Browsed by
Tag: The Olive Sparrow

Finally Mer-Felting! in Toronto Ontario Canada part 2

Finally Mer-Felting! in Toronto Ontario Canada part 2

October 22nd 2025

As we prepare to head out of Oakville, we were sad to leave. We have so many happy memories, of visiting Glenn’s parents, the years we were walking our giant black barking “cat” through the neighborhood, even a couple times past the hotel we were just in. That was a long time ago.  We stopped at his parents Church and visited the memorial garden. It still had flowers even this late in the fall.

Memorial garden with arch, benches, and blooming roses and other flowers. brick church with stain glass beside gardens7.1) Oakville Memorial garden

Now its time to get on the QEW (Queen Elizabeth Way), the highway that turns into the Gardner Express way….. don’t let the name fool you it was not expressing speed….

As we trudged along in heavy traffic… it’s now well after 10am, the young Mer seems happy smiling out the window and looking at whatever is attracting his attention. Eventually the road turns north and becomes the Don Valley Parkway, still not moving fast but the scenery is now trees with tall building looking down into the valley. We even spotted a subway car crossing under a bridge. It all must be very exciting to a young mer on his first big trip. I had made cryptic notes, and checked with google maps before heading out, so we found the building without difficulty. It looks like an old industrial building that had many loading bays and production area for about 2/3rds of the building and the last part was a 2 story office area. It made me think of an old newspaper or print shop.

Finding The Olive Sparrow

Monika is upstairs, there is a small elevator so we can yet again avoid those evil stairs. Why don’t you join us and see what I found.

Holding the door open you can look past and see some of her felting supplys8.1 Monika welcomes us to the Olive Sparrow

If you have seen Monika’s booth at various fiber festivals you will remember walls of bags of colour in various fibers, tools, fine theads, needles and other distractions. I was looking for something to help a friends project and I was curious to see what else she may have that she hadn’t shown us at the various sales.

The Olive Spairrow sign and some of her store bags of fiber Bags of silks and specialty fibers most in white and off white felt rolls, and carded batts More carded battsMore carded bats i think this was some of the short staple Maori More bats in grays and brownsanother vew of bags of colours of fiber!! and some balbrasa8.2-8.9)the Olive Sparrow, an overwhelming amount of fibers and colours!! I noticed more things in the photos than I saw while there!!

husband book in lap napping beside display of long locks9.1) Glenn found a comfy enough chair to read and nap as we chatted.

I explained what I was looking for today and we found a few options, including some viscose in excellent colours. I had not found more maori short fiber batts locally, so was extremely pleased to see she had all the brown tones I had used to make moose for the moose bags. I found it compacted to a dense even felt.

 

Monika showed me a piece she was working on. there are lots of ways to transfer and image to felt or fabric ground, but once you start working you can obscure the guide lines.  we are both of an age that remember overhead projectors used at school. She had found some of the transparency sheets and had transferred her line drawing to it. so she could use it to check her layout. This is brilliant, it is easier then trying to redraw an outline as you are working or using proportional dividers.

a fox Monika is working on. from the Right photo, felt picture and outlinetransparency overlay with line drawing on it10.1-10.2) line drawing, picture felting on antique linen and reference photo, and using a transparency overlay on the image to check proportions and progress.

I wonder if I could add registration marks, or use pins, magnets, or bulldog clips to keep the transparency from shifting? I have not seen the acetate sheets for overhead projectors, since I was a teen ager, that was a while ago. (I will be doing a search on line!)

Monika also shared a method of blending and storage of the blended fiber she was using. Instead of just hand blending (stacking and separating until the desired colour is achieved. Which works well for small amounts but can be harder to reproduce the same colour each blending, for larger quantities.)

stacking and pulling fibers apart to blend top coat (keep the fibers parrilell)11.1) hand blending

Instead she lay out the colours in thin wisps similar to how you would lay out fiber for wet felting. Then lay wisps of the other colours on top. Alternating thin layers of wisps.

laying down a thin second layer of a second colour layeing down a 3rd layer alternating back to the same as the first layer of colour finished 3rd layer adding 4 layer of whisps of ligher tone11.2-11.5) blending larger quonties similar to wet felt layout but stacked in thin layers

She then took the line and from one end rolled it up keeping the fibers in the same direction.

from one end of the row she carfuly rolled up the fibers keep the fibers parrelell11.6) rolling up the fiber keeping the locks parrelell

She then worked from the stack she had just made and repeated the laying out of thin layers as she had just done.

she again pulled out thin wisps and layed them in a row she then added more thin layeres she repeated untill she had the amount of bending she wanted11.7-11.8-11.9) she continued to layer the wisps then rolling until the amount of blending she wanted had been reached

Once  she had the colour she had wanted she took a sheet of paper placing the fiber on it, then folded the paper over the fiber. this kept the fiber parallel. she then rolled the paper with fiber inside and labeled it for latter use. If I have been storing blended fiber for later use I tend to lay it into a zip lock bag which I usually label.  Storing it in a folded then rolled paper will keep the parallel alignment which is more helpful when making topcoat for a peice.

 

folded paper to hold fibers then folde over the end she kept foldeing/rolling untill the end of the paper she added a small pice of tape to hold the fiber secure and labbed it (fluffy)12.1-12.3) keeping the blended fibers organized and ready to use

I was very impressed with the collection of needles Monika had available.  She had be able to get one of the ones I was very curious about, the “teardrop” shaped felting needle. this odd needle has all its barbs on one side. What would a one-barbed-sideded-needle be used for in Industry? It is used then a woven ground fabric, has fiber added to it. the theory is that the teardrop shape will pass through the woven ground fabric without braking the warp or weft threads and embed the fiber to be attached.

I spotted this in the industrial info a few years ago and immediately was curious, would this work for hand needle felting too? But did not think I would get my hands on a sample. Monika had one and liked it, I am looking forward to investigating this odd needle further.

3 samples of felting needles she sells13.1) some of the needles in sets, she also has a broad selection of individual needles available too.

the Young Mer sitting on top of a paper bag full of fiber i had perchused!14.1)The young Mer seems happy with my shopping and is being helpful holding my map notes on our way back to the car. (the Mer-Boyfriend is enjoying his improved hands!)

 

I found viscose in various colours, a mill end and more Maori short staple batts . She also sent me home with small samples of two core wools she was selling. I think the Young Mer enjoyed the shopping trip and visit with Monika! Now its time to head back to the car and start the return to Ottawa. Once we are back there is more to do to get ready for the Guild sale and exhibition.

I hope you have enjoyed the trip to Toronto and got as distracted by the reflected light and shadows on architecture as i did. i hope i can have another shopping trip to Monika’s store (i know she will mail things but its so nice to be able to feel the fiber and have a visit with her!) I promise I will tell you more about the tear drop needles when life gives me a moment to have fun and investigate.

if you would like to leave a comment or say Hi please use the sneeky comment button at the top of the post.

Meet the Supplier: The Olive Sparrow

Meet the Supplier: The Olive Sparrow

Fibre 3, 2, 1

Q-3 Three types of fibre you can’t live without?

  1. Swiss Mountain Sheep (Walliser Sheep – Valaise Blacknose —

I just love this fibre because it makes both amazing wet and needle felted items. It comes in batt format in 49 dyed and 9 natural colours. At 27 micron it is a rougher fibre and has a moderate staple length of 3-5cm.

I fell for this fibre not just because of its felting qualities, but also because the product is made by happy sheep that spend their summers up in the high Swiss alps — travelling on ancient roman roads to get there. After they are shorn in a traditional manner, the wool is transported to a small Swiss family business where it is washed only with washing soda (aka sodium carbonate or soda ash is a natural cleaner and a powerful water softener. It’s very basic with a pH of 11). The washing process is environmentally friendly and the wastewater is safely returned to the local mountain stream. The wool is dyed carefully and without any harsh chemicals — using just natural vinegar and acid dyes. The wool is dried outside on warm metal roofing (weather permitting). In winter the warmth created by the dyeing process is used to heat the building.
The fibre is exceptionally clean as the carding machines have special vacuums installed to remove VM (Vegetable Matter naturally occurring in sheep fleeces) and ensure it doesn’t get back into the wool.

This slideshow requires JavaScript.

 

Due to the ease of felting with Swiss Mountain Sheep wool, kids love working with it. The fibre can also be laid out very thin to create transparent felts.

Combine Swiss Mountain sheep with Maori or other Bergschaf yarns. You can also combine it with 18/19 micron to create an inner layer that is next to skin soft when making garments. I love making slippers with an inner layer of 18/19 micron merino batt or Kap Merino and the outer layer being Swiss Mountain, combining softness with hard wearing wool.

 

  1. Yak and Mulberry Luxury Roving

A custom blend made for The Olive Sparrow — this is a commercially triple-blended roving/top which mixes the silk with the yak to create a lovely variegated roving. Although it requires some gentle coaxing to wet felt due to the high content of mulberry silk, the resulting felt is an absolute dream to wear right next to the skin.

The yak fibre is naturally fawn coloured, the mulberry silk is undyed.

This slideshow requires JavaScript.

 

To produce yak fibre for felting, the soft fine under hair is the desirable element of this animal’s coat and is removed commercially by dehairing, which separates the soft under hair from the coarse outer hair, known as guard-hair.

This also makes a lovely spun yarn.

Using acid dyes on this fibre is very interesting — the yak and its brown/yellow undertones combined with the undyed silk to absorbs colours differently and will make mottled/variegated tones. As the fibre is very fine, it lends itself to be dyed after felting or spinning.

 

  1. Mint Fibre

The fibre length is 75-80mm.

I love using mint fibre in the same way as mulberry silk — the softly off-white colour and the slight mat sheen give a look between the extra shiny mulberry silk and the much softer gloss of tussah silk.

This slideshow requires JavaScript.

Mint is a new biodegradable cellulose fibre that is infused with mint powder that is extracted from peppermint leaves. It does not smell of mint and has a lovely soft and cottony texture. This soft golden fibre has antibacterial properties and natural cooling properties. Mint infused roving can be dyed using natural plant dyes and mordants or other dyes suitable for cellulose fibres. Perfect for spinning and blending with fibres such as cotton, silk, wool and Linen. Great surface inclusion for wet felting. A wonderful vegan needle felting alternative.

 

Q-2 Two tools you use all the time?

 

I use my ball brauser — I generally have two on the go at the same time. I also love the hand-pumped vegetable sprayers from the garden centre to wet-out large areas. When doing a sculptural piece, handheld massage tools make shrinking of specific areas very fast. Thin painter’s plastic as one layer on bubble wrap — and I always use the bubble side down when initially starting to felt.

Q-1 One fibre art technique you love the most?

Having been blessed with learning handwork techniques from grade 2 onwards, my arsenal of techniques means that I often will blend them all together in a project. Because of the shop keeping me quite busy and still being needed as a mother, most of my creative time I spend making dolls or knitting simple items. Yet especially in doll making, I frequently wet felt garments for the dolls. Doll making lets me use all my skills. In wet felting, I love making long voluminous shawls — generally using at least a 4m length and 30” width. I also love working with Teeswater locks — washing, sorting, dying them. I sew them into wefts for my dolls and use them as fringes in shawls.

 

General Questions

What is your business?

 

The Olive Sparrow.

Good Hand-Made Goods made by You and Me

Here is a bit of background information about how this all came to be:

The Olive Sparrow is me, Monika Aebischer, I am a felter and a natural fibre doll artist. I quite proudly call myself a crazy when it comes to collecting books about wet and needle felting.  In a previous life, I was a mixed media artist with work in galleries across Canada. Sadly during the 2008 financial crash, the art market collapsed and I was forced to re-invent myself. As I had fallen in love with felt making during my student years at the Ontario College of Art and Design and had taken some wet felting workshops in Switzerland, it seemed to be the right direction to go. It also worked very well with my doll making — I needle felt the heads of my dolls and also make felted clothing for some of them. While growing up in Switzerland as part of my apprenticeship in selling women’s clothing, I studied fibres and textile manufacturing.

 

 

The Olive Sparrow shop started as a way to bring supplies to my felting students — I taught a 5-day felting intensive workshop at Loyalist College for 4 years every summer from 2011 – 2015. Every year I would import specialty felting fibres from Europe for my students. These students then wanted to purchase fibre after the workshop. Learning that there are several Fibre Festivals around Ontario made me realize that there was an opportunity to share these fibres with other felters. My painting studio slowly turned into a shop — alongside my selling on Etsy. I decided that the shop was going to focus on Felting supplies and not be another general fibre shop. I also decided that the focus will be on European felting fibres, rather than local fibres.

 

After 20 years in that space, I was forced to move in 2018, as the old building was being turned into condos. Now located in the East end of Toronto, the shop is in an industrial building — and open by appointment. There are about 600 square feet full of fibre, commercial 100% wool felt, Waldorf doll supplies, Sajou notions from France and select other items. The shop is also somewhat flexible, in that it can be transformed into a workshop space for 1-3 students.

Before we were in this Pandemic, the Olive Sparrow could be found at various fibre festivals — Twist, Picton, Woodstock, Peterborough, Knitter’s Frolic, Kitchener/Waterloo knitters festival, and other smaller events. 2020 has meant a focus on building out the online presence and extending inventory.

This slideshow requires JavaScript.

 

 

What kind of items do you sell?

Too many to list, however, here is a sampling —

18/19 micron roving in over 100 colours

24 Micron roving

Swiss Mountain Sheep batt

Kap Merino

19 micron merino Batt

Pre-felt (both in 40 x 40 cm sheets) and by the meter

Margilan silk

Maori and Maori/Bergschaft batt

100% wool felt by the sheet and many colours by the meter

Unicorn Power Scour

Premium locks – Teeswater extra length

Wool felt balls/hearts/stars from Nepal

Silk – Mulberry, Tussah

Viscose

The Olive Sparrow is an official DHG Dyehouse reseller — carrying all of the pre-felt colours, as well as an extensive selection of 19 micron roving, 19 micron batt, sari silk waste, mulberry silk and a variety of other fibres.

 

What do you think makes your business different from similar ones?

Unique premium products from Europe — all our goods are imported from Europe. Volume discounts to help small-scale makers. Teaching workshops – private and customized — creativity counselling. Very hands-on knowledgeable. A brick and mortar shop that is open by appointment and sells online.

Where are you located?

Toronto, Ontario, Canada – at 19 Waterman Avenue — which is an industrial area just south of Eglinton and just off the Don Valley Parkway.

 

Where can we find you on the internet?

www.theolivesparrow.com

 

Monika is doing 2 Giveaways

To enter leave a reply below. Do not post your email but make sure there is one associated with your post. You can’t win if we cant reach you. The two winners will be announced on June 4th

 

Giveaway #1 — 100 grams of premium washed Teeswater locks 12″ undied/unsorted ready for you to decide what you want to do.

Giveaway #2 – 150 grams of Swiss mountain batt (you can choose the colours if your name is chosen)