ribbon.

flat fingerless mitts start

I want them to be sort off raggy looking in the end.

I wanted to put big black buttons to fasten it but I didn’t have enough so I used all different ones. I think it turned out better with the different coloured buttons.flat fingerless mitts finished

And here is what they look like on.

flat fingerless mitts on maegan

I really like the way they turned out and will probably make more this way.

 

 

 

 

 

First Quarter Challenge Drawing to a Close

First Quarter Challenge Drawing to a Close

A Daily Dose of Fiber challenge is coming to an end. I challenged everyone to take at least five minutes a day and do something creative. I personally had been doing this for a while but I wanted to add increased blogging on my personal blog. So I blogged every day during the challenge and I do have to say it was a challenge especially when I was traveling. I don’t own a “smart” phone and I don’t seem to be very mobile when it comes to online stuff. But I got a lot of creative stuff done and creating every day has been fun. Many times when I didn’t really feel like doing anything, I made myself get started because I had to do my 5 minutes a day. Once I got started, I ended up spending much more than 5 minutes because I quickly became involved in what I was doing.

Beaded Book
Beaded Book

So what did I accomplish with at least 5 minutes a day? In January, I spent the first half of the month completing my beaded book and making a beaded tassel for it. I also made three felt appliques, two turned edge appliques, two shadow appliques and a felt applique book. I researched broderie perse, the Bronze age, Kyrgyz design and reverse applique. I made a couple of pieces of flat felt, painted some commercial felt and finished the slipper bottoms for my husband’s slippers.

Applique Felt Book with Hand Stitching
Applique Felt Book with Hand Stitching

February was my travel month so I wasn’t quite as productive since I had to go to the Buyers Market for the store and attend my last stitch class. But I did manage to frame some of my work for a mini exhibition, do a little machine applique, learn some new types of bindings for books including hand stitching and machine stitching, make a machine stitched book page, felt some cat toys, work in my sketchbook/studio journal, do a little Kantha stitching while traveling, finish up the last of the felt appliques, make a shadow applique card for hubbie for Valentine’s Day, try out a new painting technique, carve some linoleum stamps and make some stitched greeting cards.

Felt Applique with Couched Cording
Felt Applique with Couched Cording

In March I have been finishing up the last of my stitch class homework. I have almost completed two machine stitched cut back applique pieces, I practiced some new hand stitches, I completed my 5 page machine stitched book, I went and picked up 200# of wool and took it to the processing mill, I started reading up on yurt building, I did very tiny blanket stitch around one of the book pages mentioned above, had a painting party at my house, learned new insertion stitches for small book bindings, laced my Kantha bird in preparation for mounting, matted several of my print to stitch pieces and made some grey scale croppers.

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Whew… I think I need to take a nap!

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