April is now gone and May will hopefully bring more sun and more flowers.
I started the month with some felt stars. It was a fun little project and might work for a fast free workshop. Maybe at a guild social. You can read about how I made them here
Next was an eyeglasses holder for beside my bed. It was an interesting project with some strange wool. Here it is hanging up beside my bed. I didn’t realise how dusty the bookcase was until I took a picture. Then I had to dust and take it again. The things I do for our followers. LOL
I taught 2 workshops this month, Nunofelt Scarf and Felt Birdhouse/Feeder workshop. We had a lot of fun. Here are the ladies with their finished scarves. Sorry, I forgot to get a group shot.
And the finished Birdhouse/feeders.
After teaching I decided to treat myself to a Workshop. I signed up for Helene’s Felt Spiral Workshop. I really enjoyed making my spiral. I learned a lot along the way. It is wonderful to see how different people do things. It would be wonderful if we all lived close enough to get together regularly.
I couldn’t get the movie to work so here is a still.
With April finished I have another completed page for my slow stitch collection. I decided to include a little needle felting this time. I included some flowers but also the solar eclipse we had here, a cloud and rain because we have had a lot of April showers and my purple umbrella to keep me dry. I really do have a purple umbrella. I added the Autism Awareness infinity symbol because it is autism awareness month. Then I was left with an empty spot at the bottom and I couldn’t figure out what to put there. I did a special days in April search and on the last day of the month, I was reminded of the first day of the month and added the fake glasses nose and moustache for April Fools.
and lastly, because it is spring this last week we have started having lambs.
And these are my current bottle babies. Sven( thanks to Jan for the name) who no one would claim. He is doing a good imitation of a Valies Black Nose with his black nose and knees. And Henna whose mother hates her( probably because she is really good at yelling at the top of her lungs for no reason) Once they are both drinking well and down one feeding per day ( they are on 5 times a day right now) they will go live in a lambing pen until they are a little bigger then they can join a group.
My March stitch page was done in time. I did the last thing on March 31. After doing February as a Valentine’s theme I thought I would do March as a St Patrick’s Day theme. so having an odd sense of humour I decided on green threads on an orange background. I am not sure which side of that( orange or green) would care the most. but after looking at symbols for St Pat’s I decided to give up on that idea and look for other March symbols. March has a lot going on. This is where the quiz comes in. I am not going to tell you what each thing represents as we go. You have to guess at the end. I will make a bit of a break in the post and then put the answers and you can see how many you got right.
I don’t have as many progress pictures as I might as I do most of it out and about. I did start with a shamrock. They are quite easy as they are 3 harts and a stem.
Before I remembered to take a picture I also added this dagger. I knew I bought silvery thread for a reason other than it was pretty.
Then 2 more important days were added.
Then there is this one that is so important to remember for all our struggles past and future. With a nod to my LBGTQ friends
This last symbol is for some great kids I drive to school. It didn’t turn out quite as I wanted but it was a new stitch for me.
The last thing is not a symbol. It was just a flower that popped up in my FB news feed and I decided to try it. It was easy and effective.
Here is the whole thing, followed by a numbered picture for your guesses.
Scroll down to see the answers
Shamrock for St Patrick’s Day
A Dagger for the Ides of March( Beware!)
Pi, for Pie Day: March 14 ( 3.14)
The symbol for women for International Women’s Day
Easter egg for Easter and spring fertility
The symbol for Down Syndrome for Down Syndrome Awareness Day
The title of this post is misleading: although there are several diamonds in this story (in shape, not in value!) there is only one doll. Apologies for this, but “Many Diamonds and Just One Doll” just didn’t sound as good a title to me.
Let’s begin with the first, shall we?
The diamonds
If you use yarn in any way in a crafting project, chances are you end up with leftovers once you’re done. What to do with the lovely remnants of woolly, colourful string? If you’re anything like me you won’t bear discarding them willy-nilly, but keeping them in a bag without a plan also seems like a waste… Enter the Diamond Miner’s Quilt by Lucky Fox Knits.
Photo by Valya Boutenko
This project is not one to be made in a jiffy, rather it is meant to be an ongoing thing, to be added to as the years pass and one is presented with more little bits of yarn that are too precious to not make the most of. It’s a no-fuss, small outdoors knitting project, or simply a quick in-front-of-the-telly-knit when the brain is too tired but the hands are restless.
I currently have two full ziplock bags of diamonds, not nearly enough for a proper quilt, but slowly their numbers have increased and soon I shall have to start sewing some together to show myself I’m not simply hoarding teeny tiny pillows…
What I most enjoy about these is, I can look at them and remember which project they came from. It’s a way to reminisce about a past knit that I find comforting.
The best part? My knitter friends who know about this now have taken to gifting me their own remnants, so now I get to remember them in my future quilt as well. To me, that’s the definition of cosy.
The doll
Now to my latest fun project, Billie the Sheep. I forget how I came across this cute pattern, but it was before Christmas 2023 and I decided to buy it as a present to myself. Of course, this cute sheep would need some clothes and luckily the creator Gabrielle Vézina would provide the dress and cardigan to go with it.
Want to know the best part? This dress comes in a children’s size as well, so if you have a little girl in your life who needs a sheep doll and wants to match with it, you can make it happen! It’s simply too adorable.
All of this project is also made from remnants, the calico fabric I used previously as mock-ups for my own clothing, the threads on her face were gifted by a friend who no longer embroiders, the yarn was leftovers I hadn’t made into diamonds yet. The woolly part of her head is a bouclé yarn I used to knit a friend a cosy jumper and stabilised with some pre-felt (see, there’s felting in this post!). If this isn’t the cutest way to enjoy “leftover” project materials, I don’t know what is.
Have you made anything with remnant materials that you care to share? It doesn’t have to be fabric or fibre, anything goes! I love a good upcycle story, so feel free to share it with me below.
If you recall I did a small slow stitch piece in January. Look here if you missed it: https://feltingandfiberstudio.com/2024/01/26/slow-stitch-on-felt/ I enjoyed it so much that I thought I should do one a month. They are not very big, 4 inches by 5 inches or 10 cm by 13 cm. The base and all the bits and pieces fit in a sandwich bag in my purse.
February has Valentine’s Day so I decided on a heart theme. I rummaged through some offcuts and found this piece with lots of silk embedded in the surface.
I then had fun going through my threads to pick out my colour palette. Mostly pinks and a contrast. Later I will add a dark blue as a contrast.
As you can imagine with this being a slow stitch project and a portable one I didn’t take as many pictures as I should have but I think I have enough to show my progress through the month.
I wasn’t sure where to start so added the month and a felt heart with a simple outline stitch heart to make it pop a little. You can see I was thinking about the second heart when I remembered to take a picture
Some were online I saw someone stitching over an object and wanted to try it. I wove some pink floss over it. I didn’t like the white and did try to carefully cut it out but that did not work at all. The cardboard was much too stiff.
so I did some unstitching and then tried again. this time I took a Ferrero Rocher Chocolate wrapper and after smoothing it out some, covered the heart. and tried again.
Just as an aside I was very disappointed in my Quality Street chocolates this year when I discovered they were in waxed paper. One of my favourite things to do at Christmas as a child and now was to flatten and smooth out the foil and transparent plastic wrapper. I know it’s more environmentally responsible to not use shiny plastic and foil but it is just not the same.
Anyway here is my foil heart.
I added more hearts as the month went on.
You can see in the last picture I added some multi-strand multi-coloured colonial knots, here’s a close-up. I didn’t like them they just didn’t seem to have anything to do with the other part of the piece. I was hoping the multi-colours would tie them in but it didn’t.
So out they came. I decided that scattering little X’s around to represent kisses would work better.
Here is the finished piece for February.
I know there are no X’s on the left edge but I did that on purpose, with a view to making them a book later and that would be the bound edge. So now I am on to March, You will have to wait to see what it ends up.
As January started I found I wanted something unimportant to fiddle with. You know something that didn’t have a deadline, had to be made for a class or show, or have any practical purpose. I had been sorting through all my bits and pieces of felt that accumulate, the ones that may be good for a picture or are just too good or interesting to get rid of. I was trying to sort them into possible uses and tidy up my area of the living room. I wasn’t very successful at either of those things but I did manage to get the felt into sizes.
I decided a slow stitch, random sampler sort of thing would be good. I had lots of small pieces to choose from. I chose a quite dark piece with some lumps on it. I have fiddled with the picture to show the colours properly. This is the best I can do. The dark green is darker or maybe deeper. The light areas are not as light as they show. The shine on the silk areas is causing a lot of bounce back and messing with the colours.
I think I used the rest of this strip of felt for a needle book. I marked out the year before I remembered to take a picture.
Next was picking out some threads. I wanted to stay with the same palette. They are different brands but all 6-strand floss
I started with the year. Strangely, the 4 was the hardest number.
I thought it might look interesting to make a flower on one of the bumps. I used lazy daisy stitch and colonial knots
I added some little leaves under the flower. I did them 4 ways but they are too small to see the stitches properly. They look like leaves so that’s good enough. I wanted to do something else with another bump and did this wheel sort of thing. I didn’t like it but I lived with it for a few days trying to think of a way to improve it.
In the end, I just decided it was just ugly and I cut the the stitches off. I added another lazy daisy with much looser petals and added a contrasting stitch to the middles and I used stem stitch and outline stitch to a…. swirl? ….curly queue? not sure what you call it but I like them.
Next was a bug for one of the bumps. It doesn’t look in but he is nice and round. I added a stem and leaf to the daisy and another swirl thing but in back stitch.
The swirl looks very white, even though it is cream. It stands out too much so I took it off and changed it to a darker colour. I also did stem or maybe its outline stitch. I can not remember, left stitches are one and right stitches are the other. Both give a much smoother line than back stitch.
I like the light streak of silk on the right and thought it looked like a tall flower so that was the next step. I used colonial knots and French knots for the flowers.
That’s as far as I am. I am going to add some more arms to the swirls but not sure what else. I was thinking I might stitch the month on it and start a new one on Feb 1 and see if I can keep it going all year. Then I will have to figure out how to make it into a book like Ruth does.
I have continued to make slow progress on my forest floor piece. Since I showed you last, I have stitched down the rocks and added some shadows.
I decided on the final rock placement and then stitched them in place. I moved the rock that is now on the top right over from the left since it was much lighter. This reinforces the feeling of the light shining from behind the trees. Once the rocks were stitched in place, I decided they needed a bit more definition as they kind of looked like potatoes to me.
I remembered a book about nature journaling that I had checked out from the library by John Muir Laws. I decided to look him up online to see if he had some information about drawing rocks. I found a wealth of information on his site about drawing in nature. If you would like to improve your drawing skills, this is an excellent resource.
I took the photo from above and printed it out. Then I used a piece of tracing paper to sketch the rock placement. Then I used hatching techniques to give some shape to the rocks. These aren’t specific rocks. I find it much easier to draw/sketch when I have a photo of what I am trying to draw or I can look at a specific rock or landscape. But they look more like rocks than potatoes now.
I decided to use the same blue that is already in the nuno background for the shadows. That would tie all the blue bits in as shadows and move the blue over on to the right side of the composition too. I used a straight stitch to do the “hatching” on the rocks using #12 Sulky cotton thread. Once those shadows were in, I knew I needed to add cast shadows from the rock on to the ground. So I brought out my navy blue sheer fabric to create some cast shadows.
Here’s the piece after adding the sheer fabric around the rocks. I stitched the sheer fabric down with #40 machine thread with tiny stitches. Now guess what? I need more shadows in front of the trees. It’s always funny to me that I am working along and when some shadows are added, I can immediately see that I need more. So the next step is more sheer blue fabric to add the cast shadows from the trees. Then I will begin adding more leaves and the white flowers so that it will resemble my original collage below.
I don’t know about the rest of you but this time of year seems to move a bit too quickly. There are always extra things on my to do list during the holidays. Then this year, the football games I attend have been extended way beyond the normal season. The University of Montana Grizzly football team has made it into the national championships.
All of this to say, that I haven’t gotten much done on my forest floor piece that I showed you before. So my post this week is going to be a bit short on fiber art content but I hope you will forgive me.
Here’s my progress on the forest floor piece. I have stitched down the trunks and the cheesecloth moss. Next up, is to work more on the foreground rocks, and add leaves and flowers.
Since this post is publishing on the Winter Solstice, I thought you might enjoy a poem about winter.
THE SHORTEST DAY BY SUSAN COOPER
So the shortest day came, and the year died,
And everywhere down the centuries of the snow-white world
Came people singing, dancing,
To drive the dark away.
They lighted candles in the winter trees;
They hung their homes with evergreen;
They burned beseeching fires all night long
To keep the year alive,
And when the new year’s sunshine blazed awake
They shouted, reveling.
Through all the frosty ages you can hear them
Echoing behind us—Listen!!
All the long echoes sing the same delight,
This shortest day,
As promise wakens in the sleeping land:
They carol, feast, give thanks,
And dearly love their friends,
And hope for peace.
And so do we, here, now,
This year and every year.
Welcome Yule!
Happy Winter Solstice to you all and all the best in the new year!
This year we all decided to do a Christmas card exchange within the Felting and Fibre Studio group. It is just so lovely to make for another creative! It’s a bit frightening too as I wanted to give it my all. I also thought it might be a nice time to try something new and experiment – no personal pressure at all! I was so excited to be partnered with Leonor who I know has received her card at this point.
So, I put my thinking cap on. My first attempt was, and I am being perfectly honest here, an unmitigated disaster and the memory is probably best confined to the bin in which it quickly landed. So it was time to move on and put the thinking cap back on.
Okay so, by way of background. I had a poinsettia plant which I managed by some miracle to keep alive for about 5 years. I will quickly add that this had nothing to do with green fingers, it just liked its position in my sun room with my orchids as companions (again the orchids like the room). This summer the poinsettia developed a honey fungal disease which is a total disaster if it hits orchids so we had to part ways. I managed to stem the spread of the disease and the orchids are safe for now.
As a tribute to that most beautiful poinsettia, I thought it could be my focus for the card exchange. I wanted mixed media so I felted each petal, then I did some free motion embroidery on each one. I hand sewed it onto a felted backing and added hand dyed stamens to the centre. It was then mounted on the Christmas card. It was a little too big for the card so I decided to mount it in a frame before posting it off. The postal service can be a bit dodgy but I am pleased it worked on this occasion. From Leonor’s message to me, I think she likes her card and I have made more since.
Here is a little slide show of the highlights of my process. Sorry, I forgot to photograph the hand sewing so you will have to use your imagination for that part. Some of the photos are slightly distorted so apologies for that too.
I laid out merino and viscose for the petals
Wetting down the petals
The rolling stage for the petals
I dried the petals on a baking rack
I prepared the petals for free motion embroidery. I started with tear away stabiliser but it was proving difficult to get all the bits of paper out of the sewing!
I changed across to Solvy for the machine embroidery
It only takes a few seconds to dissolve the Solvy
Dissolving the solvy
Nearly there!
The template was actually a circle. The photo is distorted
The base, again a circle
Here is the finished Poinsettia after I hand sewed it onto the base
As the finished flower was a bit too big for the card, I mounted both in a frame.
Here’s a close up of the stitching and the stamens which I hand painted
This was a fun make with a bit of learning thrown in for good measure. You might like to make some too. If you do, I would love to see it! Also if you have any questions on the making just pop them in the comments section and I will be glad to answer them!
Wishing you peace, love good health and happiness and, of course lots of creativity over the Festive Season and for 2024!
Having just read Kiki’s tutorial https://feltingandfiberstudio.com/2023/11/19/left-overs-yessss/ on using up prefelt scraps, it occurs to me that I may not have mentioned something we used to do at our Guild (Dorset Guild of Weavers Spinners & Dyers) mainly to raise funds for the Guild but also for fun.
When I attended the Stitch and Creative Crafts Show at the Bath and West Showground in Shepton Mallet (Somerset, UK) back in 2010 – I saw a stand selling (for £8.00 each) bags containing 35gr of silk fibres, yarns, fabrics scraps, carrier rods and cocoons in various colours, left over from old projects which, when put together, made a fascinating collection for future projects. So fascinating that I bought three of them.
They must have made quite a bit of profit on them because they appeared mainly to be the “waste” from artwork.
At that time (when I was part of the sub-committee organising the Guild’s Exhibition and Sale of Work) we were looking for a Guild Project which could be part of the exhibition or something hopefully to help raise some funds. Well, I thought, our weavers must have lots of off-cuts of hand woven fabric, not to mention warp ends. Then there were the spinners who would have odd bits of spun and unspun fibres of all types and colours. We also had members who were dressmakers, beaders and embroiderers, and a soft furnisher, who were bound to have the odd bits and pieces that they didn’t really need. So, with the blessing of the committee, I put it to the members in the next newsletter that if they would donate to the Guild any odd bits of fibres, yarns, threads, warp ends, bits of fabric, beads, button, feathers, felt, cords, braids, tassels, sequins, sequin waste, ribbons, silk flowers and any other bits and pieces they could think of, we could make up some “Bags of Inspiration” and sell them to members of the public at our open days and outside demonstrations. (I don’t know about in the rest of the world, but in the UK the word “bags” means “lots of” as well as “containers”, so the punning name “Bags of Inspiration” seemed apt.)
We used A4 sized polythene bags (which I was able to buy quite cheaply from our local green grocer) with an A4 sheet of card inside for stiffening, and I made up some stickers with the Guild’s logo on and a brief description of the contents, and posters also giving details of the contents.
Bag of Inspiration Poster
We arranged a few bag making days at a pub in the village where our then President lived. She had persuaded them to let us use their skittle alley at no charge, and we had a great deal of fun making up the bags and tucking in to “refreshments” from the bar and kitchen.
The members who came to these, brought with them all sorts of goodies which we spread out on tables, so that we could make collections of pieces which seemed to go with each other. Those who didn’t think that their colour theory was good enough, could pick out a picture from a selection of magazines and have a go at matching colours from this It was amazing how compulsive making the bags became. You could pick up a piece of fabric that looked so dull and dreary and be amazed how it perked up and positively shone with life when paired with different fabrics, yarns, trimmings etc. You just couldn’t stop picking up likely bits. The difficulty was keeping the weight of each bag between 80gr and 100gr, so we quite often ended up making up at least 2 bags with similar contents.
Equipment & Extra “Bits” for making up Bags
Prospective contents of at least one Bag of Inspiration
We put a price of £3.50 on each bag and they went like hot cakes – we sold out on their first appearance at our exhibition and sale of work. Embroiderers and mixed media artists in particular liked them.
After a couple of years, we didn’t get so many volunteers to make up bags but we still had mountains of “stuff”. So we added another string for our open days – Pick and Mix Your Own. I had remembered that Woolworths (now there’s a blast from the past) used to have a counter full of different sweets and you could take a bowl and pick and mix what you wanted, and in the process buying a lot more than you would have if just buying a ready filled bag.
Pick and Mix Sweets.
It worked with our stuff too. We gave the visitors the polythene bags and they could wade through all the bits and pieces picking what they needed, and we weighed them when they’d finished, charging £3.50 for 100gr.
We had had a lot of fibres donated so we started making up what are now called Art Batts and selling them as “Batts of Inspirations”, but because we were mainly selling these to Guild spinners and felt makers, they didn’t do quite so well as they were mainly able to make their own.
In all we made around £1000.00 for the Guild in the four years we were doing this. Eventually though the members got fed up with spending time on making up the bags and the whole thing was shelved, as the Guild seemed to be relatively well off at the time.
Some time after that I took the idea back to myself and I was making up Batts to sell at Guild meetings, using luxury fibres as well as merino and synthetic fibres. I made up some bands to fix around the Batts detailing the various fibres included in each.
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I was also making up and selling Bags, mainly at a Needlework Festival in Dorset where most of the vendors were selling materials and equipment for crafters, as well as various craft fairs and so on.
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I was getting the odd question like “they’re lovely but what do you do with them?” and “can you make a bag out of what’s in here?” So I made a sign from images of items that I’d made myself over the years and that helped.
Some of the things I’ve made with the contents of BoI over the years
However, once Covid started causing problems, my selling opportunities dried up. I had been intending to try selling Bags and Batts via my website, but it was very difficult and too time consuming to photograph the Bags so that the contents were visible, because of reflections on the polythene bags. So that sort of died a death too and I’ve now shelved that project, and am using the bits and pieces I’ve collected over the years on theatrical costumes and props.
Perhaps some of our readers’ organisations, like Ann & Jan’s OVWSG, might use this idea to raise funds?
It has been a busy few weeks getting everything ready for our Guild Sale. Now that’s done and over and I am sure Jan will show you lots of pictures. For me, I found the time to finish embellishing my visor mirror cover. For those that don’t remember the cover on the mirror of my car visor was broken when we bought it. When you flip the visor down while driving the mirror is there. It’s distracting. I decided it needed a cover. Nothing so simple as making a plain piece of felt to match the visor. That is much too easy. Here is a link to my last post showing how I created the cover. https://feltingandfiberstudio.com/2023/08/31/a-cover-for-my-visor-mirror-part-2/
I have continued on with my stitching. I wanted to use lots of different open background stitches. I didn’t want to cover up anything. I started working on the flower that looked like a superhero in flight.
I thought I better tackle the head next to stop it from looking like a person. I broke it into 2 areas. I think it worked well
Then I did this interesting stitch in the purple. Make 3 parallel lines and then come up in the middle go around all the threads and back down in the middle. I thought it was effective.
Then when I had just about finished everything else I decided to add 3 dots. I am not sure it looks like a flower but it looks a lot less like a superhero.
Next, it was this leaf. I thought I would do small stitches and go all the way around the middle but after a short distance, I didn’t like how the small stitches looked following the line exactly. I ripped them out.
I decided to use more threads and larger stitches and only follow one side.
And around the outside.
I liked it and I am getting very good at outline stitch. It was still a little plain so I added some colonial knots. Also in between I added some stitching to the small leaves. You can see a few in the picture.
I finished off this leaf and was thinking I was done, but…
My hubby said I needed to do the sheep and give him eyes and a nose. I had been going to leave him minimalist. It took 3 tries to get his eyes in the right place and the same size.
Now for the finished piece.
I had thought of cutting off the wonky outline but decided against it. Here it is installed. I used the hook side of some stick-on velcro dots, to attach it to the visor. It is a bit big but if it had been smaller the velcro dots wouldn’t have had a flat surface to stick to. Anyway, I like it and I will definitely do the wet wool technique again.
