Decorating a small blanket

Decorating a small blanket

I spied a small woollen blanket in my local charity shop earlier in the year. I think it probably was used as a cot blanket earlier in it’s life. The blanket measures 38 inches x 46 inches, the colour of cream and has a lovely blanket stitch all along the folded edges.

 

No label on the blanket, but it is wool, and there are one or two nibbled areas from one or two moths.

     

 

I have a plan is to turn this old unloved blanket into a usable blanket for the younger grandchildren when they visit – to use in the house, or as a car rug, or to cuddle up with if tired. I will add a soft backing to one side – either a piece of flannel or fleece, and that should prevent the itchy scratchy feel of a woollen blanket that so many of us will be familiar with.

 

I decided to add some colour to each corner, and perhaps along the sides, throughout the rest of this year, and it may be done for Christmas time. I found my bag of scrap felt pieces and made a few layouts until I was happy with one that provided some colour and interest.

             

 

I have stitched these shapes down using my sewing machine. These pieces of felt are left from other projects, and some are prefelt (probably) and are placed with some artistic licence. I used a needle felting tool from Clover (green/yellow) to secure the pieces to the blanket, and I was quite surprised by how well it worked. I also have the fake/copy item (blue).

 

I continued adding to my layout, trying to give an impression of a little piece of my garden.

                 

 

To secure the work thus far, I decided to add some water, soap and some friction to ensure that everything will stay well and truly stuck on.

                   

 

I will continue working on this blanket through the rest of the year, and will show my progress in my posts. I am pleased with it so far, and now I must think of what to do for the next corner. I will also  attempt to cover with some wool or embroidery stitches on the areas where some moths have had a lunch or two. A little needle felting and some embroidery stitches should do the trick.

The garden is looking so nice despite all the rain we have had so far this year. Here is a photo of a bumble bee on one of the alliums, no matter how hard I tried he would not stay in one spot, and my beautiful peony with so many blooms, and keeping fingers crossed that they survive the rain.

 

Dyeing to Eat

Dyeing to Eat

I thought the title might be a bit more catchy than ‘Dye and Eat’.  But that is just what I did this week.

Let me retrace my steps a little.  A few weeks ago I attended the AGM of our guild Feltmakers Ireland (https://feltmakersireland.com/).  Our Keynote speaker was a lady named Malú Colorún.  Malú who is originally from Mexico is the co-founder of Fibreshed in Ireland.  The Fibershed movement originated many years ago in California and now has affiliates worldwide. It is a not for profit movement which promotes a virtuous circle in clothing production.  I feel the easiest way to describe this is to show you a screen shot of a table on the main website:

Chart showing Fibreshed mission

If you would like to find out more about the organisation, you might like to visit the main website at https://fibershed.org/mission-vision/.  You will find a directory of all affiliates under one of the drop down menus, there may be one in your area.

Malú also runs a natural dyeing business.  Here is a link to her website: https://talu.earth/the-team.   She collaborates with a number of knitwear designers based in Ireland and also provides a bespoke dyeing service to businesses and individuals.  Along with this, she runs regular workshops in natural dyeing and when she mentioned this at our AGM, I just knew I had to attend.  That was a few weeks ago  and it turned into one fun evening, so much fun and great learning that I want to share it with you.

There were six students, including my eldest son, an engineer and software designer who in his spare time is apprenticing as a Beekeeper.  It makes my heart swell to see how in tune with nature he is. 

The session was a busy 3 hours and Malú had scoured and mordanted the materials and started extracting the dyes before we arrived to speed up time the process.    Our first lesson was immersion dyeing and we were each given a skein of wool and a linen triangular scarf to dye.  We had two dye pots to choose from; avocado which yielded a beautiful pink shade and sage which had a lovely yellow colour.  The group was lovely and bonded very quickly, Malú is a super facilitator.  Once we had our materials on the heat, Malú sat us down and explained the processes of scouring, mordanting and extracting dyes.  We learnt about different fibre composition and how they need to be treated differently to get the best out of the dye.  Here are some photos from the first part of the night.

  • Pots, plant and equipment all set up for the evening's workshop
  • Teacher immersing all of our fabric and fibre in water in preparation for the dye pots
  • dropping the prepared skeins into the sage dye pot
  • Students preparing the fabric and fibre for the pot the pot on the right was sage and produced yellow while the bottom one was dye from avocado stones and peels
  • close up of the tutor providing instruction
  • Tutor, Malú providing instructions
  • close of up oak gall balls. these are high in tannins



Then we got hands on experience of eco dyeing.  Malú produced a variety of leaves and skins
for us to work with and we quickly became engrossed in laying out our patterns,
and rolling tying up the fabric. Soon they were all added to a pot and left to
steam away while we got to learn our next technique.



  • Fabric strips being prepared for ecoprinting
  • Eco printing layout on cotton featuring nettle, bramble, sage, onion skins pomegranate and other leaves
  • fresh dye materials placed on the table including carrot tops, nettles brambles, sage, onion skins pomegranate
  • Student's rolled and bound pack ready for the steamer, sitting on the table
  • 6 ecoprint packs placed in a colander ready for steaming

There was great excitement when we removed our pieces from the immersion dye.  Quite a few of us had opted to tie dye our materials so it was great to see the results.  Then Malú gave us the option of trying a third technique with our materials.  We could choose to bundle dye them if we liked.  Of course, everyone wanted to have a go!  So we used the same leaves and skins we had used in the eco printing.  I started with my scarf.  I wanted to try the onion skins as I had heard they can produce great results.  To these I added pomegranate and a few leaves, and wrapped it up on itself.  I used much the same with the skein of wool.  Again, they were popped in the steamer.

  • Tutor is using a colander to remove the fibre and fabric from the yellow dye bath
  • Dye bath on the stove. The dye is yellow from extracting the dye from sage leaves
  • Student's scarf dyed yellow with sage leaves being prepared for bundle dyeing with carrot tops
  • Student's layout, white skein, red onion skins and sage leaves
  • Skein that has been tie dyed with sage producing a yellow mottled effect, now being prepared for bundle dyeing

At that point Erik from Fondita Mestiza arrived with lots of yummy Mexican food for the group. The title of our workshop was Flavour, Stories and Colour – An exploration of dye, textiles and food.   The evening was a collaboration between Erik and Malú.  What a delightful concept!  Erik provided the beautiful food while Malú used the scraps and made it into dye for our workshop. We sat around telling stories and Erik provided some background to the origins of ingredients and dishes served. I should have taken more photos of the food but I didn’t want to tempt you away from the post and have you snacking!

Malú showed us her book of experiments.  It was filled with a colourful array of natural dyes. I took a number of photos of the journal to show you what can be achieved from natural dyes. This is Malú’s personal journey and I thought it only fair to block out her notes as she was so generous to share them with the group. I am sure you will all understand this. So I hope you will enjoy the amazing colours she has achieved in her research. This is only the tip of the iceberg of what was contained within the journal.

  • Colourful samples from different natural dyes and fabrics
  • Beautiful browns shown on a variety of natural fibres
  • Mustard, brown and beige dyes on natural fibres and fabrics
  • Yellows browns and pinks - wool skein samples
  • Extract from Malú's dyeing experiment journal. Reds yellows and pinks ion natural fabric and wool skein

We then unfolded all of our samples.  My scarf and skein worked a lot better than my eco printing sample.  I will definitely try the eco printing again as I have access to eucalyptus leaves which I understand practically guarantee success.

  • Student's scarf being unrolled vegetable matter still intact
  • Students opening their dye bundles which are placed on the table
  • Student's scarf laid on table immersion dyed pink from avocado then overdyed yellow and red from onion skins and pomegranate skin
  • Student holding up their naturally dyed scarf main colour yellow with over dye of onion skins and leaves
  • student's scarf using yellow and red materials placed flat on table
  • Triangle scarf dyed using immersion and bundle techniques yellow from sage dye bath and red from onion skins
  • 6 students and tutor holding up natural dyed scarves

It was a memorable and enjoyable evening which left us all biting at the bit to get the pots out. But before I take my leave, I will show you John’s and my dried pieces.

  • Eco print fail. The leaves left very little mark on this fabric
  • Eco print sample in the centre of fabric. Concentration was on onion skins (red and yellow)
  • Skein that has been tie dyed with sage producing a yellow mottled effect, now being prepared for bundle dyeing
  • Skein tie dyed in avocado dye, pink, then bundle dyed with a variety of organic materials
  • Salmon pink skein of wool which has been dyed with avocado peel and stones
  • Triangular linen scarf light yellow with dye from the various materials used on the night
  • Sage dyed scarf on model
  • Scarf flattened out. Tie dyed in the avocado bath then bundle dyed with lots of organic materials
  • Scarf tie dyed in avocado dyebath then bundle dyed with a variety of organic material
Loom with a view: adopting a new Saori WX60 loom

Loom with a view: adopting a new Saori WX60 loom

A couple of years ago I was lucky enough to find a used Saori CH60 loom.  That loom lives in a spare room in our house. I wrote this post Weaving a Cowl for a Christmas present about using that loom.

On the weekends we usually go to our cabin.  The cabin is only a 30 minute drive from home so we go there, do yard work (amount varies seasonally) and then have a meal and a nice quiet night.  We return home the next morning to 3 cats who are very happy to see us.  The cabin is basic.  There is no TV, though there is internet.  While there I tend to do a craft of some kind.  Last year we added a screened porch to the cabin and I began to dream about sitting on the porch and doing some spinning or weaving.  Sadly our porch project started late (getting planning permission was hard) and was finished just before Christmas.  So we have been waiting for warmer weather to arrive before getting it setup.

So I started shopping around for a folding loom.  I had my eye on a Saori WX60.  Luckily one of my friends had bought one and it didn’t suit her weaving style so I was able to buy hers.  (My friend was planning to return to using her rigid heddle loom.  Whereas I sold my rigid heddle looms after adopting my Saori loom because I no longer had time for them.)  I picked up the loom at the end of March and I’m really happy with it.  Here you can see the loom on the porch.  I threaded it up the first day.

One of the nice features of the Saori WX60 loom is that it folds.  And you can fold it up with a project on the loom.  This makes the loom easier to store, and to relocate to another place.  I am still getting the hang of folding/unfolding the loom, and find it easier to get help doing that.  But I am sure that with practice it will become a solo task.

The loom weighs 13.5kg (29.8lb) and has the following dimensions:

  • When open the loom is 76cm (30″) wide, 76cm (30″) deep and 98.5cm (39″) tall.
  • When folded the loom is 76cm (30″) wide, 25cm (10″) deep and 106cm (42″) tall.

I cleared a space just inside the cabin where the folded loom could be stored.  I also setup a nice rolling cart to contain my tools.  This makes it easy to move the loom outside or inside as necessary.  I use a regular chair with the loom and prefer to add a nice cushion to the chair as well.  (Lifting your feet to treadle puts more pressure on the bony parts of your butt.)

The first weekend I had the loom I got it threaded.  On the next visit to the cabin it was time to start weaving.  This shows my porch and inside the cabin weaving locations.

Over the course of a few visits I proceeded to weave, changing colours and textures as I felt like it.  This is a highlight reel of the resulting weaving progress.

I am now nearing the end of the warp.  Originally the warp was on a square tube on the beam near the floor.  (You can see more details about the Saori warps on square tubes in this blog post.)  When the warp unwinds from the tube you transfer it to a rod so you can maintain warp tension.  In the left photo you can see that the warp is tied onto a rod that is located close to the beam near the floor.  As I continue weaving the rod is getting closer and closer to the shafts on the loom.  I have just a few more inches of weaving to do.  When I finish the rod should be just behind the heddles.  This loom design minimizes warp waste.  When I am done weaving I will be able to hemstitch my cloth and remove it from the loom.  The remaining threads will be trimmed slightly and twisted into a nice fringe for my cloth.

I should have some finished cloth to share soon.

2024 CanGames (and Felting) Convention

2024 CanGames (and Felting) Convention

sign and arrow indicating CanGames1) Sign outside of CanGames with a gnome smoking a pipe and carrying a big axe and short sword

May 18-20th was the Victoria Day long weekend. It is a federal holiday, on the last Monday preceding May 25, to celebrate Queen Victoria’s Birthday, which was on May 25th.  It is also the long weekend that CanGames happens!  The first CanGames was in 1977. I am told, it is the longest-running gaming convention in Canada. The website says, that this year there will be over 300 different games spread over the convention’s 8 time slots (https://cangames.ca/events/ ). As well as an open gaming area, and shopping options (although there was a horrible lack of fibre sellers present!) there was also a second-hand game sale to check out Saturday morning. (Don’t worry there will be felting in this post too.)

I have attended quite a few CanGames and expanded the scope of their convention a bit, into a Gaming and Spinning or Gaming and Felting convention! One year I even ran pick-up games of “spin the golden fleece”. They had to make a Turkish spindle, were given some nice golden combed top, and then had to spin a length of yarn with it.

The convention was at the Rideau Curling Club, in downtown Ottawa. It ran Friday: Noon – 11 pm, Saturday: 8 am – 11 pm, and Sunday: 8 am – 11 pm. Knowing that parking is very limited at the curling club and the city lots are a good hike away, we arrived early to make sure we could find parking.  Good thing we came early, the reserved handicapped parking was no longer there, but we found a spot that would work.

The Rideau Curling Club was started in 1888, they moved a few times and in 1949 they built the present location, replacing a coal yard and blacksmith shop on the block (Glenn will not be pleased to learn that!). In 1965, a second storey was added, including a kitchen, dining room, and meeting room. To reach the second story is a wide, turning staircase, with a Scottish tartan display (sorry I was sure I had a shot of that! I will get it next year). Unfortunately, in 1964, although it is a lovely addition, the thought of adding an elevator was not a consideration. So unless I could get someone to carry the walker up the long stairway I was staying on the ground floor and iceless rink. (There were ramps to get to both of those!)

Now that you know where I have wandered off to, let’s get back to the felting!

I had brought two of the chickadee bodies that I had made for the workshop. I still needed to take photos to add to my notes. I also brought 12g aluminium and 26g steel wire to start the next moose bag. I was being optimistic I would have the chickadee photo shoot done reasonably quickly.

By a little after 12 noon, Glenn had me set up by the “games library” run by the Kanata Games Club.

chickadee armature with fiber ready to wrap down the legs2) Chickadee armature with extra crimpy Shetland locks drafted to about half an inch wide. The background is a wooden table that the games are about to need.

Some years there is an extra table and I can work there, this year it was busy, luckily we had not taken the small folding table out of the car. Glenn went to the car to get it and I switched to that.  I found a nicespot  at the edge of the curling rink and set up there.

folding metterl table, 2 moose bagsd, a baket of felting suplys sitting at the edge of the iceless curling rink3) Setup for a weekend of felting, note 2 bottles of Mountain Dew (sugar and caffeine pop) not in the picture is my walker which I will be using as my chair.

I got myself sorted out for felting, with a small table, basket and moose bags, Glenn wondered upstairs where the games he was interested in were going to play.

the end of the curling rink showing the lower area with tables and the upper areas with more gameing too4) upstairs in the curling Club

The curling rink (without ice for the summer season) is a large two-story space with lots of echo-y sounds of happy gaming. I started the afternoon with headphones and a good audiobook, while I wrapped legs and tiny toes with crimpy Shetland locks. I moved on to adding strips of the core carded roving from World of Wool to the body. By about 5 pm the crowd had grown and it was getting hard to hear the audiobook!

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Time for a quick break to look aground, I am starting to get hungry and I should stretch my legs a moment.

Games library 6.1) this is the games library that I am sitting beside.  The shelves were labelled with how many players were needed for the game. The tables in this section were all in use most of the convention.  

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6.2) This is the second-hand games section that will be open for shopping at 10 am Saturday. There are already large piles of games coming in and there will be more dropped off tonight.   6.3) another angle of the second-hand games area

All afternoon and into the evening more boxes of games arrived for the sale starting at 10 am Saturday. While Glenn dropped off games he was going to try to sell, he said he spotted a Napoleonic board game for 10.00 that he would like, but he has a game he is signed up for on Saturday morning. He said he would go look after his game was done and see if it was still there.

Ok back to work time to add colour!! (I keep getting distracted and should show you more of the felting component of the convention). I pulled out the reference photos to check the colours and placements.

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 7.1) consult the reference photos  7.2) Consider the colours to make the colour I want  7.3) Use the tiny pet brushes to blend the fibres 7.4) Check with the photo to see if I have the colour close  7.5) Add the colour to the body and then blend and add the next colour.

On Friday night, there is traditionally a game of Chariot racing (7-11 pm). There are a large number of chariots (24), at the start line 2 deep, across 12 lanes. The lanes quickly narrow down to four, before you reach the first corner. Each player writes down how fast and the number of squares they will go that turn (the faster you go the more damage you can take). The players are selected randomly for the order they start each round.  This means a chariot from the back row may start before the ones in the front row, squeezing through and causing and taking damage (they keep track of that on their page for speeds). I watched through the first turn.

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 8.1 set up and the first 2 chariots art out on the track!  8.2 deciding which chariots to try to slip between (hoping not to take too much damage)  8.3) 2 chariots trying to occupy the same square,  they will roll for damage in a moment.

Starting the chariot race!

I will come back and see how they are doing later.  Now back to work on the chickadee. It’s now time to add the tail colour! Blending a charcoal grey, to match the photos, then adding it to the very thin tail. This is where the angle of needle use is important if you want the underside to stay white!

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9.1) blending colours for the tail   9.2 carefully adding the tail colour to only the top. (This would have been easier with a crown needle)   9.3) adding feather details over the black

Oh, the charioteers are getting low better take a look! The leaders are now past the second corner but the carnage left behind is already heavy!

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10.1 heavy carnage before the first turn!  10.2 Close-up of chariot wreckage!! Note the headless charioteer is still driving!!

Ok, I better get back to work, the tail is looking good, now, on to the wings. I have made chickadee wings in multiple ways.  This time, I want to do the wings as a single shape and then add the details before adding them to the little bird.  I could do this faster if I started with a piece of felt or pre-felt of a medium charcoal colour. Unfortunately, I did not have premade felt but I did have wool and can make my own! I started to create felt with the wing tip end, which are darker than the shoulder end of the wing. I used the Clover multi-needle tool to felt faster. I also started to add a suggestion of the details of the felted edges.

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11.1 wing tip end starting to form, using both the single needle and the clover multi tool   11.2 adding feather edge detail, the lines are still a bit too bright for what I wanted.  11.3) note the areas that will be covered by the wings do not need to be covered in colour but it’s better to allow a bit of overlap in case you need to move, or adjust, the wing placement slightly.

Check the shape by using pins and look from various angles. Humm, getting closer but not quite right yet.

using sewing pins to position the wings12) Checking the wing position, consult the photo reference.

Ah, Glenn’s game has ended, time to pack up and we will be back tomorrow morning, Early!

Saturday, 8 am to 11 pm. We again found parking, Glenn got me set up with the little table in the same spot as yesterday and headed off upstairs to his game.   My goal today was to finish the wings and attach them. I was also going to try to find the mysterious “Napoleonic war game for $10.00” and kept an eye out for a lineup to start to go in and buy the second-hand games. But first, back to the chickadee!

I used the sewing pins to try the wings out to see how the wings fit. I like the shape but the shoulder colour needs work. The first thing to do is add whisps of the grey/green from the colour I used on the back to the top and front edge of the wings.

side vew of wing placement13)  I add the wisps of green/grey at the wing shoulder. I also toned down the whiteness of the feather edges, by used the clover tool, which worked very well.

using clover tool on wing14) using the clover tool to soften and lighten the shoulder edges of the wings

Yes much better, now before I add the wings to the body, I can trim any stray fibres from the back with the curved embroidery scissors.

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 15.1 Using curved blade scissors on chickadee’s back (the spot that will be between the wings and hard to trim later.  15.2 Close up of the curved blade on the embroidery scissors (got them off aliexpress)  15.3) The flat and curved embroidery scissors and other felting tools on the wool felting mat (bat on a stick is also here)

Next, the wings need to be attached. Make sure you don’t flatten the wing too much, or it will not look like it is sitting above the body.

16) Adding the wings to the body  

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17.1 Then adding beads for eyes  17.2 Chickadee with his new beady eyes, standing on my needle picking up tool, ready to supervise my work

Oh look there are 2 people starting the line for the games! Back in a moment! I asked one of the organizers and the 2 nice guys in line before me, if they had any idea what game Glenn had been talking about.  I would end up having a number of gamers trying to help me find the mysterious game. We did find one but it didn’t match all the criteria (it was only 5.00) so I kept it and kept looking. Another gamer picked up the one I was looking for but decided not to buy it (Thank you!!) so I now had 2 board games about Napoleon, one of which was listed for 10 dollars!

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 18.1 I was #3 in line waiting for the curtains to open so we could start to shop   18.2 some of the games  18.3 af few more games  18.4 just one of the piles of games being purchased!

I picked up a couple of games that looked interesting, including a Settlers of Catan board that held the pieces in place, since I remember Glenn mumbling about the annoyance of moving tiles. (More on that later). It was very crowded and there were a lot of games being scooped up and sold. I took my selection and hid them under my basket.  Save Doctor Lucky, Napoleonic wars, War of 1812, a couple for the cottage. OH!, I almost forgot I found Exploding Kittens.

19) games hidden under my basket cover and basket! He will never think to look for games there.

Since I have the chickadee done and before I start on the next moose bag, I think I should take a look and see what’s being played at the moment.

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 20.1 my view of the convention from the back corner by the games library   20.2 Miniature soldiers and mounted troops in blue off to fight the little guys in grey in the background   20.3 Another battle in progress, the games are taking a brake. Unfortunately, I could not ask who was fighting    20.4 this was a new game that was being introduced. it had really cue miniatures and the rules allowed you to play as individuals or teams. 20.5 is another historical miniatures game being set up. The reference book was a nice touch.  20.6) this game, from the games library, ran a good chunk of the day, the gamers are taking a snack or shopping break

Glenn finally emerged from his game and went to see if he could find the Napoleonic war game….strangely he had No luck, but he was excited to find an expansion for a game he had. The title did not sound too appealing, too much water.

We had both watched for any type of sheep game but no luck this year. We will try again next year! Some day we will get Glenn to tell us about all the sheep-related board, card and stacking games he has found. It is quite the collection!

21) Expansion for underwater cities (sounds too wet for my liking)

Glenn was very pleased with the games hidden under my basket.  Yes, I did get the correct game but I also bought one he was selling, OH well, he did like it enough to have bought it the first time!

I had people drop by Friday and again Saturday to see what I was doing and then how it was going. I think a couple will follow up and try needle felting.

With the chickadee done and now supervising from the needle-on-the-floor-collector-tool (magnet with extendable handle) I was ready to start project 2 of the weekend. But, I likely have distracted you with enough strange games for today.  So let’s paws here, before going on to the next project, and the rest of Saturday and part of Sunday.

Small things and help with visor problem

Small things and help with visor problem

I am working on my May slow stitch I have a few things done but it’s not finished quite yet. I plan on finishing it at our guild social on Monday  I think the “May” should be bigger. It’s not a very full page this month but it will have to do. I am liking working with the wash-away stabiliser. We will see if I am still happy after it is dissolved.

 

I have done a little spinning and plying so I have a few new balls of yarn to play with. I got a Moodie Blues pack from Carlene. It’s one of the World of Wool collections.

 

I still need to ply the one on the left. I only have one more to go, the top left one. It amazes me the way the wool changes as you spin it. I think because the colours are side by side they become more subtle. I really like the dark one with the blue slubs in it.

Lately, I need some advice on my mirror cover for the visor in my car. I had stuck it on with some Velcro squares. It worked fine all winter but no it’s hot the glue has melted and it has fallen off. What else can I use to attach the cover?

 

 

Creating a Branch, Leaves and Lichen for a Felt Tree Trunk

Creating a Branch, Leaves and Lichen for a Felt Tree Trunk

In my last post, I showed you the beginnings of a tree trunk that I have been creating. Next up was to make a branch, leaves and lichen for the trunk.

Felted fringe cut from a scarf above felt tree branch made from similar fringe.

The branch was made from the fringe that I cut off when I felted the tree trunk. There is extra fringe at the top of the photo above and the branch that I created from a similar piece of scarf below. I did a bit of twisting, tacking it down with a felting needle and then wet felted the branch.

Interfacing and nylon organza painted purple.

I painted some lightweight interfacing and some nylon organza to make the lichen. It was fun to make lichen in purple!

Here’s the set up that I use for burning synthetic fabric. It gives off bad odors so I put a piece of glass on my stovetop, turn on the fan in the vent hood and burn with a soldering iron first. Once I get the shapes, then I use a heat gun to further shrink and change the shape of the fabric. It shrinks the fabric down, so you need to burn out more pieces than you think you need. (Make sure to be very careful with the soldering iron and keep it away from your fingertips. You also might want to wear a mask.)

Here’s the burnt interfacing on the left and the result after heating with the heat gun on the right. I usually tear these pieces up into smaller sections as that looks more like the way lichen grows on tree trunks. Do you like the little dog at the bottom? Totally unplanned.

Here’s the nylon organza. I do both the interfacing and the organza because they each give a different texture. That way when mixed together, it looks more like real lichen.

Next up was to create the leaves. I used tea bag papers that I painted. I wanted a soft peach-pink color but ended up with more of an orange color. Oh well, I kept going. The top right shows the tea bag papers layered with two papers and then free motion machine stitched to make veins. Then I cut out the leaves to the correct shape and then used a soldering iron to burn bits away and make little holes. Now they look like fall leaves.

But I was still unhappy with the color. I definitely wanted them less orange and more pink. So I took some leftover tea bag paper and tried several different media to see what I liked best. I ended up using the pink colored pencil. Now to stitch it all together and see if it needs anything else, but you will have to wait until June for that post.

 

Birthday Gift-Card for a Fisherwoman

Birthday Gift-Card for a Fisherwoman

Commercial birthday cards for anglers always feature pictures of men but I have a female friend who loves fishing and is an avid reader!  So this quarter’s challenge is the ideal time for me to make a feminine fishing card with a small gift of a textile bookmark.

If I’m making something small I always rummage in my scraps box because it will save time and money.

I found this nuno felt scrap (below left) from the making of a picture of a seahorse in 2015 (below right).

nuno felt made with merino fibres and scraps of coloured net      nuno felt with free motion stitching and beads to make a seahorse picture

Sorry about the dodgy photo of the scrap but without stitching or anything else solid the camera couldn’t focus properly on the net.

I have some yellow heavyweight cotton fabric to back the nuno felt so I cut a piece a little bigger than the nuno felt then pinned the two together.  The cotton backing made stitching on the felt easier and made the back pretty.

Yellow heavyweight cotton fabric

I did ‘quilty’ stitching all over the nuno felt – it added interest and made it hardwearing.

Quilty stitching on nuno felt

I drew a template for the bookmark on an old piece of card.  I placed the template on the nuno felt then marked around it with an air-erasable pen to give me a sewing line.

cardboard template for textile bookmark

After machine stitching the outline of the bookmark on the nuno felt, I cut it out very close to the stitching line.  The eye is just a dot from a black laundry marker.

textile bookmark

To decorate a white card blank I used ‘Word’ to make a sheet of images to cut out.  The blue and yellow book is made from ‘shapes’ and colour filled then typed words on top (I can’t take credit for the humorous author’s name – it’s been around as long as I have), the shelf of books and fishing rod are free printables and the greeting is just typed above the rod.  I used thin card for printing the shapes.

printed images to cut out to make the front of a birthday card

‘Moby Dick’ has been scanned by Google so I printed off the first two pages to make an insert for the card.  The bookmark sits inside the card as a surprise when the card is opened.

textile bookmark within insert for birthday card with first two pages of Moby Dick

I added some pencil lines to look like book pages and here’s the finished card front.

decorated front of birthday card

BFF Cozy Blanket Project…with pattern

BFF Cozy Blanket Project…with pattern

I feel like a broken record. Time flies by so fast these days, I always feel behind the eight ball. I’m trying to figure out something fiber related, our readers want to hear about, while pulling my hair out with Mom’s Alzheimer’s/Memory Care issues. Other families rarely visit their loved ones, to see incremental changes, that send up red flags. We are there every couple days, and we noticed behavior changes directly related to new medications. It’s so frustrating as her guardian, to know something isn’t right, getting a group of doctors to listen, and do something. Thank goodness we are retired, and can be available to meet whenever they are. It’s been quite a few weeks, of back and forth, and we appear to have a solution. So, you are getting a look at a mindless project I have been working on. It’s a work in progress (WIP) that I started January of 2022…and it’s time has come to get it done.

In reading recent FFS posts, it appears we are all mindful of using what we have, or finishing what we’ve started. This cosy blanket was created during Covid, to celebrate a long distance friendship: supposed to keep us warm during months of ongoing isolation. On its face, this is a basic diagonal washcloth pattern on steroids. It uses 3 strands of fingering weight yarn, held with a fluffy/fuzzy strand of lace weight yarn on a US-11 (interchangeable) circular needle. It could be any yarns you have in stash, just bump the needle size up or down as needed. It takes a lot of yarn, so be warned it will burn through your stash quickly.

I stocked up on bare yarn bases, for 4 yarn shows I booked before Covid struck, and everything went out the window. As this was a Christmas gift, I wanted a lovely blend of yarns, that would feel good against our skin. I wanted to use up the sparkling yarn (bottom, left) that wasn’t selling well, and I chose Suri Silk for my fluffy/fuzzy yarn.

Strand #3 came from my hand dyed yarns, and some from stash. Brian divided each skein in half – 50g for me, 50g for Lisa. The 10 skein colors meant we were both in each other’s blanket.

The last strand of yarn was from an enormous pile of 10g mini skeins, I traded with other yarn dyers. I pulled out minis I had duplicates of: 1 for Lisa, 1 in Capi. If you don’t have mini skeins, any strand of fingering yarn will do. However, I would be remiss if I didn’t mention the interesting results that happened, each time a random 10g mini skein makes color changes appear. The photo below shows diagonal striping happening across the blanket. Notice the obvious yellow stripe (approximately 10 rows at the longest diagonal rows) created by a 10g change

Noticeable yellow stripe created by blending a 10g mini skein of hand dyed color with the other yarns.
Outdoor photo of Capi’s Cozy BFF Blanket – this photo illuminates additional stripes created by the randomness of different hand dyed 10g minis.

Let me tell you about the i-cord edge that goes around this blanket. My BFF Lisa wanted a professional finish on the edge of the blanket. While it is possible to add an i-cord edge after the blanket is finished, Lisa knew it should be able to be knit simultaneously. It took a little trial and error to work out. You can see the nice edge it gives the blanket, and it will reign in the stretching of an unbound blanket edge. She did a wonderful job, as you can see in the photos below. It’s achieved by establishing a 2 stitch border on both ends of the row with big obnoxious stitch markers. On the first pass, you slip the marker (sm) bring yarn in front (byif) and slip 2 stitches purl-wise (sl2pw) in other words slipped without knitting. Then turning your work…on the next row…you immediately knit those 2 stitches (k2) slip the marker (sm) and knit across to the marker on the other side, sl2pw…and repeat. In the pattern you will see these abbreviations. You may want to jot down the definitions on the pattern. We are amateurs at pattern writing, so you are getting our recipe, so to speak. Apologies if it isn’t clear enough: consider a test run with scrap yarn and a smaller needle.

I finished my blanket last night, and tweaked our pattern, inserting some helpful details. I hope you might give our pattern, a test run. If you knit with cotton yarn, you’ll get a face scrubbie, or washcloth, with a very nice edge.

Capi

An almost Alpaca addiction

An almost Alpaca addiction

Oh, the rabbit hole of looking through a social media or selling platform for just that thing that will add to your stash!

If it were for only my force of will, I would never stop scrolling, but, luckily, I have commitments and a family that will grumble if I forget to provide dinner by a certain time! That usually saves me and my wallet, as I will stop my going online and not literally buy everything! Because, I do not know about you, but I simply love the idea of possibilities that all of the stuff online would give me if I just could have all of it in my own place!

All smoke and mirrors, I know, and I will never have the million years of time needed to try everything anyway, but..well, you know, hope is the great addiction, isn’t it.

So, some time ago, in the spirit of almost-scientific research (that is a clever name for it, you can get away with a lot in the name of scientific research in my house) and dazzled by my own confused fantasies, I bought a full baby Alpaca fleece from a local farm, after seeing them on a selling platform, looking up their website and getting hooked on baby Alpacas photos (ooooohhhh, they are just sooooo cute!). You will appreciate that I had started by looking for black pencil roving and, possibly, nepps: like, 50 grams of stuff or thereabout, easy to stash in one of the drawers. I obviously did not buy any roving or nepps whatsoever.

The fact is, they let you choose among different colours, and Alpaca has so many of them that you can enjoy looking at baby Alpacas for quite a long time. I saw this rust coloured dream of a fleece and just had the most amazing daydream about giving my kids the best chair/bed spreads ever, warm, feather-weight, cozy and exactly the perfect colour to match the rest of their bedroom furniture enhancing it. (Plus, reminding us of baby Alpacas!) Then I started daydreaming about making more felt Alpaca rugs for all my friends in time, and it quickly went downhill from that.

Well, the fleece is very cheap compared to buying a woven Alpaca spread, I know because I checked, Alpaca is the new cachemire they say, so I thought that I could afford to see if I could make something acceptable out of it, although I had not experience with Alpaca or with full fleeces (albeit baby fleeces) or with felting a chair rug/bedspread. Well, I mentioned that I am a hopeful daydreamer!

The farm lady of  Cold Comfort Alpaca was super kind, she answered immediately when I asked about the fleece being unwashed but not terribly soiled and with the worse dirtied parts taken off. She also gave me reassurances that the fleece was suitable for wet felting. That was about the only sensible check that I made before plunging head on into it, so I would like to point out that she was totally honest and the fleece is exactly as described. Lucky for me, as it does not smell at all, it is totally doable to keep it inside the house: I can swear it on whatever you like, because it has been living in a cardboard box in my living room ever since, so I know for sure.

(By the way, I gathered that the beginning of May is a very good time for looking for fresh baby Alpaca fleeces, if you are interested. I found them on the Cold Comfort Alpaca Store on Etsy. )

When the box arrived, I was just so excited and nervous that I had to open it straight away! And..yes! it was all I was hoping for in terms of colour and softness: my kids just wanted to dive into it and bury themselves in the rusty curly locks, and my hands just wanted to keep on gently stroking the fleece. I was totally addicted to it from the start, it was impossible not to, especially thinking about the baby Alpacas in the photos..

A cardboard box on a wooden floor
The box has arrived!

A hand opening a plastic bag inside a cardboard box. In the bag there is a rusty colored fleece.
We open it!

A clear plastic bag with a black writing saying "Cold Comfort Ruben 2022". A rusty colored fleece can be seen inside the bag.
The bag was clearly labeled, with the name of the farm, Cold Comfort, of the baby Alpaca, Ruben, and the year of the shearing, 2022.

An opened clear plastic bag with a rust colored Alpaca fleece inside.
Here it is!

Champagne and bright brown colored Alpaca fleece
The fleece had different shades and lengths in different areas, of course, from lighter brown..

Longer light brown locks in Alpaca fleece
..to longer light brown  and rust locks…

Short blonde locks in Alpaca fleece
..to short blonde locks.

Part of a rust colored Alpaca fleece.
The fleece tended to come apart in my hands very easily, so I thought that I could pick and choose the best locks for my project.

Long rusty colored locks in an Alpaca fleece.
I really wanted mostly long, rust colored locks for my rugs.

Well, knowing my limited time supply, I just knew that I needed to complete my wet felting in a weekend, or two maximum, or I would never get about finishing it: I will just say, yep, I was spot on on that.

I had not a very clear idea of how to accomplish my goal: it was my first rug, and of course my daydreaming severely impaired my ability to think things through properly. I now know that I should have prepared a base of mixed wool and Alpaca fibers, on which to felt the alpaca locks, whereas what I did was trying to wet felt the base of the locks together: I guess that this is a typical rookie mistake.

I spread about half the locks and fleece bits on my table, trying to keep the shading of colour naturally changing and interesting. That took me some time, and when I wetted and soaped it and started the felting process it was already a bit late, what with the kids coming to have a look every five minutes and giving their own contribution to it (ahem).

A rust colored Alpaca fleece arranged over a towel and plastic bubble wrapping on a table.
It took me a while to arrange the locks as I wanted them on my table.

Alpaca fleece arranged on a towel and plastic bubble wrap on a table.
A different view to appreciate the natural color of this fleece: I still love it to bits!

A netting covers a rust colored baby Alpaca fleece on a table.
The soaping and wetting.

A towel covering a roll of Alpaca fleece on a table covered by another big towel, with an ebook reader in front of the roll.
Rolling after a very quick and light rubbing.

I got to rubbing the fleece lightly,  afraid that I would felt in the locks too much. Then I started the rubbing. Unfortunately, my time was not enough for a long rubbing that day, and also I was afraid to felt in the locks, I wanted time to stop every now and then and check on them, but I did not have it then.

So, I thought better to stop there, wash it and put it away for further work later on: that was not such a brilliant idea, as the fleece seemed to hold together at first under the tap, but then started to show holes everywhere! Argh!

In hindsight, I should have washed it rolled up, and very delicately, as some of our expert felters suggested when I asked for help later (of course, I asked later, because that is me). Or, better, not wash it at all until properly felted, but I was not sure how soon I could go back to work on it afterwards.

Anyway, I put it to dry flat on a rack, with the whole family stealing caresses to it as soon as it was dry enough, even though I kept telling everyone (and myself) not to do it because it was already almost cobweb felt, but no way, it was sooo soft, irresistible. The kids started taking it off the rack to bury themselves into it now and again for a cuddle and I did not have heart to tell them off much: it was right addictive. Of course the holes kept growing until I had to store it away before it was more holes than fleece!

A rust colored Alpaca fleece spread on a sofa
The less-than-half-done fleece rug spread on the sofa: note the irresistible lush soft curls.

A hand is close to rust colored baby Alpaca fleece curls
Just so touchable!

In the meantime, I understood that I needed to re-work the rug with a backing, mixing Alpaca fiber and Merino wool. So, I selected the shortest and the dirtiest bits of fleece and started hand carding them with pet brushes, to get the Alpaca fiber.

Two pet brushes on the left and Alpaca fiber with vegetable matter on the right and on the furthermost of the brushes.
The starting of hand carding the fleece.

Rust colored locks of Alpaca fleece and two pet brushes on a wooden table.
A lot of hand carding to do!

A hand holding two pet brushes with Alpaca fiber and vegetable matter on them.
These bits had quite a lot of vegetable matter and dried mud, because the fleece was not washed and those were the worst bits of it.

I kept on with the carding for a while, but it was slow and messy: consider that I do not have a place outside where I can make a bit of a mess, I had to work in my living room. So, I started carding it only on the evenings before my house cleaning days: it is quite incredible the amount of vegetable matter and mud (let’s leave it at that) that were coming out of just a few locks that did not seem that full of VM in the first place! I was very quickly bored to death and annoyed by the mess, with only a small light plastic bag of carded fiber to show for it!

I admit that I was pushed to cheating, at this point, and purchased a small bag of brown Alpaca fiber on WoW (it was at discounted price!), and then felt as a traitor to our baby Ruben and dubious if it would be too dark a brown for blending well with the rest. Anyway, in the end it would be just too expensive to go on buying more carded Alpaca instead of making my own with the fleece that I already have in abundance.

And here we are, as I left my project there and did not go on carding or felting Alpaca since.

That’s a real pity, as I am still dreaming about the baby Alpaca rugs that are there, waiting for me to make them real. The box with the fleece is here in my living room, looking at me reproachfully, and my husband sometimes hints at “disposing of it or at least doing something with it”, so I guess I will have to finish my UFOs sometime soon.

I learned so much already that I think that I will be able to make a better job of it as well this time around 🙂 but if you have other tips to give me, please share them in the comments, as I am surely going back to my almost-addictively-soft baby Alpaca fleece!

Bird Nesting Balls 2024 (the experiment continues)

Bird Nesting Balls 2024 (the experiment continues)

Last year I wrote about my experiences putting out various fibres for the birds in Bird Nesting Balls.  This spring I have put out some new fibres to continue my experiments.

Our guild has a destash area where donated yarn and fibre is placed in our studio.  Members can adopt items and are requested to make a reasonable donation to our guild in return.  Someone had left a number of bags of dog fur on the shelf.  It was very soft, but also very short.  Pretty much unspinnable to me.  But I thought it would be perfect for a fresh set of bird nesting balls.

While discussing this plan with my guild mates a bag of Bear fiber was also produced and I was urged to take it.  While bear fibre sounds amazing, in reality it was very wirey and unpleasant.

Because I had quite a bit of fibre, I bought 3 metal rings designed to hold peanuts in the shell.

Bags of fur and metal bird food holders
Bags of fur and metal bird food holders

Here are the various fibres: tan dog fur, black dog fur, and bear.

 

I loaded the circular bird food holders with a blocks of Bear, black dog fur and tan dog fur.

Loading the fibre into the bird food holders
Loading the fibre into the bird food holders

Here are the holders after I stuffed them.  I also loaded a small amount of black cat fur into the blue bird holder.  (Last year the Chickadees really like the black cat fur.)  The lighter coloured fiber in the blue bird holder is llama.

Loaded fibre holders
Loaded fibre holders

Once the holders were loaded it was time to hang them up.  I spread them around the bird feeders in my front yard on April 21.  I also hung up the 2 balls I used last year, one with cream wool, and another with tan alpaca.

After a few weeks I began to notice that the holders were looking shaggy, which I assumed meant that the birds had been pulling out fibres.  But I had not witnessed the birds gathering fibres.

We have many hungry Raccoons in the neighbourhood and despite the baffle on my pole they manage to get up on the feeder.  We also have squirrels that launch themselves onto the pole and claw at things.  I recently noticed the wool holder was on the ground and falling to pieces.  So I went to the store and bought a metal cage designed to serve suet cakes.  I filled it with the wool and hung it backup.

New metal holder with wool in it. The cream nesting ball with alpaca is behind.
New metal holder with wool in it. The cream nesting ball with alpaca is behind.

Shortly after making this upgrade to my fibre supply station, I finally noticed a Chickadee taking fibre from one of the rings.  It looks like the black dog fur is the Chickadee’s preferred fibre.

Chickadee taking black dog fur
Chickadee taking black dog fur

I also managed to capture a short video.  I apologize for my dirty windows.