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June’s page is finished

June’s page is finished

My June page is done.  I started late but once the mood hit, it didn’t take long to do. It’s not a very complicated one but June is a busy month. I work best against a deadline.

a pink piece of felt with stitching and needle felt

There is a birthday cake for my birthday. I hear I share June with several other blog members. It looks like grey icing and a grey candle but they are purple in person.  DAD is for Father’s Day.  It is International UFO Month so I had to have a cute little alien. International Bicycle Day is this month and it is International Blood Donor Month.

I drew out the different pictures on some washaway stabiliser. It worked well, except for the blood drop as you can see it looks fine here

water soluble stabilizer with pictures over felt

But when I washed away the stabiliser it looked like this.

The first thing I tried was needling the felt to move it back into place. it works well a lot of the time when things need realigning.  but that didn’t work.  So, I used more of the red thread to fill in.  I thought it might make the shape funny but it worked great.

I picked some grey for July. It’s neutral so it can take anything. I may just do abstract stitching but I haven’t decided yet. grey felt

Hand Stitched Cover

Hand Stitched Cover

I suddenly realized that it’s already March and nearing the end of the first quarter. So I needed to get going on my entry for the 1st quarter challenge. Did I have something that needed a cover? Perhaps my tablet needs a little felt surrounding it and keeping it safe.

Two pieces of nuno felt in blue green, one piece with tracing paper design of tree pinned in place.

I found these two pieces of nuno felt in my stash that were already cut to approximately the right size. I found a copyright free design of two entwined trees that I decided would be nice to embroider a design on the cover. I traced the design on tracing paper and pinned it in place.

Then I used machine thread in dark brown with a running stitch to follow the design. It works for a fairly simple design but might be an issue for really complex designs. I used brown thread so that if it showed on the edges of the stitching, it wouldn’t stand out. You can remove any of these threads if the embroidery doesn’t cover them. I have found with thin pieces of the design such as branches, that it works best to have just one line of running stitch and it takes less time to stitch the design.

Piece of nuno felt with tracing paper design of tree pinned in place and running stitch completed to transfer design to nuno felt. Using end of needle to run along stitch line to easily remove tracing paper.

The next step is to remove the tracing paper. I saw this on a YouTube video but don’t remember who to credit for the idea (Sorry!). Use your needle to run along the line of running stitches and that will tear the tracing paper so that it is easier to remove the paper without pulling on the stitches as much.

Piece of nuno felt with running stitch completed to transfer design to nuno felt and tracing paper removed.

Here’s my design now transferred on to the nuno felt and ready to embroider. I considered using various brown yarns to couch down but they were too large a scale for this small of a tree. So back to my stash to find brown perle cotton thread. I ended up deciding that #8 perle cotton was the size that worked best and that I had the right colors in.

Blue green nuno felt with couching on tree design with dark brown #8 Perle cotton thread.

So I started with the darkest brown threads and started couching them down with the brown machine thread. I did a little bit of this on a recent car trip but did most of the couching after I got back home.

So here’s the finished tree trunk and branches. Now to add some leaves. Once I have finished with the embroidery, I will work on construction of the cover.

Have you made any covers lately? If so, we would love to see what you have created. You can submit your challenge entry here. 

February’s Slow Stitch

February’s Slow Stitch

If you recall I did a small slow stitch piece in January. Look here if you missed it:  https://feltingandfiberstudio.com/2024/01/26/slow-stitch-on-felt/ I enjoyed it so much that I thought I should do one a month. They are not very big, 4 inches by 5 inches or 10 cm by 13 cm. The base and all the bits and pieces fit in a sandwich bag in my purse.

February has Valentine’s Day so I decided on a heart theme. I rummaged through some offcuts and found this piece with lots of silk embedded in the surface.

Hand made felt with lots of silk on top.

I then had fun going through my threads to pick out my colour palette. Mostly pinks and a contrast. Later I will add a dark blue as a contrast.

many embroider threads for colour pallet.

As you can imagine with this being a slow stitch project and a portable one I didn’t take as many pictures as I should have but I think I have enough to show my progress through the month.

I wasn’t sure where to start so added the month and a felt heart with a simple outline stitch heart to make it pop a little. You can see I was thinking about the second heart when I remembered to take a picture

A felt heart stitched to a background. A paper heart pinned to a background and a stitched FEB

Some were online I saw someone stitching over an object and wanted to try it. I wove some pink floss over it.  I didn’t like the white and did try to carefully cut it out but that did not work at all. The cardboard was much too stiff.

pink weaving over a paper heart

so I did some unstitching and then tried again. this time I took a Ferrero Rocher Chocolate wrapper and after smoothing it out some, covered the heart. and tried again.

Just as an aside I was very disappointed in my Quality Street chocolates this year when I discovered they were in waxed paper. One of my favourite things to do at Christmas as a child and now was to flatten and smooth out the foil and transparent plastic wrapper. I know it’s more environmentally responsible to not use shiny plastic and foil but it is just not the same.

Anyway here is my foil heart.

Pink thread woven over a gold foil heart.

I added more hearts as the month went on.

You can see in the last picture I added some multi-strand multi-coloured colonial knots, here’s a close-up. I didn’t like them they just didn’t seem to have anything to do with the other part of the piece. I was hoping the multi-colours would tie them in but it didn’t.

multi colour colonial knots on a felt background

So out they came. I decided that scattering little X’s around to represent kisses would work better.

Here is the finished piece for February.

I know there are no X’s on the left edge but I did that on purpose, with a view to making them a book later and that would be the bound edge. So now I am on to March, You will have to wait to see what it ends up.

Slow Stitch on Felt

Slow Stitch on Felt

As January started I found I wanted something unimportant to fiddle with. You know something that didn’t have a deadline, had to be made for a class or show, or have any practical purpose. I had been sorting through all my bits and pieces of felt that accumulate,  the ones that may be good for a picture or are just too good or interesting to get rid of.  I was trying to sort them into possible uses and tidy up my area of the living room. I wasn’t very successful at either of those things but I did manage to get the felt into sizes.

I decided a slow stitch, random sampler sort of thing would be good. I had lots of small pieces to choose from. I chose a quite dark piece with some lumps on it. I have fiddled with the picture to show the colours properly. This is the best I can do. The dark green is darker or maybe deeper. The light areas are not as light as they show. The shine on the silk areas is causing a lot of bounce back and messing with the colours.

I think I used the rest of this strip of felt for a needle book. I marked out the year before I remembered to take a picture.

Next was picking out some threads. I wanted to stay with the same palette. They are different brands but all 6-strand floss

I started with the year. Strangely, the 4 was the hardest number.

 

I thought it might look interesting to make a flower on one of the bumps. I used lazy daisy stitch and colonial knots

 

I added some little leaves under the flower. I did them 4 ways but they are too small to see the stitches properly. They look like leaves so that’s good enough. I wanted to do something else with another bump and did this wheel sort of thing.  I didn’t like it but I lived with it for a few days trying to think of a way to improve it.

 

In the end, I just decided it was just ugly and I cut the the stitches off. I added another lazy daisy with much looser petals and added a contrasting stitch to the middles and I used stem stitch and outline stitch to a…. swirl? ….curly queue? not sure what you call it but I like them.

Next was a bug for one of the bumps. It doesn’t look in but he is nice and round. I added a stem and leaf to the daisy and another swirl thing but in back stitch.

The swirl looks very white, even though it is cream.  It stands out too much so I took it off and changed it to a darker colour. I also did stem or maybe its outline stitch. I can not remember, left stitches are one and right stitches are the other. Both give a much smoother line than back stitch.

I like the light streak of silk on the right and thought it looked like a tall flower so that was the next step. I used colonial knots and French knots for the flowers.

That’s as far as I am. I am going to add some more arms to the swirls but not sure what else. I was thinking I might stitch the month on it and start a new one on Feb 1 and see if I can keep it going all year. Then I will have to figure out how to make it into a book like Ruth does.

Large Autumn Landscape Continued

Large Autumn Landscape Continued

Nuno felt background with birch tree silk paper trunks stitched in place in background.

I have managed to get some stitching completed on my large autumn landscape. The background birch trees were hand stitched down first. I want to do background leafiness before I add the larger birch in the foreground.

To add the distant leafiness, I looked through my stash for fabric that would work. The photo on the left shows painted nylon organza. The photo on the right is dyed silk habotai.

Nuno felt background with birch tree silk paper trunks and nylon organza background leaves stitched in place.

It’s a little hard to see but I have added the nylon organza at the top. First, I used a wood burning tool to burn out areas of the organza to give it a leafy appearance.

Nuno felt background with close up of nylon organza background leaves.

Here you can see the effect better in the close up photo. I hand stitched all the pieces down with very small stitches to hold it in place.

Nuno felt background with birch tree silk paper trunks, nylon organza background leaves and single silk organza leaves stitched in place.

Next I added some single cut leaves from silk organza. I had these left over from The First Leaf. 

The next step is to stitch down the foreground birch trunk and add foreground leaves. At that point, I will decide how many leaves might be on the ground. I don’t want to make it exactly like the smaller piece. What would you suggest adding to the foreground at the base of the large birch?

Update on the small picture and the studio

Update on the small picture and the studio

Where did the time go? I looked at the posting schedule and thought I have lots of time to get my post ready but here I am down to the wire,….. again.

I did manage this week to make some progress on my small picture. I started by adding some grass/stems/leaves/. Starting with a very Christmas green.

Then adding other shades

It looks ok but it’s way too short. What am I going to do with the other 2/3 of the picture? So, remembering Ruth’s advice on the last stitch project when I wasn’t very happy with it, she said  “just keep adding more”,  I decided I was not taking the stitches out. I would just keep going. The next batch of grass was longer.

At this point, I notice the bottom edge was starting to curl a little. This is because I was stitching into the bottom edge. I didn’t want the bottom of the stitches to show entry points on the top side of the bottom edge. I noticed some of the threads were a little loose too. To remedy this I ironed it with steam. I think it helped.

The next step is the flowers. I was originally thinking stitched flowers, then thought maybe seed needs would be good. I asked opinions at my guild social and everyone seemed to think I should do both. I probably will.

And now the Studio Progress.

The walls and floor have been painted. The place that hasn’t been painted is where the ductwork will go for the heating. It will then get drywall put over it and it will be painted. Notice one of my favourite things about this space. It has a center floor drain. The electrical box will get a cupboard built to hide it.

 

Yes, the floor is covered in blue speckles, for non-slip and to hide the floor repairs.

Next are the sinks, the ductwork, painting my selves, bookcase and small table. They will be boring white, once the books and wool are on them they will be colourful enough. The table gets the microwave so it will not be seen much either.

That’s it for now. I plan on doing the flowers for the next post but I am not sure what else. I am sure I will find something to keep me busy and out of too much trouble.

 

Autumn Nuno Hand Stitch Update

Autumn Nuno Hand Stitch Update

The last time I updated you on my autumn nuno landscape it looked like this. I have been slowly continuing to add more color into the middle background area with seed stitch. I added a lot of red orange as well as green and even some dark purple.

Here you can see more of the red orange additions and the purple that I used for a shadow color. I decided to use the dark purple instead of brown or black. Black is definitely too stark and I think the cool color in the middle of the red orange gives it more “pop”.

Here is the area where I added more green. You can see on the left that I haven’t finished filling in the green.

And here is the piece as it is at this point. I still need to add some more shadow shapes in the red orange swath and perhaps a bit more definition of the aspen trunks in the distance. Can you see the area that will become the foreground aspen trees? It is finally looking more landscape to me. So I will keep on with my slow stitching and update you on my progress next month.

Autumn Nuno Slow Stitch – Considering Value

Autumn Nuno Slow Stitch – Considering Value

I updated you about my autumn nuno landscape project about one month ago in this post. I had been discouraged with the project and it was languishing. So I asked for suggestions and I appreciate all the support. I decided to go ahead and keep working on it but only doing about 15-20 minutes a day. (Click on any of the photos to enlarge.)

Here’s what it looked like one month ago. I decided to start filling more of the middle ground with a combination of neutralized red and green seed stitching.

Here you can see how much seed stitching can be completed in short spurts. But I was still dissatisfied with the piece. Why was that? After working on it steadily, I took some time to look back at my reference photo and see what I had missed. Then I realized that I didn’t have enough dark values to show the shadowed areas in the landscape. Aha!

I started by adding a more neutralized green in the area between the aspen trees. I used a much thinner thread (1 strand floss) and smaller stitching. It darkened up the area a bit but that wasn’t enough.

So then I started adding a dark brown in the same area. Again, I used one strand of floss and smaller stitches. I am still essentially doing seed stitch but piling it on top of other seed stitches.

So here is how far I have gotten with my slow stitching. I am happy that I figured out what was bothering me about the piece. There are still lots of more shadows to add in to give the impression of lines of trees. I also think that I will add a more neutralized green over the distant pines in places. The more stitching I add, the more it seems to need. But at least I am moving forward.

Can you see the difference when you compare the piece side by side, before adding darker values and after? Do you think about value contrast when you’re working on a composition? Do you have any tricks for seeing value contrast better?

Needle Books Next Steps

Needle Books Next Steps

Continuing on from my last post about making felt for needle books, Felt for Needle Books  I started sewing them together. Well,  first I had to iron them all which always takes much longer than you think it will. Everyone forgets to mention this step or they just say iron your pieces like it’s nothing at all. There are no pictures of ironing, as fascinating as that might have been, I didn’t take any pictures.

I also only took one picture when I was sewing them together. There was much swearing, and unpicking that you didn’t need to see.

After sewing them together I had to think about how to decorate them. I went online and looked for line drawings.  You can find them in any theme you like. I looked for sewing. I also used some I had saved from other projects. I traced them onto a nonwoven dissolvable stabilizer.  This is great stuff and it doesn’t take much to dissolve it. You can’t use a marker for tracing, it dissolves the stabilizer. I used a thick pencil to trace my designs.

On to the stitching. The first one is a snail. I picked a variegated embroidery floss. I used all 6 threads because I wanted a heavy line.

You will notice that in the first of the snail pictures the book is sewn together but in the other 2 pictures, it is pinned together. After stitching the snail I realized I stitched it so the inside is upside down and so I have unpicked the thread holding it all together and will sew the inside in the right way.

This one I really didn’t know how to embellish, I have another one almost the same. I decided on a backstitched chain stitch using 2 similar colours. I didn’t need the dissolvable stabilizer for this one. It’s a bit wonky, but there you go.

I also did the smallest book.

Closed the little book is only 2.25  inches (5.7cm) square. That is big enough to hold some needles and a thread saver. This book only has one double, needle page. All the others have two, and they all have 2 pockets. I have one more smallish one and the rest are all bigger. The biggest ones are 4.5 inches (11.3 cm) square so big enough for a small pair of scissors. After I get all of the embroidered I will have to add some buttons and ties or elastics to them. Elastics can look messy if you don’t have layers to hide the ends between. How do you deal with cut ends when adding them to a project?

This is what’s new on the farm this week. These are baby chicks.

And these are baby turkeys. There is not much difference between them as day olds. But only a few days on and the turkeys have grown necks.

Five of them got stepped on by there friends and had isolated themselves away from the heat so they had to come inside and live in a box with a heat lamp, in my sewing room for a few days.

Here they are all better, in a bucket for their trip back to the group. this is the safest way for them to traves without getting hurt or too scared.  You can see how they have grown in just a few days. Not sure why the look so grubby in the picture because they weren’t, just the light I guess.

 

 

 

Machine Needle Felting a Wool Collage

Machine Needle Felting a Wool Collage

I have begun another class at the Gail Harker Creative Studies Center in LaConner, WA. The class is Advanced Experimental Stitch 301 and lasts for two years. Our first session was all about color, dyeing and then creating different fabric collages in a variety of color schemes. If you want to follow all of my progress and homework, you can take a look at my Permutations in Fiber site.

I decided I wanted to try a few of the color schemes in felt. I could use up some printed felt that were samples from my online courses and also use my Janome needle felting machine that has been languishing in a corner of my studio for years. A win-win!

I started out with a dark violet background and then cut out two partial printed leaf shapes and three circles from orange printed felt. The color scheme is violet, orange and green. It is hard to see the violet and green since they are both such dark values.

First I had to unearth my needle felting machine buried under a ton of stuff. I should have taken a photo of the buried machine but didn’t think of that in time. I began by felting in the two leaves. Since everything was felt, the machine handled it very well. The only issue is the edges get a little wonky and you need to start from the outside edge and work in. The felt leaf shrinks as you go and will get all bunched up if you try to needle felt down the outside edges first.

Here is the end result. The photo on the left shows the front side. Because the felt is printed, it is white underneath and I didn’t like the white showing through so much. I turned it over (middle photo), and liked the back side much better. But still a little too much white. What to do? I have no problem with mixing medias so I found an orange and green Sharpie and just added a little ink to the wool to get the colors the way I wanted them (right photo).

On to adding a little hand stitching with hand dyed thread. I had originally planned to do chain stitch and cover the green and orange completely with chain stitch as a filling stitch. But then I decided I like the colors of the mottled orange and green. So I stuck with just outlining. For the leaves I used stem stitch. I could add some veining in the leaves but decided to leave it as is for now. It’s not a color scheme I use all that often but I like it. Do you try different color schemes? Or do you stick with your favorite colors?