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Month: November 2025

Autumn Leaves Display, Pumpkin Tea Cosy and Stars for Christmas

Autumn Leaves Display, Pumpkin Tea Cosy and Stars for Christmas

Lyn

I’d originally planned to make an autumn leaf garland, so I made a large piece of felt patterned only on one side as all the leaves would face the same way. It comprised three fine layers of green merino wool fibres topped with one layer of autumn colour merino wool fibres and ‘bits’ of fabric and nepps. Dry layout with close up shown below.

dry layout of merino wool and fabric scraps and nepps

close up photo of dry layout ready to make felt

I made a cardboard leaf template to enable me to cut out 30 leaves.

30 leaves cut from felt

The leaves were stabilised all around the cut edges with watered down PVA, 50/50.  When they were dry I stitched a wire stem to each leaf held in place with thread.

felt leaf with wire and stitching

pile of felt leaves

When Annie and I saw the pile of leaves looking as if they had just fallen off a tree, we both thought they would make a lovely seasonal display for a cold fireplace or a large sideboard.  Annie had the perfect colour and shape jug (it was in use in Annie’s house with a display of dahlias but they were nearly finished so reluctantly they got discarded before their time) then Annie went twig hunting in her garden.  After much snipping and choosing and changing our minds, we ended up with this.

jug filled with twigs

Then came the fiddly job of attaching the leaves … without disturbing the arrangement of the twigs and the leaves already in place … not easy … my swear jar is almost full.

vase filled with twigs that are hung with felt leaves

Annie

felted tea cosy in the shape of a pumpkin

Making a tea cosy has been on my project list for a long time.  In my imagination it has been many themes over time as the seasons and celebrations come and go and none of them have come to be, but suddenly the time was right and my tea cosy has been born as a pumpkin!

It was reasonably quick to make and was a bit of experimental fun.  I am surprised it turned out as well as it did!

I made a couple of samples that helped me test some fabrics (which if I’m honest were going to be a garland but I ran out of steam and moved on to the tea cosy!).  The samples were small at 11cm wide and 18cm wide, see below.

felt samples to test colours

I decided the tea cosy had way more chance of getting finished if I kept it really simple. So I just made two separate sides and stitched them together, adding in a stalky handle at the top, rather than a more complicated and time consuming seamless 3D form.

I was also going to embellish it with a “carved” face but decided against it to give it more year round appeal.

I started with the handle as that seemed most fun as I had not tried a curly cord before.  The cord needed a flat end to be stitched into the seam.  It was not very technical.  I got a small piece of green prefelt then wrapped loose green fibres around it then added a tapered amount on the top that I would make into a cord and then let it dry twisted around a paintbrush.  It worked surprisingly well.  I made it far too big forgetting that the felt of the pumpkins would shrink, but I just cut the end off to make it shorter.

felt cord wrapped around a paintbrush to make it curly

I had planned to make some prefelt to lay on to the flat sides to enhance the creases and shaping but then I changed my mind and just reshaped the fibres I had laid out into two pumpkin shapes.  I used a paper template and reversed it for one side so that I could keep the pumpkin sides roughly the same size and shape during felting.  To give a little extra firmness I added a thin rope of fibres around the outline.

pumpkin felt layout

I added fabric scraps and knobbly yarns to give an abstract pumpkin look to the skin.  There were so many interesting pumpkins in all shapes, sizes, colours and textures at our local garden centre so I made my own variety taking inspiration from several different ones.

real pumpkin and felt pumpkin

 

2 pieces pumpkin felt with stalk

I decided to stitch it together right sides out to keep some of the uneven edge, rather than sewing and turning.  And no it’s not lined, life is too short for that!

completed tea cosy

Lyn

To make a star garland I made a large piece of multi-coloured, merino wool felt.  It was liberally topped with silk fibres in green, red, gold and pink but disappointingly they mostly sank into the wool fibres during felting instead of shining brightly on the top!  Dry layout photos below.

dry layout multi coloured merino wool

dry layout silk on top of merino wool

When the felt was dry, 11 star shapes were cut out – 1 large, 4 medium and 6 small – then the edges were stabilised with pva/water mix (50/50).

Simple hand stitching was added using a very fine, sparkly gold Madeira thread.  The thread is very thin so 4 strands were used at a time – yes – it was often a tangle nightmare!

Madeira gold sparkly thread

Small star brads were easy to push into the felt.

gold star brads

Here is a close-up of 3 stars – the large star is 17.5cm (7”) wide.

3 felt stars with embroidery and brads

The garland was strung with Madeira metallic effect yarn.  It’s very strong but lightweight and has no stretch.

Madeira metallic effect yarn gold

The star garland has a ‘wing span’ of 180cm (6 feet) so I was unable to pull the camera far enough away to get it all in and the detail would have been lost – so I spread it out on my craft table and photographed it in two halves!

There are 11 stars – the centre star is in both photos.

Right half

star garland right half

Left half

left half of star garland

 

Felting Glasses Cases

Felting Glasses Cases

Although a recent eye test showed I didn’t need a new prescription, I decided to buy some new glasses anyway to give me more colour/style choices and also hopefully reduce the time I spend trying to find my glasses.  I have a place at home where they’re supposed to live but I often thoughtlessly plonk them down somewhere and then get cross with myself as I play hunt the glasses. 

On seeing my new glasses’ accompanying dull acrylic felt cases, I decided to make some wet felted wool cases of my own, either for myself, or to sell or give as gifts. 

I want the cases to fit snugly, so that the glasses don’t slip out but also don’t need any kind of closure fastening: a simple wet felted sleeve. I like the simplicity of this idea and also the challenge of working them to exactly the right size.

While on holiday recently, I bought a carded (mostly) Wensleydale wool batt from a farmers’ market in Ithaca, New York, that I thought might be suitable and I was looking forward to trying it out.

Here’s some of the batt, the work of Windsong Farm in Burdett NY www.windsongfarm.com

I like a sturdy glasses case as it has to withstand being bashed about in my capacious handbag, so I decided on 4 layers of wool: two natural white merino tops and two of the Wensleydale batt – which includes quite a lot of locks.

I calculated a generous size for the case and multiplied the finished dimensions by 1.7 to give me a nice firm felt.

And here it is dry: side 1, side 2 and end-on to show how thick the felt is.

I was happy with the result, though because of the thickness and shrinkage it took quite a long time to felt it fully. 

My second case I decided to treat more like a seascape picture. First, I rounded the corners on one end of the resist to give the case a more rounded bottom. I laid out two layers of wool: pewter for the top half that would become the sea and white for the lower half, that would become the beach. 

I laid two layers of blues with white angora highlights over the pewter section to form the sea, and  two more white layers topped with a strip of very sheer recycled spotted silk scarf which I hoped would look like pebbles for the beach.

I then ran a line of kid mohair top along the length of the case where the sea meets the beach to form a wave. I find this type of mohair felts with a nice wiggle that suggests a breaking wave.

Joining the silk so as not to leave a gap or have a bulky overlap was a bit fiddly but I find it works most easily with a very sheer silk. It’s interesting how dominant the wave looks in the photo because of the curvature of the sides.

The finished seascape case

Once that was done, it occurred to me that perhaps people view their glasses cases more in portrait mode than landscape?  I decided case 3 would be less ‘landscape’! I also started to think more about how people use glasses cases. I’m sure some, like me, have them rattling around in a large bag.  But I suppose some people want to put them in a pocket, so may want something a little thinner?

As I was rummaging in one of the giant boxes of charity shop silk scarves I’ve collected for nuno felting, I found a very sheer small orange scarf with wonky purple circles that I thought I’d try for case number 3. I laid out 4 very fine layers of orange merino tops (to reduce the overall thickness).

My plan was for the orange of the silk to merge with the orange of the wool so that the circles were more prominent than their background. I added three pieces silk to each side of the case.

4 thin layers, of merino, 3 wonky silk circles per side laid out then prefelted ready to full

I’m still felting these very firmly.  You can see the shrinkage when comparing the finished case to its resist. I’m not completely sure why, but I’m getting more shrinkage in the width than the length.  Probably it’s because it’s easier to roll it in that direction, using my hands and various thicknesses of pool noodle inside the case during fulling.  Whatever the reason, it’s nice and firm so I can afford to chop a bit off the length of the resist.

Left – finished & dry; top right – testing the fit; bottom right – showing the shrinkage

For case 4 I decide to go thinner still (I’m thinking of someone putting their glasses in a jacket breast pocket) so switch to 2 layers of wool – this time a natural marled grey merino – which I think looks quite pebble-like.  I added a little white wool to the surface to enhance the pebble look. 

I forgot to take progress shots but here is the finished case.

It is definitely thinner and a little softer, though it’s still felted very firmly. 

Now I’m starting to think about the time these cases are taking to felt.  I have a week in a gallery in December and will also be offering some things for sale in two other galleries that that have a local handmade artesan ‘market’ throughout December. I could sell some cases as they might make nice gifts, but I’m not sure how much people will be willing to pay for a glasses case.

Cases are generally supplied free when you buy glasses and I know most people have no idea how long something like this takes to make. There’s not a whole lot I can do but I thought that making two at once may reduce the making time a little. 

So, cases 5 and 6 will be twins.  I cut a new double-length resist and laid out some natural marled grey Corriedale wool.

I like the white veining on the merino ‘pebble’ case but it’s fairly subtle so I add more of it to these ones.

Top: double-size resist with wool laid out and wetted tightly round the resist. Middle: case 5 (rounded bottom). Bottom: case 6 (rounded both ends)

I keep twin one (case 5) the same as the previous cases, with a rounded bottom and flat top, and cut a rounded top of twin two (case 6) to make it overall more symmetrical.  Actually, I really like the symmetry of this rounded one, but realise that the top is a bit more flimsy than previous cases: presumably because I’m overlapping more wool at the ends of the resist than in the middle, where I have cut these two apart. 

Because I prefer the single to the twin cases, I decide to make the next pair alongside each other but separate.

I have some lightly prefelted ‘pebbles’ that I made earlier, so set these out on the bottom halves of two resists (on two layers of merino wool) with 4 layers of blue & green merino wool and strands of white angora on the top half to create the idea of sea.

Left – layout; right – prefelted

I soon abandoned working on  both at the same time as the pebbles were a bit tricky to felt round so many corners so I worked on the two separately

Comparing the finished one with the wetted out one, you can see that I lost quite a bit of  the pebble definition but I’m still fairly happy with them and they are very sturdy. Indeed, when dry and lightly shaved you can see more of the pebbles, in particular the nuno elements.

I have some Corriedale wool that I dyed ages ago (to make this bag)….

….so for the next pair I go for a blue, green, purple colour fade.

This time I use just 2 layers of wool and they are (not surprisingly) considerably thinner and slightly smaller than the previous pair. They are also much quicker to produce as the layout is fairly simple.

Finished: cases 7 & 8 colour-fade hand-dyed Corriedale

For number 9 I try lightly prefelting 2 mussel shells (one for each side) which I felt into a sandy-coloured background.

Left & middle – layouts side 1 & 2. Right – nearly finished case

I only made this yesterday and it’s still a bit damp. The finished image isn’t a great photo as I’ve taken it in domestic electric light but it gives you the overall impression.

And finally, another recycled scarf but this one is white dots on a red background from a fairly open-weave wool fabric.

To get round the fiddliness of joining / overlapping fabric on this size and shape of resist, I cut out two sections of the scarf and laid one on each side, with gaps along all the sides.

Here’s the layout and here’s a photo of the finished glasses case. I only made this today so it’s very wet. I’m hoping the dots will be a little clearer when it’s dry.

So, what have I learned from all this? Well, I’ve enjoyed playing with all the different layouts. I drew up a list of ideas and I haven’t even completed half of them so there’s plenty more to play at when I have time. 

I think my favourite more complex ones are the combined pebbles & sea.  For the more simple layouts I like both the grey & white pebbles and the blue / green / purple hand-dyed Corriedale ones.  To sell the glasses cases I will have to focus on the simple ones as the more complex layouts take way too much time to make. I’ve already made a couple more of the grey & white pebble ones and will probably make a few more simple brightly coloured ones before I move onto other things. I’m not sure yet which ones I will keep or give as gifts. Do you have a favourite? Or any you don’t like?

Merrickville Ont. Canada, New Fiber Festival -Fiber by the locks

Merrickville Ont. Canada, New Fiber Festival -Fiber by the locks

On Sunday, October 19th 2025, we had a new small fiber sale happening in Merrickville Ontario.  It was a lovely sunny day so perfect for a drive south of the city.

poster of silliwet of a sheep for the Fiber byt the locks sale1.1)poster of new fiber festival

Merrickville is a small town along the Rideau cannel at one of the many locks.  The town has many beautiful stone houses and buildings.  We arrived early and found a good parking spot, so let’s walk over to the locks and take a look around.

map showing the Pew building and Merrickville locks photomaps showing locations of Ottawa to Merickville and the area around the event beside the locks1.2) map showing the Pew building and Merrickville locks.

The pews is the building we were going to on the maps it’s the little red dot. It is also beside the locks and across from the blockhouse (where the guns and soldiers were, in case we were invaded by Americans in 1812). It was a lovely warm not-fall day for October, the leaves were turning and the water was still, giving beautiful reflections of the fall colour. (I was not the only photographer out and we had lens envy chats!)

the Merrickville lockstation with trees changeing colour, red and yellows1.3) the Merrickville lockstation

the Canal locks at Merrickville reflection of fall trees in still water1.4)the Canal locks at Merrickville

the Canal locks at Merrickville looking down the lock trees refecting into still water1.5)the Canal locks at Merrickville

the Canal blockhouse at Merrickville, the military would be stationed here to protect the cannel from American incursions.  I is now a musem1.6)the Canal blockhouse at Merrickville, the military would be stationed here to protect the cannel from American incursions.  I is now a museum.

the Arron Merrick Building (Side) stone block 3 story building with lots of windows1.7) the Arron Merrick Building (Side)

the Arron Merrick Building (front) decoration serounding door way cascading leaves in fall colours with window box of white flowers in front.1.8) the Arron Merrick Building (front)

Its now time to head back to the Pews (formerly a United Church of Canada building, from the 1890’s)

former church now called the Pews. truncated nave with cross esction and tower inset into one corner adjacent to crossing sections. the church is stone blocks. vewed from a lwer angle looking upword agaenst a very blue sky1.9) former church now called the Pews.

The upper part where the church was is still filled with pews and is often used for concerts. The lower hall is accessible from the back of the building. That is where we are heading next, if I can pull you away from enjoying the fall colour.

It’s a small hall, full of 4 foot tables, so it’s a bit snug, but that is more for us to look at. The vendors are just doing the last of their set up (we will wait in the back corner, out of the way, till its time to shop).  One of the vendors just pointed out a doorway with a ramp to another lower section, we can look at that afterwards.

the lower hall filed with 4 ft booths,very full this shows the center booths.2.1) most of the vendor tables in the hall there are a couple more to the left out of frame and at least one more to the right.

Shall we have a quick look around?

2 photos showing a booth with coats and a booth with yarn 2 photos showing a clsoe up of mini tapestrie landscapes and the other photo is of a coil basket 2 Photos; Sewing bags and knit things including a Hat on a manikin head 2 Photos; White Knit? Pumkins and crochet rugs 2 photos: knit hats and jacket and Yarn in skains 2 photos: wool cloth and yarn in many colours and yarn and knit socks and scarf 2 photos of braided yarn in many colours 2 photoss Mohair for sale and locks with wated doll in green outfit2.2-2.9) booths in the main lower hall

The second part of the lower level was accessible through a doorway and a small ramp. This was less finished and more basement-like. It also had an exterior door for accessibility from the outside. The booth sizes were bigger in this back section. There were two felters, which you may be interested in.

2 photos second hall basement: clothing and Upholstery Shop 2 photos second hall basement: Embroidery and anteques table display and close up of back of merorrors 2 photos second hall basement: Felting booth figures photo second hall basement: Felting booth Pictues landscape and Santa photo second hall basement: Edge of felting booth and Husband reading photo second hall basement: second felting booth this one has framed pictures.3.1-3.6) photos second hall basement

We had a thorough look through the event then went up the street to Alpaca tracks in hope of a butterscotch colour of alpaca fiber for a friend’s project. What they had, was not really what I was hoping for, but the store was interesting. Unfortunately, the fiber for sale is upstairs, and I was not feeling up to stairs by that point. So, I will show you a couple quick shots of the ground floor.

Outside and ramp into stone house that has been converted into a store (Alpaca tracks)4.1) the store Alpaca Tracks T(h)read Lightly

2 Photos one of felt flower with yellow center and wall hanging of alpaca 2 photos of displays Mettle frog with umbrella in front of felted mellons and wooden pumkins with cutting bords and scarves in the back ground 2 photos one of window vew with felted sunflowers and one of small wooden cut work candel holders 2 photos, one of Felt orniments including felt dodo bird and small alpaca made of leather.4.2-4.5) displays within the store that cot my eye

It was a store full of cool things to look at, much seemed to be made by local artists. Since I could not find the colour of fiber I was looking for I will have to look in Toronto later in the week.

 

I hope your virtual shopping money has not been badly depleted!! There is still the OVWSG guild sale to tell you about.  If you were in Ottawa the first weekend in November, I hope you dropped by (you might turn up in a blog post!) if you missed it, you can always plan ahead and be there next year!  But, if i am doing this in order, we need to have a quick chat about; reflections in glass, the ongoing Mer project, and a Visit to the Olive Sparrow (where there were lots of options of fiber!) before we can get to the guild sale.

PS the sneaky comment button is still hiding at the top of the page if you would like to chat!

Making Bubbles

Making Bubbles

This is an old post from several years ago of some fun bubbles I did with a friend. I thought you might like to see it again. This last weekend was our guild sale, and I have nothing to show you felt wise. Jan has so many pictures of the sale to show you, I will leave that post to her. I have such fond memories of this friend and our felt journey.

A while back, I went to a felting friend’s for a few days of fun.  She showed me how to make bubbles and cut them open to great effect. Here are the pictures of what I did.

First of course, I laid out some wool to felt. But these are samples, so plain felt won’t do. I added silk threads, a silk square, some silk roving and other wools to see how it would all go. This is the underside.

This is what the top side looks like

Then, of course, there was the usual rolling and fulling.

rolling rolling rolling

Here they are all finished and ready for the marbles.

The next step is to put marbles in while it is still damp. You pull the felt tightly around the marble and secure it with an elastic, and now it looks like a bubble. We used the elastics they use to put braids in horses’ tails and manes because they are small, stretchy,  strong and cheap.  You put in as many as you like and whatever sizes you like. You can also use felt balls. The felt balls are good if you want to leave them uncut. Marbles are too heavy for that.

Here they are all tied up.

Felt with marbles tied in to make bubbles

Here they are cut.  I cut the tops off, I cut x’s and star patterns, and some I turned inside out. If you cut more off, you see more of the inside, and you can stretch them flatter, too.

Bubbles cut open

You can see how the underside becomes the inside of the bubbles. These samples started out about 6×8 inches, and the finished pieces are about 1.5 by 2.5 inches. They take up a lot of room. I only have 2 of them left; my friend’s dog ate one. I think I will glue them to some leather and make brooches out of them. They are lots of fun to do. I made some wrist cuffs with this method, and I will blog about them next week.

Marketplace Mondays Recap

Marketplace Mondays Recap

I am still in the midst of my house/floor redo and I’m missing all my furniture and applicances. The floor is complete but the company that is supposed to bring my stuff back has failed miserably. I almost forgot to post at all, so I thought I would do a recap post of Markeplace Mondays that I did over ten years ago. Hopefully, there will still be some useful information for people.

Introduction to Marketplace Mondays

Memorable Products

Cohesive Line

Diversify Products

Product Presentation

Hang Tags

Business Cards

Silent Sales People

Complementary Displays

Booth Displays

Approaching Sales Venues

Real Life Product Presentation

Approaching a Gallery Part Two

Pricing Part One

Pricing Part Two

Pricing Part Three

Finding Venues

Wholesale vs Retail

Wholesale Catalog

Selling on ETSY

One of a Kind Wholesale?

Production Calendar

Selling Wholesale and Retail

Finding Wholesale Shows

Artist Statement

Alternative Holiday Sales

 

Please remember that these posts were written in 2011-2012. Some of the information is probably out of date or maybe not even relevant. Hopefully, this will provide a list of  information and ideas that will improve the business/marketing side of your work. I owned a fine craft gallery for 20+ years so if you  have any specific questions, feel free to ask. The comment button is at the top of the page if you are not a subscriber or clicked over from a Facebook post.