Edge Exhibition

Edge Exhibition

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I live in a coastal town in SE England called Whitstable. As a member of a group called Made in Whitstable (a loose affiliation of local artists & makers) we had a group exhibition coming up with the title of “EDGE” at The Horsebridge – our wonderful local community arts centre. We needed to produce at least one item that fit the Edge brief, however we wanted to interpret it. The rest of our work was entirely up to us. 

I could have got away with explaining that practically everything in my wet-felted pictures happens at the water’s edge, and it therefore met the brief. But I was actually quite excited to think through some new and different work. I particularly like working 3D and it feels like a while since I’ve felt really energised by the creative process. So, I thought about what ‘edge’ might mean and I ended up making 3 different interpretations.

Edge 1

For my first piece I pondered the edge of the felt as a focus of a picture. 

I decided on a flat background with strips of felt jutting out to show their edges. I’ve made things like this using multiple resists to create flaps that then stand out. I wondered if I could pre-felt some strips before attaching, rather than creating flaps with resists in the lay-out stage. 

I selected some home-dyed Corriedale wool I had left over from an old project. Just as I’d decided to use this I noticed how well the colours went with a second-hand silk scarf I’d just bought so I decided to use some of that too. 

Home-dyed Corriedale wool and charity shop silk scarf

After I’d laid it out, leaving a fluffy edge to help attach it to the background, I realised I’d made it far too wide. “Oh well”, I thought, “I’ll cut it into strips once it’s prefelted”. I’d intended this to be a test for a more thought-through piece.

Wool layout
Adding silk
Prefelt reverse
Prefelt right side
Cut into strips
Testing strips on prefelt background
Fully felted

I decided to stick with what I’d done and move on to something else: I never made the more thought-through piece.

Edge 2

For my second piece I started to think about the outside edges of a shape. I decided I’d try using a book resist to make a vessel with a large surface area. 

I scanned the internet for book resist ideas that didn’t have too many ‘pages’. I alighted on an article Gladys Paulus (a felting hero of mine) had written for DHG comparing bergschaf and merino wools in which she included a 3 page book resist.

https://dhgshop.it/blog/article-compares-carded-wool-bergschaf-and-merino_88.php

I decided I’d use a similar shape using black and white wool but would cut and shape it differently from Gladys’s. 

I wanted to use carded batts as they’re much easier to lay out than tops / rovings when navigating complex shapes.  I had a good supply of white Norwegian wool batts but was struggling to lay my hands on anything appropriate in black.  I found a black merino batt and decided to go with that, though I wasn’t sure how the wools would interact, with the Norwegian being much more coarse than the merino.

Book resist
Starting to full the shape

The Norwegian wool was slow to felt and the black merino didn’t come through as much as I’d imagined. Interesting, if not surprising.  Eventually I ended up with something that looked decidedly anatomical: three lungs was the most polite thing I could think of.  I got a lot of comments about the anatomical possibilities of this one!

The vessel is an odd shape so I decided to embrace its oddness and bought some curved screw-in metal studs to add to the top of each segment. Given the brief was ‘edge’, I thought these would add a little extra edginess.

Edge 3

And, finally, I created a vessel using a circular resist that I would stand on its edge.  I’d recently bought a carded merino and silk (70% : 30%) batt from World of Wool that I was dying to use – it is deliciously soft and scrumptious to feel.

I laid out the first layer clockwise around the resist, and the second in circles radiating from the centre. 

Layout for Edge 3

Having wetted the fibre out, I turned it tightly over the resist then set about laying out another two fine layers in the same pattern.  Or at least, that’s what I intended. Looking back, I think I got distracted and may have only laid out two layers on one side, as the reverse side feels decidedly thin and soft, despite long and patient fulling.  Distracted? When I’m making something I’m finding fun, I tend to add lots of “what if”s and “how about”s instead of sticking to my original plan. See the ‘ooh, shall I add some silk’ for Edge 1.  On this occasion my “how about”s included a stripe of mohair tops, a dark circle cut from Edge 2’s offcuts (one on each side) and a strip of curly locks.  Fun, but not very scientific.

Adding ‘stuff’

Anyhoo, here’s Edge 3.  It does feel lovely and is very light but I wish I’d paid more attention to the layout.  I’m tempted to make something similar with a 6 layer layout.

In the meantime, here’s my exhibition space. I was pleased with the results and had very much enjoyed making three experimental pieces. 

Before I leave you, I thought I’d show you a natural phenomenon I saw while I was making my edge pieces. Being lucky enough to live by the coast, I often have a speed walk in the morning by way of exercise and enjoyment. It was a clear and sunny early morning when I noticed some mist rolling in. I saw a puzzling white arc in the sky – sort of like a rainbow except it wasn’t raining. I decided it might be a ‘mistbow’ and looked it up when I got home. Turns out it’s called a ‘fogbow’. It’s unusual as you have to have very specific conditions: enough mist or fog to reflect the sunlight but a low sun behind you which isn’t obscured by the mist / fog. The water droplets in mist are very small so don’t refract the light like raindrops do, they just reflect it. It’s also called a ghost rainbow. I saw this photo while I was uploading the images for this post and thought you might be interested. I’d never even heard of such a thing but I found it really lovely.

2025 Spencerville Fiber Festival

2025 Spencerville Fiber Festival

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Yes, I think it’s spring, or at least a good attempt at spring.  We have had thunderstorms, loss of hydro overnight, more rain, the daffodils have joined the crocus, scilla and lungwort and now the trees are budding! Even the portable forest has started its spring migration! (it’s sneaking a pot or two across the driveway, finally arriving in its summer location.)

In the yearly calendar of fibre festivals near Ottawa, we have had in February, the Chesterville spin in, which is a fun, small event to help get us through the remains of winter and top up our fibre hoards, if they have started to dwindle. In April, the Peterborough Weavers Guild holds a large fibre festival that is about a 3-hour drive away from Ottawa, but is worth the trip. This year, I was out of commission for both of these and was very disappointed not seeing fibre friends or topping up the fibre hoard.

Poster for "the Forcast Calls for Yarn and Fiber" the Spencerville fiber fest 20251 poster for the Spencerville fibre festival 2025 (they have a Facebook page if you want to contact the organisers)

The third fibre festival this year was in Spencerville, a small town well south of Ottawa, almost to Highway 401. It’s in the Drummond building, so we will meet you there.

Glenn grabbed the book he was reading, and we headed off.  It usually feels like not that long a drive, but this year the seat belt and one of my incisions were arguing loudly by about 20 minutes out and just got more livid with each other the farther I drove. I also think they moved the town further down the highway, it seemed so much longer a drive than I remember. (Good thing I didn’t try to go to Peterborough)

front of the drummon building2 Front of the Drummond building in Spencerville, where the fibre festival takes place.

We arrived early and found that there were already a few cars with people waiting to go in. As Glenn pulled out my walker and camera, everyone else got out of their cars, and we all headed in to line up inside.  (I was more interested in the washroom.) This is not a big hall, but the sale had a good selection of finished goods, equipment, Yarn and fibre. There were also demo tables from the Kingston Weavers Guild and the Knitters Guild. Most of the aisles accommodated stopping and chatting with friends you haven’t seen in months, but still not blocking getting into the booths.

3 Let’s pay our $5.00 entrance fee and head in to see what the vendors have brought for us this year.

4.1- As we entered the hall

4.2 Luna Spinning has woodworking, spun yarn, fibre and crochet tools

4.3 Janet Whittam does weaving and basketry, you may remember her work from other shows too!

4.4 This was Krys Dallaire’s first time selling and had a very nice booth. She was selling Ile de France cross North Country Cheviot (close up showing crimp), Bluefaced Leicester cross North Country Cheviot (the bag being purchased), Fin (the dark fleece that came home with me) and North Country Cheviot (bags on the shelves). She was also selling maple syrup!!

4.5 Yvieknits Yarn had lots of yarn and a bit of fibre; she also had these lovely examples of knitting with her yarn.

4.6  You have seen Top of the Whorl spindle at a few past festivals too. They had some new spindles, spindle cases and lazy Kates for spindles. This is also where I found Naalbinding needles.

5 at the Top of the Whorl, a drop spindle lesson was happening.

There was a vendor selling punch tools,  including a couple of images set up as a “Try Me” sample. Ann, Carlene and I all tried it, I wonder if either will add a new fibre art to all they do?

6.1-6.3 Ann and Carlene try the sample. The loops are created on the back of the side you are working on. The different punch tools make different-sized loops. It was a bit like needle felting but with less need for band-aids.

7 Ann was interested in the rug hooking techniques, which gave a lot of textural elements depending on what was used with the rug hook.

Let’s keep looking around, ooh, do you see this hiding on the floor in the next booth?  It is mostly yarn but has some wool wash, wool pellets for the garden and plastic project bags, but hidden beside the table was a lovely fleece.

8 It’s labelled as a fleece of Gotland Finn Cross, it was so soft to touch, I was very tempted.

Let’s keep going (before I buy it without seeing all the show)

9.1- I missed the name of this booth, but it had a mix of tools and supplies for weaving, felting, and knitting. Ann seemed very interested in the knitting pattern cards. I wonder if we could do that for felting? Maybe shapes of resists or book resists for the wet felters?

9.2 Pretty String Yarn Co., lots of colours to entice you into knitting

9.3 Sheeps Ahoy. They have the most beautiful patterns that remind me of Philosophers wool who closed many years ago. I wish I could knit

9.4 Crazy about yarn, they use themes to create their Colour ways.  I think the purple was one of the galaxies, and the ones behind her are part of the planets series.

9.5 Studio De laine Cactus Yarn Studio, did you see the support chicken kits? She always has such interesting packaging.

10 We spotted Carlene and compared loot. We also saw a few others who showed off their finds.

There was a nice mix of things for sale, it was nice to see the new vendor with 3 different breeds of sheep. I had been hoping for the Lady who had the 3-D printed spindles at the Almonte fibre festival, but no luck on those. They’re not as pretty as the ones from the top of the whorl, but I would not want to leave one of their pretty ones in the back of the car for emergency spinning, but the 3-D printed one would work perfectly for that. Each spindle has its purpose, or just because it’s pretty and you really like it! That’s a good reason to get another spindle, too.

By early afternoon, I was wiped, and it was time to head home. Last year, we had seen the mill by the river, and I wanted to stop and take a few shots before the long drive home. I was captivated by the reflection in the river and the architecture when something large swooped past my camera.

11 Reflection of the barn in the river water

We drove around the mill building to see what it was.

12.1 Great Blue Heron waiting for lunch to come over the dam and be delivered to him or her.

12.2 Heron, waiting to select the entrée to dinner.

12.3 Spencerville Mill, the Heron is in front of the trees on the other side of the river, just left of the concrete at the far end of the dam.

We stopped in Kempville to have a very late lunch, and so I could take my meds. We finally got home and brought in my bags of loot! 5 paper bags and one big plastic bag. Yes, someone else bought the grey Gotland/fine,  but one of the black fin fleeces followed me home, it was just too nice and soft not to buy it! She said she will be shearing soon, in case you desperately need one too!

13.1 My purchases that followed me home.

13.2-13.3 It was definitely a fibre-focused shopping day, and there seems to be some similarities in colours too. I was trying to push out of my comfort blue, but seem to have only shifted over one to mainly green with a bit of red/orange and of course blue.

So what did or would you have gotten today? I probably overdid it, I am extra achy and about to face plant the keyboard, but it was so much fun to see everyone and add more fibre options to my hoard. But now it’s time to crawl back into bed in hopes I will be able to make it to the guild meeting on Monday. If you are in the area next year, you might want to add the Spencerville fibre festival (The Forecast Calls for Yarn and Fiber)  to your places to visit. I will hope to see you there!

PS Monday, I made it into the guild and opened the library, I even got some work done, but didn’t last all the way to the meeting. I am wiped and quite sore. I am heading to bed now. I hope you have enjoyed this shopping trip! If you saw anything that you really want to track down, check with the event organiser. I fear I may have missed a booth, but I really am too tired to figure that out, so before I do face plant the keyboard, it is off to bed. Have fun and keep felting… maybe a heron?

This Weeks Felting

This Weeks Felting

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This week, I managed to make a few small felt pieces.  My husband has been asking me to make some more handle covers for his cast-iron pans.

 

Second. I have a wrap for my travel mug.  I don’t really like the feel of the metal of the mug, especially in the cold. I have several travel mugs, but only one cover.   I have been using the same one for about 10 years. It still looks good, but I thought I should have more than one. I wanted it to be a little longer and wider than the one I’m using at the moment. The one I have now is purple and blue. This one has a green background. The colour is shartruse, I think. The curls are Blue Faced Leicester.

Then I flipped it over and folded the edges in neatly.

This is the finished piece. It still needs a couple of buttons and some elastic to hold it on.

sheep curls felted int the green back ground A close-up of the curls.

close up of curls on green background

Lastly, I finished the strange-looking book resist. This was round one. At the time, I thought it was stiff enough, so I went ahead and rinsed it out and added lots of clothespins so it would dry correctly.

green 5 pointed 3d sat shape with clothespins outside of same piece with clothespins

After opening it up, I was not thrilled with it. It opened wide. I thought maybe ironing it would help. I was showing it in a Zoom chat, and Karen asked if it was completely fulled. My first thought was yes, it was stiff, but as I played with it, it got softer and softer. So I wet it down and kept working it while watching a cosy mystery.  It shrank more and is much sturdier. I needed a lot fewer clothespins. So I rounded the bottom of the arms.

same piece fulled again with clothespins . much stiffer

This is after it was dry. It doesn’t stand on its own. I will need to flatten the bottom or make a little holder, if I want it to stand like this.

same piece, dry without clothspins

Next, I thought I would try partially turning it inside out. I think I like it better this way.

same piece semi inverted, top shot same piece, semi inverted, bottom shot

One not felt thing. Spring is here, Lambing has started.

This little lamb was born on May 2. he will end up cream coloured. You can see the true colour past the dark tips.

wooly sheep and lamb

 

 

Learning and Experimentation with Online Classes

Learning and Experimentation with Online Classes

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Have you wanted to be a little more experimental in your fiber art practice? Do you want to learn new techniques and add embellishments to felt or other fabric? Why not try an online class all about embellishing felt? Anyone from anywhere in the world can take these courses, no need to show up at a certain time (you can even wear your pajamas) and the classes are 6 weeks long so you have plenty of time to learn a new technique and try out an experimental approach. My online courses are 4 stand alone classes under the title Embellishing Felt with Surface Design Techniques – A Mixed Media Approach.  You can take just one or work through all of them. The classes are only $45 US for 4 weeks of video and written PDF’s plus 2 weeks extra time on the class website with full instructor support. Registration is now open and the class begins on May 16, 2025.

The first module is called Nuno Felting with Paper Fabric Lamination. The bark I created above used this technique.

You will learn the technique of Paper Fabric Lamination and then how to use these pieces in nuno felting. As you can see from the examples above, there are many possibilities with this technique. Click here for more information and to register for the class.

The second module is Experimental Screen Printing on Felt.

You will also be able to use these techniques to screen print fabric such as silk to use in nuno felting. These same techniques can also be used on cotton fabric to use in fabric collage or quilting.

You will learn how to create thickened dye, make your own screens and many ways to use these screens in an experimental approach. Click here for more information about Screen Printing and to register for this class. 

The third module in Embellishing Felt with Surface Design Techniques – A Mixed Media Approach is Printing, Stenciling, and Playing with Thickened Dye on Felt.

This one is really fun and experimental. Learn to make stamps, stencils and how to use a variety of objects from around the house to create your own unique surface design on felt. Develop your own style with designs you have created.

The techniques you learn in this class can be used for felt, other fabric types and even paper. The stamps and stencils can be re-used over and over and applied in different ways to create exciting patterns. Click here for more information about Print, Stencil, and Play with Thickened Dye on Felt and to register for the class.

The last module in the series is Free Motion Machine Stitching on Felt.

In this course, you will learn the basics of free motion machine stitching and how to use this specifically on felted projects. Does the thought of machine stitching seem a bit scary? If so, you should take this course to get a handle on how to use your sewing machine to create wonderful embellishments on felt paintings or other felted items.

We’ll start with how to set up the machine and some great practice techniques that will build your skill level until you feel comfortable with your machine. Then you’ll learn about machine lace, thread sketching and how to incorporate machine stitching into felt paintings. Click here for more about Free Motion Machine Stitching on Felt and to register for the class.

I hope you want to expand your fiber art skills. If so, click on any of the links above to read more about the classes, see the supply lists and to register. I look forward to “seeing” you in class!

And don’t forget, if you are a beginner, our online class Wet Felting for Beginners is always available.

This class teaches you all about wet felting. You’ll learn how to make a piece of felt, how shrinkage works and how to calculate it and the basics of felting, fulling and creating felt from wool fiber. Click here for more information and to sign up. 

 

 

 

MAD Museum & a Felted Shell

MAD Museum & a Felted Shell

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Back in March Mark announced that he fancied taking up a new hobby and was thinking of having a go at making automata or possibly creating “gravity art”. He’d been looking at examples online of incredible, complex rolling ball creations by a guy who goes by the name of Copper Gravity. I love anything like this so did a bit of my own googling and discovered there’s a place in Stratford on Avon called The MAD (Mechanical Art & Design) Museum that showcases this type of art. If you look at their website you might get the impression that it’s geared for children, and maybe it is, but on the day I visited there wasn’t a kiddie in sight…..it was all adults having a great time marvelling at the exhibits!
Stratford isn’t exactly on the doorstep but I knew I would be down that way mid March to run a workshop so decided to plan my visit around that. On arriving in the town the first hurdle was to find the entrance which is very discreet. Even with Google maps telling me I was in the right place I walked past the museums narrow open door a couple of times before spotting it! On the positive side, having walked in the wrong direction to begin with, I did get to see Shakespeare’s birthplace.

The museum exhibits range from very simple to incredibly complex with everything in between and in front of each exhibit is a button which you wave your hand over to start the automata working. If I tell you the vibe is a mix of Wallis and Gromit, Heath Robinson and Scrapheap Challenge you’ll get the idea.
Some of the pieces are behind glass, which made it difficult to video them, but hopefully you can get the gist of this one. Keep your eyes on the tank and the rabbit!

There were several clocks on display but I thought this one, Gold Clock by Gordon Bradt, was particularly beautiful…..

The majority of pieces were displayed on open shelving. This submarine and its wonderfully weird operatives has to be my favourite! There is so much going on here and it’s quite hypnotic the way those little characters move. I would love Mark to make something like this, but I’m not holding my breath!

The “Platform Lift” by Keith Newstead was amusing and this was very “Wallace and Gromit”…..


Some of the exhibits are wall hanging and I loved this one by Chris & Angela Margett. It has three cheeky gremlins defacing a portrait of Shakespeare, Stratford on Avons most recognised figure!

Although the museum is small it’s jam packed with exhibits as well as having a small cinematic area playing a fascinating video and there’s a small shop selling automata kits and souvenirs. I must have spent over two hours in there and absolutely loved it!

The following day I was at Stitching Kitchen in Brackley to teach my Wet Felted Chickens. This was my second visit to this venue run by a lovely lady called Hannah Thompson. I had six students which meant plenty of one to one time and they all worked really hard to get their birds finished in the time allowed. What was all the more impressive was that two of the ladies had never wet felted before!

I’ve done very little felting since my last post but I have been collecting images of shells and thinking about how I can interpret those as “Structures” for Waltham Textile Groups next exhibition. This image inspired my first wet felted Conch shell.

The Conch is a medium to large sea snail which inhabits the Indo-West Pacific. This is my wet felted version of the Conch made from Corriedale, Merino, sari silk and paint. It’s approximately 25cm x 12cm. 



Hopefully I will have a few more shells to share next time…..or maybe I’ll have gone off at a tangent and be doing something completely different, who knows!

06 My scrap piece with both front 'holes' in white and back 'lines' in beige.
Decovil explorations – Part 2

Decovil explorations – Part 2

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The next stage….following on from a workshop with Kay Leech (https://feltingandfiberstudio.com/2025/02/27/decovil-explorations-part-1/ ‎)

This is where I left you – at the end of the workshop and having started some hand stitching.

01 Hand stitching started with my favourite Colonial knots
01 Hand stitching started with my favourite Colonial knots

I was pleased with what I had taken home although it was so very far from complete. Then I noticed that some of the applied elements were lifting off the glue. From workshop discussions with Kay in this regard, she had not had any problems over the years with her vases despite them being well and truly man-handled, but….she had fairly heavily machine stitched her work!

With this in mind, it was decision time – do I continue with the hand stitching or, almost start again by machine stitching it all. The latter demands time (a precious commodity at the moment!) at my machine, the former I can do whilst finally relaxing of an evening. Finally, I made the decision – I would not be happy if elements continued to lift, so….

Change the number of hours on the clock to 36!

Not totally happy, I removed some of my hand stitched elements, before then machine stitching the various ‘stone’ textures in different ways on the fabric, netting and tissue paper pieces.

02 The machine stitched Decovil
02 The machine stitched Decovil

 

03 The stitching from the back
03 The stitching from the back

 

04 Details of the 'stone' texture
04 Details of the ‘stone’ texture

The final elements for machine stitching were the white mulberry paper pieces. I loved this ‘holey’ paper and thought that I should create circles to reflect the holes. But….I was not happy with my first attempt. The needle holes really punctured the white mulberry paper and somehow didn’t look right. We all learn from our mistakes….so out the stitching came!

05 The left over holes on the white mulberry paper
05 The left over holes on the white mulberry paper

I don’t do FME every day and certainly don’t stitch small circles, so I practiced on a scrap patch and actually decided I liked the back ‘bobbin’ side better. Whereas the front just produced holes, the back with a seemingly tighter bobbin tension, created a more interesting texture with ‘lines’ which being more prominent, took the eye away from the holes.

06 My scrap piece with both front 'holes' in white and back 'lines' in beige.
06 My scrap piece with both front ‘holes’ in white and back ‘lines’ in beige.

 

07 An array of my typical machine stitch test pieces, which by adding a few elements, I can then use to make a card,
07 An array of my typical machine stitch test pieces, which by adding a few elements, I can then use to make a card

 

 

 

 

 

 

 

Mmmm….now I had a problem….The mulberry paper pieces were randomly placed and were not visible from the reverse side of the Decovil, but it was important to me that I got the circle stitching in the right place to echo the holey paper.

Woohoo….by sheer chance I discovered, thankfully, that the Decovil is surprisingly not totally opaque as it first appears. So, I traced the pattern on the reverse side with a heat sensitive pen (Frixion), by holding the work up to the window (the sun provides a great light box – I was lucky as the continuous morning rain and clouds had vanished about 30 mins before!).

08 Tracing the 'holes' on the reverse side using a heat sensitive pen
08 Tracing the ‘holes’ on the reverse side using a heat sensitive pen

09 On the left you can see the holes I marked up
09 On the left you can see the ‘holes’ I marked up

10 Both pieces marked up to echo the mulberry paper 'holes'
10 Both pieces marked up to echo the mulberry paper ‘holes’

To get a clear run with the circle stitching, I then decided to totally whip out all the remaining hand stitching….oh well – it should make for a better finish!

Before undertaking the circle stitching again, I decided to close the ugly, offending former stitch holes by carefully dampening the mulberry paper and ‘nail-wiggling’ (smoothing) the surface gently. It worked a treat. But when the paper was totally dry it had decided to remove itself from the Decovil glue – no problem – just iron it back in place!

At this point you might already be ahead of me!

I took the piece to the machine to ‘reverse’ stitch the same piece of mulberry paper (now on the underside) ….there was NO pattern marked on the back….REALLY?….I could have sworn I had done it!….

….I’d completely forgotten I had used the heat sensitive Frixion pen which, I’d inadvertently ironed off 😜 so it was back to the window!

Circle stitching was definitely a challenge as the Decovil was not in a hoop (I think it would mark and stretch the material) and is quite ‘slippy’. Another problem is that the needle picks up the glue after a while, so it is not as free-running as normal sewing. Kay recommends using a special needle and had given each of us one for our machines.

11 At last the circle stitching complete on both pieces
11 At last the circle stitching complete on both pieces

12 Detail of the circle stitching texture

12 Detail of the circle stitching texture

Now I’m happy that I have everything anchored – I can entertain, once again, hand stitching whilst relaxing.

 

The intention of the workshop had been to create a vase for which Kay had been saving (and cutting to size) empty plastic bottles. From the beginning I’d already cut my painted fabric to allow me to wrap both a narrow tall and wide short bottle to create a set of two coordinating vases.

13 My chosen plastic containers
13 My chosen plastic containers

Now, having solved the peeling-elements problem by machine stitching, I started to have further wonderings, better described as ‘construction’ thoughts….”If my calling was to loosely interpret stone, then I could veer away from the vase being a simple wrapping around a cylinder”….Mmmm!

More research was required. So back I went to various ceramicists’ creations….more pages were printed for inspiration….definitely food for thought! 🤔

 

 

As this post (written a while ago) goes live, I realise it will be 6 months since the workshop. Where has the time gone? It has simply evaporated! My Decovil creations are complete….sadly….only in my head!

In order that you are not all left hanging for another 6 months I’d best find some precious time (maybe by looking under my Decovil stones 🤣) and finish this WIP hoping you will tune in to Part 3.

 

 

A surprise at the party

A surprise at the party

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Over the last few years, I have been regularly following a couple of you tube channels on Felting. I occasionally trip over others too, but if Sara from Sarafina Fiber Art or Marie from Living Felt are doing a live chat or felting video I try very hard to toon in. Unfortunately the last couple months, I have been randomly surprised as to what day it is, which has made watching live chats much more challenging.

I defiantly have vague memories of Living Felt talking about having their 21st anniversary party for the company, but could not remember the date, but I knew it would be on a Wednesday! I just had to figure out what day Wednesday was, and pick the right one. Thanks to my Computer, who kindly will tell me what the day is, if I hover over the date!,  I was able to attend the virtual party they were throwing.

Party invitation and photo of Marie and her felting Fairies in Texas1.1) Living Felt 21st Online Birthday Party,  April 9th 2025.

Marie Throws a fabulous on line party! Instead of the guests bringing Living felt presents, she was drawing names, from those who had commented on 2025 videos after they aired, and those in the live chat and giving them presents!  There were various fiber packs, wet or dry felting kits, I think there was a workshop and i defiantly saw felting tools.  There were many comments of Congratulations, Ooh-ing, and AHh-ing at the prizes! They were very generous too.

Marie showing the huge basket of names (about one thousand) 1.2) About a thousand names of people who had commented on 2025 videos in the you tube comments.

hand adding slips of paper into a mettle decritive drum to be mixed and then she can draw the names 1.3) Names from the live commenters are being added to the drum. (My name is in there, somewhere).  More names being added to the drum!

Then the party began! With presents randomly dawn for the party gests. They started out pulling names from after video commenters, from the basket. As you can see above, the basket was huge and Marie had mentioned she thought there were about one thousand names in it.

a few of the different presents Marie gave, fiber fiber and fiber with something else in a small box.1.4) various presents that valorous names received.

At about 20 minutes into the party, Marie turned to the mettle turning drum, to pull names of people watching live. One of the name papers from the drum tried to leap out as they opened the drum. She joked about it for a moment and then read “Jan Scott”. OH! That was a surprise! I wonder what is in the bag? It a big pink bag, maybe Maori or burckshaft fiber? Or a wool Wow mat, maybe with a topper?  Ok calm down, and wait for them to open the bag.

pink paper bag held a Blue nilon bag1.5) 20:05 name trying to escape the rolling drum as the door was opened, a large pink bag appeared from under the table.

From the pink bag a blue bag appeared, ooh I like blue! Marie explained it was the Wet Felting Tools Bundle. Well that is a surprise!

I suspect this is a sign I will be visiting Ann for some wet felting fun as soon as she is off work! We have a couple purses to make and maybe I can sneak in a pair of slippers? It will help me get out of my dry felting comfort zone again!

The presents continued but I was kind of in shock! I won? Really?  Well that cheered me up! I have been a bit glum, being stuck at home and looking forward to pain meds is a bit of a downer. (I am getting out a bit now but I take a few days to recover, but I think it’s worth it)

About 2 weeks pasted and anesthetic brain fog ate my memory of winning.  So when, on the evening of April 22nd, Glenn walked in with a big box, I immediately thought, “ah he must have being doing another board game trade”. No, it was for me. Oh no, did I ordered something and not remembered? NO!! it’s from Living felt in Texas!!! Yah!!!! (now i remember)

Drat! It’s much too dark to take pictures tonight, I want you to see what’s in the box too. I must be patent and wait until tomorrow, when, hopefully, there will be light. (I’m optimistic the light will return tomorrow.)

a large cardboard package i dont remember ordering2.1) A Mysterious Box, for me?

So now that its tomorrow (time is passing randomly quickly in this blog, just as it has been for me lately. Is this Tuesday? I will ask the computer, no it’s second Tuesday which means its Wednesday.) Lets open the box!! I Can’t wait any longer!!!!

i found a slitly squished pink paper bag in the box!2.2)  A large, slightly squished, Pink Paper bag!

card with note from Marie thanking me for cellibrating with them!2.3) there is a card and note! That was so kind!

OH the pink bag!! What’s in it? It got a little smushed in the box but I found it has a lovey note in it!

Let’s peek inside the pink, its Blue!! With another present beside it! the pins are quite cool and there is a small note book too!

blue nilon bag with close up of pins and note book2.4) the blue bag is actually a backpack! “Living Felt BFF Backpack, Quick Dry Nylon”. 2 cool pins and a small note book! with pretty cellophane ribbons!

Let’s investigate further, what’s in the blue bag?

vasrious itums sticking out of the bag, hard to tell what they are execpt for the bambu rolling mat and probubly a ball brausa2.5) first peek in the blue bag,

Wet felting supplies! Too many to see while there in the bag! Is that the nose of a ball braus? Also, what is that box shape I feel at the bottom? So many questions, I should unpack it and we can find out.

its a bit easyer to see now that everything is out of the bag but sitll a lot of white things and a pink ballbrausa 2.6) what’s inside the bag,

You still can’t see exactly what all this cool pack has. Let’s look at things in smaller groups.

Ball Brause for wetting the fiber and “Nuno Felting resist small bubble 24" x 36"”2.7) the Ball Brause for wetting the fiber and “Nuno Felting resist small bubble 24″ x 36″”

“Wet Felting Thin Resist”2.8) this is the “Wet Felting Thin Resist”

more of the items in the blue bag displayed on white fabric. see parigraph below for list.2.91) more of the items in the blue bag displayed on white fabric

Inside the From Left to rite and back to front; “Bamboo Mat” (Fabulous my last one died ages ago!).  “Premium Mesh 54”x 1 yard” and “Thin plastic sheeting 9′ x 12’”.  Orange ties, (these are the same material I use to tie up the loom for warping, but the warping ones are mostly blue), and finally “Olive Oil Soap” we should probably take a peek inside the box and see what it looks like. I tried some very cheep olive oil soap the last wet felting project and liked it, so this much nicer one should be wonderful. its also Much bigger!

olive oil soap sitting beside its empty box, soap still wraped in plastic2.92) olive oil soap, I am looking forward to trying this!

It’s been a rough couple months here, and it will be a bit longer before I can get back to normal. So this was a wonderful boost to my spirits and gives a focus to look forward to later this summer.

Marie has been a great enjoyment through this, even if afterwards I am a bit unsure of what the chat had been about, and was a source of inspiration before surgery. She tends to have more introductory felting topics but many of them have inspired something different from what she had intended. If you have felted before or felted a lot, you can take the idea and run with it in a different direction or if you are new to felting you can follow along as suggested. You may remember my Bat on a stick (ok it’s a mettle chopstick) let me show you what I should have been making first, then show you what I did with the instructions. (I got distracted and added an armature for wings, with muscles.)

Maire's cute bat, my cute in a very different way bat, realy i was following instructions till it all went horribly rong and i added an armature for wings! i still think mine is cute too.3.1) Needle Felt Simple Animals: Bat, Owl, and Red Panda Forest Friends! https://www.youtube.com/watch?v=-vePY10Y72U&t=19s

What my bat looked like. I gave him arms and added biceps, triceps and deltoids.

This was a fabulous surprised and really cheered me up. Thank you to Marie who is inspiring so many people to try felting, wet or dry.

______________________

Off topic, I was starting to suspect that we would never get spring. (Someone was hogging it!!!) Well I think it may be arriving, I saw scilla, crocus and lungwort in the front garden!  The weeping pussy willow even has kitten(?) on it! There is No sign of the tree migration yet, but any day now I’m sure! We even have a new side-door-rain-cover, which we found at Ikea. Here are a few shots to inspire you, in case you are still waiting for spring too. Soon we can all set up our outdoor studios, wash fleeces, and have fun!!! Happy felting!!

4.1-4.3)

scilla excaped my garden and are attacking the nabours lawn, white crocus and blue and pink Lungwort4.1- The Scilla has escaped the flowerbed and attacked the Nabors grass! A single white crocus.

Purple crocus and close up4.2-The purple Crocus are coming up. Part of the front bed and a close up. note the aggressive flower attacking that leaf!

a portable forest is a bunch of trees in pots. unfortuantly the rabbit has been nibbleing over the winter and i am unsure if my horse chestnuts and one of the poplars will make it.4.3- the portable forest awaiting the beginning of the migration. The weeping pussy willow has had kittens!, the new sun shade by the side door(the garden bench will get moved back on the weekend).

Another book resist shape sample

Another book resist shape sample

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This is the shape I am currently working on. It started as half circles with a section flattened so I could tape them together the other way around.a resist shape made out of flour underlay

I have a flower shape in my head.

The same resist with green wool wrapped around and wet

I didn’t get very far before life interfered again. We had all the snow I showed you last time melt, and then another dump of snow and melt. Now the scillas are out.

Scilla's blooming in the garden

 

Sometimes, when I think about the cuts I am planning, I think it will work, and then other times, I think no, that’s not going to work at all. Then, I started thinking about how to figure it out. The best way for me to do that is to write out how to do it. Then I had to sort out what would be the best way to try it out without having to actually make it.

I figured out a good way to model the shapes and wrote that out, but now I have to do a trial run to see if it works and if I missed anything.

paper patten shape

It mostly worked the way I think it will, but I have another idea I am thinking about that may work better. Thinking is as far as I have gotten with that.

So far, I think the online class will be a 3-week class, with several weeks of after-class help access. How long is normal for after-class access?

 

 

Registration Opens for Hanging Felted Spiral Online Class

Registration Opens for Hanging Felted Spiral Online Class

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Helene is teaching another session of her Hanging Felted Spiral online class and you can register now. Registration opens today and class begins on May 2nd.

This is a four week online course and you don’t have to be present at any certain time. You will have access to videos and Helene’s support throughout the four weeks and will be able to download the PDF’s for future reference.

 

Have you wanted to learn more about sculptural felt? This is a great way to learn about how to layout fiber for more elasticity, how to use a book resist with multiple “leaves” and Helene’s ideas on how to further these ideas into future projects.

Here are a few of Helene’s students own spirals. Aren’t they fantastic out in nature?

Jump into spring and learn to make a spiral with Helene. Online class starts on May 2nd. Learn more about the class and register here.

If you are a beginner and want to learn the basics of wet felting, our beginner class is always available and you can sign up here. This course has unlimited access and is a great place to start if you want to know how to wet felt.

Keeping out of mischief!

Keeping out of mischief!

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Between exhibitions and challenges, I have been busy for the past few months – at least it kept me out of trouble. I thought I might present some of the pieces to you here.

Just by way of background, I am a member of a small group of feltmakers. At any time, there are a maximum of 10 in the group and the group is called Unperfect 10. I recently learned the reason for the name.  It is in recognition that all members are very ambitious but far from perfect.  I like the name even more now that I know its history.  We meet online every six weeks and we agree a theme for a challenge, the result of which we present at our next get together. Although the theme changes each time, the weight stays the same. The piece we present should weigh 10 grams. It’s not always that easy to weigh in at exactly 10 grams (perhaps that is another reason why our group is called the Unperfect 10!)

So far, we have met three times this year. The theme for our January meeting was ‘Home’. Members’ interpretations were very personal. For me, home revolves around the kitchen. It is the place for gatherings, happiness and informality. This I represented in a cup of tea. Unfortunately I cannot find my original resist but I have drawn one here to give you an idea what it looked like. I laid out the orange fibre on the cup, the handle and just inside the rim and the laid the white and light brown fibre on the upper dome to represent the tea. I then added the circles on the cup as decorations. I felted and fulled the cup, cutting a hole in the base of the cup to remove the resist. I turned the dome top to the inside of the cup, shaped and finished it off. Here are photos of the result.

  • rough sketch of the concept
  • View of the cup
  • I’ll have a half cup!
  • View inside my cup of tea!

 

Our meeting in February required a little more planning. The theme was ‘Carnival’ and each member had to make a prefelt for another member and post it on to them. This prefelt then was used as the main fabric for our creations. Once finished, the piece was posted back to the person who made the prefelt. After a lot of research, I decided to make a colourful version of the Venetian Moretta mask. While in its day, the Moretta mask had other connotations (think Dangerous Liaisons) I was attracted to the button or ball which was attached to the back of the mask as it stopped women from talking, something I felt was pertinent in many societies today. I included curls on the mask – this was a ‘nod’ to the Romans who are believed to have invented carnival, although it was a different affair back then. I used part of the prefelt I received, added some extra fibre, margillan silk and, of course, a button.

  • Front view of the carnival themed moretta mask.
  • Side view of the mask. The Curls are a reference to Roman sculptures.
  • The back of the mask. I added margillan silk and, of course the button!

We had our third meeting in early April. The theme this time was a little more challenging as we worked from a number of words. M.C. Escher; Optical Illusion; Tessellations; Black and White fibre; 3D Sculpture; Resist; Template; Stencil. All of which had to be completed in a 10g presentation! M.C. Escher was a Dutch Graphic artist and if you like you can find out more about his work here: https://en.wikipedia.org/wiki/M._C._Escher

I found a section of an Escher piece that I liked and got to work. First, I made my pattern which comprised three identical diamond shapes that made up a cube. Then I made three different colour prefelts (Black/White/Grey) which I then cut out and made into 25 joined cubes (75 pieces). These were then felted together. Once dried and shaped, I stiffened the piece and mounted it on pins in a box frame. The optical illusion is the 3D effect, especially when it is viewed in the frame:

  • My inspiration: Portion of MC Escher’s artwork ‘Cycle’
  • Checking the diamond shapes
  • Checking the layout of the prefelts
  • prefelts are ready for felting!
  • Altogether Cubes weighed in at 9.65g
  • Another side view of the cubes. I removed the glass as it was causing too much shine!
  • Cubes front view. The shadowing can be seen here.
  • View 3: walking around the piece
  • Side view of the cubes. It is pinned into the backing

I also had two pieces in exhibitions during March. The first was a live exhibition which was run by my local felting guild, Feltmakers Ireland. The guild is very well run and there is always something happening in it. If you are based in Ireland, it is well worth joining. The theme of the exhibition was “Symbols of Ireland” and I chose the Irish dry stone wall which was recently formally recognized with its inclusion in UNESCO’s prestigious list of protected cultural heritage practices, and the native Galway breed sheep for my piece. Ireland’s dry stone walls have been around since the Neolithic period so I felt that it would fit the brief. The Galway sheep produce beautiful fleeces which are very versatile and can be used for spinning, weaving and of course felting.

I first had to design and build my wall on paper. Then I made lots of different shades of grey nuno prefelts which were cut to the shapes of the stone drawings. Once the wall was felted onto its background, I needle felted the sheep’s head so that it would add dimension to the piece. This was attached to the picture and then the main body was needle felted using Galway fibre. I made a variety of prefelts which I then cut into the shape of foliage and lichen. These were then needle felted onto the stones. Unfortunately I did not keep a record of my process but here is the result.

  • Irish dry stone wall with sheep
  • A close up of the 3D effect and nuno work
  • Another closeup showing 3D plants and lichen
  • The top of the wall with additions

My final piece was for the online exhibition of the International Feltmakers Association. The theme here was ‘Connections’ and I was not sure what I would do for this. One morning I woke up with the words ‘Chaos theory’ in my head. I knew I needed to investigate this. It led me to my chosen topic ‘The Butterfly Effect’. The butterfly effect suggests small actions can have massive, unpredictable consequences. In society, this idea highlights how individual decisions—like a single vote or a small act of kindness—can ripple through time, influencing social movements, global events, or personal lives, ultimately shaping broader cultural and political outcomes.

Lyn and Annie’s beautiful work with tree canopies provided me with the inspiration for the background of this piece. I have been looking up a lot more since reading their posts on the beauty of the tree canopy. My base was inspired by a photo I took in New Zealand some time ago. I then needle felted the butterfly and then wet felted it. I wanted to be able to manipulate its wings so I added a light wiring to the back of the wings. I then decided that the tree canopy deserved a different perspective – what did we do as kids when looking up at the sky? I remember spinning around. So my square picture became a circle. I attached the butterfly by needle felting it securely to the picture but I also secured it to the felt backing to give it added dimension:

  • My inspiration. Taken in Auckland NZ last year
  • The tree canopy is laid out
  • close up of the felted butterfly
  • Checking possibilities for butterfly placement
  • I decided to cut the background into a circle. This gave me freedom to hang at any angle!
  • Closeup of the 3D butterfly

I hope you enjoyed my little ‘retrospective’. I would love to hear about what you have been working on over the past few months.

Just a little reminder: Registration will open shortly for my wet felted hanging spiral workshop which will begin on 2nd May. Please feel free to click here if you would like to find out more.