Inspired by nature – part 2

Inspired by nature – part 2

In my previous post I had completed two nature inspired collages https://feltingandfiberstudio.com/2024/03/28/inspired-by-nature-part-1/ and had then decided (in my infinite wisdom!) to create a third and form a set. Collages one and two were partners, now I was heading for a family!

 

My original completed piece
1   My original completed piece

 

A second work including a found twig, fabric snippets and embroidery stitches
2   My second piece

As I was now creating a ‘triptych’ – meaning the two different nature inspired collages needed to be tied together – I had to concentrate on colour and texture, because I didn’t have enough snippets of all the various fabrics previously used. At the same time, I needed to think about the design direction.

One of the hardest decisions was deciding which way up, I finally wanted to present collages one and two, as this would have a bearing on three. When doing abstract work, I usually work from different directions so that, to me, it is balanced from all sides. This enables me, or a client, to decide which way to hang the piece, or simply present the opportunity to ring the changes!

 

Design sketches and potential fabric pieces to be used
3   Thinking about the design

 

the final auditioning of fabrics
4   Auditioning the fabrics

 

Once I’d decided on the final hanging direction of collages one and two, the next hurdle was the actual design layout. Again, the priority for me, was to unify and compliment the previous finished pieces, for which my various sketches proved very useful.

I’ve been asked many times ‘where do you get your layout ideas from?’ Zimples…I look through my vast collection of images that I find interesting (landscape, architectural, food etc), then finding one I like, I either trace or freehand copy the main shapes. These then become the kicking off point. I’m repeating myself I know, as I’ve mentioned all this before….I just want to get the message over that this method is available to everyone – whether they are ‘arty’ or say they can’t draw for toffee!

 

Fabrics finally chosen and laid out in position
5   Layout of fabrics finalised – including some paper birch bark (the yellow underside was more interesting than the white top).

 

With my final decisions made on the design layout and the fabrics to use, it was time to start adding some embellishing stitches.

Although not immediately obvious each work also has some golden elements (paper or foil) included with the dried peeled cherry & birch bark (from felled trees), twigs, or dried bark chips (these were a beach combing find!). All from my ‘that’s too good to throw away/it might come in useful’ stash!

Then it was back to the entire same auditioning process re the placement of Mother Nature’s treasures with the added complication of now having to balance these elements with those of the other two completed works, which in turn, might decide in which order the three collages should be displayed (1,2,3 or 1,3,2 or, 3,1,2 etc).

In terms of design, balance, or colour – if I saw a glaring ‘gap’, yet more embellishing stitches were added, particularly to subtly enhance the circles.

 

gold foil placed within the design
5a   Just to show the gold elements. Notice the copper thread too on the bark

 

These collages are all about being nature inspired, so the following photographs show some close-up details which I have paired with various of my (oh so many!!!) images of Mother Nature’s spontaneous creations that surround us, even in the tiniest of corners.

close up details from my originally collage
6   Detail 1 – A variety of stitches on the original collage

 

 

close up of stitched bark paired with a twig
7   Detail 2 – Stitched cherry bark overlaid with a sheer with crocheted lichen and copper wrapped twig

 

 

close-up detail of second collage
8   Detail 3 – Eco printed fabric, expanded wet-wipe and yarn tufts

 

 

Embroidery stitces to emulate moss and lichen
9   Detail 4 – Embroidery stitches to evoke lichen and moss

 

 

Placement of fabric evokes the cracks seen in rocks and cut tree trunks
10   Detail 5 – Reminiscent of cracks in rocks and aged cut tree trunks

 

 

detail of copper wrapped bark with a tufted yarn to resemble moss.
11 Detail 6 – Copper wrapped bark, ‘cracks’ or maybe twigs and yarn moss

 

Framing the three collages….

I used my favourite method – by stitching each to card cut to fit the frame. I was so lucky that on one car boot sojourn, I found 3 IKEA frames, just perfect for my wall space. Each collage is 22 x 22cm (8½x 8½ins). At some point, I might present them in larger square frames with a wide 10cm (4in) mount (mat) to provide a counterfoil….before that….I’ll need to move house to have more wall space!!!

And herewith the final pieces, enough collage work for now I think….

The first collage
12   The original work – I blame this one for setting me off down this path….I enjoyed it so much!

 

Collage two all framed and ready to hang
13   Collage 2

 

The fianl collage all framed ready to hang
14   Collage 3 – Giving birth to this baby was not quite so easy as it had to share it’s parents’ features!

 

But maybe something beckons….

Lichen and moss covered rocks on top of a stone wall
15 Mother Nature’s circles – Mmmm food for thought perhaps!

Did I forget to mention that I also love the rocks and stones on which the lichen grow!!!

 

We’d love to hear about any dip or triptychs you’ve created.

 

22 thoughts on “Inspired by nature – part 2

  1. All three are wonderful Antje! So much to see up close and amazing to look at from further away. All the colours and elements work so well together.

    It’s a shame that you don’t have spare wall space because they would look good in larger frames 🙂

  2. Ah “my ‘that’s too good to throw away/it might come in useful’ stash’” As soon as I saw that comment I knew we were on a similar wave length. I’ve got several of those!
    I have always thought of myself as a non-collage person, but you are definitely changing my outlook. I’ve loved your progression through all three of these works.
    One thing though – you haven’t shown us all 3 hung up as a triptych. Which order did you hang them in in the end?
    Ann

    1. So pleased that I’m challenging your thinking Ann 😉 and where would we be without our ever-growing stashes….just need a bigger house now!

      How remiss of me not to include the collages together. 2-1-3 or more accurately they are displayed on a shelf, tight together 2-larger square framed lichen piece-1-3.

      Have you created any triptychs?

  3. Thank you both. They were fun to create, although ended up not being quick….I always aim for ‘throw-it-down-spontaneous’ but end up pondering more and more over exactly which piece to use, and exactly where to place it etc etc….so they became very ‘considered’ (somehow my training & perfectionism always seems to win out!)

    Like you, I think they really would be best suited to larger frames, which would also draw the eye into the details….but where to hang them???

  4. No I haven’t made any triptychs, although I have quite often spotted a subject which would happily split into at least 3 different pieces. I’ve no wall space left at all now, so haven’t actually got down to making any more. I suppose one could somehow make them weather proof and hang them outside!
    Ann

    1. I’m so pleased that these collages have grabbed your attention and hope it is a trigger for you. I also hope you will read this and other similar posts again.

      Creative work is never a linear path….we start along one path thinking we know where we are going then something catches our attention and we go back to something we passed by and head off/explore a slightly different route for a while.

  5. These are wonderful Antje! Always fun to work in a series but making things into triptychs takes a lot of work. It seems like it would be easy but … I would love to see how the pieces look on their shelf!

    1. Thanks Ruth. As you understand all too well, it is trying to balance a piece on different levels….from a distance with sufficient up-close details to hold the eye.

      I will attempt to take and post the ‘display shelf’ photo another time.
      Xx

  6. Really lovely Antje, your colour palette is so calming. I just love how the 3 look. I look forward to seeing all 3 on their shelf too

  7. I’m glad you find the palette calming, I do too and find I keep coming back to these colours.

    With all the nudges, I will definitely have to photograph the collages in situ 😜

  8. Beautiful work Antje. I like the balance and variety of textures you’ve achieved and the addition of the gold and copper to compliment your neutral colour scheme.

  9. Thanks Karen. I think we often work in similar colour tones! It doesn’t show in the photos but the metallic elements do provide highlights. I prefer the coffee jar (or similar) foils….we just need to keep drinking to replenish my stash 😜

  10. They look great and probably better together on the shelf. I am looking forward to seeing it. I agree with bigger frames. My favourite is still the second one though. I have never done a triptychs but maybe i will this summer

  11. Thank you Ann. Any idea where I can find more wall space?

    I hope you do manage a triptych and then show us all.
    Xx

  12. This is the second time I’m trying to comment… I suspect I wasn’t allowed to submit my first one because I was claiming to invite myself over to your place soon and learn your artistic ways!

    Anyway, I love the triptych! It’s gorgeous.

  13. As I wrote this post I was thinking of you and expecting a knock on the door 🤪
    So pleased it meets your approval.
    Xx

  14. Wow, wow and, did I mention Wow! You are some clever (and artistic and creative and gorgeous) lady. I love hearing about your process but adding the photos is the icing on the cake. Fabulous pieces. Like Leonor says, expect a knock on the door ….. anytime …..
    Now, where did I put that suitcase …
    Helene x

  15. Oh to have friends! Thanks Hélene for your kind comments.

    I always enjoy reading about the processes that other artists use & invariably learn something useful – I certainly aim to learn something new every day….it’s the remembering that is the problem. However, with this post I did remember how to do it all without reference to my notes….woohoo….thanks to my clever teacher!

    Hope your suitcase is packed.
    Xx

Leave a Reply to helenefeltzenCancel reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Discover more from Felting and Fiber Studio

Subscribe now to keep reading and get access to the full archive.

Continue reading