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Color Mixing with Drum Carder

Color Mixing with Drum Carder

Experimenting with color mixing by drum carder was on my list of to do’s and I got around to that this past week. I created a sample with similar colors when color mixing by felting alone in this post.

First off, I had to get the drum carder out and find a space for it on my studio table. The chosen colors were blue green and red orange. I wanted to see how the drum carder mixing differentiated from the felted layers of the same colors. I used the same proportions of colors that I used in the prior sample, which was about 3 to 1 red orange to blue green.

Here is the batt that I created with those colors. The photo on the left is one run through on the drum carder and the photo on the right is two runs through the carder. I then tore the batt in half as I didn’t need that big of a felt sample. So I still have another sample I can make in these colors.

I wanted to try a different way to texture the bark so I used some cut up pieces of heavy interfacing (Pellon). It’s probably about a quarter of an inch thick. I peeled apart a layer of the batt, put the interfacing pieces down and covered with the rest of the batt. After felting, I should have split the batt into two equal pieces, that would have worked better than a thinner layer on the bottom.

The front is shown on the left and the back on the right after felting. As you can see, the interfacing came through the ends as I didn’t have enough wool covering the ends. And the back shows that I had too thin a layer under the interfacing pieces. But it was easier to see the interfacing to stitch around. The interfacing was not thick enough to feel through the wool and didn’t give a good texture. (Doesn’t the photo on the left remind you of a short rib?)

I then added some free motion machine stitching so the texture was more evident from the interfacing pieces. I also trimmed off the ends that were showing and did a little needle felting repair in those areas.

Here are the two pieces side by side. The one on the right does have silk nuno felted on the top too. Which do you think works better? The carded sample is more homogeneous in neutralized red orange but I do like the mottled appearance of the layered color mixing on the right. The carded sample definitely needs more value contrast than what it has now. How do you mix your colors of wool? We’d love to hear about over on the forum.

 

Trying to Get Organized

Trying to Get Organized

The first two years I was felting I used the shoe storage method to store my fiber.  But as a fiber enthusiast and one to try new things my inventory and tool collection kept growing.   So, it became quite unruly. The picture doesn’t show the overflow and piles in bins I couldn’t fit in.

2014-03-03 11.30.52I had piles of things everywhere.

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For the past year I’ve been trying to find a system to keep my fiber and tools organized. I tried a wire cube system next.  This was a real test of my patience.

2015-04-07 12.03.072015-04-08 13.42.07 2015-04-08 13.42.19I liked the openness of this system, but didn’t like it was so deep and I’d have to juggle the fibers to see all the colors I had.  I did put my batts in bins on the floor.

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So, I continued to look for another system.  I wanted an open bookcase, but because of the dimensions I was limited to, I couldn’t find something that worked.

Then we had a big discussion on the forum about fiber and bugs, so I decided to try plastic drawers.

20150907_162939Now I have drawers organized by color.  Here’s just a few.  I also have one for alpaca, one for merino and silk mixes.

20150907_162808 20150907_162852 20150907_162842 20150907_162835 20150907_162824But I wasn’t finished.  I organized my embellishments in two separate units.

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This one is under my table.

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I also used the furnace room door for coarser fibers and to hang my scarves and hand dyed yarns.

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Here is my table with my tool drawer and a bin full of WOW fibers, some foam for needle felting and other useful tools all close at hand.

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More fiber and bubble wrap marked.

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Behind my table is my felting machine with more tools close at hand.

20150907_165005And my drum carder set off to the side next to another table.

20150907_164853The cube system is temporarily holding some folders until I figure out what to do with it.

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Then there is the daybed covered with samples, bins of yarn, ribbon, scraps, etc.  This still needs a bit of work.  And my “paper” room which is now my dyeing room.  That will also have to wait.

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This system works for me right now.  Its by no means perfect.  I’m fortunate to have two water sources close at hand and extra space.  I don’t think we intended it to be a studio but that’s what it is for me right now.

What works for you?

Brighter Cat Toys and Making a Few Batts

Brighter Cat Toys and Making a Few Batts

Last week I showed you the roving I dyed with Rit dyes and this week, I made them into cat toys as I needed some brighter colors. I have shown how I made the cat toys here.

New Brighter Cat Toys

These definitely fit into the “brighter” category. I always think it is funny when people are choosing what color they want and they have a discussion on which color they think their cat will like. Really?

Blue Green Merino Fleece

I had also dyed some merino fleece so I decided a little drum carding was in order.

Set Up for Carding

Here’s my set up on the coffee table in front of the television. It’s a good activity at night when I’m zoning out in front of the “boob tube”. My mom used to call it that. You can see the dyed fiber on the far left. I picked and teased it apart by hand and ran it through the carder. I got two batts out of it.

Drum Carder

This is a slightly closer view of the carder. My hubbie got it for me for Christmas one year which was a big hit as you can imagine. It’s from Strauch Fiber Company and is very sturdy.

Olive Green Batts

I had some left over green mixed breed fiber so I decided to combine them to make them a bit more interesting. They are both in the olive-green shades although the one on the left is much more yellow.

Close Up of Batt

Here is a closer view of the mix of colors in one of the batts. I am trying to use up bits and pieces of wool so that I will use them so blending them into batts makes them much more interesting.

 

Learning to Use a Drum Carder to Make Batts

Learning to Use a Drum Carder to Make Batts

Our guest artist today is Cathy Wycliff aka Luvswool.

After several months of taking a hiatus from felting–due to a work project and family health issues–I was starving to get back into it.

Fortunately, Marilyn suggested a lesson in carding batts. I don’t own a carder and my experience with blending fibers has been minimal, that is, using my dog brushes to blend a few bits of wool roving. Last Friday, Marilyn came over with two carders: a Louet Junior with a very coarse cloth (40 tpi?), and a standard Brother with fine (120 tpi) cloth.

I felt more comfortable beginning with the Louet, and grabbed some neutrals to begin the carding process. I used these fibers with no particular plan for my first batt: Mystery fiber chunks and fibers, possibly some Finn hand-spun; hand-dyed vintage yarn (early 80s); small amount of Domestic 56s and Navajo churro–all in various neutral shades, mostly gray.

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Then it was time to move on to the Brother for some finer carding. This time I went for color: Indigo-dyed Domestic 56s, dark blue Merino, hand-dyed mulberry silk, white Tencel, green mystery fiber, possibly Corriedale. The machine was a bit more sensitive, and so the fibers needed to be fed more carefully onto the drum.

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I tried the Brother once again, using slightly different fibers and colors: Hand-dyed Indigo Domestic 56s, dark blue Merino, white Tencel, unknown white fiber (possibly cotton), and Milk protein. Marilyn suggested we make two passes through with the fibers.

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Some things that surprised me about the carding experience: it took a lot of time and was more difficult than I imagined; the fibers don’t necessarily cooperate, in that bits get caught on the smaller drum; and finally, it’s probably a good idea to have a plan of what you want to make with the batts before you begin. This was an experience I really enjoyed and I have made a couple more batts with the Louet coarse carder, which Marilyn generously has loaned me. The neutrals below were passed through three times.

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More mystery fibers in green and yellow.

 

Thanks Cathy for sharing your first experience with carding batts.  Do you still have carder envy?  Personally, I am happy to have the carders.  They have come in handy more than once.  I love making batts just for fun.  I don’t always have a use for them and often give them away.  Its always a creative learning experience!

 

 

 

 

Pandagirl’s Year in Review

Pandagirl’s Year in Review

I know I’m late to the party, but I’ve been traveling and have several family affairs looming that need my attention.

I started out in 2014 as a forum member and then in March I was a Global Moderator!  This past year has brought many challenges and delightful learning and wonderful outcomes in terms of felting.

My year started with experiments in dyeing.

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I shared my venture into encaustics.

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Tried my hand at painting with wool.

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Experimented with different wools.

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Participated in the quarterly challenges.

Jackson Pollock - Marilyn

Stewart Stephenson - Marilyn
Stewart Stephenson – Marilyn

 

Monet 2 after felting
Monet 3rd quarter

 

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Land Art 4th Quarter

 

Tried framing methods.

burlap 2

I broke down to drum carder envy and began my foray into making batts.  Woo hoo!

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Cathy and I tried indigo dyeing.

silk and thick n thinMy marketing blogs…

addiction biz cards wool side

 

 

 

 

 

I know it’s been awhile, but its more fun felting than marketing…  Sorry.

 

I taught a felting  class.

Toni
Toni and her placemat

 

There was a period of obsession with pods and vessels.

After rinsing

I ventured into free motion stitching.

moy layout

Then I experimented with embellishments and making a book cover.

finished front

Designing and making a handbag was a huge accomplishment for me.

hanging

I  experimented with 3D felting – grapes and flowers.

finished 2

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I learned a lot of new techniques in Fiona Duthie’s class.

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It was a busy year visiting farms, mills and fairs.

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I made scarves including a cobweb scarf.

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A big project was a 3D free motion stitched bowl, oh my!

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Felting a rooster, I learned to combine wet and needle felting.

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Our holiday exchange was an experiment of combining beading and felting.

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All in all, it’s been a very productive and inspiring year felting. Of course, there were many more projects that were completed.  It has been a wonderful year.  I want to thank all of you for teaching, inspiring me and encouraging me to do and try more.  Thank you!  A special thanks to my fellow moderators and Luvswool (Cathy),  Leonor at Felt Buddies and Nada for pitching in and contributing to the blog.  It’s been a terrific, fun journey.  I can’t wait to see what 2015 brings and what I learn and try!

 

 

Grapes of Memories Past

Grapes of Memories Past

When I first started dyeing roving, I had a few “oops” results.  However, since I’ve acquired a drum carder, I’ve learned I can revive the partially felted roving with careful carding and patience.

I’ve had this purple roving sitting around for a couple of years.  I really enjoy making three dimensional objects so it seemed natural to make some grapes with my previously felted roving.  Not only did I feel good about being able to use the roving, but it brought back happy memories of my childhood when we had grape vines in our yard.

It was a tradition to pick the grapes, then my mother would make jelly and grape juice.

The roving already had various shades of purple so after running the partially felted roving through the carder,  I added some other shades of purple merino.  The addition of unfelted roving give it a shiner and softer appearance and texture.

roving

Since grape leaves are very textured, I decided to make a prefelt with a silk top for the leaves. It gave it some texture and sheen.

nuno prefelt

For the vines, I used roving rolled into a cord, then wrapped it around a small dowel to dry then cut it to the length I wanted.

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Then I spent a few hours rolling little grapes.  I wasn’t sure how many I needed so I piled them up and added more grapes until I was satisfied it resembled a bunch of grapes.

grapes

With a sharp needle and some purple sock weight yarn I built my bunch of grapes, then attached the leaves and vines. It now hangs on a narrow wall between the kitchen and family room where we occasionally enjoy a glass of wine and I reminisce about picking grapes and my mother’s fabulous jelly.

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What projects have you worked on lately that recall fond memories?

 

 

 

 

 

 

 

Very Pink

Very Pink

My sister got me some wool tops for Christmas. Even before I’d seen the colours, I’d decided I’d make her a book cover from whatever she chose, thinking she’d probably choose her favourites. She chose a selection of pinks, not the colours I would have chosen for her, but pinks it is 🙂  I Picked out some shades I already had that I thought would work, I already had a salmon pink, some cerisey purple, reds, maroons and a nice lemon. Then I started to make some batts with my carder.

OLYMPUS DIGITAL CAMERAAt first I made up some batts without any other fibres blended in, I’ll use these for the bottom layer which will be inside the book cover. I split them in half lengthways after I’d made them, then rolled them up.

OLYMPUS DIGITAL CAMERAThis is one of the lighter batts before I split it and rolled it.

OLYMPUS DIGITAL CAMERAI used some soy top, viscose, a small amount of banana fibre, black bamboo and dyed silk tops to blend in to make the batts for the top.

OLYMPUS DIGITAL CAMERAI rolled these ones a bit differently

OLYMPUS DIGITAL CAMERAI picked some fabrics to embellish the surface with, some silk strips, organza, dyed cotton gauze and some synthetic lacey stuff I bought years ago which looks like it might be meant for tying back net curtains. In the 70’s 🙂

OLYMPUS DIGITAL CAMERAI picked a few more embellishments too. Some silk throwster’s waste, dyed bamboo fibre, commercial art yarns and fibres taken from unpicked yarns.

OLYMPUS DIGITAL CAMERAI’ll show you more pictures when I’ve started to make it 🙂

Recent Things

Recent Things

I made some mixed white wool batts on my drum carder recently. I like to use different wool breeds together because they felt differently to each other so you get interesting results and it’s different every time. I made 3 batts altogether and used Lincoln, 23 mic Merino, 18 mic Merino, Norwegian, Texel, Cheviot, Devon, Teeswater and Shetland wool tops.  I also added in some carded mixed lambswool and Falkland fleece for texture, and Border Leicester, Mohair curls, Bluefaced Leicester, Wensleydale, and Alpaca for crimp and curl. I also added some silk for extra shine.

OLYMPUS DIGITAL CAMERAI thought I’d use the batts as the inspiration to put together another wool and fibre pack, using white/natural as the theme. I added some cotton scrim and some of the ‘luxury’ embellishment fibres I have: Bamboo staple fibre, Egyptian cotton top, Ingeo, Banana, Ramie, Flax and Milk protein fibre. And also some silk fibres: silk threads and throwster’s waste, silk carrier rods (don’t they look so ugly before they’re soaked and separated?!) and one of my favourites, silk noil. I love the way it felts, but I also love the way it smells and sounds as it’s separated and stretched out 🙂

OLYMPUS DIGITAL CAMERAI went to Abakhan on Wednesday for some supplies (they were out of delrin clips!) and I couldn’t resist getting some gorgeous georgette fabric in a few designs. This is one of them:

OLYMPUS DIGITAL CAMERAI also couldn’t resist the braiding, so got 3 designs:

OLYMPUS DIGITAL CAMERAI hadn’t had chance to do much over the last few weeks so I decided to make time on Friday and laid out and felted a nuno felt piece with one of the new fabrics I bought. I knew I should have added some wool around the edges of the fabric, but I laid it out upside down, with the fabric on the bottom and knew I’d mess up if I tried to flip it 🙂

OLYMPUS DIGITAL CAMERAI picked colours from the fabric to make a muti coloured patchwork back:

OLYMPUS DIGITAL CAMERAIt textured really nicely:

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New Drum Carder

New Drum Carder

At least once a year I’ve contemplated buying myself a drum carder. But after seeing the wool blends Ann carded a few weeks ago, I seriously considered it, and after looking at a link Judith gave me to ebay, I bought myself a gorgeous handmade Ash drum carder from the Classic Carder company. I wasn’t very good on my first few tries, but I soon got the hang of it 🙂

OLYMPUS DIGITAL CAMERAI thought I should have an ‘aim’ instead of just going mad and making lots of nice coloured batts, so I decided to  work out roughly how much wool I’d need for one layer if I’m making a piece of felt big enough to make a cover for an A6 notebook. I got my template out, chose a coppery bronze colour theme and then laid out the different coloured wools in different proportions.

OLYMPUS DIGITAL CAMERAI then gathered all the colours up, weighed them and kept notes. I’d usually think to do this after the fifth time of laying out colours, so I’m impressed with myself 🙂

OLYMPUS DIGITAL CAMERAI added some small amounts of flax and soy top to a couple of the lighter colours, and it’s not very obvious from the photo, but I added black bamboo to the natural brown merino.

OLYMPUS DIGITAL CAMERAI was impressed with how it looked after just one turn through the carder, but I wanted it more subtle than it had turned out, so I put the wool through again. I really like how it turned out the second time. I’m so glad I finally got a carder. It looks gorgeous, is incredibly well made and turns out the most gorgeous batts.

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I’ve been thinking for a long time about making up ‘experimental’ or ‘inspiration’ fibre packs to sell on etsy. Working out what to put in there to make it worthwhile with our postage prices was difficult, but Marilyn recently suggested selling wool as well to make it more of a kit. I had a think about how to do it and came up with the idea of including just enough wool to do one layer, a nice blend for the top. I thought this batt would be perfect for the first one as it’s the same colours I used for my coppery bronze piece that so many people liked. It gave me an excuse to get out my favourite shades of organza too.

OLYMPUS DIGITAL CAMERAI measured and weighed the organza, picked out some matching cotton gauze, novelty art yarns and silk throwster’s waste like I used on my coppery piece, and also made another little batt to make sure there was enough. But I think after lots of weighing and measuring, the pack is finished. I just need to write up the description when I get back later today, but then I’ll list it on etsy.

OLYMPUS DIGITAL CAMERALet me know what you think of it, is it a good selection of fabrics and fibers?

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