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Pandagirl’s Year End Round Up 2017

Pandagirl’s Year End Round Up 2017

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I’m always amazed at what I accomplished at the end of year. This year I took a few classes in order to expand my creativity in addition to experimenting on  my own. I also tried to use up more materials and finish some UFOs.

Here is a bedside case for odds and ends made with some merino inside and unknown fiber batt with silk embellishment.

Experimenting with different types of yarn to make a table runner.

Our First Quarter Challenge – Fauvism.

Weaving then felting.

A Valentine gift for granddaughter Lisa.

 

Teri Berry’s Snail hat class.

 

 

 

 

 

 

 

Finishing and hanging an eco print.                                                  Crochet around wire bowl.

 

 

 

 

 

 

 

Framing the felted weaving.

I did a lot of experimenting with crochet stitches.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Practicing for Ruth’s Free Motion Embroidery class.

Crochet hats for my granddaughter and her new premature brother Ken.

A dimensional potholder.

Learning more crochet stitches.

Making a crochet hook case from a crochet sample.

A bowl for the Second quarter Challenge – Celtic

Using yarn on a resist for a vase cover.

Adding dimension to the hummingbird/tiger lily picture.

Crocheting scrubbies.

Felt and crochet earrings.

 

 

 

 

 

 

 

Crochet beaded bowl with stiffener.

A Pumpkin for Ken.

The Third Quarter Challenge – Edo Period; felt and hand embroidery Sakura.

Ribbon embroidery and framing.

 

 

 

 

 

 

 

Playing with thickened dye for Ruth’s class on felt.

 

Finishing  a case from UFO pile and FME Butterfly

 

 

 

 

 

 

 

Maneki-Neko for Third Quarter Challenge Edo Period.

Framing the Rooster.

More stencil play with acrylic and thickened dye.

The Fourth Quarter Challenge — Suprematist

Penguin’s Poinsettia Holiday card.

A couple of scarves for my daughter in laws parents in Japan where it’s as cold as Chicago.

 

 

 

 

 

 

 

I want to let everyone know I am taking a leave of absence to focus on my health and family.  I will be around just not posting weekly.  We have a lot of talented artists that will be filling in starting with Tracey Thompson next week.

I want to thank everyone for helping out to give me this time.   If you or someone you know has something to share — it doesn’t have to be felt but anything fiber related including paper, please contact me or one of the other moderators on the forum and we’ll get you on the schedule.

I hope everyone has a Happy, Healthy and Prosperous New Year!  Happy Creating in 2018!

Pandagirl’s 4th Quarter Challenge

Pandagirl’s 4th Quarter Challenge

Comments 8 comments

I decided to take a little different direction with the Suprematist Challenge.  Ruth had used offcuts for her background.  I decided to use scraps for my shapes.

Zed had mentioned texture which is always my preference in creating most anything. So, I dumped out one of my bags of samples and scraps and started to cut shapes.

Sorry for the pic on my kitchen table, but I couldn’t help but start to organize them and wanted to save my tentative design.

Then I realized I’d better find a background. So, I used a piece of felt I made for a class with Fiona Duthie to layout designs. I pinned the pieces after I moved them around a bit.

Since most of the pieces had already been felted, I had to sew them to the background.  For most all I used a very, very fine black rayon thread.  For the lighter green pieces, I changed to a light green thread.  But I don’t think I had to.  It was felted on black prefelt ad probably wouldn’t have shown much anyway.

The pieces varied a lot in texture and materials used from nuno, throwsters waste, ribbon, silk hankies, locks, and some decorate fabrics.

It was also interesting that the pieces not only had lots of textures, but dimension.  Some of the shapes got a little distorted with the sewing.

The back was a negative of the front which looked like a puzzle to me.

Here are a couple of closeups:

Sorry my photo skills aren’t the best.

Depending on which way you turn the picture, you get a different feel.  This is the one I like the best.

Have you finished your challenge piece yet?  If I have time I may try using prefelt.

2017 4th Quarter Challenge

2017 4th Quarter Challenge

Comments 10 comments

My first thought for this quarter’s challenge was to choose something very old, like very first cave paintings etc, but it isn’t really an art ‘period’ and it was hard to come up with something that wasn’t too wide or too narrow a topic. Then, like Marilyn, my instinct was to choose something to do with abstract art, I was thinking abstract non-figurative, bold patches and sweeps of colour, but after a bit of searching and researching decided on: Suprematism

Kazimir Malevich – Airplane Flying

According to Wikipedia, Suprematism “was founded by Kazimir Malevich in Russia, around 1913, and announced in Malevich’s 1915 exhibition, The Last Futurist Exhibition of Paintings 0.10, in St. Petersburg, where he, alongside 13 other artists, exhibited 36 works in a similar style.” Suprematism followed the Futurism Modern Art Movement. Looking through the work of the artists featured in the first Suprematism exhibition I found I was more familiar with a lot of their work than I’d realised. Even if you don’t know the artists mentioned, you’ll probably find their work or style is familiar too. For more info about Modern Art Movements in relation to each other, I found this timeline: http://www.theartstory.org/section_movements_timeline.htm

Ivan Kliun – Suprematist Composition

The Art Story website explains some of the ‘Key Ideas’ of Suprematism: “The Suprematists’ interest in abstraction was fired by a search for the ‘zero degree’ of painting, the point beyond which the medium could not go without ceasing to be art. This encouraged the use of very simple motifs, since they best articulated the shape and flat surface of the canvases on which they were painted. (Ultimately, the square, circle, and cross became the group’s favorite motifs.) It also encouraged many Suprematists to emphasize the surface texture of the paint on canvas, this texture being another essential quality of the medium of painting.”

Kazimir Malevich – Supremus 56

Other geometric shapes such as triangles, semi-circles, arcs and all kinds of regular and irregular quadrilaterals were also popular. The more I looked at Suprematist works, the more I thought how interesting it would be as a Challenge topic, because, even though the shapes and colours are ‘simple’, and in the case of some pieces, very minimalist, I thought their idea of emphasizing surface texture would appeal to many of us 🙂

Yakov Chernikhov – Suprematist Composition

Enjoy researching it and please share any of your projects with us on the Forum 🙂

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