The Quest for Diamonds

The Quest for Diamonds

Comments 18 comments

Did I get your attention? My quest is to make diamonds, felt ones, that sparkle and shine. As you have heard from several of us the Ottawa Weavers’ and Spinners’ Guild is 75 years old this year. It is our diamond anniversary, so the exhibition theme for our Fall Sale and Exhibition is diamonds. You can interpret that any way you want. I thought Jan and I could collaborate, My part is the diamonds and probably a helmet but I will let Jan tell you about her part.

So now I am on a quest for the best way to make the diamonds. Originally I thought I would use a small resist that I could leave inside to help them be more 3D. I was thinking I could pull and shape them.

Well, that didn’t work out at all. the squares couldn’t be pulled and the diamonds didn’t look right with the middles pulled. It was partly because trying to get them pulled and a bit pointy was so hard. The big reason though is their size. When you try to stretch them you are pulling on two ends of the same fiber.  Jan said kind things about them but truthfully they are terrible. It would only be worse if I tried to make them nuno felt. They look better in the picture than in person.

On to the next idea. I decided, who cares if they are 3D?  Flat would be fine if they are the right shape. Next is a piece of shiny ( probably polyester) fibre from my stash.  I thought it would felt in but wasn’t sure. Also, I decided I wanted August’s page to be pink so I combined the two. I used a piece of white prefelt and pink merino

I added some red sparkly fabric to one corner. It doesn’t look sparkly but it is.

 

Even dry the camera wants to focus on the wool and not the sparkle. It needs shaving but I am out of razors. The next stop Dollarama for the econo bag of razors.

One more try this week. I cut out some silk, some sparkly and some sequined fabric. Wow, is it fiddly to cut without cutting the sequins and they still fly everywhere. I put some face down and then put red prefelt on top.

 

Then some black prefelt and I tried to match up the fabrics to the bottom ones.

I rubbed this longer than usual to make sure the fabrics were stuck. My plan had been to stop at the soft felt stage. Cut out some diamonds and then finish felting. Unfortunately, I was listening to a good book and just kept going on autopilot.  and before I knew it it was done. Now it is drying. I will cut out some shapes tomorrow and see what they look like. We may have to modify the project.

How would you make felt diamonds? All advice gratefully accepted.

Ruth Lane by her three fiber art landscapes at Fibers Reimagined exhibition at 4 Ravens Gallery.
Fibers Reimagined Exhibition

Fibers Reimagined Exhibition

Comments 20 comments

A group fiber art exhibition is being shown throughout the month of August at 4 Ravens Gallery in Missoula, MT (USA). I have three of my pieces in the show and went to the opening on Friday, August 2nd. The artists were myself, Karen Straight, Melissa Thompson, Angie Evenden, Julie King and Judith Colvin. It was 99 degrees F (37.2 C) so very hot and a bit smokey in Missoula but there was a good turnout despite that.

Ruth Lane and Judith Colvin by the exhibition Fibers Reimagined.

Here is a view of most of the work at the front of the gallery. I am on the right and that’s Judith sitting down on the left.

Karen Straight by her two pieces of artwork at the exhibition Fibers Reimagined.

Here is Karen Straight standing by her two pieces, the needle felted bison and the bear. Karen has written a few guest posts here on The Felting and Fiber Studio and does amazing animal portraits in wool.

Ruth Lane by her three fiber art landscapes at Fibers Reimagined exhibition at 4 Ravens Gallery.

Here’s a closer view of me by my three pieces. If you’re a regular reader, you should recognize these three as I have written about all of them here.

 

This is a needle felted raven by Julie King, she also created the foxes and a couple of other needle felted creatures on the wall by my work.

 

This needle felted rabbit is by Melissa Thompson and her pieces are a mix of fiber, found objects and mosaics.

 

These three felted lamps are created by Judith Colvin. She also creates felted hats, scarves and felt ornaments.

 

This is a mixed media fiber art piece by Angie Evenden. She uses a variety of techniques, fibers and fabrics to create collages of the natural world.

Sunset along the river in Missoula, MT.

This was the sunset after the opening was over. The sun was even redder than this photo shows. Sadly, that’s due to forest fire smoke in the air but it is certainly beautiful. If you happen to be in Missoula, MT in August, please stop by to see the show.

More work on my blanket.

More work on my blanket.

Comments 16 comments

I am making progress with my ‘found’ blanket, and I have decorated another corner of it with some needle felted flowers. Again, I have used some more of the plants from my garden as inspiration.

The flowers I used last time were from spring  – tulips and primulas – and Spring seems such a long time ago now. This is a photo of the first corner I wrote about for that post.

 

The plants that I have chosen for this corner of the blanket are from the summer flowering groups. I have chosen alliums and some ‘red hot pokers’, as they are commonly known – the proper name is kniphofia, but I think red hot pokers sounds so much better! This photo is of some of my alliums, and pokers, but I have cropped the photo too much I think – but I hope that you get the idea.

I love purple and orange in the garden, I think they go together really well as a plant group.

I have needle felted my picture, and then wetted with water and the use of some soap to encourage better adhesion to the corner of the blanket. Some yarn is added to give the impression of stalks. I used some little scraps of orange felt for the pokers.

                               

These orange scraps did not show up very well in the photo, so I have used a little orange acrylic paint to enhance the colour.

 

Now to decide what stitching to add, and hopefully add some definition. I used some french knots in a lighter colour of floss, on the alliums, in an attempt to highlight the little individual tiny flowers, that form each allium. These little individual flowers on the alliums provide food for bees, and make a lovely dried seed head to add interest later on in the season.

                                       

I used a fly stitch on the pokers, and I have couched the yarn ‘stalks’, both done for added security in the event of inquisitive little fingers in the future.

I am pleased with my progress on the blanket, it is really nice to take time to think about plants and seasons when doing something like this, instead of the constant rushing and wishing for the next lot of plants in the garden to show themselves.

I have two more corners to decorate, and I am making plans for that – well thinking about it anyway!

So, this photo shows both corners together, leaving me an impression of spring and summer in my garden.

My aim for the final two corners is to have an autumn and winter feel, perhaps with some seed heads and leaves.

Textured art yarn made from locks on a skein winder
A bit of this, a bit of that

A bit of this, a bit of that

Comments 14 comments

Hello! The writing of this blog post comes to you on a day where I am quite sleep-deprived, so you will have to excuse my possibly being a little off my writing game…

Allow me to start by showing you some art batts I created a little ago. I love art batts in general, there’s so much texture and colours to look at. I do so enjoy the batt-making process as well, looking at all my fibre and deciding what goes where, and how much… Anyone else feel this fascination when creating textured fibre sandwiches?

Speaking of textures, I recently spun an art yarn using some Leicester Longwool locks in their natural formation and I swoon every time I look at that texture…

Textured art yarn made from locks on a skein winder

This will become a weaving of some sorts, I am handing over the yarn to a fellow Edinburgh guild member so he can create some magic. I told him I wasn’t sure whether I was handing him treasure or a lemon (I believe textured weaving is new to him and I also have some plying inconsistencies on this skein), and he replied saying he would think of it as a pomegranate instead. I thought that was quite funny.

It is one heavy skein, as you might attest by the silly photo I took of it on my head.

Eleanor holds a massive skein of art yarn on top of her head

Finally, I also have news on my needle felted raven! The photos aren’t the best, forgive me, but this chap is almost complete. Unfortunately my customer didn’t like his blue eyes (a colour only present when they are young) so I have ordered some new ones to replace these. Once I do that I think he is complete. What do you think, is he finished? Would you change anything? Feedback welcome.

That’s it for today, let me know your thoughts and have a lovely week!

top of landscape sowing sky sea and rocks with cut outs from the oican
Maureen Shared her vacation, which became A Little Needle Felted Landscape

Maureen Shared her vacation, which became A Little Needle Felted Landscape

Comments 20 comments

I know some of us are very lucky to live near an active guild.  Many fibre arts people don’t have that source of fibre friends and inspiration. One of our guild members was on a road trip. She kindly brought us along vicariously through her posted shots.  Some were of the spots where she had stopped and spun yarn. One of the shots she shared with the guild particularly caught my eye.  It was a good composition, but the tilt of the horizon bothered me.  I could fix that…..

the original photo of Maureen’s Vacation spinning picture “spinning in front to the Arches at Arches Provincial Park”. not the odd tilt of the horizen. 1) Maureen’s Vacation spinning picture “spinning in front to the Arches at Arches Provincial Park”

Tuesday, July 09th: I was at the Kanata Games Club on Tuesday night, Glenn was busy and I had wool, a nametag size piece of green wool, needles, and scissors, now where is my felting mat and the fine Sharpie I thought I had?  Ok give me a minute, I know where the dollar store is, just down the hill from the gaming. It’s a bit too far to go with the walker, but really close by car. I was back with a garden foam kneeling pad and 3 fine sharps (and snacks) by 6:30 pm.

one print out of the photo to use as a template and another few to use as reference. i have croped the picknick table and some of the width mostly trees2) 6:30-ish pm at the Kanata Games Club.

The piece of green I had grabbed was a bit shorter in length than I wanted. It was also not as rectangular as I would have liked. It’s wool, So not a problem!!! I just added more wool fibre to make it the size I needed.  A bit of work with the Clover multie-needle tool and I had a solid felt base the size I wanted.

I am again using the template method of image transfer and a bit of divine editing of the angle of the horizon.

template method; cutting out the sky then using the remaining image to mark the sky, i have flatened the horizen so the picture is now on a slight angle. i did not add reference marks since the image fit over the felt i was working on. that will come back to hont me later.3) Cutting off the sky and then straightening the Horizon.

sky and horizen in, fixing not squaire felt base 4) Straitened the horizon, and squared up the short corner of felt.

cutting the next section of the photo out and then adding the sea5) cutting the next section out and then adding the sea

Cutting out the rock and the next section of ocean.6) Cutting out the rock and the next section of the ocean.

Continuing to cut away a section of the photo, draw in the new edge then felt in the open area7) Continuing to cut away a section of the photo, draw in the new edge then felt in the open area

I am not the fastest of feltres, this is about 3.5 hours.  Glenn has just finished his gaming and it is time for me to pack up and head home. I am pleased with the progress so far.

 

Wednesday, July 10th:

Resumed felting, ……time for a break, I got over-focused on felting.  Where did I put the camera? On drat, I missed a big chunk of time,  I had better stop for a photo break.

Continuing to cut out a section, then use sharpie to denote the edge, then add wool. replacing the remaining picture to check angles.8.1-8.2) Continuing to cut out a section, then use a sharpie to denote the edge, then add wool.

Laying over the un-felted space with the remains of the reference photo, to see how the image is coming along. You can also see that I have stuck the wool mat in a heavy freezer zip-lock bag. It has not entirely kept the fiber from transferring but the migration has been reduced drastically. This is the third name tag/ picture I have been working with the green base wool on this wool pad. I have been using the same side of the pad but now have rotated the plastic bag. I should last till the end of this picture then I will likely change it for another freezer bag. If you are curious let me know and we can investigate this further, looking into ways to reduce wool transfer to your work surface.

9) My Reference image is now on the computer, note zip lock baggie with all pieces that have been cut out so far.9) My Reference image is now on the computer, note the zip lock baggie with all the pieces that have been cut out so far. it’s above the Right corner of the felting.

I now have my reference image up on the computer, as I am working while waiting for Marie, from Texas, to start Wooly Wednesday on YouTube. You can see the parts of the image I have already cut off in a zip lock baggie so I can refer to them if I need to. (such as the area at the top left where I still need to add a tree in front of the water I have already felted.

This slideshow requires JavaScript.

 10.1-10.2) This felting experience was enhanced by the nibbling of blackberries,  just make sure your fingers are clean before getting back to the wool. note the Sharpie it’s double ended (Fine and Extra fine tip)

I am now adding the outline for the right arm. In addition, note the double-ended sharpie (Fine/Extra Fine), and the heavy zip lock bag over my wool felting mat is reducing the amount of wool wanting to transfer into the pad. Blackberries are also very inspirational but don’t let them change the colour of your fingers and then your wool.

the arm is in11) Arm is in

adding shorts12) adding shorts

this is about at 10.5 hours13) This is about 10.5 hours

I still have a lot of detail work to do adding all the flowers a bit more edge defining and tree extensions. But I am quite pleased so far. Time for bed.

 

Thursday;  Finished writing my blog post for the 14th and started writing this one. Ok, I am as slow at writing, as I am at felting. (I did wind up writing about Ann’s Name tag before getting back to finish this one.)

 

Monday, July 15h: I brought the little landscape in to get Ann’s opinion. She said it looked like Maureen’s hair was curly I will try to fix that. I also consulted on the sheep name tag I was making for her.

picture in zip lock bagie, held on to shelf by a magnaet.14) Waiting for a consultation with Ann and I was working on her sheep name tag

I worked a little bit on Wednesday and got the tree in the top left corner blocked in. as you will see when I got back to work at the social. I like to be able to put a piece down and think about what I want to do next, decide on my options and then look at it again with fresh eyes and Reassess.

 

Monday, July 22nd:

By this point, it’s getting down to details and finishing touches. You can’t tell but in person, the straw yellow is not as embedded and solid as it looks in the photo.

This slideshow requires JavaScript.

15.1-15.2) Assessing the progress I have made so far.

I have added a bit of a suggestion of wildflowers and fussed with the green undertones but something is not yet right.

Helping your brain to not just look, but see what it’s looking at can be challenging.

When you are working and get to the point you are unsure, it may be that your eye and your brain are arguing.

The eye says “this is what I am looking at” and the brain says “I know what a tree looks like! I don’t have to look at another tree” There are a few ways to help the brain pay attention and actually see what it is looking at. Here are a few I learned while painting but can be applied to felting too (which is painting with wool).

  • Use a mirror to look at your felt image. By reversing the image, it gives a fresh perspective and often you can see a proportion or angle that is not quite right.
  • Photography (camera, cell phone, iPad); look at the felt image as a digital image. You often will spot something off in the photo you did not notice in the work. You can also digitize the image you are working from. It lets you scroll in close to part of the painting to see details,
    • see the image in black and white or
    • oversaturate the image with colour to see hidden colours.
  • rotate your image and reference until it’s upside down (inverted). It becomes easier to see negative space and spatial relationships when the image is not looked at in the usual way.
  • Set your work and image look at it sitting vertically (on an easel or propped up against something so you are not looking down at it) Step back and look at the work.
  • Take a break, go do something else. Come back with “Fresh eyes”.

16) ways to help your brain see what you are looking at 16) ways to help your brain see what you are looking at

Remember that it’s your image, it doesn’t have to be exactly the same unless you want it to be. You can be the god of your landscape and move a tree, make a shrub shorter or fuller or remove it. Do you feel the image needs more sky? Then add it. As long as the image makes sense  (no double points of light sources unless you are on an alien planet with 2 suns) it will be believable. You are unlikely to hang the photo reference beside your finished piece, so move a tree if it offends you. If you are working on a portrait, you have to be a bit more accurate. Then use the above suggestions to help get as close as you can to the original.

I have put my piece aside, so I can think about it and see the image with fresh eyes before I finish the fine details. So I have switched to work on another little project for Ann. (which you  have seen; https://feltingandfiberstudio.com/2024/07/24/name-tag-sneaky/ .) Next time i will show you what i find and how i fix it. Have fun and keep felting!!

 

Making a cover for a teapot handle and July’s page is done.

Making a cover for a teapot handle and July’s page is done.

Comments 16 comments

I have a teapot I really like, it has good balance and is easy to pour from.  I like it, except that it has a metal handle that gets hot resting on the teapot.

I decided to make a cover for the handle. I did it for another teapot years ago. Here is the link to it https://feltingandfiberstudio.com/2016/07/18/a-busy-week-2/

 

I made 4 thin layers. 2 thicker ones would have been good for this small project but I can’t layout thicker without really working on it. I got a nice firm felt at 50% shrinkage.

This slideshow requires JavaScript.

 

Once it was the right size, I rolled it into a tube to dry. The silk pops  so nicely once it is dry

Rolled up to dry
Dry tube ready to go

The only thing left is to sew it onto the teapot. I used some thick, black cotton thread and whip stitched it on

And here it is.

The funny thing in the lid handle is part of the original messy background I couldn’t get rid of. I made a cup of tea right after finishing and it worked perfectly, no more burnt fingers.

The other thing I finished today is my July Page of slow stitch on felt. No hidden meanings this month, just some random designs.

 

 

 

Close up of green nuno felt background with foreground stems stitched in place and orange petals completely stitched for center flower.
Progress on Indian Paintbrush Landscape

Progress on Indian Paintbrush Landscape

Comments 18 comments

I have been slowly stitching down the applique flower pieces for my Indian Paintbrush landscape piece. You can see prior steps here.

Drawn design on tracing paper with cut applique pieces next to nuno felt background with distant flowers laid in place.

I started by laying out the background flower applique pieces for distant flowers. I still haven’t decided if there is more stitching needed for stems and leaves. I’m waiting until I have the foreground flowers in place. I don’t want to add too much detail to the background.

Green nuno felt background with orange flower petals stitched in place with random straight stitches.

I used very simple straight stitching to adhere these small flowers. I purposely made the stitches longer than the fabric as Indian Paintbrush have a frayed edge. I tried to make the stitches random sizes and directions.

Green nuno felt background with foreground stems stitched in place and two orange petals stitched for center flower.

Next up was to add the center flower. I went ahead and added the two stems on the right side to make sure I had the flowers in the right place. All of the placement of applique pieces was done by eye. I didn’t try to mark where they were to go as the markings usually tend to stay when I don’t want them to. I appliqued the cotton organdy applique pieces in place with small stitches, a very fine needle, and one strand of cotton floss.

Green nuno felt background with foreground stems stitched in place and four orange petals stitched for center flower.

Then it was a matter of continuing to add pieces and stitching them in place. I listen to podcasts while I’m doing hand stitching as it is definitely “slow stitch”.

Green nuno felt background with foreground stems stitched in place and orange petals completely stitched for center flower.

The center flower is now completely stitched down.

Close up of green nuno felt background with foreground stems stitched in place and orange petals completely stitched for center flower.

Here’s a closer view of the flower and the stitching. It’s possible that I could add more detailed stitching over the top of the foreground flowers but I haven’t decided yet. I should have made a sample so I could try out some different ideas but I forgot and I don’t think I have any more green silk for a sample piece. That’s what I get for not planning enough!

Recent Shopping

Recent Shopping

Comments 9 comments

I have a confession to make…. I love to shop for craft supplies and love a bargain.  This had lead to some more items being added to my stash in the past few weeks.

Recently our guild had a destash sale that was combined with our Monday guild social.  Of course I found a few treasures to adopt.  The top right bag is wool roving dyed by one of the ladies in our guild.  The other bags are all silks.  (The bottom right is 200g of silk.  The small baggies are batts of carded sari silk.  And the white bag at top left is silk lapp.)  There will be many hours of fun from this pile of fibre.  I may even try to dye that white silk.

Wool roving and sari silk from the guild destash
Wool roving and sari silk from the guild destash

I also went to Value Village and found a couple of items to adopt.  The prefelt fabric was intriguing.  It may be for upholstery or sewing.  But it seemed like it had possibilities and so got put in my cart.  The bags of yarn were a nice bargain.  The top bag is Lion Brand Scarfie that I plan to weave with.  The bottom bags are random fizz accent yarns that will also find their way into my weaving projects.

I was browsing Ravelry and spotted someone selling a copy of this book about plain weave.  The title is Plain Weave (60 Patterns for Mastering the Basic Technique) by Tina Ignell.  I had never heard of this book and I was intrigued.  My Saori looms have 2 harnesses and so I do a lot of plain weave.  I ended up buying a copy of this book from Amazon and it arrived very quickly.  I haven’t had a chance to really dive into the book yet.  But at first glance it is a beautiful book with a nice clean layout.

Last weekend we went to London Ontario to visit our families.  We carved out a bit of time (in between visits) for me to pop into a local yarn store called London Yarns.  Of course I found a few more treasures that wanted to come home with me.  All the balls of yarn were on sale and only the 2 skeins in the photo were regular priced yarns.  I think I did all right.

18 balls of yarn
Sale yarns from London Yarns (in London Ontario)

My CH60 Saori loom is currently empty.  Once I put a new warp put on it, I am sure that some of these new yarns will be finding their way onto the loom.  New materials provide so many possibilities and spark creative thinking.  I think that is why I love shopping for supplies.

 

finished rag weave material
About that ‘groove’ …

About that ‘groove’ …

Comments 16 comments

In April I talked about getting my groove back and trying something new.  Groove, rut, six of one, half dozen of the other, right?  Not really.  I had the opportunity to purchase a large quantity of pre-cut jersey rags from the Guild.  Bright yellow was perfect for a summer project and perfect to get me moving again.

The project is all done.

The final weigh-in is 2.5 kilos or 5 pounds.  Right now it needs to rest for a few days.  The plan is to do some minor repairs because there are always small repairs and then decide what to do with the material.

finished rag weave material

Some of the repairs are very small, just need a clip,

Some need a bit more of a reweaving and inspection.

And some really came as a surprise.  I must have been asleep at the switch with this one, but it’s totally fixable and I’ll take care of it.

Once I had used up all the rag I was left with too much warp thread for me to comfortably cut the threads and I was sure there was more to be made from this fibre. Weavers are known for being economical (aka cheap).  The work needed in warping a loom is significant and I hate wasting the time and the fiber.

So I found a bobbin of deep blue cotton and gave it a try. And I liked it, so now the warp is used not just for rags, but for cotton as well.

simple twill weave for cotton cushion cover

The final product is enough to make a great cushion cover or bag, or table drape, or maybe a project bag.  Lots of potential for this fabric. It’s surprisingly thick just as it sits without finishing.  So once it’s been washed it will be even fluffier and more dense.

finished cotton twill for cushion cover    Hem stitched finished edge on woven cushion cover

I did try hem stitching the edge and found it is not my strong suit.  But I’ll keep practising and someday I’ll be happy with the final result.

For now, everything is resting; me included.  The fibres need to come back into their original shape and that takes a bit of time.  I need to do the repairs and inspection of the final product and tie off all loose ends before it goes into the laundry.  Then I’ll see where I go after that.

I may want to leave the huge 7-meter piece for a display our guild is having this fall at a museum, but I’ll talk to our curator about that first. So many decisions, and so much fun for the next project.   Thinking of doing a linen table runner, never tackled one of those.

 

sheep name tag with no name yet
Name Tag: Sneaky

Name Tag: Sneaky

Comments 19 comments

Someone mentioned that her name tag was really old and missing. I can’t seem to narrow down what I want to do, so let me look at replacing the missing tag for Ann. Now I hope I can finish it before she finds her old name tag!

Hum, what might Ann like? Sheep!  Ok, off to Google Image to see if I can find an interesting sheep. What kind of sheep might she like? The Sheep Ann has are mostly mixed with Rideau Arcott (developed at the Animal Research Centre, Ottawa, Canada), but I have heard her say she likes black sheep. Ok, let’s look for “black sheep”, “Sheep in barn door”, and  “sheep and wall”.

There was a profile photo of a Black Icelandic-looking sheep, which was very striking.

profile of Icelandic looking sheep with horn and nondescript background.4 seep in barn doorway, i sheep in old wooden doorway sheep in white painted doorway1.1) Icelandic sheep in profile. 1.2) sheep in barns

 It did not have as interesting background as I would have liked. Ann likes purples so maybe I could do a sort of purple sunset? After looking through many sheep, I narrowed it down to about 6 options but came back to the black Icelandic in profile.

Ann had mentioned that she found the nametag pieces I had cut were too big. So I should stiffen the background and then reduce the size.  To firm up the odd green felt I added more white wool (Corriedale). When I cut the nametag down, you can see the path of the needle, as it pushes the white fibre into the green felt.

wool base with white wool added then cut in half showing insertion of white wool into the green felt. 2) Showing the wool being pushed through the felt

This slideshow requires JavaScript.

3.1) adding more white wool to hide the cut (front View) 3.2) Adding a bit more wool to heal the cut edge (Back view).

two sizes of sheep image compared ageist size of name tag4) Now to decide the scale of the image, to the size of the tag.

As usual, I am working from the background towards the front. In this image, there are only 2 plains, the background and the sheep! Again, I am using the template technique, which you have seen me use before.

This slideshow requires JavaScript.

5.1-5.2) Starting to add a background. background blocked in.

background blocked in, used sharpie to outline face (and shadow under chin)6) Background sort of blocked in, using a sharpie to outline the face and position the eye,  let’s see if can make a sheep

This slideshow requires JavaScript.

7.1-7.3) Adding the sheep starting with the head, and horn and then adding the body.

Not sure about the shadow under the chin, but let’s block in the horn, and come back to the shadow. As i worked i kept asking Ann for her input. She didn’t seem to suspect i was making this for her.

As you have likely noticed, I often have issues with keeping 2D flat….. so I am making an ear…..a sheep needs an ear!

This slideshow requires JavaScript.

8.1) making a black ear 8.2) ear attached

Oh drat,  good ear-age makes the horn look flat…. Got to fix that. I need to add more wool to create a more substantial horn to go with the ear. And the head is getting lost in the body…. Lest sift it lighter.

3D ear and horn9)  Now we have a 3-D ear and Horn that looks better.

I added a magnet to the back so she didn’t need to have a safety pin or sew-on pin.

adding magnet disk behind small pice of comertal wool10)  Adding a magnet by sewing a small pocket of commercial felt to the tag.  The second magnet is in the background.

I went back, added a bit more detail, and got rid of the shadow that had been under his chin.  now he might be looking back towards you, rather than ahead.

changed the sheep body to a lighter colour11) that looks better, no chin shadow, lighter coat

OH NO! Ann Found her old name tag but said it was looking a bit ratty and needed to make another one!! I need to felt faster!!!  she has seen what I am working on but doesn’t seem to have guessed I am trying to make a name tag for her!

Ann's old name tag 12) Ann’s old name tag had been found

I could not find a yarn that worked. But Ann offered a bit of her handspun yarn. Now What font?  “Ann” in Harrington font might work, it has a nice Art Neuvoue feel.

"Ann" in Harrington Font13) Ann in Harrington font which feels very Art Neuvoue

It’s hard to fit letters when the tag is smaller but let’s see if I can fit all of them. I had a few guild members wander over to see what I was felting but had my hand over part of the name. Maybe I am going with Jan with 2 N’s? Good thing we share letters!!

added Name "Ann"14) Ann’s Name tag done!

I hope I have not spoiled her fun by making her own name tag.

Ann trying out her new name tag15) She did seem to be surprised. I hope she will like it.

I was trying to complete this before Ann found her lost, older name tag, and felted much faster than I usually do.  I usually pause, and debate options as I am working. I can already see a few tweaks I would like to do. I wonder if I can borrow it, for a quick touch-up?

Up Date 07/22/2024:

Ann’s name tag, before getting back to work.16) Ann’s name tag, before getting back to work.

I borrowed Ann’s Name tag when she arrived at the guild social and got back to work.

First I edged part of Ann’s letters in white, to help subtly pop the name. I checked in with Ann again and she wanted me to change the angle on the “A” crossbar. I can do that!

“A” crossbar re-angled at Left baser and added white edging shadow.17) “A” crossbar re-angled at Left baser and added white edging shadow.

Now,  I need to add a bit more 3d-ness to face, and add a bit more shadowing on the horn.

This slideshow requires JavaScript.

18.1) – edging on letters added, nest to build up forehead, bridge of nose and nose. 18.2) adding dimension to forehead, losing ear, will fix that shortly.  18.3) – ear fixed head showing more depth.  18.4) added fiber to forehead, front edge of the sheep face and nose. then added a bit of dark to the horn as well as make it a bit firmer. I also straitened the horizon.

There that looks a bit better! Time to check with Ann,

Ann inspecting updated name tag 19.1) She Likes It!!!

Ann inspects 3D sheep head19.2)  Much more 3D!

I hope Ann and her sheep will be happy and she can use it at socials, Demos and workshops!

Now that I have made a name tag for  Glenn and one for Ann do I have a better idea of one for me or will I pick on someone else next?