I told you there would be another small picture. I wanted to do a night scene with water and a moon reflection.
I searched up lots of moon on water pictures. I won’t share them because even though I put public domain pictures in the search, I am sure they are not all in the public domain. Once I had done that, Pinterest sent me some more, some in weaving and other textiles.
I had this small offcut. I put my fingers in the shot so you can see the size.
I knew I had a nice really dark purple merino to make the sky but I had to ask Jan for some navy blue. She had some nice dark BFL, so it had a nice shine, perfect for water. This is the best picture I got of it. I had to fiddle with it because my camera on my phone wants the purple to be red and it’s more blue. Jan got some pictures for me too but her computer has died so I am afraid you’re stuck with my pictures.
I divided the picture into 1/3 sky and 2/3 water. I tried to keep the navy fibre running across the picture to give it a better water feel, like tiny ripples on the water. the hardest part was making the horizon straight and level.
For the moon, I made a disk separately and then added it. I think it makes it seem separate from the sky and closer than the sky. I then added the thin glow around it. the glow looks more transparent in person. I thought I had a picture of just the moon but I accidentally took a movie of it and I can’t figure out how to save one frame.
For the reflection in the water, I used silk. I tried throwster’s waste, some fluffy silk ( I think from silk hankies) and some top, it was a little yellow.
The throwster’s waste was too stringy
The fluffy stuff was too hard to work with. It wouldn’t stay put.
The top worked wet. and even though looked yellow as a blog of silk once it was spread out a bit it was good.
I laid it all across then needled the pattern I wanted and trimmed it then needled some more.
I like it, it’s ok but not great.
I tried adding some grey for clouds and some silk at the edge for reflection. I just tacked them down, I am not sure. It may be the silk reflections on the clouds that I don’t like. Maybe white wool would be better.
so I asked my son. He is more artistic than me but also observant. He said well the moons to big. So I showed him my examples and with the slightest glance says well they’re all photoshopped, to make the moon more magical. So much for that. I guess once I did it, my brain knew it was wrong. I will try thinning the glow and shrinking the moon and the reflectins and see how I like it. the trying may mess it up beyond repair and it will have to become dryer ball innards. I will let you know how it goes.
I managed to fiddle with the picture last night. First I pulled up the edges of the reflection and tried it back then I pulled the moon haze off and made it smaller and more transparent. I think it is better. not great but it will do.
A while ago I bought some fine mica. the kind they use in cosmetics. I got this set and a blue set. I wanted to try adding a little blue to water in a picture just to see what it looks like. This water was far darker than the blues I bought but I thought the moon could use a little shine. You can see how fine it is. I left my fingerprint in it, from just a light touch.
I took a close-up of the moon. I think the camera picked up some of the sparkle.
I am still all packed up so decided to do another small picture. This one is 3.5 x2.5 inches. I wanted to do a sunset. Step one google sunset pictures in the public domain. Well, that was disappointing. It seems that the popular configuration is oversaturated with the blinding sun dead center and if there is anything else in the picture it is a black silhouette. I was looking for something more subdued with lots of colour in the sky but with colour still in the landscape. I tried adding qualifying words to my google search but it didn’t help. I just kept scrolling and scrolling. The further away from the top hits the better it got. Sometimes page 5 has better pictures than the first page.
I started with this small piece of offcut from a long-ago project. I think it was a little bag.
I decided to go with my imagination rather than an actual picture. Drew in the horizon, the lake, the hill and an indication of trees. I knew the trees would disappear under the sky so not much point to that.
I added some sky using 2 shades of blue. I used 3 shades of orange and a little white to do some nice sunset-kissed streaky clouds in the sky.
The water was next. It is a combination of Prussian blue and navy.
I added the grass. It is antique, olive green and a puter/brown colour. I was thinking of late in the year when the grass turns golden. I carded the colours together but not too much so I would have some nice variation.
Then I added the cloud reflection in the water.
I wanted some trees on the ridge. I want the ridge to be in the distance with the trees striking up a little. I don’t like them. they look too much like they belong at a Christmas tree farm, so I took them off.
Next, I tried mixing some shades of green and then drafting it thin. I told it in my fingers to give it some cohesion and needled 3 trees on the ridge. I like these better but am still not sure. I think I probably just need to not look at them so closely. The thumbnails that show along the bottom of my photo editing software look better than the big picture but it’s twice as big as the actual picture so it shows too much detail. I would like to add more trees but not sure it won’t just end up looking like a green blob. I may leave it and more onto the flowers in the foreground. Any suggestions for the trees.
For the next one, I hope to go bigger. I always want to add too much detail and it’s just not possible with a small picture.
And one last thing, a cute thing. This is Storm. He was born on Saturday. we have no idea who his mom is. Perhaps the storm spooked her.
We had a huge storm in Ontario it took out power to most of the south of the province. We were out for a little over a day. Many people are still out. You may not see Jan in 2 days. It hasn’t been like this since the Icestorm of 1998. At least the weather is better for this one.
here’s the outage map the darker green is the area the hydro company covers and all the dots are the numbers of outages in that area. London, Toronto, Hamilton and Ottawa have separate hydro companies but they all have huge outages too. if you follow the link you can zoom in and see different areas.
At the moment I seem to be really squeezed for time. I have managed to start 3 small things
First I wanted to do another vase cover. I used a bat that was made on a blending board. I pealed a thin layer and then filled in the holes. I like the autumn colours.
That is as far as that got.
Next, I wanted a little bigger landscape I could needle felt and stitch on, so cut a 5×7 inch piece of the soft thick prefelt to use.
I wrapped the wool around the piece so there won’t be grey edges.
And that’s as far as that one got. I have it rolled up with the vase cover so they can be rolled at the same time.
Then, oh my I still have a few min. I had some well-fulled wool fabric a friend gave to me. I think it used to be a coat. I cut out a small piece and brushed up one side with my wire dog brush to see if it will stick together well with wet felting. Then added some fibre
The difference is hard to see. the left is the unbrushed side and the right is the brushed side.
I had intended to just add 2 colours and felt it to use for trying out stitching on the new water-soluble stabilizer I ordered. But before I realized it I had made another landscape. Oh well, that’s ok, I will have to try again to make some practice pieces.
That is as far as I got with that one. I will probably wet it and add it to the other roll and then do them all at once. Maybe next week I will have them felted. With this time of year being very busy for me, it makes it hard to get some felting in. I try to get some in every week so I can share with all our friends and followers.
After I had retired from full time work in 2006 I was finally able to join SNADS – our local amateur dramatic society. I live in a small market town in Dorset and SNADS was the main source of entertainment for our area at that time (as it had been since 1930, although newspaper archives indicate that it was around at least as early as 1883). I had seen most of the productions which they had put on since we moved there in 1999 and longed to join in, not only on stage, but behind the scenes. During any one year there are at least 4 productions – Pantomime in February, Spring Play in May, a Variety Show/Revue in the summer and the Autumn play in early October, and as soon as that was over, the round started again with preparations for the following year’s Panto.
We had a fantastic wardrobe mistress, but she needed help with costumes, especially at Panto time as there was so much to do.
My first foray into costume was to make a full head cat mask for the summer review. Two of our members were to sing Rossini’s Cat Duet and the director decided that it would be fun to have a disreputable tom cat watching them from the side-lines. I had recently learned to wet felt 3D items using a resist, so I made the mask from wet felted pieces and needle felted details. I didn’t want the actor’s eyes to show through and anyway, I needed to give the cat it’s proper “slit” irises. So I stitched into the eye holes a piece of doubled yellow organza and just painted the vertical slit. (It is quite possible to see what’s going on through organza if it is held close to your face.) How to give him a proper nose? I needled the correct shaped nose on the mask, then I painted on some artist’s gesso, let it dry and added some more. Gesso is textured so it was necessary to file the nose to make it a bit smoother, also the gesso is white, so I painted the nose with black enamel paint which I nicked from my husband’s paint store (he’s a model maker). After a couple of coats of that, Tom had a shiny(ish) black nose. Add some “bitten” ears and “wonky” whiskers and he was nearly done. The cat’s mouth was open – it allowed the actor to breathe and gave Tom naughty grin. Finally I gave him a pink tongue and white tips to his ears.
The next production that I was involved in was the pantomime Cinderella, written and directed by one of our members. I was asked by the wardrobe mistress if I would dress both the Fairy (“Fairy Nuff”) and Buttons’ dog, Beau. The director wasn’t quite clear about what kind of dog Beau should be, except that he was to be comic. So I did a sort of 3D needle felt sketch of the dog’s head as I saw it – black and white with one ear cocked.
However I’d got it wrong – Beau was to be a black poodle.
After some discussion with the wardrobe mistress, we decided that the actor would wear a black polo necked top, thick black tights and black gloves. I managed to find a piece of curly black faux fur to make a short jacket, with enough left over to make pompon for the top of the head and the end of the tail, the long dangly ears and wrist and ankle rings to simulate the correct style poodle cut. I was to make a full head mask. For this I made a wet felt hood using a resist and a further piece of flat felt incorporating some of the curly faux fur trimmed from the bought fabric. A lot of that moulted out though because it was nylon or polyester and very slippery. Enough was fixed in however to give the right effect.
I made a needle felted muzzle – again with the mouth open to reveal the red tongue and white teeth, and to allow the actor to breathe. The nose I made in the same way as for the tom cat – shaped with the felting needle, gessoed and painted. The muzzle was attached to the hood/face with stitching and felting needles. Some of the flat felt was cut to represent the dog’s lips and attached by stitching and needle felting to the muzzle. The “Disney-esque” eyes were again painted organza and were stitched on the inside of the mask.
The ears and head pompon were also stitched on. I added a piece of brown fabric and a belt buckle around the dog’s throat to simulate a collar and allow the mask to be firmly secured over the actor’s polo necked top. I have worn this costume myself a couple of times in subsequent Carnival processions – great fun.
Since the actress cast for the part of Fairy Nuff had a figure which could easily cope with a glamourous costume, for the base I was given a basque that fitted her. She was to appear out of a compost heap at the edge of the stage, so I set to and made lots of autumn coloured leaf shapes – mainly oak – out of different brown bronze and gold metallic organzas. I sandwiched sparkly bits between layers of organza. I machined stitched around the edges and along the veins of each leaf and then cut out the shapes with a soldering iron. This sealed the edges and prevented fraying. Then, with the basque on a dressmaker’s dummy I attached large pieces of bronze organza for the tail, and then added the strategically placed leaves.
The wings were made from two lengths of flat wire (originally from a pop-up fabric laundry container) covered with more organza, this time creamy white but with sparkles and sequins added. These were attached to the back of the costume by stitching the wire to the shoulder straps of the basque and covering the join with some dark bronze/gold chiffon.
The crown was made from bronze Christmas decorations (that year bronze was in fashion over here – UK). I used bronze plastic icicles, some foil stars and some more organza leaves attached to a head band. I can’t remember what the wand tip was made from – possibly a bunch of tinsel.
I actually got a speaking part in this Panto – only a couple of lines but a step up from what I’d had before. I don’t have a proper photo, this was before my husband had a digital camera, however I’ve managed to extract a clip from the video we had made of the show. It’s a bit fuzzy if enlarged but I think you can get the gist. I’m in the gold dress with my exclusive “Toilet Duck” perfume, and my punchline? “It drives the men Quackers!”
After this show, we had one final “adult” Revue and then we moved to where we are now based. Try this link it should show you the hall we left, Sturminster Hall, and eventually the Community and Arts building, The Exchange, which is now our home. https://stur-exchange.co.uk/about/ Unfortunately it seems that a second link, on the above page, may not yet be working – this is a new website in the process of being fully set up so here’s the brochure which was produced the year after it opened.
The staircase balustrade is wrought iron made by a local craftsman and represents the river Stour which runs through our town. All the Rooms in The Exchange are named after rivers and streams running close by, and it is just beginning to open again to live theatre as well as community groups.
We at SNADS started off our return with an Adult Cabaret a couple of weeks ago, for once without a male Balloon Dance or a ladies Fan Dance, but there was a Pole Dance!
More about my exploits with SNADS (including an explanation of the picture of the wicked queen) later. Watch this space.
Anyone who tell you they don’t have a box, draw or even cupboard of failures or “ not going how I wanted to” is either in denial or hasn’t done enough yet. My tale is about one such piece. I don’t even have a full original photo to show you so dissatisfied was I. The picture below is the starting block. To explain the original context of the piece it was two logs of wood at the forefront with a tree and mountain scene as the back drop. The second picture is of the top of the piece. I am sure you can visualise them before the chop.
I already had in my minds eye where the piece was going ,as previously having done a rock pool scene ,I wanted to achieve something similar on a woodland setting.
Although in my minds eye I could see the finished piece getting there was unknown. The piece was a wet felt project using dyed silk to create the logs and silk and fibres to create the moss and ground. I then needle felted to create depth and texture.
After studying it for awhile I decided if I established the proportion in the top left hand corner the rest would flow from there. I knew I wanted it to be multi dimensional but wasn’t sure if it would work. I stand here honestly admitting I am not the best embroiderer in the world but best foot forward added grasses in wool yarn and stalk and leaves in silk yarn to the existing blue flowers which I added at the wet felting stage with nepps. Still at this point I wasn’t happy as it still felt “ flat”. I decided to see if I could have a play and make dandelions which I could sew on top separate thus creating the second dimension I wanted.
But how? Out came my trusty stash of bits and bobs where I found some green and yellow prefelt I had made. With my embellishing machine I added further wool in differing shades of green. I then made a template of a dandelion leaf and cut them out. A final run over with the machine to strengthen them and a trim up and they were ready. I did the same with strips of yellow which I sniped and rolled. Sewing the base tightly together made a very pleasing dandelion shape , well in my eyes at least. After positioning them on the piece I was happy and created the stem with string and couching stitch.
I was happy it was now taking shape. The only area I was unhappy with was the blue flower in the foreground was knocking the whole piece out of proportion. After a tentative test decided to remove part of it completely. With this area removed ( the area between the two logs) it made more sense.
I made more leaves on my embellishing machine in different shades of brown and green and along with stones ,which I had needle felted, I added to creat the woodland base. I also embroidered some clover with bullion knots ( don’t look to closely, I have already explained about my lack of skill and this was my first attempt at this stitch).
And so to the foreground. More leaves were made and added to the blue flower. I’m afraid this flower is not a true but made up flower but at least I had free reign to create. I added french knots to the nepps to add depth.
I must admit the piece is not yet complete as I am now adding french knots to create the moss and will be adding more stones and maybe another clover ( if I can master bullion stitch that is).
All in all I am quite pleased with the piece
My point is never give up on a piece. I find some times just moving a mount around a piece of work completely changes you appreciation of it and can send it off in a completely new and pleasing direction.
If anybody would like to see the finished piece I will give a quick update when next I post.
I have been felting and stitching a little picture again. And of course, my favourite sheep will make an appearance.
I did a sketch of the idea I wanted, I don’t think I have the patience for proper drawing. I do a quick general idea. I used a thick piece of “almost felt” and made the blue sky and snow base, wet felting them together. Next, I used Blue Faced Lester lock to make some evergreen trees.
I added some paths for the sheep. Sheep like to walk the same path other and over, one after the other, even in a green pasture. Once they are where they generally want to go, they wander off. I have no idea why they like to stand out in a snow covered field, but they do.
I added all my trees and tucked the edges around to make it neater. I added some blobs for the sheep so when I add the stitching they will stand out a little more. I also lightened up the paths a bit.
I used french knots to make the woolly coats and some embroidery for the heads and legs.
I fiddled with trees a bit and added trails into where the sheep are standing. I tried t add some shadow under the trees but it didn’t look right so I pulled it off. The trees still need some snow. I usually do that last, I am not sure why.
My problem is the bottom right. It seems very bare. I don’t know if I want another sheep or something else. I thought of some little birds on the snow but think as this is a small picture (about 5″x6″, 12×15 cm) they might end up looking like sheep droppings. I don’t want a fence. Does anyone have any ideas? It may end up being another sheep.
It’s after the Christmas crazy and I feel all out of sorts. There is nothing I need to be doing. Nothing to shop for, nothing to bake for. I do have some nice new teas to try but although they are delicious, that is not really doing anything. I want to yell I’m bored, but my mom wouldn’t hear me at her house and what’s the point of that. So, like many of you, I must kick my own butt and just get on with something. Start with housework, if that doesn’t start you thinking of things to do in the studio, nothing will. After several loads of laundry and digging out the corner of the bedroom where we toss things to deal with later, I had had enough and I grabbed a tea and my sketchbook and headed for the studio.
I know you are thinking but what about your hat aren’t you supposed to be sewing the flower into place and making leaves. Yes, I am but I don’t feel like it. I had a poke through some recent sketches I did. I can’t really draw but I can get the idea down and use it to work from.
I dug out some felt pieces I did as starter pieces. Picked one and started.
First I defined the house. It was just a roof and walls when I picked it. I forgot to take a picture, sorry. I added some windows and the roofline and the corner of the house. Then, strangely I started at the front of the picture with some fence posts. Usually, you start in the back and layer to the front.
With the magic of felt, I just took a picture and then pulled them off and put them aside.
I added some sheep, I bet you didn’t see that coming…..LOL. You can see I decided the house looked more like a barn and changed the windows into a large door. I also by this time decided the blue was water and added a path along the cliff edge.
I defined the sticky out piece of coastline to help with the water effect and check the placement of the fence posts. I decided to keep them straight because the right-hand one is going to be short anyway. I added some different blue to define the sky and some white with a bit of sparkle for waves. There was lots of wool sticking out past the picture edge so I just folded it around the back.
Then it was what to do to finish the fence. This is where the metal comes in. Originally I was going to use thread to be the wire but then I was chatting with Jan about wire and remembered I had this spool of wire. It is a very old spool and I don’t know what kind of wire it is or what it was meant for. It is thin but strong and flexible. It is old, as you can see from the wooden spool but there is no rust. It has a 58 stamped into the top but it’s not the gauge.
I decided to make a real wire fence. I twisted two lengths together and cut 4 of them to stick out past the ends of the picture. I folded them around the edges to hold them in place. I then couched them down with 6 strands of grey embroidery floss to be the fence staples. I think it really works. The whole picture is only 5.5inches (14cm)by 4 inches(10cm).
I did think about making at least one strand of my fence barbed wire. I made one barb, to try it but you couldn’t really see it against the wool so wasn’t worth the fiddling.
My New Years’ Resolution is to do more felt pictures and to try to do them a little bigger. Do you have a Fibery New Years’ Resolution?
I had a whole day of no work and no grandchildren last week so I got my picture done. Although this is a good thing, I discovered all those little people’s interruptions are actually good. I rather overdid it with the needling and have aggravated my tendonitis again. I need a better needling pad. the one I have is quite dense. It’s good for travelling as it’s light and it does last well but it is too dense to be poking into all day. I know not to poke way into the foam but when you’re doing a picture you always seem to go into it a little. I got several suggestions for alternatives. Jan had a nicer kneeling pad that I will look for not so dense but still lightweight. upholstery foam is popular and a new one to me was rice in a cloth bag. I may try this for home. I think it would be heavy to carry around. What do you use?
On to the picture.
When I put the rock shapes in I wasn’t very happy that the stuck up a lot from the wall so I wet felted it again. It looked much better, more subtle.
Next for the wall was some moss and some shadows
Next was some shadow to the bottom of the rocks and to the gate.
I added some sheep, I know you are all so surprised. I added the trees to the place markers and some vegetation to the foreground.
That looks ok but it is kind of bare on the top left and the vegetation is a little boring so I added some more trees, another sheep( you can’t have enough sheep) and some french knots for flowers on the vegetation.
I hope to get a better picture of the finished piece. The camera really doesn’t like the fuzzy white. the piece is 7 inches by 9 inches. It should have been 8 x 10 but when I refelted it I shrank more. it hadn’t originally been very felted because it’s a picture and didn’t need to be. Oh well, I will get a frame and Jan will help me cut a mat to the right size.
I hope you had a great time ringing in the new year and are enjoying the first day of a new decade.
Time to think back to what I have done and what I want to do.
Last year I did some experimenting with pots.
Did some more artwork
Took a few classes
And taught a few classes.
I took on organizing my guilds annual sale and exhibition with the help of an amazing group of people.
Next year, I am not really sure. I am chair of the sale and exhibition again this year. I know I am doing more teaching (LINK) and I need to update and sort out my website.
Plans early this year are to get the pictures done for an online class. Jan is going to help with this so I have to get felting to have different stages so we can film more in one day. I am sure Ruth has lost hope of me ever getting it done.
I want to do more artwork with hand stitching. I really do enjoy sitting and stitching. It looks so nice on the felt. To that end, I made a few picture blanks between Christmas and new year. Sorry Its not a great picture I just did it quick while writing this.
Beyond that, I really haven’t planned much. Do you have plans for the year, big or small we would love to hear what they are? We would also love you to share pictures and chat about what you are doing over on the Forum. (LINK)
I will show you how things have been going with my second quarter challenge piece. If you missed my last instalment it is here. seascape-progress
I finished adding the green for the vegetation.
Next I worked on the flattened serf
First I tried this,
But no, and then this,
I might have been able to make this work by adding something to the edge of the wave but I didn’t like it
And finally I went back to silk throwsters waste. I also broke the water edge up into 3.
Next moved on to the foliage. I added green stitching here and there to give it a more vertical look. It doesn’t show much but does add to it. I added some handspun yellow that a friend Bernadette made up for me on the spur of the moment when I was moaning about not having the right yellow.
After this it was just a matter of adding more stitches. I did add more of the yellow to mingle them more and stop them being a line across the picture.
This is where I am, stitching away and I still need to add a little dark wool between the planks of the path. I had forgotten about that until seeing the pictures. They are more defined in person.
I was going to just keep going with the stitching. The picture if you recall is quite plain but I was finding it boring, and to uniform in proportion. It needs something else. I wondered about a railing. Not this railing I think, it looks like a Japanese character (badly build temple maybe) or something.
I think I will finished the stitching even if I add something else. Anyone got another idea? I have seven more days to be finished in time.