Needle felting book fist impresions

Needle felting book fist impresions

I am home from surgery, and still quite sore. Last week I was feeling too sore to felt, so tried to keep reading my new book but none of the words wanted to cooperate and enlighten me. hummm. Ok, let me try that again in a few days ( Stupid anaesthetic brain). It’s now a week later and words are not just pretty shaped line, so I returned to enjoying my new book, still a bit slower than usual but then I will just enjoy it longer. I would like to give you my first impressions. But first, you probably want to know what it is I am trying to read.

For Christmas, I received the third felting book in a series by author Cindy-Lou Thompson; A Masterclass in Needle Felting Endangered Species: Methods and Techniques to Take Your Needle Felting to the Next Level. I have her two previous books and was excited when I saw the third listed as soon to be published. My husband seems to have noticed that excitement since it was there Christmas morning. (I found an excellent blacksmithing book about making locks for him).

1) Christ mass presents from 2024 candy, bergus shails stuffed fossel creature, and felting book 1) Christ mass presents from 2024

This is not written as a beginner book. The felter is expected to know how to, or figure out sculpting shapes to create a firm under-structure. She includes an interesting overview of her tools and covers specific techniques as she explains her projects.  She explains she was self-taught and has, as a result, come up with some interesting ideas that I had not seen in other books.  This creative approach makes her books worth looking through and considering for your library.

2) Cover of Cindy-Lou Thompson latest book 2) Cover of Cindy-Lou Thompson’s latest book

 3) A sample page from the chapter Getting started tools and equipment3) A sample page from the chapter Getting Started, tools and Equipment

Book Content:

  • Dedications and acknowledgements
  • Preface
  • Introduction
  • Getting started tools and equipment

Projects:

  • Snow leopard
  • Przewalski’s Horse
  • Painted Dog
  • Secretary Bird

 

  • How to prepare and blend Merino wool
  • Fur attachment
  • Glossary
  • Suppliers

Four endangered species are used as examples, to show some of the techniques she uses to make her sculptures. She uses cabochon eyes and the tinting of fibre with pastels or makers as well as fibre blending to create colour. Again she assumes previous knowledge of sculpting with wool but she does show how she does a lot of her finishing

  • Snow leopard – eyes and armature wire, adding spots (blending, markers or powder pastel)
  • Przewalski’s Horse – hooves and reverse needling. Silk clay and Mod Podge
  • Painted Dog – Short reverse needle coat, clay nails, acrylic eyes, on a grass base
  • Secretary Bird – eyes and feathers

4) Sample page of snow leopard instructions4) Sample page of snow leopard instructions

5)sample page of Przewalski’s Horse project5)sample page of Przewalski’s Horse project

There are odd little bits of information that were left out. Such as,  what kind of mettle is in the coated wire she is using. Ok, I might be the only one really curious about this. I am suspecting it may be steel since the coated garden wire I have found here is steel and not aluminium. This may be a UK vs Canada shopping thing, and there may be coated aluminium there.

I also found her understanding of fibre prep a bit odd, her definition of core wool is a bit unspecific. I have a strong suspicion she does not spin fibre, so has not investigated the difference between Combed (top), whose fibre alignment is generally parallel, which makes worsted yarn, VS Carded (roving or batts) whose fibre structure is more disorganized, thus easier to needle felt, which make woollen yarn. Carded fibre can be removed from the carding drum as a batt or various widths of roving. Unfortunately the word “roving” is missuses by some sellers who sell combed top as Carded roving since they both look like long strips of fibre. If you look carefully at the strip, if the fibres look mostly parallel it’s combed top, if it looks more disorganized it’s carded roving. Core wool is usually carded or carding waste, not a breed or special type of preparation. World of Wool sells both a roving and carding waste version of core wool. I have used both but found re-carding the carding waste made it easy to use.

That said even with a few odd bits of vocabulary, this is a book worth looking at and probably getting. I am not sure I will try any of her projects, but some of her techniques may turn up in something else I do in the future.

Sorry this is a bit shorter than the small books I usually write, but recovery is a bit slower than I had hoped and so far has been an exciting roller coaster of pain, but it’s much better than last week!

Making a spindle case mark 1 continued

Making a spindle case mark 1 continued

Last time I was telling you about a spindle case I was working on. It is here if you missed it making-a-spindle-case-mark-1

last time I had added all the wool so now it was time for some decorations. I grabbed some of my handspun and covered the case in a random pattern all over, remembering to go under the flap and to leave some sticking out to wrap around so it is continuous on the other side.

The other side. I didn’t do the ends because they would be folded. I did cover all the yarn with a very very thin layer of the background wool as I wanted it to adhere without too much effort.

I gave everything a good rubbing until it was starting to shrink and the yarn was well stuck and then rolled it.  I got it back down to 12 inches in length but the other way didn’t want to shrink up.

I rolled it more and harder in that direction. I heated it and rolled it in my hand but it didn’t want to go where I wanted it. I thought I would try rinsing it, and throwing it in the sink and shocking it with hot and cold water. Fortunately, that did it. The next step would have been putting it aside for a few days and trying again. I do know from experience that letting something rest often works. But I didn’t want to wait.

Here it is finished. It looks ok. I am not sure I like the accordion folds on the ends. I have never been good at them, they never look sharp like I see others.  The next one may get different ends. Overall the look is good but it is not stiff enough.

spindle case closed

spindle case open

 

end of spindle case

Here it is with 3 different size spindles in it. I am using the clip to keep it open. the small one is very loose in it. The medium one is a fairly good fit and the large one will not fit at all.

felt spindle case with spindle
spindle case with small spindle
spindle bag with spindle
spindle case with medium spindle
spindle outside case for size
Medium spindle outside case for size.
Large spindle not fitting in bag
Large spindle not fitting spindle case

Different wool might be better. I used Merino because it is what I have the most of. Coriedale might be enough but maybe Finnish or Bergshef.  I also think it needs to be thicker as well as stiffer. It doesn’t feel like it would be very protective against bumps and knocks. What are your thoughts on improvements?

Deconstructing a Book about Trees

Deconstructing a Book about Trees

My art group has started a new project. We are taking old, unwanted books, deconstructing them and then reconstructing into a new creation. Paula has tons of old books, antique papers, photos and memorabilia that she has shared with us.

She found the perfect book for me. A reference book about trees that came out in 1950. It’s a great start on another tree book.

Hand made mark making tools

We had a session on mark making. These are tools I have made in the past for mark making mainly using turkey feathers. They give some random looking marks which was great for our project. We used different tools on different types of paper to create some random and some not so random marks. None of these are finished “works of art”, but will be used in different ways when creating the book.

These first sheets were a start using different tools and getting some lighter, thinner marks and then thicker, heavier marks.

I then started thinking more about trees, branches and leaves. The bottom right is a Japanese newspaper that my friend Louise gave us.

Then I started playing with spraying water on the pages and then adding ink to create pine trees. This is a bit tricky on figuring how much water to spray first and then draw your trunk through the water and watch the ink spread. You can add little dots of ink where you need more branches.

Mark making on papers

This was my favorite of the trees that I created.

Here’s some leaves with different tools used to create different types of marks and lines.

Mark making on papers

I have also been putting gesso on a lot of pages so that I can either draw or add painting to the pages.

Deconstructed screen print on paper with black background and yellow highlights.

I chose my color scheme from this deconstructed screen print on paper. The colors will be black, burnt siena and yellow ochre. Perhaps there will be touches of green but I haven’t gotten very far yet. This will be another long term project that will be a slow work in progress. I will update you periodically on how it’s going.

Completion.

Completion.

I had a viral illness all over the Christmas period, or perhaps, a severe bout of ‘man flu’! I really only began to feel better mid January. Mostly, sneezing, runny nose and, tired all the time with little energy for anything, and that included any productive thinking about my blanket and this post.

I eventually managed to heave myself out of the doldrums, and I began to think about what I needed to complete the stitching design on the blanket top. There are quite a few small areas that are a little threadbare, and some areas that have provided comfort for the odd moth or two as well. So, a plan was needed to cover as many of the holes as I could, while adding to the overall decorative effect at the same time.

I found an old woollen tea cosy on one of my charity shop trips, and this had some areas that were embroidered with a pretty floral design. Some areas had a little moth damage, and the wool embroidery area was really pretty, but was very grubby. I washed the tea cosy by hand in very cool water with a little liquid soap and some washing soda, with very gentle movement in the bowl. Following a little soak it was much brighter – same colour as my blanket! I was unsure how fast the dye of the embroidery wool would be, but it was ok, and only a very little dye run was visible.

I cut out the embroidered areas of the tea cosy, two large, and three smaller, and positioned them in place on the blanket, and moved them about until I was happy with the overall look. They were stitched down with a blanket stitch, and most of the threadbare areas of my blanket were covered.

Then I embroidered some random groupings of flowers in other areas on the blanket using different colours of floss. These were done in a lazy daisy stitch. I added french knots, or a satin stitch to the centre of the flowers. The floss I used is quite old, and it did not always agree with french knot making! Then I added some green stems using fly stitch.

I think the whole effect is quite pretty, and the overall effect of the felt and stitched corners works very well with the embroidery. I think I can call it done now, but I still need to put a backing on it to cover the workings on the reverse.

My photos are awfully large still, I have tried to make them smaller, so apologies.

When knitting rebels against you…

When knitting rebels against you…

…or, “when you’re a monogamous knitter and can’t bring yourself to knit anything else, even when you’re tired” – that could be the alternative title, it just slides out the tongue, doesn’t it?…

I am the sort of weird person who can’t stand multiple unfinished projects, I’ll definitely forget they exist if I don’t give them my full attention until completion. Sadly, this means I am stuck with a knitting project that challenges the brain even when said brain is clearly too tired to work on it. I’ve been very busy lately but also very stubborn and insisting I can knit something complicated even when I can hardly keep my eyes open.

Clearly this is headed for success!

Let’s backtrack: I got obsessed with a colourwork jumper I saw on Ravelry a while ago called Side Eye. To my eyes it is magnificent and just the sort of thing my wardrobe is wanting. I had some precious baby Yak yarn that would be perfect for it.

A frontal photo of the Side Eye jumper
Photo by Caitlin Shepherd

Of course, I apparently also crave chaos, because the version I really wanted to knit was one that had some colour changes. I wanted the same version as a Ravelry user called Viorelknits had made. Their version took my breath away and I needed one just like it.

Viorelknits' version of the Side Eye jumper
Photo by Viorelknits

To the unconfounded mind, this version might seem like a simple question of creating a couple of extra rounds in the knitting to switch colours and Bob’s my uncle. To my very confounded mind though, this was a bit of a nightmare. My tired braincells just refused to compute the change. Did this mean I rested and came back later? No, this meant lots of swearing and persisting!

My version of the Side Eye jumper, still unfinished

I have so far managed to knit the bottom successfully, but had trouble interpreting the changes Viorelknits made to their version to make the colour change possible in the section shown on the needles above. This means the beginning of my ram’s head doesn’t look as neat, and now there’s a possibility I might have to frog part of the top bit – can you imagine how much work it’ll be undoing colourwork?

So, wish me luck and keep me accountable, let’s see if my next blog post features a finished jumper, or whether I have instead gone into hiding and hate all yarn until infinity.

See you next time 🙂

A mysterious package arrived today (01/29/2025)

A mysterious package arrived today (01/29/2025)

A mysterious package arrived today (01/29/2025). Is it the missing items I ordered for my nieces for Christmas? No, that doesn’t feel right. Could it be the thumb drives, that I ordered for the guild library?  No, there is something about the length of a thumb drive but the shape isn’t right.  Oh, maybe I should read the letters and see what it says (yes subliminal messages don’t work well with me, I do have to think to read).

Roil mail stamp on envelope1) envelope with Royal Mail stamp!

It even says Roil Mail!! Eleanor!! It’s from Eleanor!!! Christmas has arrived!!  Ok, let’s open it! I didn’t peek at her post before Christmas, what is in here?

hand written note from Eleanor2) note from Eleanor

Oh, a note Thank you!!! You are absolutely right, flat felting is very hard to convince it should be flat!!

OH MY! The back of the card birds are so cute!

the back of the felt post cart, there is a note on teh Right and cute little birds on the left side close up of little birds3.1-3.2) The Back of the card and close-up of the little birds!

Oh, that is so cool!  Ok, let’s turn the card over!

the front of the felt postcard, writing on left and half a tree on the rite. with 3d pressent and balls on the tree 4) the front of the felted postcard

I Love the balls on the tree and the purple present! And the star stamp has sparkles. And such readable letters!

side vew showing 3D elements 5) 3D elements of the Christmas tree and present

I will have to see if I can find a shadow box frame and a glass so you can see the back and the front. I don’t think I will be able to work on that tomorrow but once I am making sense again I will have fun framing the Christmas card!

Oh, there is still something (a lump) in the envelope… what could it be?

candy!!6) I found candy in the envelope too!

Oh, the lumps in the package look like our Rockets but are called Fizzers! I want to get a picture of them so I will not eat them before dinner!! How did you know I love rockets?

Thank you so much it’s cheered up my day! I hope your little raven is behaving himself and not causing too much havoc in your studio! And thank you Ann for organizing the Card exchange, it was lots of fun!

Making a spindle case mark 1

Making a spindle case mark 1

I saw this picture that is for a workshop by Marti Csille at the  https://giftofthelambs.hu/

There is no way I can get there but I thought a felt spindle case would be a nice thing to have. I have a whole afternoon when I am not supposed to be doing something,  I will make myself one.

12 inch finished length should be good but how big around? I didn’t have a handy spindle but I did have a couple of whorls waiting for shafts. I had to use string to measure it as I can never find a sewing tape when I need one.

I am going to use Merino so I will expect a 30% shrinkage. I added 50% to the measurements, then I added some points on the end so I could fold them in. I thought that looked nice and if needed you push them out and stuff extra wool into them.

I added an extra piece of underlay resist for the flap to close it.  I was going to add lone felt ropes to close it but although I like the way that looks I find them a nuisance to use. 2 or 3 button closures should work.

Next was adding some wool. I didn’t measure out how much. I just added sool until it felt right. I will have to weigh it when it’s dry here is the flap side laid out.

I will get you the rest next time. I ran out of time to tell you more. I was selling for Jan and myself at the Chestervill spin-in and forgot until midweek I had a wet felted flower class on Sunday. No in-progress pictures of that but I have a nice group shot of the end of class I will share with you.

Grove of Trees – Part Three

Grove of Trees – Part Three

Slow progress is happening on my new nuno felt landscape. Again, it’s the find the difference in the photos challenge 😉

I had laid out the background trees at the end of my last post. Now I have stitched them down. I haven’t stitched the more foreground trees down yet because I need to work on the forest floor section at the front.

I wanted to play with some shapes of fallen trees on the forest floor. I had some cheesecloth scraps that worked with the colors so far. I added some shadows on the larger fallen tree.

Here I have added more shadows to the fallen tree. I am using another edge of nylon scarf in a dark red violet and a few scraps of blue violet silk organza.

Then I needed to figure out what to do with the rest of the foreground. Here I have added one layer of orange nylon scarf over the top of the fallen logs. Hmmm…

I changed from one big piece of orange nylon scarf and had multiple strips across with fringed edges. I realize you can’t see it very well in the photo. I put the fallen logs on top this time. Hmmm… still needs something. Aha! My usual suspect, it needs value changes.

Here I have added some darker red violet pieces of scarf amongst the orange. I think you will be able to see the changes more easily in the next photo.

Here it is with more of the darker red violet interspersed among the orange. That gives more contrast, so looking better.

I added the fallen logs back into the foreground and another tree. I am planning on adding more trees but now I need to get some of this stuff sewn down. I hope you aren’t getting tired of this project, still a ways to go yet.

Thoughts going in circles.

Thoughts going in circles.

It has been a while since I had regular time to felt, because of different reasons. In my mind, that is almost as if my whole artistic life was on hold, because I believe that it is that regular time that nourishes you, it allows you to both go on with what you usually do and also try out new stuff: both of those two things are important, because I want to be better at what I already do, but also to learn new things and explore without pressures. It often happens that a new idea leads to another when you are exploring, and sometimes this leads to great pieces and you advance towards new landscapes.

Unfortunately, as I was saying, I do not seem to be able to carve out a regular time each week for art at the moment, but I still think about it. Sometimes, my thoughts seem to go in circles without the outlet of the actual making: I do not know if this happens to you as well? It is the making that frees me to go on to a different idea, and may open up the circles, so to speak.

This time, I wanted to make something that would visually express the complexity of our thoughts, sometimes revolving around an idea again and again. Sometimes an idea may have to go through that complex mulling about it until some part of it grows and develops enough to bring a solution that kind of springs out of all that thinking.

So, I started with an idea of circle: to be honest a practical consideration also came into it, because I bought a couple of square frames at a bargain price a few years ago, and I wanted to make something that could fit in that square frame. In the end, the finished work is too big for that frame, because I did not measure beforehand, so never mind, but the idea was there.

Anyway, I set up my background a bit unusually for me as a circular shape with three layers of natural white mysterious wool that I got as part of a World of Wool offer on lap waste. It is definitely wool and not synthetic, a bit coarser than Merino, but very easily wet felted (so no core wool or any of the coarser wools for needle felting). (I sure wish that they put a name on the different stuff that is in their lap waste bags, because I am having to puzzle it out if I want to make a good use of it all! oh, well). I liked the fact that I could finally use that and loved the idea of a natural white background to start with.

Natural white wool laid in a circle on bubble wrap on a table covered with a white towel
Deciding on the shape for the background, I laid out my lap waste mysterious wool in natural white.
A circle of soft and fluffy natural white wool on a bubble wrap on a table covered by a white towel
Three layers done: as it is not a garment but it is meant to be a flat hanging piece, I laid out the three layers horizontally and vertically, adding wasps of wool in other directions were needed, as I did not want it to stretch in any way. You can see that I kept my mysterious wool in a common plastic bag, after taking it out of the all-in bag of lap waste that I had bought it in.
A circle of wet natural white wool with a small green hand sprinkler on a table covered with bubble wrap and a white towel
Wetting with my faithful sprinkler.
A circle of soaped and squashed natural white wool is on a table covered with bubble wrap and a white towel. There are a green hand sprinkler and a small white soap.
After soaping and a light rubbing the circle is pretty squashed and has lost its shape a bit under the netting.
A neatened out circular shape in white natural wool on bubblewrap and a white towel.
After removing the netting, I neatened the shape folding in the edges so that it came out resembling a circle again. I personally am not bothered by not getting a truly perfect shape, and I would not normally straighten my edges too much in one of my works, but I like to have a minimum of regularity in this one, lest I lose the idea of ‘circle’. So, it is a clear circle, but not geometrically so. Of course, one could cut the edges close to perfection after felting it.

Fine, up to this moment it was easy, but that was only the background: I had to chose what to do next, ha ha, that was the hard part!

I kept thinking about circular ideas, circular thoughts, thinking in circles, convolutions: I decided to go for a raised effect that could make apparent this movement in circles. I thought about folds, but then I discarded the idea, as I did not have enough time that day and it takes ages to work on felting folds jutting out of a flat surface! I mean, you must have seen quite a few artworks with that kind of well felted folds: the effect is amazing, but how many work hours are we talking about there? A lot of the big and better artworks of that kind are not even made by one person, they are felted by a team! Obviously, I am not in that league at the moment.

Even though I had made not a big background shape, I needed to keep it easier and quicker than folds..or maybe I needed an easier and quicker way to make folds! That is when I thought about using ready-made folds, so to speak: maybe I could skip the part about making the folds if I had strips of prefelt or felt from previous projects to add! Great, and I could lower my ‘in-case’ stash a bit: all those bits and bobs that I keep from other projects because maybe they will come handy in something else, you know.

The only problem was that I wanted to make something that would match well with the natural colour of my circular background, and I could not see in my prefelted anything that would go well with it, apart from a recent left-over prefelt in various greens (from my Christams card exchange!): too many colours, almost nothing in natural white or close. I debated with myself if I wanted to start making some prefelt for this work, but I decided against a two-day effort: I just could not know if I could find enough time to finish it, once I had to leave it incomplete.

Then, I remembered about the decoration on the wetfelted Merino shawl that I made years ago for my daughter’s First Holy Communion: it is one of the first works that I have made, and I had recently took it out and thought about how I had not used much that idea in other works. Basically, you make lightly felted ropes that you then attach to your background base: in that shawl I attached them by needle felting on the wetfelted shawl and used them to make a decorative abstract lotus flower shape. As I planned to make the ropes only lightly felted, I felt quite confident that I could wet felt them to the background instead of needle felting them.

I decided that I would put strips taken from my green left-over pre-felts as accent of colour in the composition, and catching visual point of interest where the eye would be drawn to. The rest should be muted in colour, so as not to distract too much from the green.

I took a big breath before starting to make the cords, as I had made ropes to use as straps and stuff for other projects, so I have a good idea of how much time it takes to make one: I mean, for lightly felted cords not as long as you would put into well felted folds, but still quite a bit!

I also needed more than one muted colour, to have some kind of play, otherwise that would be too flat, even using the 3-D effect, and I am quite out of natural white wools at the moment: I was supposed to replenish my stash but I never got around to do it! But I had the perfect solution right there: I could use the same lap waste mysterious natural white wool of the background, mixing it with some other colour as needed, and it would also felt in that much better being the same as the one on the background.

Kiki Peruzzi's hand is holding a tuft of carded natural white wool mixed with natural hemp. In the background a circular shape of natural white wet wool, a pair of carding brushes and a hand sprinkler on bubble wrap and a white towel.
Mixing the mysterious wool with natural hemp, also found in the lap waste bargain bag from World of Wool, with my pet brushes, ahem, expensive hand carders..
A circular wool felt shape with green pre felt strips and whitish wool and hemp cords on it.
That is how I started: I put the green bits in first, and then I filled in all the rest of the space with the central green strips guiding me. The green strips have a pewter side and are in a good pre-felt in different greens with locks or fabric or sari silk inclusions.

I used three main neutral coloured additions, plus the basic natural white:

In the center, a blue plastic bag with natural colored hemp in it, and above it two pet brushes, one empty and the other holding hemp fiber.
I added natural undyed hemp to the natural wool, mixing it with hand carders.
In the center, a hand carder with oatmeal wool fiber on it, and above it a clear plastic bag from World of Wool with Blue Faced Leicester wool and an empty hand carder on a white towel.
I also used undyed Oatmeal Blue Faced Leicester fiber, a lovely natural colour.
At the bottom, a hand carder with natural grey wool fiber on it. On the right a second empty hand carder, and on its left a plastic bag from World of Wool with natural grey Merino wool in it. All resting on a white towel.
And natural light grey Merino wool from World of Wool, oh, so soft!

I wanted the ropes to look a bit like brain convolutions, because we are talking about thoughts here, but to also hint to movement and paths. I wanted them to have a rhythm and I tried to give them rhythm both by their colour and by their position and the shape I made with them on the background.

On a bubble wrap and white towel there is a work in progress with a natural white wool background and some cords in neutral colors and green strips on it in fluid shapes.
I kept putting my just prepared wet and soaped cords on the wet and soaped background trying out different positions for them. I wanted darker colours in the bottom part and mostly white in the upper part.
A detail of the work in progress of wet felted wool cords in light brown, natural white, oatmeal brown and light grey on a natural white wool background.
I am reminded of some of the doodles that I used to draw while at school on spare paper, intertwining shapes within shapes..

I am afraid that I did not take many more photos while making the ropes, as I realised that I was very late in my schedule and I had to get on with it if I wanted to finish not too late. Anyway, I can tell you that it took me ages, and I was soon scratching my head about why I had thought that could be a quick job! I also found it soooo boring, apart from the short time that I was actually putting the cords in place (that was fun). Making cords is a pretty repetitive task, especially if you have only 4 colour options.

I wanted the circular movement to be resolved and maybe broken by the green strips, in the same way a plant can grow out of a seed or of soil, forced out by all the life of the soil and part of it at the same time. The green parts feel very positive, and they are reaching out from the closed circles to make a movement that is fluid but not circular, or not only circular, extending from the inside towards the outside of the circle, and from in to up.

That thought made me think about plants growing, and our own growing: it felt very fitting at this time in my life and in my family life to be thinking about growing, in relation to myself, to my family and to any individual, and as an abstract concept relating to all life on earth both in a physical and spiritual sense. Here, I found the right title for this finished piece: ‘Growing’.

That gave me the idea for adding a small lime tree seed pod that I had picked and kept for a while in my drawer of bits and bobs: I particularly like that tree, and I felt that it fits very well in this work. It also helped filling the upper white bit with a meaning and a small point of colour.

In the middle of white wool cords, a small dark brown lime tree seed pod.
Here it is, my lime tree seed pod.
'Growing' by Kiki Peruzzi circular artwork in progress on a bubble wrap and a white towel.
This is a photo of the composition before rubbing: I just wanted to make sure to have it, so I could check if anything had moved after the rubbing.

I used my Makita sander to rub everything horizontally, vertically and diagonally: I thought that it was going to take a lot of time to felt the cords and the strips in, but it was actually quite easy, possibly because I used the same type of wool for the cords as for the background?

Then I rolled the work a few times in all directions, being careful not to be too rough with it: I was very worried about the seed pod, but all went well and it withstood the rinsing as well.

Growing, a felted artwork by Kiki Peruzzi, a circular shape in white, grey, oatmeal and light brown, and green wool.
This is the work finished. i like the fact that the folds seem very organic, I took care not to bother too much about getting cords of the same size and regular, so as to have a lot of differences among parts of the composition.
Detail of artwork in wetfelted wool, made of wet felted ropes in white grey, oatmeal and light brown, and green strips. With a small light brown seed pod on the left of the image.
The seed pod came out lighter because of the washing: I think that I will remove it and add a new darker one instead, sewing it in. The cords on the right need a bit of fixing with a needle, I think.
A detail of the left bottom part of the felt artwork 'Growing' by Kiki Peruzzi, with many wet felted cords in white, light grey, oatmela, light brown and strips of pre felt in different greens.
Another detail of the convolutions in ‘Growing’.

You will maybe notice that there are a few cords not well attached in the right upper part: I will need to needle felt them a bit, to make sure that they stay put, but I have not gone around to do that yet!

As to the green bits that I used, I liked how they felted in. They were left-overs from the Christmas card exchange 2024: I am glad that I prepared more pre felt than I actually needed, you never know. I have a lot more ready to use in other projects.

I hope that you like ‘Growing’ as is, because, though I had thought about making a second work to pair with it, I do not think that I will want to make many more cords, at least not right now!

Christmas card for Antje

Christmas card for Antje

Our group did a Christmas card exchange again this year and I was partnered with Antje.  (You can see Antje’s post with the card she made for me here.) My first card attempt turned into a disappointing failure.  After casting about for more inspiration I decided to try using some of my handspun to make a card.

I cut out some felt the size of a blank card, and sketched out a design using chalk.  Then I decided that would be challenging to sew.  So I loaded a larger piece of felt into a frame and started over.

Supplies on the table including yarn, felt, beads, scissors
Gathering my supplies

Next I did a chalk sketch.  I outlined the size of my working area and the tree element I wanted on the card.

Chalk sketch of tree and size of card
Chalk sketch of my tree

The handspun I wanted to use was a very pretty singles.  It was quite bulky and not really suitable for traditional sewing as it would fray if tried to sew through the felt with it.  As a result I used a needle and thread to tack down the handspun at each edge of the tree.  (I actually had 2 working needles going, one for each side of the tree.)  The handspun was thick and thin which made the tree somewhat textured.  I dug around in my stash and found this very crazy gold fizz yarn that I used to make a bold star.

At this point I decided my card was a bit too plain.  So I bought some beads and then started playing with laying them on the felt.  I took my project to one of our guild socials and got some feedback from the ladies there about what beads to use.  Once the beads were selected, I started sewing them on.  There are dark beads as shimmery snowflakes and some white snow below the tree.  When adding the snow at the base of the tree I purposely changed the direction of the beads instead of doing plain rows.

Next I cut out the panel and made sure it was the correct size for my card.

Ann suggested that I sew the panel onto the card.  That way if Antje wanted to repurpose the panel it could be easily removed from the card.  (Unlike gluing which would be more permanent and possibly not good for the felt.)  I used some clips to hold the panel to the card and sewed it down at each corner.  I then decided to add a couple more stitches along the long sides.  Sewing the panel to the card was easy to do and the threads don’t show very much on the front of the card against the dark felt.  (Thanks Ann for the terrific suggestion.)  Success!

My next job was to send the card.  Unfortunately Canada Post went on strike and so mailing my card was delayed.  I did attempt to send the card via courier.  After waiting in a long line I was quoted a price of $117, which is crazy.  So the card went back home with me to wait till the strike was over.

I was nervous about sending the card since the beads could be damaged by some of the post machines.  So I padded out the envelope with a few hand knit dish cloths and hoped for the best.  Antje let me know that my packet finally arrived at her place on December 31st.  I am resharing the photo Antje took of the card and dish cloths once they arrived in the UK.

3 My surprise exchange collection from Carlene.
3 My surprise exchange collection from Carlene.