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Month: December 2023

Happy New Year!

Happy New Year!

Happy New Year to you all from all of us at The Felting and Fiber Studio.

Antje thought it would be fun if all of the cards from the card exchange could be brought together into one post. Some people have already posted about their cards and others have not. This way, you can see all the creativity in one post. There were 14 of us that decided to participate in the card exchange this year. Ann M. randomly chose partner’s names and we created a “card” that could be holiday themed but didn’t necessarily need to be.

Carlene and Ruth exchanged cards.

I have written about making the card for Carlene here.

Carlene explains about making my card here: In September and October, I collected some birch bark with the idea of trying to make something out of it.  I watched a number of videos on YouTube explaining how to collect and process birch bark.  I was particularly inspired by this video of Pat Kruse: Birch Bark Artist (https://www.youtube.com/watch?v=84JyLNUDXz0).  In the video there were some amazing motifs that were cut out of birch bark and sewn into a picture.  So I decided to try a simple flower motif and sew the stacked pieces together.  I also opted to add a felt backing for additional support and to give me something to sew clips to the flowers.  This would allow the flowers to be used as hair adornments or clipped onto a lapel.  Sewing through the bark was not too bad, though I did end up with some tearing.  And the back of my pieces were not very neat.  But the fronts looked OK.  Sewing on the clips was harder than I expected. I also applied a thin layer of white glue to the front of the bark to create a clean and shiny surface on the finished flowers.  The next challenge was mailing them.  I clipped them to a post card and put them into a plastic container to protect them from getting destroyed by the postal service.  It was an interesting experiment and I look forward to collecting more birch bark next summer and trying to make something larger.  (Those YouTube videos show some amazing projects.  But you need a good supply of high quality bark for those.)

Leonor and Helene exchanged cards.

Leonor’s post about her knitted card for Helene is here. And Helene’s post is here.

Karen and Caterina exchanged cards.

 

Karen explained her process in making a card for Caterina here. Caterina is writing a post for early January but gave me a bit of information about her card:

Firstly, I wetfelted a bigger abstract piece of nuno felt, using an upcycled piece of silk and viscose fabric in winter colours, merino wool, merino prefelt and upcycled yarn. I cut it into the right size for my card, choosing a part that I liked and felt meaningful. I was thinking about an abstract landscape or mindscape in winter colours for my card cover or first page. I felt it would “open the conversation”, kind of state the setting and also be recognisable as sent by me, and so prepare for the ” friendship message” in the second page.

To compose my second or inner page, I printed and marked some upcycled fabrics in white and pale blue with dyeing inks in blues and black and greys. I cut some of the printed fabrics and composed a collage of fabrics on a dark grey fabric background (a sample furniture fabric) with a dahlia flower. I added a scrap of the silk fabric used for the nuno felting of the first page of my card, and hand stitched it all together with different types of stitches, aiming to encourage a suggestion of stylized flowers and snow. The stitches helped to define and enrich the abstract marks on fabric, and also to attach the fabrics together in a less apparent way. I used white french knots to suggest snow coming from clouds above (the silk fabric looked a bit like clouds to me.). My message was a friendly offering of flowers in a winter landscape symbolising the Christmas season.

Ann and Lindsay exchanged cards.

Ann explained her proces for her tree card here. Lindsay writes about her process:

I decided to send Ann a sheep-themed card, given that she’s a shepherdess. I laid out a thin layer of merino and silk prefelt with some moody sky grey/blue merino inclusions. I then added some sheer silk, recycled from a dress I bought in a charity shop, on the bottom section, to give the impression of a hillside. When that was felted and dry, I ironed it and then heat printed a tree and two ewes that I’d adapted on photoshop to fit to scale. I hand stitched some glass bead ‘baubles’ onto the tree and a tiny metal star on the tree top. Using double sided tape I set the piece into a tri-fold card and wrote ‘Merry Christmas two ewes’.

Lisa and Capi exchanged cards.

Lisa explains about her Christmas tree card here:

I made my Christmas Card for Capi, based upon the old fashioned version of a boxed card. (The ones that were 3D, padded cards that came in a box).  It was decorated with little bells as the baubles, and some hand spun yarn for the garland. I inserted some fairy lights through the felt and put the controls under the snow, seen on  the first photo. The box frame can be opened from the front to access the light switch. It’s gone off to Capi, and I received hers yesterday.  I was blown away with Capi’s creation, put me to shame! But I hope she likes mine. Lisa reports that Capi based her card on her favorite scene from Hilton Head Island.

Jan and Marie exchanged cards.

Jan explained her process for the moose card here. Marie sent Jan a tree card:

My card was made from silk paper with some felted Christmas trees. The trees were machine stitched down, and I hand stitched some beads to one of the trees, and glued 2 small swarovski crystals to 2 trees and sequins to the rest (could not find my other crystals). The silk paper is in white, blue, wintery colours to indicate cold, snowy or frosty area. I have attempted to add a felted moon also. I attached the silk paper to some stiff art paper, and added a greeting on the back. I secured both with a close zigzag stitch around the outside edge.

Tesi and Antje exchanged cards.

Tesi talks about the card she made for Antje:

Handmade greeting card

Leftover acrylic paint used for mark making on cotton fabric is what I used for the postcard background. Then I added collage elements that I had made for my L3 Stitch course monocratic color scheme. I used green mixed with black, white, and grey and then used stencils with my gelli plate to pull the prints. When I got all my collage pieces added, I put a light coating of Matte Medium over the top of it and let it dry overnight. Then I added some sturdy interfacing to the back, stitched a couple of lines through it, added some backing fabric to cover up the stitching and zigzagged around the edges.

Antje writes about Tesi’s card:

DESIGN – My thinking process is like percolated coffee….it has to filter through the layers, and usually involves a few doodles along the way!

So ‘Christmas trees with stars on their top’ was my starting point becoming….Individual star topped trees triangular in shape – But trees are not all the same shape! – What happens if they all lie down with tops and stars to the centre? – Mmm, looks like a cut tree trunk – A tree has years of growth rings – Mmm, rather like us, all individual, with years of experience/knowledge, together forming a tight group around a central interest….and the idea was born (and doodled)!

PRODUCTION – My exchange partner, Tesi, I knew was a whizz at quilting and that stuck in my mind, although I knew I would definitely not be quilting as such! Instead I gathered a variety of cream/neutral fabrics, many were small off-cuts or snippets (that I always save) which I layered with Bondaweb to a thin background fabric. After simplifying the design, I then cut various triangles and machine stitched them to a background fabric, to which I had attached an off-centre golden circle. Once attached I hand embroidered the growth rings.

RESULT – Togetherness.
Unfortunately, in my haste packing for a few days away, I only took a quick photo of the card and envelope (so the image is blurred).

I did however pack the same collection of fabrics and paper to create some smaller versions, balancing them on my lap! They currently remain WIPs….I was having too much fun!

I hope you have enjoyed all the cards from our talented and creative group. We wish you all the best in 2024 and hope you have a creative year!

A Card for Caterina

A Card for Caterina

When Ann first invited us all to take part in a holiday card swap it was mentioned that our theme could be anything, it didn’t have to be particularly Christmassy…..and so mine wasn’t. I have to say that as more and more of the cards are now being shown, a part of me wishes I had gone with a Christmas theme, but it’s only a small part! My partner in the swap, Caterina, got in first with her card to me which I love and I felt that gave me permission to do what I really fancied doing! I won’t show Caterina’s card in case she’s going to do a post about it but let’s just say we were thinking along very similar lines.

I decided to make a mini Autumn/Winter forest floor mounted on to a 5” x 7” card. Starting with an off cut of Lutrador I used acrylics and Inktense to paint it grey with hints of green, or so I thought! Once I started to distress the Lutradur with the heat gun, what had looked very grey suddenly became very green as the green Inktense intensified. Rather than start again I decided to go with the flow and add more grey where needed later.

What was grey became very green!

Next I got out my box of Tyvek and Lutradur samples to see if there were any pieces of bark or leaves already made which I could use for this project.

The leaves were all too large apart from the one on the luggage label

All of the leaves turned out to be too large for the scale of the card apart from a small one attached to the luggage label on one of my workshop samples. This was the ideal shape and size so I used it as my template for the leaf to go on the card.

I had more luck with the tree bark as I found a few workshop samples, one of which hadn’t been painted and was the perfect size.

The barks been painted and I’m starting to audition pieces for the card

Moving the pieces around until I’m happy with the placement
I can spend ages arranging and rearranging the parts, distressing the smallest pieces of Lutradur to get pleasing shapes and checking I’ve made enough to cover the background. Once I was happy with the amount of pieces I had the bark was embroidered and everything stitched down to a piece of brown cotton fabric.
And this is the finished card complete with Colonial Knots, felt pebbles and the little leaf. OK, it doesn’t scream “Christmas” but, as a keepsake, I hope it will remind Caterina of the friendships she’s formed with the F&F group and of happy Christmas 2023 memories.


Once I’d got Caterina’s card in the post I caved in and made a reindeer themed “Christmassy” card for my local textile group swap. After trying, and failing miserably, to draw a simple reindeer I turned to clip art and found this cute reindeer pose.

I’d recently seen images of beautiful little birds online that had been made from scrap fabrics and free motion stitch and these inspired me to do something similar with the reindeer.

I had so much fun making this one that I tried another pose, got carried away and went in to production!

These have been cut from fabric scraps and free motion stitched on to patterned card (which makes a great stabiliser!) I figured the antlers and legs would be a bit fiddly in fabric so I simply used a marker pen for those.

Cards have never really interested me in the past but these were such fun to make, I can see myself creating more to put aside for next year!

I hope all our readers have had a peaceful Christmas and here’s to a healthy, happy and creative 2024 for all of us!

2023 Sails Off Into The Sunset

2023 Sails Off Into The Sunset

Another year almost behind us. Time goes so quickly these days, at least for me! I hope you all had a wonderful holiday. And may 2024 bring much joy and creativity to your lives!

I recently signed up for an online class with Wen Redmond. http://www.wenredmond.com/ through Fiber Arts Take Two. https://www.fibreartstaketwo.com/ FATT really present their courses very professionally. And they’ve got wonderful artist interviews on their YouTube channel. Wen’s course is called Photos, Fabric and Mixed Media. I’ve been wanting to focus more on using photos in my artwork and I think I will be learning a lot from this course. Wen is very generous with her methods of achieving remarkable fiber art.

One of my goals this coming year is to get good at using Photoshop and other apps of that nature. In November I decided to subscribe to Photoshop and once I got it loaded to my old laptop (2017) all sorts of problems occurred. I now have a new laptop. Then once I got everything transferred from my old laptop to the new laptop it wouldn’t connect to the internet! I now have a new modem. It was as old as my laptop was! So after about 3 weeks of frustration, I’m all up to date and maybe good for another 5 years or so.

I kind of lost my creative mojo while dealing with all that computer techy stuff. Hopefully I’m back on track again.

Last week I spent some time following Wen’s first module of her class. It focused on getting your fodder prepared for using in the upcoming modules. She uses acrylic paints watered down quite a bit so she can get some nice soft washes going to print on. I tried painting on a variety of cloth, interfacings and paper to see what I could achieve and hopefully give me a wide range of substrates. Wen said not to worry about the color wheel when choosing your paint colors, just play. But I decided to use a color scheme that I hadn’t explored yet so I could also use my fodder for my Gail Harker L3 course.

I struggled with getting my paint thin enough to do a wash. I also seem to have a hard time making things be lighter and softer with the idea of printing on them. Maybe once I learn more about Photoshop I’ll be able to lighten things up there. Hopefully I have enough usable fodder for Wen’s future teachings.

I went with a Tetrads scheme from a square: Yellow, violet, red orange and blue green. I tried to use up some craft paints a friend had gifted me that were beginning to dry out. And all the substrates take the paint so differently. The final results were almost always a surprise which was fun!

This is Lutradur:

acrylic paint on Lutradur

This is cotton twill:

acrylic paint on cotton twill

This is watercolor paper:

acrylic paint on watercolor paper

This is the plastic that some of the painted pieces were laying on:

acrylic paint on plastic

Another plastic one. Even though these are on plastic, the photos of them can be saved, manipulated in an app and printed onto another substrate. The plastic images are fascinating to me.

acrylic paint on plastic

And some tissue paper:

acrylic paint on tissue paper

Anyway, I had a LOT of fun painting last week as you can see.

assortment of acrylic painted fabrics, interfacings and papers

I decided I’d play a bit more and try to make a quick little collage. That bright yellow and orange piece on top of the above pile caught my eye to use as a background piece.

This is now a combination of cotton, cheesecloth, some kind of a rice paper and newspaper.

start of a collage

I added a bit of silk organza:

collage

The last photo is as far as I’ve gotten on this little collage.

collage

It reminds me of a ship sailing off into the sunset in shallow waters.

I’ll try to remember to post it after I finish it.

Happy New Year!

Tesi Vaara

 

 

December 25th 2023 Fiber-y Festive Best wishes, from Glenn and I and the Mer-Fishes

December 25th 2023 Fiber-y Festive Best wishes, from Glenn and I and the Mer-Fishes

(this is an unusually short post for me, so I can let you get in a quick bit of felting between today’s Holiday activities!)

As you are getting ready for the festive turkey experience or maybe are now recovering from it, I want to wish you Seasonal Wishes for Happy Fiber Creations!!! Belated Solstice, and belated Happy Hanukah, Mary Christmas and all the other seasonal celebrations that occur around this time of year! I am not sure how we got to the 25th of December so quickly?

The Mers’ send their Fishy best wishes to you! (The Mer’s Love a good excuse for a photo shoot!)

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1.1-1.6) Mers Run Amuck at the photo shoot!

Unfortunately, I may have left them alone in their project bag for too long. They seem to have gotten distracted and have wandered off, back to their project bag.

Glenn’s Moose bag is finished, except for his yarn colour choice.

Glenn's Moose bag, a redish brown and charcole tones have been added over the bage. he has not said what colour yarn he wants in the antlers. green and brown fiber have been added to give a ground for moose to stand on.2) Glenn’s Moose has gained more colours and some ground to stand on. (Carlene shared the light green highlights from what she was spinning at the social.)

I think his moose is looking forward to carrying his horrible train games for him to the next gaming day! (I am sceptical about his train games; half the trains rust out halfway through the game and become useless!!! and Worse!!!, there is lots of MATH!! – how can that be fun? I think I will stick to stabbing and impaling.)

I may be moving from my Moose theme of 2023 and possibly a more Bird theme for early 2024. (I was persuaded to teach a chickadee workshop in January and am looking at a 2-D chickadee picture I want to try too. I have not forgotten about the Mers. I have more work to finish them off too! Today I sorted through some of Mrs. Mer’s Hair options. I was hoping to have a consultation with her and finalize a hairstyle and colour but my attempt at picking up a few groceries earlier in the week put me out of commission for a couple of days. (Ok, I get the hint, I will have to refrain from buying 2 large bottles of tonic water as well as a small amount of grocers in one trip.  I will try to do better next year.)

Have you watched your family rend all the wrapping paper into tiny bits? I hope that all were delighted by everything beneath the paper. I hope now you finally have a moment of peace and quiet, to grab a cup of tea or something stronger, and consider your next project, either the last for this year or plans for the first of the next.

I hope you have many good memories of 2023 and that you will have even better ones coming in 2024.

3) Happy Fiber arts to all and More Felting next year!

Slipper Workshop

Slipper Workshop

Not very long ago I taught a felt slipper workshop. There were 6 students including Jan. Here is the set-up in my guilds classroom It holds 6 tables reasonably well. You can see the table looms waiting for class on the left.

           

After we discussed the different styles of slippers, everyone traced their foot and sized up to make their template. We used floor underlay for the templates.

          

Everyone laid out both sides of their resist and got them nicely wrapped around

Then started embellishing them

Then it was time for felting. Start gently with some rubbing

       

Then rolling. No rolling pictures, you would think with everyone busy rolling I would have lots of time to take pictures but I guess I was too busy talking.

then more rubbing to heal the cut and on to fulling and shaping

And don’t forget to try them on to see where they need more work and in which directions. I brought new bread bags so they could try their slippers on without getting wet feet or socks.

Getting there

Here are some of the finished slippers.

 

Now you are probably thinking that at the top I said Jan was in the class but I haven’t seen her. Well, that is because Jan is the problem child of the class. She can’t just do what everyone else wants to do, and so she gets a section all of her own. Jan wants boot-style slippers. Ok, that’s no problem and you are wondering what’s the problem with that?  Well, she wants really tall rear entry boot, style “slippers”.

I had her come to class early so we would have time to discuss the how of making rear entry extra tall slippers. She says they are slippers and not boots.  You can see Jan’s diagram of what she wants in the first picture. I was explaining how the resists would work. This was best explained with a mini paper example.

Jan’s foot pattern and then her mane resist drawn out.

 

Jan started laying out wool about the same time as the others but she had much more wool and resist to cover.

she did a lot of rubbing but I didn’t get a picture of that and then she started rolling. By the end of class, the slippers had started to felt well but were not up to fulling yet. So now the next step is for her to visit me over the holidays and finish the slippers. I think this means I need to sweet-talk one of my men to bring the dryer into the studio. I am not sure where it got stored. I am sure letting the dryer do some of the manual work is a good idea. Maybe we can work on the dinosaur bag while it rolls around and around. These slippers should be good for sorting out what needs to be tweaked to make some more solid boots. These are Corriedale but we would both like to make some good boots out of Finnish wool. Have you made booths? What wool did you use?

As a measure of how much effort and concentration went into these, Jan only had about 20 or so pictures to share with me. All the pictures of Jan’s work are hers except the last one of Jan rolling.

Wishing Everyone a Very Happy Holiday Season!

Winter Solstice

Winter Solstice

I don’t know about the rest of you but this time of year seems to move a bit too quickly. There are always extra things on my to do list during the holidays. Then this year, the football games I attend have been extended way beyond the normal season. The University of Montana Grizzly football team has made it into the national championships.

All of this to say, that I haven’t gotten much done on my forest floor piece that I showed you before.  So my post this week is going to be a bit short on fiber art content but I hope you will forgive me.

Nuno Felted Autumn Background with two felt tree trunks and stitched cheesecloth "moss".

Here’s my progress on the forest floor piece. I have stitched down the trunks and the cheesecloth moss. Next up, is to work more on the foreground rocks, and add leaves and flowers.

Since this post is publishing on the Winter Solstice, I thought you might enjoy a poem about winter.

THE SHORTEST DAY BY SUSAN COOPER

So the shortest day came, and the year died,

And everywhere down the centuries of the snow-white world

Came people singing, dancing,

To drive the dark away.

They lighted candles in the winter trees;

They hung their homes with evergreen;

They burned beseeching fires all night long

To keep the year alive,

And when the new year’s sunshine blazed awake

They shouted, reveling.

Through all the frosty ages you can hear them

Echoing behind us—Listen!!

All the long echoes sing the same delight,

This shortest day,

As promise wakens in the sleeping land:

They carol, feast, give thanks,

And dearly love their friends,

And hope for peace.

And so do we, here, now,

This year and every year.

Welcome Yule!

 

Happy Winter Solstice to you all and all the best in the new year!

A card for Christmas!

A card for Christmas!

This year we all decided to do a Christmas card exchange within the Felting and Fibre Studio group. It is just so lovely to make for another creative! It’s a bit frightening too as I wanted to give it my all. I also thought it might be a nice time to try something new and experiment – no personal pressure at all!  I was so excited to be partnered with Leonor who I know has received her card at this point.

So, I put my thinking cap on.  My first attempt was, and I am being perfectly honest here, an unmitigated disaster and the memory is probably best confined to the bin in which it quickly landed.  So it was time to move on and put the thinking cap back on.

Okay so, by way of background.  I had a poinsettia plant which I managed by some miracle to keep alive for about 5 years.  I will quickly add that this had nothing to do with green fingers, it just liked its position in my sun room with my orchids as companions (again the orchids like the room).  This summer the poinsettia developed a honey fungal disease which is a total disaster if it hits orchids so we had to part ways.  I managed to stem the spread of the disease and the orchids are safe for now.

As a tribute to that most beautiful poinsettia, I thought it could be my focus for the card exchange.  I wanted mixed media so I felted each petal, then I did some free motion embroidery on each one.  I hand sewed it onto a felted backing and added hand dyed stamens to the centre.  It was then mounted on the Christmas card.  It was a little too big for the card so I decided to mount it in a frame before posting it off.  The postal service can be a bit dodgy but I am pleased it worked on this occasion.  From Leonor’s message to me, I think she likes her card and  I have made more since.

Here is a little slide show of the highlights of my process.  Sorry, I forgot to photograph the hand sewing so you will have to use your imagination for that part.  Some of the photos are slightly distorted so apologies for that too.

This was a fun make with a bit of learning thrown in for good measure. You might like to make some too. If you do, I would love to see it! Also if you have any questions on the making just pop them in the comments section and I will be glad to answer them!

Wishing you peace, love good health and happiness and, of course lots of creativity over the Festive Season and for 2024!

Helene x

Bags of Inspiration

Bags of Inspiration

Having just read Kiki’s tutorial  https://feltingandfiberstudio.com/2023/11/19/left-overs-yessss/ on using up prefelt scraps, it occurs to me that I may not have mentioned something we used to do at our Guild (Dorset Guild of Weavers Spinners & Dyers) mainly to raise funds for the Guild but also for fun.

When I attended the Stitch and Creative Crafts Show at the Bath and West Showground in Shepton Mallet (Somerset, UK) back in 2010  – I saw a stand selling (for £8.00 each) bags containing 35gr of silk fibres, yarns, fabrics scraps, carrier rods and cocoons in various colours, left over from old projects which, when put together, made a fascinating collection for future projects.  So fascinating that I bought three of them.

They must have made quite a bit of profit on them because they appeared mainly to be the “waste” from artwork.

At that time (when I was part of the sub-committee organising the Guild’s Exhibition and Sale of Work) we were looking for a Guild Project which could be part of the exhibition or something hopefully to help raise some funds.  Well, I thought, our weavers must have lots of off-cuts of hand woven fabric, not to mention warp ends.  Then there were the spinners who would have odd bits of spun and unspun fibres of all types and colours.  We also had members who were dressmakers, beaders and embroiderers, and a soft furnisher, who were bound to have the odd bits and pieces that they didn’t really need.  So, with the blessing of the committee,  I put it to the members in the next newsletter that if they would donate to the Guild any odd bits of fibres, yarns, threads, warp ends, bits of fabric, beads, button, feathers, felt, cords, braids, tassels, sequins, sequin waste, ribbons, silk flowers and any other bits and pieces they could think of, we could make up some “Bags of Inspiration” and sell them to members of the public at our open days and outside demonstrations.  (I don’t know about in the rest of the world, but in the UK the word “bags” means “lots of” as well as “containers”, so the punning name “Bags of Inspiration” seemed apt.)

We used A4 sized polythene bags (which I was able to buy quite cheaply from our local green grocer) with an A4 sheet of card inside for stiffening, and I made up some stickers with the Guild’s logo on and a brief description of the contents, and posters also giving details of the contents.

Image of a poster detailing contents of a Bag of Inspiration
Bag of Inspiration Poster

We arranged a few bag making days at a pub in the village where our then President lived.  She had persuaded them to let us use their skittle alley at no charge, and we had a great deal of fun making up the bags and tucking in to “refreshments” from the bar and kitchen.

The members who came to these, brought with them all sorts of goodies which we spread out on tables, so that we could make collections of pieces which seemed to go with each other.  Those who didn’t think that their colour theory was good enough, could pick out a picture from a selection of magazines and have a go at matching colours from this  It was amazing how compulsive making the bags became.  You could pick up a piece of fabric that looked so dull and dreary and be amazed how it perked up and positively shone with life when paired with different fabrics, yarns, trimmings etc.  You just couldn’t stop picking up likely bits.  The difficulty was keeping the weight of each bag between 80gr and 100gr, so we quite often ended up making up at least 2 bags with similar contents.

image of tools and accessories for making up Bags
Equipment & Extra “Bits” for making up Bags

Prospective contents of a Bag of Inspiration - fabrics, yarns, fibres etc.
Prospective contents of at least one Bag of Inspiration

We put a price of £3.50 on each bag and they went like hot cakes – we sold out on their first appearance at our exhibition and sale of work.  Embroiderers and mixed media artists in particular liked them.

After a couple of years, we didn’t get so many volunteers to make up bags but we still had mountains of “stuff”.  So we added another string for our open days – Pick and Mix Your Own.  I had remembered that Woolworths (now there’s a blast from the past) used to have a counter full of different sweets and you could take a bowl and pick and mix what you wanted, and in the process buying a lot more than you would have if just buying a ready filled bag.

Boxes of different sweets to be picked and mixed
Pick and Mix Sweets.

It worked with our stuff too.  We gave the visitors the polythene bags and they could wade through all the bits and pieces picking what they needed, and we weighed them when they’d finished, charging £3.50 for 100gr.

We had had a lot of fibres donated so we started making up what are now called Art Batts and selling them as “Batts of Inspirations”, but because we were mainly selling these to Guild spinners and felt makers, they didn’t do quite so well as they were mainly able to make their own.

In all we made around £1000.00 for the Guild in the four years we were doing this.  Eventually though the members got fed up with spending time on making up the bags and the whole thing was shelved, as the Guild seemed to be relatively well off at the time.

Some time after that I took the idea back to myself and I was making up Batts to sell at Guild meetings, using luxury fibres as well as merino and synthetic fibres.  I made up some bands to fix around the Batts detailing the various fibres included in each.

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I was also making up and selling Bags, mainly at a Needlework Festival in Dorset where most of the vendors were selling materials and equipment for crafters, as well as various craft fairs and so on.

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I was getting the odd question like “they’re lovely but what do you do with them?” and  “can you make a bag out of what’s in here?”  So I made a sign from images of items that I’d made myself over the years and that helped.

Image of items made with contents of Bags of Inspiration
Some of the things I’ve made with the contents of BoI over the years

However, once Covid started causing problems, my selling opportunities dried up.  I had been intending to try selling Bags and Batts via my website, but it was very difficult and too time consuming to photograph the Bags so that the contents were visible, because of reflections on the polythene bags.  So that sort of died a death too and I’ve now shelved that project, and am using the bits and pieces I’ve collected over the years on theatrical costumes and props.

Perhaps some of our readers’ organisations, like Ann & Jan’s OVWSG, might use this idea to raise funds?

Xmass Card Exchange! (the moose edition)

Xmass Card Exchange! (the moose edition)

I have been working on something secretly… but now you can peek!

I seem to be on a moose theme lately and after a few options, I returned to it for my Xmas card exchange. Ann had been talking about her original plans for her piece and I had liked the option of a removable pin on the landscape, so it could be viewed as either a landscape on its own or the broach integrated with the picture.

I started with the same moose image that had been used on the guild anniversary bag.  I scaled it down to 3 smaller sizes to give me options, then printed out the images. I decided on the largest version of the options and cut out the silhouette. I traced the shape onto a piece of white craft “Felt”, ok it is a non-woven fabric but the amount of wool in it is somewhat suspect. It still works as a backing to build the moose on so I continued with it.

silowet of a moose printed page of moose in various sizes to use as a template  1.1 1.2) Moose Silhouette

I again used the Maori short fibre batt in the sand and reddish brown with a T38-333 needle. I put on the audiobook I was listening to and got to work.  ….I was sure I had taken a few shots as I started, but could not find them. So I unfortunately seem to have a shot of the moose part way done. I have the basic structure built, the armature wire has been added down through the head and curled into the neck. (Which was the same way, I had treated the moose antlers on the bag.)

Moose with antler armature  2) Working on a half 3-D image of moose with armature in near side antler

I had used a thicker marker than I wanted to use (I am sure I put the fine one somewhere……safe) so I need to both, solidify the space between the legs and get rid of the residue of the outlines. To do that, I added white wool. I pulled it into little pieces, about .5” long and made sure the fibre direction was very disorganized.  Once the in-between leg spaces were firmly felted I started looking for my good scissors. I had seen videos of the beautiful cat heads being cut from their felt backing before mounting them on another fabric for framing, so I was sure it was possible. I carefully trimmed around the outside of the moose. I used the good embroidery scissors to bevel the edges so the white would not be seen, then added a bit of wool where needed along the edge.

close up showing white between moose legs and snow in landscape3) I used the same white I was using for the snow in the background picture.

Next was sewing on the broach pin, I should have searched more for the white buttonhole thread, but I did find the black which should be strong enough to keep the pin attached. You can find these pins in various configurations at craft stores and online at Aliexpress. I have a bag of various sizes, … which has again wandered off somewhere. (Pre-new Year’s resolution – clean up my studio!!! or stop putting things in “Safe” places.)

bag of broach pins in various colours sizes and latch styles 4) Broach pins, in two styles and many sizes and colours.

checking size of broch pin to moose attaching broach pin with button hole thread pin attached to moose5.1, 5.2, 5.3 Attaching the pin to the moose (not the same as Pin the Tail on the Quadrupedal Large Animal.)

I also added extra white behind the body to make a level surface for the broch pin.

Close up of the antlers vewed from above 6) Close-up of antlers.

Here is an overhead angle showing the back antler is flat while the front antler has an armature wire and is curved. (This is why he got a little travel box and not a bubble mailer). The odd pink thing is my T38-333 needle with a pink elastic which is helping him stand to show off his impressive rack! (of antlers)

Since you can see the foam pad I am using for this project, I should probably talk about it. This is a gift from Ann. Her husband picked it up at his work. Its original purpose was for packing of, I think,  air filtration equipment. It has a plastic-y top layer and a softer foam underneath, so it would both support and cushion the delicate bits it was packed with. The top layer worked well to felt on.

parking foam, made from two types of foam 7) Foam from shipping equipment

It sits comfortably on my lap as I worked.

Next, I put on a new audiobook (Which again derailed my memory to take regular photos as I worked) and moved on to the background the moose could inhabit if it was not out adventuring with his recipient. As I considered what elements to include, I settled on snow, leafless trees/branches, a small pond with cattails, and a dark night sky with moonlight.

For size, Ann said from about 3×5 to postcard size. I started with a piece of good wool felt (from the Black Lamb) and marked out the design on a 3×5 scale but realized the poor Moose would feel squishy in such a small landscape. So I went searching the desk for postcards, I know I had one from Monika at the Olive Sparrow and one from Heidi Feathers. I found Monika’s first so started expanding the landscape to fit it.

postcard from Olive Sparrow checking size of picture to postcard, postcard is bigger and cn be seen extending mostly at the bottom of the fel;t picture 8.1, 8.2) checking image size against the postcard.

To check size, I compared the landscape, with the Olive sparrow postcard. It needs to be a bit wider and taller. I tried a bit of Tugging then added more fiber extending the sides. A good thing felt is forgiving if you want to expand your image.

You have probably read before or heard me in person strongly suggest you try to work to a size that can be economically framed. That means choosing a finished size that will fit a standard matt size. In my earlier days, I spent 13 years as a custom picture framer, mostly archival framing and hand mounting  (I also worked with parchment but I discovered that not everyone is as excited by it as I am. With the help of a friend, I even made some deerskin parchment!)  When I found my postcard from Heidi Feathers I realized that yes, there are different standards of sizes from North America to the rest of the world!!

My solution was to expand the snow and sky so it could be cropped to fit into a standard size frame on either side of the water. The other solution would be to float the felt background in a shadow box which could allow the edges to be visible.

In the 1990’s there was a framing trend called a memory box, it had a front or back hinge on a shadow box frame so that you could change what was on display. It was advertised to show off holiday trip photos and mementoes. I have found a few of them turning up second-hand and have grabbed the ones still in good condition.  You may want to keep an eye out for them too.

background for Moose pin, adding to the top of image 9) First, I extended the top adding height to the sky, trees and moonlight.

adding to the bottom of image 10) Then I added more to the bottom snow and under the pond. There is a bit more to the right of the largest tree.

Moose now has more space to stand and admire the reflection in the pond.

checking spacing for moose on the landscape 11) Checking if the moose fits in his landscape, yes much better!

Now what have I forgotten? Oh! He can’t see the pond or the reflection since he doesn’t have an eye, I can fix that!

adding an eye to the moose so he can see the landscape (trees in back ground, pond and cattails in pond with reflection of moon. 12) Added an eye to Moose and repositioned him in the landscape.

Now that moose is happy in his landscape it’s time to tuck him into a bubble pack and then into a cardboard box, which is covered in tape and brown paper. Then send him on his exciting journey to his new home.

Moose and landscape going into buble wrap bag moose and landscape wraped in buble wrap ready to go into little box to travel!13.1,  13.2) Moose entering his bubble wrap bag for his big trip!

He went off to the local postal station to start his exciting travel adventure.  I am now waiting to hear he has arrived safely.

AH HA!! He has arrived and I can now show you! I hope Marie will let us know if Moose is behaving or if has he run off to World of Wool. (He is closer to Wool Meca than he was in Canada!)

I hope you had fun seeing the mini-Moose and his landscape come together. Next time I promise to take pictures before enjoying an audiobook! I am looking forward to seeing all the cards once they have all arrived.

PS Marie’s Card of Festive Trees has arrived!! Thank you!!

A Christmas Card for Lindsay

A Christmas Card for Lindsay

As you’ve heard, here at the blog we did a Christmas card exchange. Well, not necessarily Christmas but I went with that theme.

I worked out my idea in my sketchbook and didn’t (I was sure I had) take a picture and now that pad has gone AWOL. It was simple trees. OK, I can use my computer to make a triangle by using the draw a shape thing in my wordprocessor program. No, problem. Now just drag it bigger to make the start size……nope triangles do not do that.  I switched to publisher and with much fuss and bother and guidelines, I added the same amount to all sides and made a larger one.

I have already unpacked my stash of prefelt and put it into draws just like I was an organised, neat and tidy person. Well, that will last until I get everything else out of boxes and have to find a place for it all. Anyway, I got out the red and the white. seemed like appropriate colours. the red for the background and the white for the trees.

I wet the prefelt and shrunk it down to the size I wanted. checking against the picture I drew in my sketch pad.

then I cut the 2 sizes of trees the small ones will get needled onto the background and the big ones will be wet felted.

 

No jumping forward, I didn’t like the white trees but again I was sure I had taken some pictures here.  Clearly, I was doing something wrong.  I had my bag from the felted sheep glass handy and started adding curles.  See the messy tendancies do come in handy sometimes. Now they are much better, textured, colourful and happy.

 

Here are the triangles ready for their turn felting

Again wite was do stark so I added some wool to them first. Blue, Green with sparkle and White with silk.

and all done and as shrunk as they can go.

I then added some curls as garland and embroidered some stars at the top so they look more like Christmas trees and not just random triangles. sorry no single picture of the green one.

 

 

 

For these trees, I added some pins and some gold string so they could be pinned or hung.

I thought about adding some baubles but |I thought they looked crowded on the small trees. They finished at about 2 inches I think.

Next, I pinned the trees to the card. I was going to send it this way but the packaging would have been too fat and turned it into a parcel and doubled the shipping.  I took them off and put them into the envelope separately.

Usually, I make my cards postcard by ironing a print of the back of a paper postcard to it using fusible web. But I couldn’t find it. I printed out a card and tried to sew it onto the front of the card. I tried 3 times to do it and then gave up. I stuck some self-stick velcro dots onto the card and pressed the felt to it. No picture of that either as by then it was late and I wanted it in the envelope and ready to take with me to work the next day. It managed to fly over to the UK in record time and arrive safely at Lindsay’s house.

Lindsay kindly sent me a picture of what it looked like on the card.