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Inspiration, etc.

Inspiration, etc.

Usually, I find inspiration in nature or another artists work.  But recently I saw an ad in a department store flyer for a bedspread that caught my eye.   I kept going back to it until I finally I cut the picture out and laid it on my work table.

It stayed there for a while and I kept asking myself what about it that kept drawing me back to it.  I didn’t need a bedspread, but there was something about the colors and design I found intriguing. The design looked as if the colors were painted with a brush and there were uneven lines like paint dripping down the wall.

I was in the process of trying to come up with a design for a book cover and thought I’d use the design elements I liked in the ad for that.

I measured meticulously for the the book cover allowing for fold over sides, shrinkage, straps, etc.  With my template finished, I laid out my design.  I really wanted to emulate that brush feel, so I even used a comb to separate the fibers.  For the paint squiggles, I used mohair yarn I had dyed.

white cover layoutHowever, once it was done I realized I couldn’t use it for the cover.  I would distort the design to cut the straps.  So, plan B — a pillow.  I had a pillow form that would work just fine.   The felted piece was a little too large so I wet it and threw it in the dryer.  Perfect. But now I needed a back.

The white wool I used was more of a light cream color, so I didn’t want to make a white back.  I had enough dark blue.  Again, I wanted to try to recreate that brush stroke.   I made a smaller template and proceeded to lay out the second side.

side by sideSince the finished piece was the right size, I didn’t have to put it in the dryer.  Consequently, it is smoother than the white side which is fine.  I sewed the pieces together and now I have a reversible pillow with two different textures and looks!

pillow front

 

pillow back

 

 

 

 

 

 

 

 

The brush stroke design wasn’t exactly what I wanted. The felting process tightened up all my careful combing, but I learned a lot and will try again.

I really liked the dark blue color and  wanted to dye some new thick and thin yarn I purchased to use on another project.

Of course, even though I have a variety of thick and thin yarns this dark blue wasn’t one of them.  I found this new Ashland Bay yarn and just love the texture and novelty of the twist.

undyed thick and shinThe Midnight Blue acid dye on my shelf was just what I wanted.  I thought.  Next to the dark blue it looks purple.  The silk cocoons I threw into the dye pot turned a light purple and the wool batting is a medium purple.  It’s a good thing I like purple as well.

midnight blueNow back to the drawing board!

 

 

 

 

 

Threads and Yarns

Threads and Yarns

Around this time last year I was still doing the Take A Stitch Tuesday challenge. I struggled with it, and didn’t always enjoy it, but I did like what I produced when I used some felt offcuts from a piece I’d made with natural wools for placemats and coasters. I used my own handspun thread to sew the stitches. This is one I made using chain stitch, and this is one using cretan stitch. I hadn’t used my threads in a while, but recently I’ve been inspired by my flickr-friend, Marchi Wierson, a sculptural fibre artist who uses a variety of techniques in her work, such as wet felting and crochet, and loves working with natural wools and fibres. Her recent vessel commission and some gorgeous natural fibre yarns had me rummaging through my wools and fibres and getting my spindles out to spin more thread and yarn. I decided to use three shades of Shetland Wool.

shetlandI pulled off some of the tops from each shade.

tops

Then I looked through my embellishment fibres for some I thought would make a nice match. I chose Soybean top, viscose top and flax.

fibresI added some of each fibre to the Shetland tops.

fibreThen I blended them by hand.

blend
I got a couple of my spindles out, this is one I made and painted a few years ago.

spindleI made a small amount of thread, though even a small amount of wool and fibres goes a long way when spinning thread. This is it wound around the spindle.

threadThen I blended up some more Shetland and fibres and spun a thicker yarn. I will probably use the yarn in a wet felting project, though I have used them for needlefelting before.

OLYMPUS DIGITAL CAMERADo have a look at Marchi’s photostream if you have time, her work is amazing and inspiring 🙂

You might have noticed a few changes to the site recently. We’ve been updating it and adding more photos to the galleries. We’ve also added a new page for Fabrics, and Ann’s ever popular Cat Cave ‘how to’ is now listed on the Wet Felting Tutorials page.

Yarny Vessel

Yarny Vessel

A few years ago, I wanted to make a felted vessel for my girlfriend, I had an image in my mind of how I wanted it to be, and I wanted it to be ‘perfect’, so it took a few attempts, but I was finally happy.

for SI used two of the practice vessels to make some ‘woolly vessels’ by needle felting locks onto them. One of them was this white vessel. I needlefelted locks of Angora, Alpaca, Wensleydale, Bluefaced Leicester and Kid Mohair onto it, then put it through the washer to make sure the locks were secure, and because a lot of them were unwashed locks.

white locksAnother one I made was this bluey green one, it reminds me of something from under the sea or around the coast. This has hand dyed locks of Angora, Alpaca, Wensleydale, Devon, Bluefaced Leicester and Kid Mohair. And I used texturey wools like dyed Icelandic and scoured lambswool to secure the locks.

100_8160outside cropAround the same time, I had the idea for making a really colourful texturey vessel, by needlefelting pieces of handmade yarn and wool twists onto one of my spare practice vessels. I had quite a large stash of handmade yarn and often made wool twists for projects so thought it probably wouldn’t take much longer than the other two had. I was wrong! 🙂  It took a lot longer… about 3 years off and on. I probably could have finished it sooner, and I did have phases where I would make up twists and add them, or sit spinning yarn for a few hours then cut it into pieces when it was dry and spend a few hours needling pieces onto the vessel but it never seemed to get any closer to being done! This last weekend, not feeling well enough to tackle my half finished business plan, I decided to try my hardest to finish the vessel. I got out all my left over yarn, stashes of wool blends and a drop spindle and set to work making a big pile of wool twists and a long length of plied yarn to cut up. I also got out my box of very thin felt offcuts and wet, rubbed and rolled some of those to add too. I didn’t want to wet the yarn and wait while it hung and dried, so after snipping it into lengths I wet and rubbed one end to ‘seal’ it and stop it unravelling. After needling all the pieces into the bare parts of the vessel, I finished off around the top, tidying it up and securing the loose fibres. And this is the result:

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And then I put it into an old pillow case and put it in the washing machine with a normal load 🙂  It looked like this:

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I unsquashed it and gave it a few shakes and spins, ran my fingers loosely through the twists and yarns (there’s a few strips of silk and organza in there too) then sat it on a tub to dry overnight. And this is what it looks like this morning:

OLYMPUS DIGITAL CAMERAI know it’s taken me a few years to finish it, but I kind of feel like making another one now! 🙂