Deconstructing a Book about Trees
My art group has started a new project. We are taking old, unwanted books, deconstructing them and then reconstructing into a new creation. Paula has tons of old books, antique papers, photos and memorabilia that she has shared with us.
She found the perfect book for me. A reference book about trees that came out in 1950. It’s a great start on another tree book.
We had a session on mark making. These are tools I have made in the past for mark making mainly using turkey feathers. They give some random looking marks which was great for our project. We used different tools on different types of paper to create some random and some not so random marks. None of these are finished “works of art”, but will be used in different ways when creating the book.
These first sheets were a start using different tools and getting some lighter, thinner marks and then thicker, heavier marks.
I then started thinking more about trees, branches and leaves. The bottom right is a Japanese newspaper that my friend Louise gave us.
Then I started playing with spraying water on the pages and then adding ink to create pine trees. This is a bit tricky on figuring how much water to spray first and then draw your trunk through the water and watch the ink spread. You can add little dots of ink where you need more branches.
This was my favorite of the trees that I created.
Here’s some leaves with different tools used to create different types of marks and lines.
I have also been putting gesso on a lot of pages so that I can either draw or add painting to the pages.
I chose my color scheme from this deconstructed screen print on paper. The colors will be black, burnt siena and yellow ochre. Perhaps there will be touches of green but I haven’t gotten very far yet. This will be another long term project that will be a slow work in progress. I will update you periodically on how it’s going.




















17 thoughts on “Deconstructing a Book about Trees”
Good ideas! Looking forward to the end result. Therese Stein
Thanks Therese, the end result may take a while. But I enjoy the journey even if it is a long one 😁
As you said – it’s the perfect subject for you!
The ink/water trees are fascinating and there will never be two the same.
Love the handwriting on the invoice – exactly as taught in our schools in the 50s/60s – so when did we stop writing the ‘F’ in reverse and little ‘z’s with lazy daisy tails?
Thanks Lyn & Annie! I love the ink and water trees. So much more natural than I could ever paint. Those invoices are so cool and yes, handwriting has certainly changed.
You are making me feel old I still make my F’s and Z’s that way .
A perfect book for you Ruth. Your ink trees are looking good and you already have quite a variety. Hopefully the book itself will offer some suggestions to you.
I too am fascinated by Lyn’s comment….at what point did I change my capital ‘Fs’ and more particularly my curly tail ‘zs’? Like everyday language these changes covertly creep up into use.
I shall be following your project carefully as at the beginning of Jan, at our AGM, we were given our annual challenge – to deconstruct an old book which, if completed, will all be in our group exhibition in Aug. To be truthful until your post above I’d completely forgotten….and it was only 4 weeks ago….now where did I put that old book 🤔
Thanks Antje, I am sure the book will inform some of the contents. It’s funny how language and writing change over time. Hard to notice on an everyday basis.
Oh, another deconstructed book project, I look forward to discussing it with you. I saw a really cool book cover that has been embroidered. I will have to find a photo for you.
I’ll look forward to seeing it
Very inspiring, Ruth. It’s already looking good and I love the colour choices. I’m excited to follow its slow progress in future blogs.
Thanks Lindsay, the neutral colors should be fun to work with. Someone already asked “No green? I thought you were doing trees?”
I shall follow your progress with interest Ruth, though I still have problems with my brain asking “yes by why” again. I have to keep muttering “shut up, just wait and see”.
As to the hand writing, the joined up writing we learned my junior school was called Marion Richardson, and the z was like the one you see on the invoice (mine still is) but the capital F looked like the one I’ve just typed.
Thanks Ann, it’s all about experimentation and exploration, not so much the end result. It makes for a fun and interesting “journey” even if the outcome is unexpected.
I guess everyone has a slow change in handwriting over time. I know mine has changed.
The perfect Book for you . I see a face in the one beside the Feb. page. the trees are great. I am looking forward to seeing what you and your group do with them. I think the only letter I don’t do like I was taught is Capital Q, it looks like a 2. Not that I do much hand writing these days.
Thanks Ann, I don’t see the 👀 face but that’s okay. Once I see something it’s hard to unsee it.