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Combining Weaving and Felting by Fiber Artist Cathy Wycliff

Combining Weaving and Felting by Fiber Artist Cathy Wycliff

For many years I have been a lover of textiles, but I never wanted to knit or weave. Too fiddly….knit, purl, knit, purl. Or weave to a pattern but first figure out the sett, the epi. No, not me.

And then last year, I saw Meta vd Knijff’s small homespun weavings on felt on Flickr. Meta also uses natural dyes and paints and takes cool photographs as well. Meta is an artist in the Netherlands who I discovered on Flickr. So, back to the weavings on felt. I thought, hmmmm, if I could do that with weavings, then maybe I would like to weave. Then I discovered Saori weaving quite by accident, somewhere on the world wide web and subsequently took instruction.

I discovered that weaving doesn’t have to have patterns, that weaving can be creative and free, and what’s more–I could combine it with felt.

Over the period of a week or two, I made a bunch of small sample weaves, no plan in mind whatsoever. Then I grabbed some pre-felt I had in my stash, some homemade and some commercial. I fooled around placing the small weavings on pre-felt.

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Most of the weaving samples are cotton and/or wool, and all are woven on black thin cotton warp. There may be the odd novelty yarn thrown in there, since when I was weaving samples, I was not thinking about combining them with felt. I chose 3 samples to felt with: the largest is multi-colored, all cotton warp with all cotton weft. I chose a large bright turquoise commercial pre-felt batts called “Maori” from Opulent Fibers, which I recall being Corriedale. I used small pieces of the same prefect batt to cover parts of the all-cotton weaving.

The second largest piece was a weaving I made with mostly wool and some cotton weft. I used as pre-felt a piece I had cobbled together with my naturally dyed wool, half madder and half logwood. I did not use any wool wisps to cover parts of this weaving.

The last and smallest piece was a small sample weaving I made using partial wool, cotton and nylon weft on cotton warp. I placed the weave onto cider merino ( handmade by me) pre-felt–again no wool wisps to cover.

I felted all of them in the usual way but not rolling as long as normal because I had used pre-felt as the base. Besides, I was impatient to see how they turned out! All of them successfully felted, although I did use a bit of needle-felting to secure some areas, mostly with the largest all-cotton weaving. I think that will make a nice wall-hanging for someone who likes a lot of brightness in their decor. Unsure about the medium-sized one, perhaps a small wall-hanging or pillow-cover? And the third piece I have fashioned into a cuff with vintage buttons. The inside is soft as merino should be!

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Any weavers out there? You really don’t need a floor loom if you would like to get started weaving. You can even use a table loom, a pin-loom, or just hammer some nails into an old wooden photo frame, and you’ll be ready to weave and felt!

 

Thanks Cathy for yet another fiber technique to try!

Scarflette with Locks

Scarflette with Locks

I was inspired by Nada’s scarflette a while back and thought it would be a perfect way to use some of the locks I received from Zara.

I dyed some Merino, Corriedale, Romney and Cheviot wool along with some silk habatoi and silk mulberry using Silver Gray acid dye. Then made some batts with the wool and silk.

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I pre-washed some of the locks using Zara’s method posted on the forum using netting and soaking.  I wasn’t sure what color I would use, but chose dark gray Gotland locks.

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It was a simple scarf  layout, but not a simple process.  I had never used locks, so I wasn’t sure how to space the locks. I anticipated a 30% shrinkage.  I needle felted the locks between two layers of batts using similar sizes and shapes. I also wanted a silk nuno close to the skin. I wet down the batts then added the silk on the back then proceeded with felting being very careful not to let the locks migrate or felt.  I worked slow and was attentive to the locks.

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What I didn’t expect was that not all the silk would get nuno felted.  I even added some fiber at the beginning of the process to those areas. No deal.  I worked diligently on those areas, but no change.

I was ready to throw it in the lost pile.  The locks were fuzzy, some of the silk wasn’t felted.  I left it for a couple of days and decided I’d make it work.  I knew it was fruitless to try to continue to felt.  The felt was solid. I originally had the design drape to one side and was going to cut the ends at an angle, but I folded over the nuno side to create a collar and liked that better.  The silk was a bit larger so I just let it ruffle over the edges.

20160125_111715I had to do some stitching to hold the silk on  in places.  But its pretty much invisible.

20160125_11140320160125_111425Originally, I envisioned a cool button on the front, but ended up with a snap on the inside. The button I had purchased would be hidden by the overlap.

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I wetted the wild locks and used a little leave in conditioner on them.  Not perfect, but my husband walked by while it was sitting on the counter and remarked on how beautiful it was.  (I never mentioned what I was working on or my disappointment. So, I guess it wasn’t a failure.)

I need to work on my locks skills.  I have no idea what happened to the nuno especially since my ginkgo piece turned out so well. Or why the locks turned fuzzy.

Any ideas?

 

Dyeing with Avocado Skins Part 2

Dyeing with Avocado Skins Part 2

My next step was to use the avocado skins for dyeing.  Again, the instructions varied.  Some said to tear the skins, others use whole.  I went with using the whole skins.

I used approximately the same amount of wool, thick and thin yarn, silk habatoi, silk gauze and cotton voile.  What I did differently this time was to put everything in before it was heated.  I felt this would save some time waiting to put in the wool after cooling. I’m not sure this changed the outcome.

I let the pot come to a boil,  left it to simmer for almost an hour.  Then let it sit overnight to cool.

The results were interesting and different from the pits.  The color was like a latte for the wool and silk.  The cotton was a very pale pink.

20160123_114840 20160123_115531 20160124_115819 But I couldn’t stop there.  I had saved the dye pot from  the pits and used half and half with the skins and pits.  I also presoaked the wool, silk and cotton in an alum mordant for several hours.

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Again, I added the fabrics and wool before heating, heated to boiling then simmered for almost an hour and left it all sit overnight.  I wondered if the colors would be brighter and more intense with the addition of the alum.

Here are the results:

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The result a little more coppery except for the cotton.

Now here they are next to each other.  From left to right – pits, skins, pits and skins with alum.

20160125_113312I thought it was interesting that the silk gauze was the deepest color in the mixed batch.

They are all lovely colors. Now to figure what to do with them.  And yes, I’ll continue to save my avocados.

Dyeing with Avocado Pits Part 1

Dyeing with Avocado Pits Part 1

I don’t know where I ran across the blog on dyeing with avocado, but I eat a good amount of it and always feel guilty throwing it out.  My Son Brad and his wife Mari compost, but we don’t maintain a big enough garden to justify a compost heap.   So, when I read the blog and did some further research, I started freezing the pits and skins.

When I had about ten or eleven of them, I started my dyeing project.  There were several posts on how to dye with the pits.  One said to use the whole pit, another said to cut them.  I had started cutting them so I went with that.

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I prepared some merino (76 gm, thick and thin yarn 4-8 gm, silk habatoi -1/4 yard, silk gauze 1/4 yd and cotton voile 1/8 yd) by washing with synthropol and rinsing then soaking.

I put the pits in about 2 gallons of water and brought it to a boil, added the fabrics, then simmered for an hour. I let it cool down then added the wool and let it sit overnight.

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Here is what the liquid looked like.

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After rinsing and letting it dry, here were the results:

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20160122_110547 20160122_110538 The silks were a pinkish coppery color and the wools a lighter version.  The cotton voile was a brighter pink.

Have you ever tried this?

Next up is the avocado skins.  Stay tuned until next week…

My turn for a Giveaway

My turn for a Giveaway

I am going to give away some fiber. The winner will get approximately 100gr of one of these multicoloured Merino batts.  I couldn’t decide which one to give away so the winner will get to pick the one they want. All but the last are textured. They are good for felting or spinning.

Brown
Brown/orange
orange
Orange/yellow
pale green
Pastel greens
pink
Pink/purple
purple
Purple/pink

I will announce  the winner on January 24th. To enter just leave a comment on this blog post.  Good luck.

Holiday Exchange and wool order

Holiday Exchange and wool order

We do a holiday exchange on the forum. We make Felt post cards to share. I can show you the post card I sent to Cathy now that she has it. Do you participate in any fibery Christmas exchanges or challenges?

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The only thing woolly that I did this week was get a World of Wool order. I half put in an order because I needed Finn wool to do a cat cave class next month.  this is what 40kg of wool looks like when it arrives and one box open

40kg wool box open

And all ready to go to the vireos people

all ready for delivery

Inside the box you can see in the open box is a colour sample binder. I decided it was about time I had one so I could see the colours properly.

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In the bags are the colours for the 23 micron merino. I am going to have a look for more of the plastic  pages so I can put the bagged sample in them. I think they might be for coins. One lady is thinking of ordering yarn to dye herself so got a sample pack of them. They are good large samples, well labelled. They are all sock yarns.

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4th Quarter Challenge – Monochrome

4th Quarter Challenge – Monochrome

No one will be surprised at my choice of subjects, a panda.

I had some maori batts in a  gray color so it seemed an easy choice as a base.

I’ve been trying to add more dimension into my work as I mentioned in last week’s blog post.  So, this was one of my goals with this project.

I layed out the batt then made the head of the panda in prefelt, then added the shapes for the ears, and eyes.  Since the nose would be the center of the picture, I used a needle felted nose shape in a heavier fiber then covered it with another nose shaped prefelt and needle felted it onto the batt. I don’t know why it looks pink.

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I continued to build up the shape, added gems for eyes and covered them with another layer of prefelt and more fiber. I wanted to give the fur a fuzzy effect so I carefully cut and put fibers along the edges and a little shading around the eye.  For the body, I blended some gray into the black for contrast. Since the arm blended in with the body I just used a shaded area to give it a little dimension. And of course, the panda is eating her bamboo.  Her nose is actually bamboo fiber. Here is a side view.

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After securing everything with more needle felting, I wet felted it.  The maori didn’t shrink much which was fine  because I intended to wrap it around a canvas frame.

20151024_160628A close up.

20151024_160640Well I changed my mind and hung it without wrapping it on a frame.

20151030_132929I may put it on a darker background to make it stand out from the gray wall.  What do you think?

Have you done the challenge yet?

I want to let you all know I will be taking a leave of absence.  I’m having surgery November 3 and don’t know how long it will be before I can resume felting.  In the mean time, several forum friends have offered to help fill in my blog spots.  If you have something you’d like to blog about to help out, please contact Ruth, Zed or Ann.  I hope to see you all back here soon!  Thanks for your support!

 

Naturals and Dyes

Naturals and Dyes

I laid this wall hanging out about a week or so before I got time to felt it, and I think it ended up being ‘upside down’. I wrote down the wools and fibres I used as I laid it out, but I think I forgot a few! Also, I added a few locks to the bottom just before I felted it, but I’m certain that was originally the top:

OLYMPUS DIGITAL CAMERAI added some pieces of hand-spun yarn I’d made mostly from bits left over from carding, I spun them quite thickly, and didn’t do anything with them after wards, just wound them onto card. This one is on the row of white Chubut, a ‘new’ to me wool I got from wollknoll, which felts so nicely and looks really nice too.

OLYMPUS DIGITAL CAMERAThese are some cotton fibres: cotton top, cotton fibre and cotton nepps on carded Portuguese Merino, with some soy staple and carded Gotland.

OLYMPUS DIGITAL CAMERAI’ve been dyeing some cellulose fibres recently too for taking to the Makefest at the Science and Industry Museum. I’m getting the hang of it now, but I don’t think my first lot of fibres turned out as nice as I’d like. I did some Viscose fibre recently, and this turned out really nice. These are some of the reds, oranges and yellows:

OLYMPUS DIGITAL CAMERAAnd some yellows, greens, blues and purples:

OLYMPUS DIGITAL CAMERAI don’t like the way dyeing cellulose fibres wastes so much water with the rinsing, but it is easier for me to do large amounts than it is with acid dyes, not that I had much choice, even mixing up just 500ml each of red, yellow, blue and black was more than enough to dye about 200g of fibre and I had to look for other things to dye so as not to waste it 🙂 I tried dyeing Kapok fibre too, that stuff is practically impossible to wet, it seems to form a ‘skin’ around itself, so dyeing gave some interesting results as it behaved the same way, and when the fibre was separated, the centre wasn’t dyed. This is some rose and lilac coloured kapok:

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One Artist’s Journey into Fiber

One Artist’s Journey into Fiber

Our guest artist today is Jill Chadek with Merino and Mulberry in Two Rivers, Wisconsin.  She is also our banner sponsor for May on the Felt and Fiber Studio Forum.

To touch something soft and silky awakens our earliest emotions!
The pleasure of the touch of silk started my exploration of silk painting. A few
years later I was introduced to felting, that magical process of transforming
dampened clumps of wool fibers into cloth! Then, when I discovered that I
could incorporate the two, working the fibers to lock into the silk I was hooked!

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Through time, that magical process of felting has inspired and allowed me to
express my passion for color, pattern and texture. Felting, allows me to “paint”
with fibers to create personal accessories such as scarves, shawls, vest, hats
and handbags.

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Prior to felting I had dabbled in many mediums but none have held my
attention and interest like felting has. I love working with my hands, the tactile
experience of painting with the fine and silky fibers. It still makes me catch my
breath when I wet the fibers down and the wool gets all loose feeling. I have to
remind myself that soon the fibers will start to migrate and tangle and the
magic of creating a fabric will happen right in my hands!

G6 Cloud Dreams20121020_6941If you are new to felting, have patience and have fun! It will be frustrating at
times! There are as many different ways to create felt as there are felters, and
you will find that everyone swears their way is best! So many variables are at
play: the type of fibers, water hardness and temperature, soap, pressure,
thickness, and added embellishments, just to name a few. No wonder no simple
equation will work! It is only through exploration and experience that you will
learn the “feel” of the fibers at the different stages. So have fun and play!

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Though I consciously have a design in mind when I start a project, my
unconscious, and the fibers influence my hands and the final outcome, which is
usually fabulous!

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I enjoy that even after all of my years as a felting artist there is still something
new to learn and to explore. Right now I am loving creating hats! I do not use
any hat forms but instead let each hat tell me what shape it would like to be. I
love that while making a fashion statement they are also keeping it’s wearer
cozy warm! I am truly grateful for the joy that I experience in the creation of
each item and trust that wonderful emotions are also awakened in the wearer.
Please feel free to browse my website www.merinoandmulberry.com. It is my hope
that my creations will inspire you to stretch and grow as a felting artist. Also on
my website you can view a video of me using the E-Z Roller Felting Machine of
which I am the international representative. This machine has allowed me to
continue felting when I was experiencing terrible vertigo and more recently
when I had shoulder and neck problems. It removes the 1 negative of felting –
the physical chore of rolling your project, therefore allowing you to focus on the
fun, creative aspect of this beautiful medium. If you would like to learn more,
just contact me!

Thanks for sharing your artist journey with us Jill!

Wine Anyone?

Wine Anyone?

I wanted to try making a gift bag for wine in felt.  I first made a resist using the wine bottle as a model.  But I wasn’t sure about shaping the bottom.

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The base layer was black corriedale.  Then I used a layer of merino.  And finally I made a batt using forest green, a heather purple, sage and black bamboo for the last layer.

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For embellishments and design I made leaves from a nuno prefelt and used 100% Peruvian wool thick and thin yarn, locks and needle felted grapes.

I finished fulling the bag on the bottle, but because of the narrowing of the design it’s not an easy in and out for the bottle.

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After it was semi dry, I cut holes at the top to thread some yarn through to tighten it around the neck.  Then I turned down the top and sewed extra leaves on and wound the excess yarn from the  closure around a small dowel to emulate the ringlet vines on a grape wine.

Also, the bottom ended up having “wings” so I tucked them under and sewed them to  the bottom. There was a hollow in the bottom of the bottle so it worked out well.

side finish front finish

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back finish

It was a little hairy so I shaved it.   Next time, I would only use two layers and redesign the shape.

Even with some problems, I think it will make a nice display on a bar.

Have you made anything similar?  Do you think it needs anything else?