resists – Felting and Fiber Studio

Felted Vessel Workshop

March 24, 2026 Shepherdessann Comments 10 comments

A few weeks ago, I taught a felted vessel class. A lovely bunch of ladies full of enthusiasm. As usual, I didn’t take as many pictures as I wanted, but here you can see the setup.

After everyone had their base ready, people got to work on embellishments. This is the hardest part, but also the most fun for most people. So many choices of wool and silk. They have to think about where they will cut their felt to take the resist out, to open it up, how big they want the opening and whether they want a very round pot or a flattish one. Where is the top, and where is the bottom?

I didn’t take as many pictures as I wanted to, so we jump to the end.

Two ladies decided to cut slits and make their vessels into small bags. They need to work on the edges some more.

And one lady decided to turn hers into two small bowls. One was turned inside out so you can see the pattern better.

All in all, I think they did very well having never felted before, I don’t think any of them had ever handled fibre before.

3D Multi Part Resist Workshop Opens for Registration

February 16, 2026 Shepherdessann Comments 4 comments

Where did time go? It is almost spring. The 3D musti-part resist (book resist) workshop opens for registration today. A Masterclass on Book Resists. You can sign up using this form on the workshops page: 3d-multi-part-resist

The class runs from March 1st to March 29 2026. The instructor is available multiple times a day to answer any questions and give advice, so you can take the workshop from anywhere in the world.

This class is for people who have done some basic felting and used a simple resist and want to try something more challenging, learn some new skills and have some fun with them.

Here are some pictures from the last class.

Renee 3D with balloon

Fay, red star 1

Fay Starfish

Fay, Red six leaved book resist vessel

There is a full class description and registration form here: 3d multi part resist

Felting Glasses Cases

November 8, 2025 Lindsay Wilkinson Artwork Comments 20 comments

Although a recent eye test showed I didn’t need a new prescription, I decided to buy some new glasses anyway to give me more colour/style choices and also hopefully reduce the time I spend trying to find my glasses. I have a place at home where they’re supposed to live but I often thoughtlessly plonk them down somewhere and then get cross with myself as I play hunt the glasses.

On seeing my new glasses’ accompanying dull acrylic felt cases, I decided to make some wet felted wool cases of my own, either for myself, or to sell or give as gifts.

I want the cases to fit snugly, so that the glasses don’t slip out but also don’t need any kind of closure fastening: a simple wet felted sleeve. I like the simplicity of this idea and also the challenge of working them to exactly the right size.

While on holiday recently, I bought a carded (mostly) Wensleydale wool batt from a farmers’ market in Ithaca, New York, that I thought might be suitable and I was looking forward to trying it out.

Here’s some of the batt, the work of Windsong Farm in Burdett NY www.windsongfarm.com

I like a sturdy glasses case as it has to withstand being bashed about in my capacious handbag, so I decided on 4 layers of wool: two natural white merino tops and two of the Wensleydale batt – which includes quite a lot of locks.

I calculated a generous size for the case and multiplied the finished dimensions by 1.7 to give me a nice firm felt.

And here it is dry: side 1, side 2 and end-on to show how thick the felt is.

I was happy with the result, though because of the thickness and shrinkage it took quite a long time to felt it fully.

My second case I decided to treat more like a seascape picture. First, I rounded the corners on one end of the resist to give the case a more rounded bottom. I laid out two layers of wool: pewter for the top half that would become the sea and white for the lower half, that would become the beach.

I laid two layers of blues with white angora highlights over the pewter section to form the sea, and two more white layers topped with a strip of very sheer recycled spotted silk scarf which I hoped would look like pebbles for the beach.

I then ran a line of kid mohair top along the length of the case where the sea meets the beach to form a wave. I find this type of mohair felts with a nice wiggle that suggests a breaking wave.

Joining the silk so as not to leave a gap or have a bulky overlap was a bit fiddly but I find it works most easily with a very sheer silk. It’s interesting how dominant the wave looks in the photo because of the curvature of the sides.

Once that was done, it occurred to me that perhaps people view their glasses cases more in portrait mode than landscape? I decided case 3 would be less ‘landscape’! I also started to think more about how people use glasses cases. I’m sure some, like me, have them rattling around in a large bag. But I suppose some people want to put them in a pocket, so may want something a little thinner?

As I was rummaging in one of the giant boxes of charity shop silk scarves I’ve collected for nuno felting, I found a very sheer small orange scarf with wonky purple circles that I thought I’d try for case number 3. I laid out 4 very fine layers of orange merino tops (to reduce the overall thickness).

My plan was for the orange of the silk to merge with the orange of the wool so that the circles were more prominent than their background. I added three pieces silk to each side of the case.

4 thin layers, of merino, 3 wonky silk circles per side laid out then prefelted ready to full

I’m still felting these very firmly. You can see the shrinkage when comparing the finished case to its resist. I’m not completely sure why, but I’m getting more shrinkage in the width than the length. Probably it’s because it’s easier to roll it in that direction, using my hands and various thicknesses of pool noodle inside the case during fulling. Whatever the reason, it’s nice and firm so I can afford to chop a bit off the length of the resist.

Left – finished & dry; top right – testing the fit; bottom right – showing the shrinkage

For case 4 I decide to go thinner still (I’m thinking of someone putting their glasses in a jacket breast pocket) so switch to 2 layers of wool – this time a natural marled grey merino – which I think looks quite pebble-like. I added a little white wool to the surface to enhance the pebble look.

I forgot to take progress shots but here is the finished case.

It is definitely thinner and a little softer, though it’s still felted very firmly.

Now I’m starting to think about the time these cases are taking to felt. I have a week in a gallery in December and will also be offering some things for sale in two other galleries that that have a local handmade artesan ‘market’ throughout December. I could sell some cases as they might make nice gifts, but I’m not sure how much people will be willing to pay for a glasses case.

Cases are generally supplied free when you buy glasses and I know most people have no idea how long something like this takes to make. There’s not a whole lot I can do but I thought that making two at once may reduce the making time a little.

So, cases 5 and 6 will be twins. I cut a new double-length resist and laid out some natural marled grey Corriedale wool.

I like the white veining on the merino ‘pebble’ case but it’s fairly subtle so I add more of it to these ones.

Top: double-size resist with wool laid out and wetted tightly round the resist. Middle: case 5 (rounded bottom). Bottom: case 6 (rounded both ends)

I keep twin one (case 5) the same as the previous cases, with a rounded bottom and flat top, and cut a rounded top of twin two (case 6) to make it overall more symmetrical. Actually, I really like the symmetry of this rounded one, but realise that the top is a bit more flimsy than previous cases: presumably because I’m overlapping more wool at the ends of the resist than in the middle, where I have cut these two apart.

Because I prefer the single to the twin cases, I decide to make the next pair alongside each other but separate.

I have some lightly prefelted ‘pebbles’ that I made earlier, so set these out on the bottom halves of two resists (on two layers of merino wool) with 4 layers of blue & green merino wool and strands of white angora on the top half to create the idea of sea.

Left – layout; right – prefelted

I soon abandoned working on both at the same time as the pebbles were a bit tricky to felt round so many corners so I worked on the two separately

Comparing the finished one with the wetted out one, you can see that I lost quite a bit of the pebble definition but I’m still fairly happy with them and they are very sturdy. Indeed, when dry and lightly shaved you can see more of the pebbles, in particular the nuno elements.

I have some Corriedale wool that I dyed ages ago (to make this bag)….

….so for the next pair I go for a blue, green, purple colour fade.

This time I use just 2 layers of wool and they are (not surprisingly) considerably thinner and slightly smaller than the previous pair. They are also much quicker to produce as the layout is fairly simple.

Finished: cases 7 & 8 colour-fade hand-dyed Corriedale

For number 9 I try lightly prefelting 2 mussel shells (one for each side) which I felt into a sandy-coloured background.

Left & middle – layouts side 1 & 2. Right – nearly finished case

I only made this yesterday and it’s still a bit damp. The finished image isn’t a great photo as I’ve taken it in domestic electric light but it gives you the overall impression.

And finally, another recycled scarf but this one is white dots on a red background from a fairly open-weave wool fabric.

To get round the fiddliness of joining / overlapping fabric on this size and shape of resist, I cut out two sections of the scarf and laid one on each side, with gaps along all the sides.

Here’s the layout and here’s a photo of the finished glasses case. I only made this today so it’s very wet. I’m hoping the dots will be a little clearer when it’s dry.

So, what have I learned from all this? Well, I’ve enjoyed playing with all the different layouts. I drew up a list of ideas and I haven’t even completed half of them so there’s plenty more to play at when I have time.

I think my favourite more complex ones are the combined pebbles & sea. For the more simple layouts I like both the grey & white pebbles and the blue / green / purple hand-dyed Corriedale ones. To sell the glasses cases I will have to focus on the simple ones as the more complex layouts take way too much time to make. I’ve already made a couple more of the grey & white pebble ones and will probably make a few more simple brightly coloured ones before I move onto other things. I’m not sure yet which ones I will keep or give as gifts. Do you have a favourite? Or any you don’t like?

Further revelations on Onion Skins and book review on Pigments (plus new course announcement!)

October 21, 2025 helenefeltzen Comments 13 comments

I’m hoping the featured image will make you curious!

Before I start into my post I want to mention my new course on wet felting which was recently launched with the Felting and Fiber Studio. It’s designed for felt makers who are new to using resists.

It’s fully supported by ‘how to’ videos and PDFs and we work with the simple circle. You will learn how to make a vessel and at the end I discuss with you the possibilities of how you can take it further.

So, you start by learning how to make something like this ….

Then I discuss a few variations that can be made with the circle and you could choose after the course, to make something like this ….

I discuss how to make this sculpture on the new course

This course is permanently open so if you fancy it you can register anytime. Curious? Then feel free to head over to https://feltingandfiberstudio.com/classes/online-course-wet-felting-a-vessel-using-a-simple-resist/ to find out more.

Promotion over! Thanks for your patience, Now let’s move on to my post.

Onion skins were at the centre of my last post – I talked about making pigment out of the dye. I mentioned that I would return and show you a little bit more of what I did with some of the dye. Here is the link to the post in case you missed it: https://feltingandfiberstudio.com/2025/08/18/is-this-compost-or-dye-material-actually-its-both/

I had set aside around half of the onion skin dye pot to try out on some fabric (I used the rest to make the pigment). I decided to experiment with a little margilan silk and some woven wool fibre. I mordanted these fabrics first, using an alum solution. The alum attracts the dye particles and the colour is less likely to wash out.

Margilan Gauze dyed with yellow onion skins.

Woven wool sample dyed with yellow onion skins

I love the vibrancy of the results. I would describe the wool sample as deep orange while the silk sample turned out more of a golden colour. It is quite the challenge to get the photo to reflect the true colour of the fabrics. I now need to work out what to do with these two fabrics. To be honest, there is not a lot of either and I don’t have a toning fibre to use behind the margilan – I think I will have to make up another batch of the onion skin dye.

Once I finished dyeing the few bits of fabric, I transferred the remainder into a 5 litre container. I basically forgot about it and only remembered it when I came to put together this post. So it has been sitting around for two months.

Now I need to digress a bit. Our lovely little pooch, Archie developed a lump on his elbow a number of months ago. We have been keeping an eye on it as his vet warned that it would become impossible to remove if it grows much bigger. (there would not be enough surrounding tissue to easily sew up the wound). As fate would have it, it grew and Archie went ‘under the knife’. He was discharged wearing his ‘cone of shame’ which we quickly swapped for an inflatable version – much more comfortable for Archie and for the humans too – less bruising on our lower limbs. The only downside was that the cushioning around his neck caused him to snore. He sleeps in the bedroom with us and this was cute for about five minutes….. The cone was tied with an elastic bandage. I was having fun playing with the weave and thought it might be fun to felt with.

Archie in his blow up collar and sore paws

I made a bangle. First I laid down the bandage and wrapped it around a resist which matched the length of the bandage. Then I laid down layers of merino fibre – 6 thin layers in total. I felted it to fit my wrist and shaped it. The whole purpose was to see how it would take the old onion skin leftover dye. I did a cold mordant – I soaked it in 10% of its weight in alum and left it overnight. I rinsed it out and popped it into the dye bath, slowly bringing it to the boil.

Here is the result. The colour is a lot lighter than its first run. That said I decided to speed up the process as the smell of the dye bath was pretty awful. In fact it was pretty disgusting. I endured it for around one hour and then my nostrils got the better of me. I poured off the majority of the dye bath and then left the bangle to cool in the rest. I also lit a scented candle (it really did take away the stink – good to know going forward!)

Bangle made with merino and elasticated bandage dyed with yellow onion skins

While I like the colour, I think I will use it as a base to play with stitches. So I may be back to you on that.

I mentioned in my last post that I had just ordered a book on pigment making and that I might review it, if readers would like that. I know I am stepping away slightly from textiles and felt here but it is possible to combine pigment and textiles (alcohol inks anyone?). I was feeling quite excited as I had ordered the book and it was on the cusp of delivery. I got a positive response so here it is.

The book is called ‘Natural Watercolor Paint Making’ and it is by the artist Joanne Green. Some of you may already follow Joanne on Instagram (#joanne_green_art). I love watching her magically transform plant matter into pigments and then reconstitute it into a paint which she uses in sketches of the plant which has formed the basis of the actual pigment. Very clever and a great pleasure to watch.

Joanne’s book is beautifully presented and very readable. It’s a bit like sitting with a knowledgeable friend having a chat over coffee. The materials and supplies list is very comprehensive and I found that there’s really nothing on the lists that could not be sourced. With regard to the topics covered, I think the easiest way to show this is by sharing the contents pages. As you can see, there’s a whole section devoted to step by step instructions on how to make the lake pigment from the moment you have produced your dye bath through to turning your powdered pigments into watercolours and how to store your new treasures. Joanne is living in Canada but I can easily access many of the plants she uses in her recipes in Ireland.

Source: Natural Watercolor Paint Making; Joanne Green

Photography (primarily by Canadian photographer Tegan McMartin) – is sumptuous and a pleasure to view. It’s interspersed with Joanne’s tiny watercolours that are a feast to the eyes.

I am so pleased that I made the leap and purchased this book. I found it easy to source too. If you are a fan of Joanne’s social media postings or are curious about producing pigments, then it is a worthy purchase.

Ann’s Slipper workshop: from the students perspective

October 7, 2025 Jan Comments 10 comments

I am very lucky to have a local weaving/spinning and felting guild in the city. I know many felters are not so lucky. As you have already heard, it is quite an active Guild, with meetings, socials, and workshops. Today we will have a chat about one of the felting workshops.

Ann will be teaching a few wet felting workshop this fall, including teaching wet felted slippers. I had signed up quickly after registration opened, for both her slipper and hat workshops this fall. As you probably have notice I tend to be mostly a dry or needle felter, but occasionally I will get my hands damp or almost even wet and try a wet felting workshop.

It will be the first time running this workshop in the studio space, now that the floor looms have moved up stairs. This will allow for a slightly larger class size, we usually have 6 students for this workshop the extra space made it comfortable to try 8 students.

Ann had emailed the students a couple weeks before the workshop, to select their fiber colour. We would be using Corriedale for the slipper and she would have other fibers available to embellish them.

I gathered my wet felting bag from Living felt (Thanks Marie!) added some extra needles (just in case) found the camera, a Mer-boyfreind (in progress) and a large towel ready for the morning.

1.1) the Wet felting kit from Living Felt. I will be using the purple Ball Brause Wet Felting Tool.

6am, October 05, 2025 arrived much more quickly than I had anticipated. I did a bit of computer work, then Glenn got my stuff into the car. I headed off to let Ann into the building, so she could set up for the class.

I heard the weather report as I was heading in and found out the sweater I had layered on, would not likely be necessary….. (The temp at 3pm, was 29.7c, which beat the 1941 record of 27.2 C.)

On Monday (the guild meeting day) we are expecting a high of 30 C and a humidex of 33c. Did I forget to mention this is OCTOBER and its usually Much cooler by now. I am not complaining!!!! This gives me a bit more time to get the garden organized for winter.

I did arrive ahead of Ann but not by too much. She quickly got the tables up and started laying out the supplies for the workshop.

2.1) Ann prepping plastic for the workshop

2.2) bubble wrap, plastic and pool noodle

2.3) Ann Brought not just the fiber for the slippers, but a wagon load of fiber.

Ann got the bag of 100 gr balls of the requested colours and handed them out.

distributing 100gr balls of wool in 3 photos 2.4) 100 gr balls of Corriedale fiber

She showed us sample of different types of slippers and showed the resist that would make that shape.

2.5) slipper samples and patterns

We each selected our slipper shape and then traced our feet. Ann estimated the shrinkage and added it to the resist. We had the slipper with heal, the slipper without heal and a couple ankle high boot slipper shapes too. For high arch feet she had to add a bit of extra space.

Ann tracing foot shapes to create the resist shape 2.6) ankle books resist shape

2.7) heelless slipper resist

2.8) slipper with heal resist.

We cut out our resist, (that’s floor underlay), it works well since we can feel it through the wool.

Next we divided the wool, fist in half (half for one side half for the other). I had to then spit each side in half, since I have two separate slippers, rather than one joined resist shape. For most, each side was divided into 4 equal lengths, since we will be adding 4 thin layers of fiber in alternating direction.

3.1) starting to divide the fiber

Jumping ahead I have added 2 layers and was just starting the 3^rd layer on the first side.

3.2) laying out the first side of the resist, last of the 4 layers starting to go down

After completing 4 layers over each slipper resist. I gently wobbled the fiber and then moved it off to one side and started what will be the other side.

3.3) 4 layers on each slipper on each side

Once we had both sides with 4 layers of changing direction, it was time for lunch.

I mentioned Ann had brought a bit of fiber to embellish our slippers…. Ann’s wagon is obviously related to the Tardis! Boxes just kept emerging, and fiber appearing out of it! she covered the table with options, Marino top, Throwers waste, shredded hankies, sari waste top, locks and curls, silk blends, trilobal Nylon, her own hand spun yarn, and some mixed bits of odds and ends. We will get back to this distracting pile of clolours shortly.

3.4) embellishment fibers filling the table

Next, we were getting into the really scary bit. We added water under the resist turned the edges and then added the second layer. The water even dripped on the floor!!!

4.1) wetting the first side, and carefully wrapping the extra fiber around the resist

4.2) my slippers start to get wet

4.3) using the plastic to help spread the water (so the fiber doesn’t stick to your fingers)

4.4) wrapping the second layers edge fibers around the wool rapped resist

Once we had the front and back wrapped around the edges of the resist, it was time to consider embellishments.

5.1) some of the embellishment fibers

Once the embellishing was added and in some cases wrapped to the other side, we wet the new fibers. I had chosen silk and wanted to give it a better opportunity to attach, so added thin whisks of hand blended merino wool over top of the silk.

5.2) embellishments added and then more water added

Maybe if I move the plastic you will get a peek?

5.3) looking under the plastic at one of the tows of the slippers

Ann has been able to find a collection of the old Tupper ware lids. I will have to keep my eyes out for them too. We used them to gently rub from the edge of the resist towards the center. At first very lightly then adding just a tiny bit of pressure.

6.1) the rubbing with Tupperware lid

By this point the water was making a brake for it or a frontal assault, I’m not sure which. I employed the power of the towel and tried to keep the wetness in check! The towel did not stay dry long!

6.2) pinch test after rubbing is successful and it’s on to rolling!

I kept loosing track of my counting to 100 then flip and rotate the resists. You can see the slight rippling developing, there is some shrinkage happening.

6.3) checking everything is still attached and looking for signs of shrinkage

6.4) The water was making a valiant effort to soak me but I dogged as much as I could! The towel, on the other hand has only a small patch that is still dry, the rest is quite soaked

Mer-Stergon in progress turned away from the camera showing extencie gluteal development (he has a nice butt for a fish-person)) 6.5) Even the latest Mer I was working on, did not seem interested in getting wet! (Unrelated dry felting glute shot!)

Since Ann was having the other students stick their feet in the cold wet slippers, I used the original unscaled up foot tracing to check if my shrinkage was getting close.

7.1) checking with foot size agents the length

7.2) try it on

Once a slipper was close focused felting and shrinking were done to ether length, width or both.

7.3) adjustments

Mine still need more work but its getting closer.

7.4) still needs work but they now look like slippers, checking amount of shrinkage

I still have more work to do, but I can heat them up again and keep working on getting the heal a bit tighter. You can see I have had quite a bit of shrinkage I will work on them more this week.

But for now I have to head to bed. There is a guild meeting tomorrow as I am writing this, and I will need to leave extra early since there is expanded construction on the queens way today. I will give you an update on the slippers when they fit just a bit better (they are close but the heal is a bit loose, on one more than the other)

Ann was a fabulous teacher, as usual! She is very mellow and we didn’t feel rushed or confused. In fact this is the second time I have taken the felted slipper workshop (and I stuck to the plan and actually made a set of slippers this time, not boots! I think I have taken her hat class 5 times so far, each time making a totally different hat. this will be hat class #6. I still have to decide if I want to make a replacement for my stolen hat or make something new.) If you have the opportunity to take a workshop with her I would defiantly suggest it! and I do feel safer from the evil wetness when I wet felt in a group!!

Have fun and keep felting!!

Registration for the 3D multi-part resist workshop is now open.

October 1, 2025 Shepherdessann Comments 10 comments

Hi, I’m Ann McElroy. I have been doing in-person teaching for about 20 years now. After hearing much demand for a workshop like this from people who do not have access to in-person teachers and much ~~nagging~~ encouragement from my fellow bloggers, I put this class together. Doing multi-part resist is great fun, and there are so many possibilities for this technique. Registration opens today, and class starts Oct 17. You can register here, just scroll to the bottom: https://feltingandfiberstudio.com/classes/3d-multi-part-resist/

Have you ever wondered about working with more than one resist? Have you tried one resist and found that only one is not enough? Do you want more? I can help! Why have a single resist when you could have a full book of them! This fun course will expand your felting horizons. This step-by-step course will guide you from building the multi-part resist to the finished piece and give you the skills to continue. Why use only one resist when you can use more?

This workshop is $60 Canadian, approx. $45 US, $37 Euro, $32 British Pounds, $66 Aus., $73 NZ.

The workshop will be open for 4 weeks: from October 17 to November 14, 2025. Here is a link to the material list: 3D supply list. You will likely already have most or all of this. Registration and contact information are at the bottom of the page. Registration will open on October 1 2025.

This course is designed for Felters who have felted over a simple resist before. An experienced felter may be able to complete this class within a single day; however, the course can easily be extended over multiple days as needed. You can stop at the end of each PDF and continue another day or time. Using a step-by-step guide, you will make a three-dimensional six-part resist. This type of resist is often called a book resist, as it resembles an open book with the pages splayed.

The workshop is accessible for four weeks and has four downloadable instructional PDFs. I will be available to answer any questions for the 4 weeks the class is open. You will also have access to community spaces where you can share progress pictures and connect with the teacher and other students.

Your learning goals

Learn how to make a multipart 3D book resist
You will learn how to lay out and manage your wool for a three-dimensional resist.
How to bring the wool and resist together in an organised and logical way. Including all the fiddly bits.
How to felt a multi-part resist, managing all the parts.
Learn three different methods of fulling and their advantages and disadvantages.
You will have the option to choose from various finishing methods.
How to use some everyday items to help with shaping and finishing.
Experimenting with different shapes.

By the end of the course, you will have a unique sculpture. Mastering the book resist technique, you will unlock new creative possibilities for complex sculptural felting.

This workshop is $60 Canadian, approx. $45 US, $37 Euro, $32 Pounds, $66 Aus., $73 NZ.

You will be billed/invoiced by PayPal, and the vendor name on the bill will be Shepherds’ Spring Farm. Class sizes are limited to 50. A supply list, a Class Website Navigation PDF, and an Adding Photos to the Class Website PDF will be attached to the PayPal invoice for your convenience.

Please remember that the course content is for your own use and should not be reproduced or transmitted in any form or by any means without obtaining my prior written permission. Please respect the copyright.

The workshop will be open for 4 weeks: from October 17 to November 14, 2025.

Registration is now open. Register here, just scroll to the bottom: https://feltingandfiberstudio.com/classes/3d-multi-part-resist/

Felted Cat Cave, a quick how to -revisited.

July 13, 2025 Shepherdessann Comments 8 comments

I am supposed to have the summer off. So far, I don’t seem to have stopped running. So I have nothing new to tell you about. So I am going to share this with you again. I hope you enjoy it again if you have already seen it. I am at a Demo today. I plan to take lots of pictures and blog about it on July 23. It sounds so far away, but I am sure it will be here the day after tomorrow.

I have been wanting to make a cat cave for some time now. I decided it needed to be bright. I picked some Blue Faced Leicester wool so it would be strong and dyed it chartreuse. Then I picked some purple and magenta for the spikes.

I wanted an oval cat cave. I used my oval hat form to get the shape and gradually sized it up.

I laid out 4 layers of wool for strength and even shrinkage. I put the first side aside, and after laying out the second side, I poked holes to put the spikes through.

After wetting it all down, I wrapped each spike in plastic wrap so it would not get felted down flat.

I covered it with a sheer curtain and rubbed both sides for a while and rolled it for a while, and then wrapped it up, put it in the dryer twice, changing the position of the felt each time. It was starting to shrink, so I cut out the resist and switched to rolling it in a stick blind. I find the stick blinds to be very aggressive and shrinks the felt quickly. I did do some throwing, too. Finally, I rinsed the cave out in a bucket of alternately hot and cold water, being quite aggressive with it. I then had to stretch the top so it would be domed. I steamed it to heat it and make it easier to stretch. Mostly, I used a wooden spoon to push in a sliding motion to get the shape. Here it is on top of the resist, so you can see how much it shrank.

100_5909 web — Finished Cave on top of the Resist

Here it is in use; it didn’t take long for one of my cats, Wu, to take up residence.

As a footnote, Wu (the queen of all things) is no longer with us. This is one of my favourite pictures of her. She really liked the cave; we buried her in it, here on the farm.

A Little Light-up Lantern

July 3, 2025 Shepherdessann Comments 10 comments

A while ago, I picked up a few little hanging displays.

I thought a little light-up sphere would be a fun thing to put in one.

I have a really small Tupperware lid that I used to draw around for a circle. It’s about 2 inches(25 mm) across. Then I enlarged it. I drew the size of the fake candle in the middle just to see the size relationship.

I used some wool I had with sparkle in it. It is called Moss from World of Wools’ Glitzy collection. I did one thin layer as I want he light to show through. I am surprised at how well the sparkle shows in the picture.

Once it started to shrink, I popped the resist out. You can see it hasn’t shrunk much yet. I cut a fairly large hole as I want to put the fake candle inside.

I just kept going until I was at this size

It fits the holder just fine. It is still wet here. I had to take it home and stuff it so it could dry in the right shape. And now I’ve come to writing about it, I can’t find what I did with it. I will search for it some more and hopefully find it for some pictures with the light inside before I have to publish this in a few days

Vessel Class

May 24, 2025 Shepherdessann Comments 11 comments

I taught a lovely and fun group of ladies how to make a vesel. One of the ladies made a really nice Instagram reel. I am going to try embedding it here. Fingers crossed. It was hosted here https://hookingoutsidethelines.com/ I will share stills of the finished vessels below it. If it doesn’t work, then try this link:

https://www.instagram.com/reel/DI7Voy2xnr2/?utm_source=ig_web_copy_link

View this post on Instagram

A post shared by Creativity Studio (@creativitystudio_ca)

Here’s a group shot,

Here are some closer pictures of the vessels.

This one was cut across the circle about 1/8 of the way down to get the resist out, so she has a flat coaster, too

This one was also cut about 1/8 of the way down, but she opted for a shallow dish.

This one was cut just about halfway. She has two similar-sized bowls. Here, I was showing her how she could reverse them to have the pattern on the inside.

A nice round green one with lots of sari silk waste

Pretty pink with silk hearts on it

Jan told you about the sale we went to a little while ago. I was much better behaved and only bought a few things. Two small sample rolags and 3 bags of slubs. I have been wanting to try slubs. I know the neps are very hard to keep in the yarn when spinning, and do not like to stick to a felting project. I am hoping slubbs will stick better in both. If they do, then I may have to order some and dye them myself. One more thing on the to-do list.

This Weeks Felting

May 4, 2025 Shepherdessann Comments 17 comments

This week, I managed to make a few small felt pieces. My husband has been asking me to make some more handle covers for his cast-iron pans.

Second. I have a wrap for my travel mug. I don’t really like the feel of the metal of the mug, especially in the cold. I have several travel mugs, but only one cover. I have been using the same one for about 10 years. It still looks good, but I thought I should have more than one. I wanted it to be a little longer and wider than the one I’m using at the moment. The one I have now is purple and blue. This one has a green background. The colour is shartruse, I think. The curls are Blue Faced Leicester.

Then I flipped it over and folded the edges in neatly.

This is the finished piece. It still needs a couple of buttons and some elastic to hold it on.

A close-up of the curls.

Lastly, I finished the strange-looking book resist. This was round one. At the time, I thought it was stiff enough, so I went ahead and rinsed it out and added lots of clothespins so it would dry correctly.

After opening it up, I was not thrilled with it. It opened wide. I thought maybe ironing it would help. I was showing it in a Zoom chat, and Karen asked if it was completely fulled. My first thought was yes, it was stiff, but as I played with it, it got softer and softer. So I wet it down and kept working it while watching a cosy mystery. It shrank more and is much sturdier. I needed a lot fewer clothespins. So I rounded the bottom of the arms.

same piece fulled again with clothespins . much stiffer

This is after it was dry. It doesn’t stand on its own. I will need to flatten the bottom or make a little holder, if I want it to stand like this.

Next, I thought I would try partially turning it inside out. I think I like it better this way.

One not felt thing. Spring is here, Lambing has started.

This little lamb was born on May 2. he will end up cream coloured. You can see the true colour past the dark tips.

Felting and Fiber Studio

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Category: resists

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Vessel Class

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This Weeks Felting

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