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Month: May 2025

handmade felt flowers multi-coloured
Felt pods and flowers

Felt pods and flowers

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Annie

Recently I decided to make a wet felted pod, I haven’t made a pod for quite some time so it was interesting to go through the process.  Then I made another one.  I didn’t really love the colours of the pinky yellow one, I’ve been more drawn to greens and blues for a while so I made a “woodland” inspired one that I like much more.  But I think I need 3, so am planning to make a purple one, with perhaps some yellowy orange accents.

Pods are a really nice thing to make, they don’t take long and people always seem to love them, they are very tactile. Also they look good with a plant in which always helps!handmade felt green pod with colourful curls

handmade felt pink and yellow pod with colourful curls

 

 

 

 

handmade felt green pod with colourful curls being used to hold a flower in a pot

I also have been making felt flowers, but the idea has been to make them as quickly as possible and with limited materials and as simple a technique as possible.  I was asked if I’d do a felt flowers workshop, but only a couple of hours long, and of course people who have never made felt before would love to go home with a finished item!

I’ve made several and I think they are pretty good, hopefully at a level that workshop beginners would enjoy making.

Trouble is that now I’m thinking oooooh I’d like to play with this more and make bigger and more flamboyant flowers and ooh praps I can add more fabric, and what about paint!? etc etc.

handmade felt flowers multi-coloured

I made one with a stem and I also found in my “UFO” box a bright 3 petal flower that I made probably years ago.  But it has interesting possibilities!

hand made orange and pink felt flower with stem

3 petal handmade felt flower pink, mauve, green

I’m halfway through spring beads but they aren’t as exciting as these flowers now, and I’ve got another trees picture on the go.

Lyn

Recently my ‘playing with textiles’ has mostly been unexciting (think curtains etc) so I have only managed to achieve a few greeting cards using scraps of felt.

If you are thinking of using your felt scraps to attach to cards, I’ve got a top tip because felt doesn’t adhere very well to other surfaces! Cut a piece of paper to the same shape, but 2mm (0.08″) smaller all around, as your scrap felt that you want to attach to card.  Hand stitch the paper shape to the reverse of the felt shape using stitches that don’t go all the way through the felt then cover the paper shape with double sided sticky tape. The felt will then attach to the card permanently.

Here are some felt stars cut from scrap felt and used to make a card – perhaps good for a male birthday.

handmade birthday card with felt stars

 

Edge Exhibition

Edge Exhibition

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I live in a coastal town in SE England called Whitstable. As a member of a group called Made in Whitstable (a loose affiliation of local artists & makers) we had a group exhibition coming up with the title of “EDGE” at The Horsebridge – our wonderful local community arts centre. We needed to produce at least one item that fit the Edge brief, however we wanted to interpret it. The rest of our work was entirely up to us. 

I could have got away with explaining that practically everything in my wet-felted pictures happens at the water’s edge, and it therefore met the brief. But I was actually quite excited to think through some new and different work. I particularly like working 3D and it feels like a while since I’ve felt really energised by the creative process. So, I thought about what ‘edge’ might mean and I ended up making 3 different interpretations.

Edge 1

For my first piece I pondered the edge of the felt as a focus of a picture. 

I decided on a flat background with strips of felt jutting out to show their edges. I’ve made things like this using multiple resists to create flaps that then stand out. I wondered if I could pre-felt some strips before attaching, rather than creating flaps with resists in the lay-out stage. 

I selected some home-dyed Corriedale wool I had left over from an old project. Just as I’d decided to use this I noticed how well the colours went with a second-hand silk scarf I’d just bought so I decided to use some of that too. 

Home-dyed Corriedale wool and charity shop silk scarf

After I’d laid it out, leaving a fluffy edge to help attach it to the background, I realised I’d made it far too wide. “Oh well”, I thought, “I’ll cut it into strips once it’s prefelted”. I’d intended this to be a test for a more thought-through piece.

Wool layout
Adding silk
Prefelt reverse
Prefelt right side
Cut into strips
Testing strips on prefelt background
Fully felted

I decided to stick with what I’d done and move on to something else: I never made the more thought-through piece.

Edge 2

For my second piece I started to think about the outside edges of a shape. I decided I’d try using a book resist to make a vessel with a large surface area. 

I scanned the internet for book resist ideas that didn’t have too many ‘pages’. I alighted on an article Gladys Paulus (a felting hero of mine) had written for DHG comparing bergschaf and merino wools in which she included a 3 page book resist.

https://dhgshop.it/blog/article-compares-carded-wool-bergschaf-and-merino_88.php

I decided I’d use a similar shape using black and white wool but would cut and shape it differently from Gladys’s. 

I wanted to use carded batts as they’re much easier to lay out than tops / rovings when navigating complex shapes.  I had a good supply of white Norwegian wool batts but was struggling to lay my hands on anything appropriate in black.  I found a black merino batt and decided to go with that, though I wasn’t sure how the wools would interact, with the Norwegian being much more coarse than the merino.

Book resist
Starting to full the shape

The Norwegian wool was slow to felt and the black merino didn’t come through as much as I’d imagined. Interesting, if not surprising.  Eventually I ended up with something that looked decidedly anatomical: three lungs was the most polite thing I could think of.  I got a lot of comments about the anatomical possibilities of this one!

The vessel is an odd shape so I decided to embrace its oddness and bought some curved screw-in metal studs to add to the top of each segment. Given the brief was ‘edge’, I thought these would add a little extra edginess.

Edge 3

And, finally, I created a vessel using a circular resist that I would stand on its edge.  I’d recently bought a carded merino and silk (70% : 30%) batt from World of Wool that I was dying to use – it is deliciously soft and scrumptious to feel.

I laid out the first layer clockwise around the resist, and the second in circles radiating from the centre. 

Layout for Edge 3

Having wetted the fibre out, I turned it tightly over the resist then set about laying out another two fine layers in the same pattern.  Or at least, that’s what I intended. Looking back, I think I got distracted and may have only laid out two layers on one side, as the reverse side feels decidedly thin and soft, despite long and patient fulling.  Distracted? When I’m making something I’m finding fun, I tend to add lots of “what if”s and “how about”s instead of sticking to my original plan. See the ‘ooh, shall I add some silk’ for Edge 1.  On this occasion my “how about”s included a stripe of mohair tops, a dark circle cut from Edge 2’s offcuts (one on each side) and a strip of curly locks.  Fun, but not very scientific.

Adding ‘stuff’

Anyhoo, here’s Edge 3.  It does feel lovely and is very light but I wish I’d paid more attention to the layout.  I’m tempted to make something similar with a 6 layer layout.

In the meantime, here’s my exhibition space. I was pleased with the results and had very much enjoyed making three experimental pieces. 

Before I leave you, I thought I’d show you a natural phenomenon I saw while I was making my edge pieces. Being lucky enough to live by the coast, I often have a speed walk in the morning by way of exercise and enjoyment. It was a clear and sunny early morning when I noticed some mist rolling in. I saw a puzzling white arc in the sky – sort of like a rainbow except it wasn’t raining. I decided it might be a ‘mistbow’ and looked it up when I got home. Turns out it’s called a ‘fogbow’. It’s unusual as you have to have very specific conditions: enough mist or fog to reflect the sunlight but a low sun behind you which isn’t obscured by the mist / fog. The water droplets in mist are very small so don’t refract the light like raindrops do, they just reflect it. It’s also called a ghost rainbow. I saw this photo while I was uploading the images for this post and thought you might be interested. I’d never even heard of such a thing but I found it really lovely.

2025 Spencerville Fiber Festival

2025 Spencerville Fiber Festival

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Yes, I think it’s spring, or at least a good attempt at spring.  We have had thunderstorms, loss of hydro overnight, more rain, the daffodils have joined the crocus, scilla and lungwort and now the trees are budding! Even the portable forest has started its spring migration! (it’s sneaking a pot or two across the driveway, finally arriving in its summer location.)

In the yearly calendar of fibre festivals near Ottawa, we have had in February, the Chesterville spin in, which is a fun, small event to help get us through the remains of winter and top up our fibre hoards, if they have started to dwindle. In April, the Peterborough Weavers Guild holds a large fibre festival that is about a 3-hour drive away from Ottawa, but is worth the trip. This year, I was out of commission for both of these and was very disappointed not seeing fibre friends or topping up the fibre hoard.

Poster for "the Forcast Calls for Yarn and Fiber" the Spencerville fiber fest 20251 poster for the Spencerville fibre festival 2025 (they have a Facebook page if you want to contact the organisers)

The third fibre festival this year was in Spencerville, a small town well south of Ottawa, almost to Highway 401. It’s in the Drummond building, so we will meet you there.

Glenn grabbed the book he was reading, and we headed off.  It usually feels like not that long a drive, but this year the seat belt and one of my incisions were arguing loudly by about 20 minutes out and just got more livid with each other the farther I drove. I also think they moved the town further down the highway, it seemed so much longer a drive than I remember. (Good thing I didn’t try to go to Peterborough)

front of the drummon building2 Front of the Drummond building in Spencerville, where the fibre festival takes place.

We arrived early and found that there were already a few cars with people waiting to go in. As Glenn pulled out my walker and camera, everyone else got out of their cars, and we all headed in to line up inside.  (I was more interested in the washroom.) This is not a big hall, but the sale had a good selection of finished goods, equipment, Yarn and fibre. There were also demo tables from the Kingston Weavers Guild and the Knitters Guild. Most of the aisles accommodated stopping and chatting with friends you haven’t seen in months, but still not blocking getting into the booths.

3 Let’s pay our $5.00 entrance fee and head in to see what the vendors have brought for us this year.

4.1- As we entered the hall

4.2 Luna Spinning has woodworking, spun yarn, fibre and crochet tools

4.3 Janet Whittam does weaving and basketry, you may remember her work from other shows too!

4.4 This was Krys Dallaire’s first time selling and had a very nice booth. She was selling Ile de France cross North Country Cheviot (close up showing crimp), Bluefaced Leicester cross North Country Cheviot (the bag being purchased), Fin (the dark fleece that came home with me) and North Country Cheviot (bags on the shelves). She was also selling maple syrup!!

4.5 Yvieknits Yarn had lots of yarn and a bit of fibre; she also had these lovely examples of knitting with her yarn.

4.6  You have seen Top of the Whorl spindle at a few past festivals too. They had some new spindles, spindle cases and lazy Kates for spindles. This is also where I found Naalbinding needles.

5 at the Top of the Whorl, a drop spindle lesson was happening.

There was a vendor selling punch tools,  including a couple of images set up as a “Try Me” sample. Ann, Carlene and I all tried it, I wonder if either will add a new fibre art to all they do?

6.1-6.3 Ann and Carlene try the sample. The loops are created on the back of the side you are working on. The different punch tools make different-sized loops. It was a bit like needle felting but with less need for band-aids.

7 Ann was interested in the rug hooking techniques, which gave a lot of textural elements depending on what was used with the rug hook.

Let’s keep looking around, ooh, do you see this hiding on the floor in the next booth?  It is mostly yarn but has some wool wash, wool pellets for the garden and plastic project bags, but hidden beside the table was a lovely fleece.

8 It’s labelled as a fleece of Gotland Finn Cross, it was so soft to touch, I was very tempted.

Let’s keep going (before I buy it without seeing all the show)

9.1- I missed the name of this booth, but it had a mix of tools and supplies for weaving, felting, and knitting. Ann seemed very interested in the knitting pattern cards. I wonder if we could do that for felting? Maybe shapes of resists or book resists for the wet felters?

9.2 Pretty String Yarn Co., lots of colours to entice you into knitting

9.3 Sheeps Ahoy. They have the most beautiful patterns that remind me of Philosophers wool who closed many years ago. I wish I could knit

9.4 Crazy about yarn, they use themes to create their Colour ways.  I think the purple was one of the galaxies, and the ones behind her are part of the planets series.

9.5 Studio De laine Cactus Yarn Studio, did you see the support chicken kits? She always has such interesting packaging.

10 We spotted Carlene and compared loot. We also saw a few others who showed off their finds.

There was a nice mix of things for sale, it was nice to see the new vendor with 3 different breeds of sheep. I had been hoping for the Lady who had the 3-D printed spindles at the Almonte fibre festival, but no luck on those. They’re not as pretty as the ones from the top of the whorl, but I would not want to leave one of their pretty ones in the back of the car for emergency spinning, but the 3-D printed one would work perfectly for that. Each spindle has its purpose, or just because it’s pretty and you really like it! That’s a good reason to get another spindle, too.

By early afternoon, I was wiped, and it was time to head home. Last year, we had seen the mill by the river, and I wanted to stop and take a few shots before the long drive home. I was captivated by the reflection in the river and the architecture when something large swooped past my camera.

11 Reflection of the barn in the river water

We drove around the mill building to see what it was.

12.1 Great Blue Heron waiting for lunch to come over the dam and be delivered to him or her.

12.2 Heron, waiting to select the entrée to dinner.

12.3 Spencerville Mill, the Heron is in front of the trees on the other side of the river, just left of the concrete at the far end of the dam.

We stopped in Kempville to have a very late lunch, and so I could take my meds. We finally got home and brought in my bags of loot! 5 paper bags and one big plastic bag. Yes, someone else bought the grey Gotland/fine,  but one of the black fin fleeces followed me home, it was just too nice and soft not to buy it! She said she will be shearing soon, in case you desperately need one too!

13.1 My purchases that followed me home.

13.2-13.3 It was definitely a fibre-focused shopping day, and there seems to be some similarities in colours too. I was trying to push out of my comfort blue, but seem to have only shifted over one to mainly green with a bit of red/orange and of course blue.

So what did or would you have gotten today? I probably overdid it, I am extra achy and about to face plant the keyboard, but it was so much fun to see everyone and add more fibre options to my hoard. But now it’s time to crawl back into bed in hopes I will be able to make it to the guild meeting on Monday. If you are in the area next year, you might want to add the Spencerville fibre festival (The Forecast Calls for Yarn and Fiber)  to your places to visit. I will hope to see you there!

PS Monday, I made it into the guild and opened the library, I even got some work done, but didn’t last all the way to the meeting. I am wiped and quite sore. I am heading to bed now. I hope you have enjoyed this shopping trip! If you saw anything that you really want to track down, check with the event organiser. I fear I may have missed a booth, but I really am too tired to figure that out, so before I do face plant the keyboard, it is off to bed. Have fun and keep felting… maybe a heron?

This Weeks Felting

This Weeks Felting

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This week, I managed to make a few small felt pieces.  My husband has been asking me to make some more handle covers for his cast-iron pans.

 

Second. I have a wrap for my travel mug.  I don’t really like the feel of the metal of the mug, especially in the cold. I have several travel mugs, but only one cover.   I have been using the same one for about 10 years. It still looks good, but I thought I should have more than one. I wanted it to be a little longer and wider than the one I’m using at the moment. The one I have now is purple and blue. This one has a green background. The colour is shartruse, I think. The curls are Blue Faced Leicester.

Then I flipped it over and folded the edges in neatly.

This is the finished piece. It still needs a couple of buttons and some elastic to hold it on.

sheep curls felted int the green back ground A close-up of the curls.

close up of curls on green background

Lastly, I finished the strange-looking book resist. This was round one. At the time, I thought it was stiff enough, so I went ahead and rinsed it out and added lots of clothespins so it would dry correctly.

green 5 pointed 3d sat shape with clothespins outside of same piece with clothespins

After opening it up, I was not thrilled with it. It opened wide. I thought maybe ironing it would help. I was showing it in a Zoom chat, and Karen asked if it was completely fulled. My first thought was yes, it was stiff, but as I played with it, it got softer and softer. So I wet it down and kept working it while watching a cosy mystery.  It shrank more and is much sturdier. I needed a lot fewer clothespins. So I rounded the bottom of the arms.

same piece fulled again with clothespins . much stiffer

This is after it was dry. It doesn’t stand on its own. I will need to flatten the bottom or make a little holder, if I want it to stand like this.

same piece, dry without clothspins

Next, I thought I would try partially turning it inside out. I think I like it better this way.

same piece semi inverted, top shot same piece, semi inverted, bottom shot

One not felt thing. Spring is here, Lambing has started.

This little lamb was born on May 2. he will end up cream coloured. You can see the true colour past the dark tips.

wooly sheep and lamb

 

 

Learning and Experimentation with Online Classes

Learning and Experimentation with Online Classes

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Have you wanted to be a little more experimental in your fiber art practice? Do you want to learn new techniques and add embellishments to felt or other fabric? Why not try an online class all about embellishing felt? Anyone from anywhere in the world can take these courses, no need to show up at a certain time (you can even wear your pajamas) and the classes are 6 weeks long so you have plenty of time to learn a new technique and try out an experimental approach. My online courses are 4 stand alone classes under the title Embellishing Felt with Surface Design Techniques – A Mixed Media Approach.  You can take just one or work through all of them. The classes are only $45 US for 4 weeks of video and written PDF’s plus 2 weeks extra time on the class website with full instructor support. Registration is now open and the class begins on May 16, 2025.

The first module is called Nuno Felting with Paper Fabric Lamination. The bark I created above used this technique.

You will learn the technique of Paper Fabric Lamination and then how to use these pieces in nuno felting. As you can see from the examples above, there are many possibilities with this technique. Click here for more information and to register for the class.

The second module is Experimental Screen Printing on Felt.

You will also be able to use these techniques to screen print fabric such as silk to use in nuno felting. These same techniques can also be used on cotton fabric to use in fabric collage or quilting.

You will learn how to create thickened dye, make your own screens and many ways to use these screens in an experimental approach. Click here for more information about Screen Printing and to register for this class. 

The third module in Embellishing Felt with Surface Design Techniques – A Mixed Media Approach is Printing, Stenciling, and Playing with Thickened Dye on Felt.

This one is really fun and experimental. Learn to make stamps, stencils and how to use a variety of objects from around the house to create your own unique surface design on felt. Develop your own style with designs you have created.

The techniques you learn in this class can be used for felt, other fabric types and even paper. The stamps and stencils can be re-used over and over and applied in different ways to create exciting patterns. Click here for more information about Print, Stencil, and Play with Thickened Dye on Felt and to register for the class.

The last module in the series is Free Motion Machine Stitching on Felt.

In this course, you will learn the basics of free motion machine stitching and how to use this specifically on felted projects. Does the thought of machine stitching seem a bit scary? If so, you should take this course to get a handle on how to use your sewing machine to create wonderful embellishments on felt paintings or other felted items.

We’ll start with how to set up the machine and some great practice techniques that will build your skill level until you feel comfortable with your machine. Then you’ll learn about machine lace, thread sketching and how to incorporate machine stitching into felt paintings. Click here for more about Free Motion Machine Stitching on Felt and to register for the class.

I hope you want to expand your fiber art skills. If so, click on any of the links above to read more about the classes, see the supply lists and to register. I look forward to “seeing” you in class!

And don’t forget, if you are a beginner, our online class Wet Felting for Beginners is always available.

This class teaches you all about wet felting. You’ll learn how to make a piece of felt, how shrinkage works and how to calculate it and the basics of felting, fulling and creating felt from wool fiber. Click here for more information and to sign up.