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Creating A Nogai Floral Design Using Sticky Fabri-Solvy

Creating A Nogai Floral Design Using Sticky Fabri-Solvy

As I told you in my last post about our trip to New York City, I visited the Met Museum’s Watson library. I am doing research on ancient felt making patterns in and around Central Asia.

This is one of the books that I found in the library and it had loads of illustrations with different patterns. But, the book was written in Russian. I went ahead and scanned the illustrations and hoped that I would be able to get it translated when I got home. It took me a few days to realize that I knew someone who speaks Russian, Galina! She is a member of The Felting and Fiber Studio Forum and will be teaching another Fantasy Fish online class soon. Galina kindly translated for me and also told me a little bit about the book. The book is about the Nogais, a Turkic ethnic group, who now live in the North Caucasus region. This is “next door” to Central Asia and since these were nomadic people, I think I will include their patterns in my research. The book was written by Fatima Kanokova and her doctoral thesis had a theme of “Decorative Art of the Nogais.” Thanks so much Galina for your help!

I took one of the floral patterns from the book and enlarged it. I then painted it on paper in the colors I was going to use. The colors were limited to what size and color of prefelt I had available. I used a very lightweight commercial prefelt and decided I was going to need at least two layers and then a backing piece of prefelt. I did try and do a little dry felting of the two pieces of prefelt so they would stick together during cutting. This wasn’t very successful. I would highly recommend using a thicker piece of prefelt to begin with and the cutting process would have worked better. Next, I needed to decide how I would transfer the design.

I was thinking of using the freezer paper method like Lyn used with her pigeon/rubber ducky piece but then suddenly remembered that I had some Sulky Sticky Fabri-Solvy that I had bought for free motion machine embroidery. I did not like using it with the sewing machine  or hand sewing because it gummed the needle up so much. But I hoped it would work with the prefelt.

The Sulky Sticky Fabri-Solvy has a paper backing on a sticky, water soluble fabric type stabilizer. So I traced the design and cut it out with a craft knife. I cut very carefully, so that I could use both portions of the design for the negative and positive shapes.

Here it is after cutting and you can see the negative and positive shapes that resulted.

Next was to peel the paper backing off and position the pieces on the various colors of prefelt.

Here is the prefelt with the cut shapes of Sticky Fabri-Solvy stuck in place. Now on to cutting them out. I tried cutting them with the craft knife but the two layers of prefelt kept shifting around. So I used a small, sharp scissors to cut out the shapes. Again, I was very careful so that I could use both the positive and negative shapes in the two different colors.

Here are the shapes after cutting. If you look closely, you can see the cutting wasn’t perfect. Again, this would have been easier with one piece of thicker prefelt.

Now to put the pieces together in an inlaid fashion. I used a piece of white prefelt behind the red background. If I had been thinking about it, I should have used a piece of red prefelt. Then you wouldn’t be able to see any movement of the cut shapes if it occurred during felting. But I didn’t have any white prefelt for the brown background piece. I decided to cut the edges of the brown piece and add a red background.

Here’s the brown piece after cutting and adding the red background. I didn’t inlay the brown into the red background, I just laid it on top.

On to felting everything. I covered both sides with a nylon curtain and wet the pieces down. Hopefully, you can see that the Sticky Fabri-Solvy mainly stuck on to the nylon curtain and then peeled off. I washed the remainder of the stickiness out of the nylon curtain and preceded with felting as I normally do. The little bits that were still stuck on the red prefelt dissolved. I’m sure the whole thing would have dissolved without pulling it off with the nylon curtain. But sometimes this type of water soluble fabric leaves a stiff residue and I didn’t want that to happen. So I was happy with it all peeling off easily. I had tried to peel if off before I wet it down but it would have damaged the prefelt. Also, I found that with the stabilizer in place, the pieces fit together easily and held their shape better than the other pieces that didn’t have any stabilizer. It didn’t really matter with the end result anyways.

And here you can see the two pieces after felting. The one on the right had a bit of ruffling edges since the prefelt in the center was thicker than the outer edge. But that didn’t matter because I was planning on trimming the pieces after felting.

Here are the two pieces after trimming. This method worked great and now I have a useful purpose for the roll of Sulky Sticky Fabri-Solvy that I have.

 

 

Trying out a new way of making prefelt

Trying out a new way of making prefelt

I recently heard about a no water, no needle way of making prefelt. I thought I would give it a try and see how it works. It’s fairly simple. You layout your wool on a mat or plastic and roll it dry. When I teach resist felting I usually dry felt the layout by just pressing and wiggling to make it stick together well enough to pick up and move, so we can make the second side. I am sure we have all found that ball of roving in the bottom of a bag that is well on its way to bing a solid felt blob. Taking this idea further just makes sense.

On Sunday it was Library day at the guild and I knew it would be a fairly quiet one so I took my supplies with me. Here is my try at dry non-needled prefelt.

I am using a rubbery placemat and a plastic grocery bag. The Grocery bag is because I put the little piece of plastic in my coat pocket and then didn’t wear my coat. I picked 2 colours so I can see how much migration there is if any. I did jiggle the felt to stick it together, the same way I do when I want to move a layout.

 

 

I rolled it 100 rolls in each direction flipping it between as well. It came out very flat and has started to shrink.

 

 

I rolled it some more. I had intended to do another 100 rolls in each direction but we were chatting so I am sure it got much more than that, especially on the last set of rolls. It definitely shrunk in both directions but not a lot.

 

 

I cut it to see what it looked like. the edges are thicker and flatter than the middle but it’s still pretty solid.

Jan took a movie of it with her camera. It shows how sturdy the prefelt is.

I rolled it again to see how the edges would fair. There were wisps that migrated out in the direction of the rolling. I think it would have been better to just finger rub the edges. There was really no migration to the surface by the opposite layer.

 

All in all, I think it worked well with very little fuss. Next, I am going to try cutting out some shapes and felting them on their own, to prefelt and on a fresh layout. Have you ever tried this method? how did it go?

 

 

Started but not Finished

Started but not Finished

At the moment I seem to be really squeezed for time. I have managed to start 3 small things

First I wanted to do another vase cover. I used a bat that was made on a blending board. I pealed a thin layer and then filled in the holes. I like the autumn colours.

 

That is as far as that got.

Next, I wanted a little bigger landscape I could needle felt and stitch on, so cut a 5×7 inch piece of the soft thick prefelt to use.

 

 

I wrapped the wool around the piece so there won’t be grey edges.

And that’s as far as that one got. I have it rolled up with the vase cover so they can be rolled at the same time.

Then, oh my I still have a few min. I had some well-fulled wool fabric a friend gave to me. I think it used to be a coat. I cut out a small piece and brushed up one side with my wire dog brush to see if it will stick together well with wet felting.  Then added some fibre

The difference is hard to see. the left is the unbrushed side and the right is the brushed side.

I had intended to just add 2 colours and felt it to use for trying out stitching on the new water-soluble stabilizer I ordered. But before I realized it I had made another landscape. Oh well, that’s ok, I will have to try again to make some practice pieces.

That is as far as I got with that one. I will probably wet it and add it to the other roll and then do them all at once. Maybe next week I will have them felted. With this time of year being very busy for me, it makes it hard to get some felting in. I try to get some in every week so I can share with all our friends and followers.

Theatre Textiles Part 1

Theatre Textiles Part 1

After I had retired from full time work in 2006 I was finally able to join SNADS – our local amateur dramatic society. I live in a small market town in Dorset and SNADS was the main source of entertainment for our area at that time (as it had been since 1930, although newspaper archives indicate that it was around at least as early as 1883). I had seen most of the productions which they had put on since we moved there in 1999 and longed to join in, not only on stage, but behind the scenes. During any one year there are at least 4 productions – Pantomime in February, Spring Play in May, a Variety Show/Revue in the summer and the Autumn play in early October, and as soon as that was over, the round started again with preparations for the following year’s Panto.

We had a fantastic wardrobe mistress, but she needed help with costumes, especially at Panto time as there was so much to do.

My first foray into costume was to make a full head cat mask for the summer review. Two of our members were to sing Rossini’s Cat Duet and the director decided that it would be fun to have a disreputable tom cat watching them from the side-lines. I had recently learned to wet felt 3D items using a resist, so I made the mask from wet felted pieces and needle felted details. I didn’t want the actor’s eyes to show through and anyway, I needed to give the cat it’s proper “slit” irises. So I stitched into the eye holes a piece of doubled yellow organza and just painted the vertical slit. (It is quite possible to see what’s going on through organza if it is held close to your face.) How to give him a proper nose? I needled the correct shaped nose on the mask, then I painted on some artist’s gesso, let it dry and added some more. Gesso is textured so it was necessary to file the nose to make it a bit smoother, also the gesso is white, so I painted the nose with black enamel paint which I nicked from my husband’s paint store (he’s a model maker). After a couple of coats of that, Tom had a shiny(ish) black nose. Add some “bitten” ears and “wonky” whiskers and he was nearly done. The cat’s mouth was open – it allowed the actor to breathe and gave Tom naughty grin. Finally I gave him a pink tongue and white tips to his ears.

Disreputable Tom Cat

The next production that I was involved in was the pantomime Cinderella, written and directed by one of our members. I was asked by the wardrobe mistress if I would dress both the Fairy (“Fairy Nuff”) and Buttons’ dog, Beau. The director wasn’t quite clear about what kind of dog Beau should be, except that he was to be comic. So I did a sort of 3D needle felt sketch of the dog’s head as I saw it – black and white with one ear cocked.

“Sketch” for Buttons’ Dog

However I’d got it wrong – Beau was to be a black poodle. 

After some discussion with the wardrobe mistress, we decided that the actor would wear a black polo necked top, thick black tights and black gloves. I managed to find a piece of curly black faux fur to make a short jacket, with enough left over to make pompon for the top of the head and the end of the tail, the long dangly ears and wrist and ankle rings to simulate the correct style poodle cut. I was to make a full head mask. For this I made a wet felt hood using a resist and a further piece of flat felt incorporating some of the curly faux fur trimmed from the bought fabric. A lot of that moulted out though because it was nylon or polyester and very slippery. Enough was fixed in however to give the right effect.

I made a needle felted muzzle – again with the mouth open to reveal the red tongue and white teeth, and to allow the actor to breathe.  The nose I made in the same way as for the tom cat – shaped with the felting needle, gessoed and painted.  The muzzle was attached to the hood/face with stitching and felting needles.  Some of the flat felt was cut to represent the dog’s lips and attached by stitching and needle felting to the muzzle.  The “Disney-esque” eyes were again painted organza and were stitched on the inside of the mask. 

The ears and head pompon were also stitched on.  I added a piece of brown fabric and a belt buckle around the dog’s throat to simulate a collar and allow the mask to be firmly secured over the actor’s polo necked top.  I have worn this costume myself a couple of times in subsequent Carnival processions – great fun.

Beau

Since the actress cast for the part of Fairy Nuff had a figure which could easily cope with a glamourous costume, for the base I was given a basque that fitted her. She was to appear out of a compost heap at the edge of the stage, so I set to and made lots of autumn coloured leaf shapes – mainly oak – out of different brown bronze and gold metallic organzas. I sandwiched sparkly bits between layers of organza. I machined stitched around the edges and along the veins of each leaf and then cut out the shapes with a soldering iron. This sealed the edges and prevented fraying. Then, with the basque on a dressmaker’s dummy I attached large pieces of bronze organza for the tail, and then added the strategically placed leaves.

The wings were made from two lengths of flat wire (originally from a pop-up fabric laundry container) covered with more organza, this time creamy white but with sparkles and sequins added. These were attached to the back of the costume by stitching the wire to the shoulder straps of the basque and covering the join with some dark bronze/gold chiffon.

The crown was made from bronze Christmas decorations (that year bronze was in fashion over here – UK). I used bronze plastic icicles, some foil stars and some more organza leaves attached to a head band. I can’t remember what the wand tip was made from – possibly a bunch of tinsel.

I actually got a speaking part in this Panto – only a couple of lines but a step up from what I’d had before.
I don’t have a proper photo, this was before my husband had a digital camera, however I’ve managed to extract a clip from the video we had made of the show. It’s a bit fuzzy if enlarged but I think you can get the gist. I’m in the gold dress with my exclusive “Toilet Duck” perfume, and my punchline? “It drives the men Quackers!”

Guests at the Ball with “perfume”!

After this show, we had one final “adult” Revue and then we moved to where we are now based. Try this link it should show you the hall we left, Sturminster Hall, and eventually the Community and Arts building, The Exchange, which is now our home. https://stur-exchange.co.uk/about/
Unfortunately it seems that a second link, on the above page, may not yet be working – this is a new website in the process of being fully set up so here’s the brochure which was produced the year after it opened.

The Exchange Brochure 2008

The staircase balustrade is wrought iron made by a local craftsman and represents the river Stour which runs through our town. All the Rooms in The Exchange are named after rivers and streams running close by, and it is just beginning to open again to live theatre as well as community groups.

We at SNADS started off our return with an Adult Cabaret a couple of weeks ago, for once without a male Balloon Dance or a ladies Fan Dance, but there was a Pole Dance!

More about my exploits with SNADS (including an explanation of the picture of the wicked queen) later. Watch this space.

My Second Poker Challenge: Felting.

My Second Poker Challenge: Felting.

Last time I showed you my spinning poker challenge. https://feltingandfiberstudio.com/2021/07/26/spinning-poker-challenge/ This time it’s the felting poker challenge

In case you didn’t see it the idea is you pick a card from felting four different category card decks. With felting wool is a given.

My picks are:

Fibre: use thread or fine yarn

Colour: use cool colours

Structure/Technique: needle felting

Other: No Larger Than An Index Card ( 3inches by 5inches, 7.5cm by 12.5 cm)

This one took me a while to figure out. I kept thinking of a cold picture even though I do know cool colours doesn’t mean a cold picture. I don’t usually do needle-felt pictures I usually wet felt and then do a little needling and stitching. I am glad it’s only a small piece.

To start I cut the right size piece of prefelt for the base. I got this to try out From Monica of The Olive Sparrow. I have to say so far it is very nice to use. It’s quite thick and nice to needle into, not too hard and not too soft. Just like baby bears bed.

          

 

Next, I picked my colours for a nice scene. Most of it is merino except the two-tone green. It is corriedale.

 

Laying it out. and tacking it all down. I wanted sky and water and a clifftop.

 

The sky and sea are blending together. I went online and had a look at some sea and sky pictures. There seems to be a definite dark line where they meet but when I added it to the picture, it looked odd. I decided to pop an island in.

That looks better but it looks lonely so I added another one and greyed them out a bit to make them look a little farther away.

That is where it stands now. You will notice there are no threads or fine yarns. That will be next. I will probably add some grasses and flowers to the foreground with stitching and maybe a tiny lighthouse on the rock. I am not sure yet what I want to do.

Giveaway Winner and Another Little Bag

Giveaway Winner and Another Little Bag

 

First, the part everyone wants to know, who won the Custom Fibre Chest. The winner is Karen Cantwell. Congratulations, I am sure you will enjoy your basket of goodies. For everyone else get a Free goody bag if you place an order this month. Just mention you saw it on the Felting and Fiber Studio Blog. 

 

And now the less exciting part,

I decided to make another little bag to keep things in my basket organized. I am going to use some thick prefelt I have. The nice thing about the thick felt is you can split it and cut away a layer so you can overlap the edges and not have a thick seam.

Here’s the layout ready to wrap around. I use a felting needle to keep it all in place before wetting.

I thought it would make it more versatile if it had a little loop so it could be attached to something if I wanted to use it somewhere else, maybe attached to my sketchbook. to add it I used the offcuts from pealing the prefelt and some of the yarn I am using to decorate it. It’s handspun wool and silk. This is the back with the loop wrapped up so it won’t stick down. I needled the ends of the yarn down.

And this is the front. I may embellish it after it’s felted. I will see what it looks like. It looks very blank at the top but I will be cutting that later to make a foldover flap.

 

It felted down really well and you can’t see where the joins were. The join is right down the middle top to bottom.

I added the pen for size and a little piece of white felt so you can see where the opening is. It didn’t show with the black on black. I will probably add a magnetic closure if I have a small enough one. If not I will add a snap.

 

I love the way this yarn worked. This yarn is handspun. it’d shredded sari silk and wool. I don’t remember spinning this but looking at it I think it must be mine. Firstly it is a very small amount and I typically do this. The other is how it’s plyed. It looks like it sat in a center-pull ball or on a spindle a long time before plying. When you do that the yarn sets and when you ply it, it doesn’t really look right until you wet finish it to give the yarn back its spin energy.  I almost never bother to wet finish my yarn because I won’t be knitting with it. Essentially I’m lazy about it, what can I say?

I didn’t look at this too closely before using it, I just liked the colours and thought they would look good on both the black and grey. Now looking at it after felting I suspect ( I would have to go look to be sure) that it was plyed in the wrong direction. I plyed it in the same direction as the spin so added more energy rather than plying in the opposite direction, removing energy and balancing the yarn. If you look at the yarn now you will notice it sometimes looks like two parallel yarns and sometimes one wrap around the other and that seems to be happening in the same direction as the single yarn.  It didn’t just all unravel because I have tacked down at both ends.

It is another fun thing about making your own yarn. You can do some cool stuff on purpose or by accident. It fun, you should try it. It’s all the same supplies you already have. You just need a cheap drop spindle. You can even have lots of them, cheap and expensive and still not be in as deep as one spinning wheel.

 

 

 

3D Felt Landscape

3D Felt Landscape

I sold three of my landscape pieces in March and I need to get more down to the gallery shop soon. So I took five pieces to be framed and I needed to make a few smaller pieces to go in ready made frames. The first one was easy, I made a replica of the holiday exchange card of winter time birch trees. I wrote a post about creating it here.

Here’s the second version. I forgot that I had used two layers of prefelt for the birch trees so they weren’t as white this time. But to me, it just makes it look colder!

Then I needed another idea. I have been watching some artist spotlight videos on the Youtube channel Fibre Arts Take Two and had seen one about the felt maker Kristy Kun. There were several short segments in the video that showed a bit about her process which looked interesting.

Then I walked by this small piece in our living room that I created in Level 3 Art and Design. It’s made with paint, gel medium and cardboard. Perhaps I could recreate this design in felt? And I could attempt some three dimensional felt on the horizon line with a similar method to the video I had just watched.

I first laid out wool in similar colors as the original. I should have noticed at this point that the horizon line was too close to the center vertically but I missed that.

Then I laid out some strips of the dark red and black mixed together in different sizes.

Then I began felting. I only wanted to go to the prefelt stage with both of these elements. The red bits reminded me of bacon the entire time I was felting.

The strips seemed too wide for what I had in mind, so I folded them in half lengthwise and ironed them. Once I figured out what I wanted the arrangement to look like, I began stitching them in place. I used a thread that would blend in so I wouldn’t need to take it out.

Suddenly, I remembered that I was supposed to needle felt these in place before stitching. No worries, I went ahead and needle felted the already stitched pieces and kept going.  Once everything was in place, I felted everything together. I spent a lot of time rubbing the strips in place and making sure that they were holding on to the background felt. I even tried a little underwater felting as I had seen in the video.

Here is the end result. I am happy with how it came out and it is well attached between the strips and the background. It didn’t shrink down as much as I wanted so I will need to find a bit larger frame for it. And I might remove a bit of the bottom to make the horizon line a bit lower. It was a fun experiment and hopefully, someone will love it and take it home.

Post edited to add final photo.

Here is the final photo of the piece in it’s frame. I did trim a bit off the bottom to change the horizon line a little. The frame is 8″ x 10″.

Soon to be leaves; purpose made prefelt

Soon to be leaves; purpose made prefelt

If you remember I started to work on a new cowl design for maybe teaching or maybe selling but at least one for myself. here the blog if you missed it or want to remind yourself. https://wp.me/p1WEqk-9Ha

Sorry to disappoint but it still isn’t finished. I did decide I wanted to put some autumn leaves on it so I made some prefelt to cut them out of. I started with green, I want it to be in the middle. I was thinking of having a little green showing at the edges might look nice.

then I added some reds orange and golden yellow. I did it in an odd pattern so I could cut out leaves that were not all one colour. The pictures are not great. No matter what I did they looked blurry. I think it’s too much light bouncing off the fibres it just can’t focus.

I flipped it over and laid out to “match” the other side. The green is thin so it wasn’t hard to see the colours through it.

Next, I got out my silk top and my silk hankies and put some on both sides to give it some shine. I tried to get pictures of it but it doesn’t show at all.

This is the finished piece. You can see the silk now.

There is only one more regular market day, this Saturday and then I get a break until the Christmas markets on Nov. 21 and 28. I plan to get the cowl done and to make some baskets to sell. So, fingers crossed, more to come.

 

This and that.

This and that.

I haven’t done much this week but I did decide to do some stitching on one of the circles I made earlier for the jewelry challenge. Seeing Antje’s post reminded me I had made a few stitching blanks. this one is just over 2.5 inches/7cm. I don’t think mine is quite as artistic but it was fun to do with the bright threads.

Next, I thought I would like to do something a little more 3D. I have a box of stretched silk hankies and bits of silk hankies left over from other felting.

I stretched out some circles from bits to make the flower bases.

And a bigger blog of pieces for leaves.

I added some wool.

And then some more silk hanky bits.

I rubbed them all and then I decided to roll them up and pop them in the dryer while I made a few small landscape blanks for stitching. I cut out some prefelt and added the sky and grass. They went into the dryer too and then it was time to feed the bottle lambs and head of to work.

Next week is our school break so I am hoping to get some felting time in.

Holiday Card

Holiday Card

Now that my partner has finally received her card I can tell you about it.

First I made a background using some prefelt and added some northern lights. I then wet felted it all together. they are not felted hard because it is small and is an art piece.

Next, I added the trees along the far hill and a nice big evergreen and a barn using prefelt again.

I added some snow to the tree and added some definition to the barn. I also added the fence wire using perspective so I could add the posts along the right line.

Then came the fence posts and some shading for the snow-covered ground.

and finally I added the sheep( I bet you are not surprised that I added sheep) and trimmed the northern lights so I could turn it into a card. I always do my card as a postcard so they can easily be framed if someone wants to. I just print off a postcard back from the internet and iron it onto the back with a fusible web. I was in a hurry to get it in the mail at that point and didn’t get a picture.

I made a second one at the same time. I like to have 2 to choose from when sending a card. This one I kept. I will frame it. I haven’t decided if I will keep the northern lights projecting over the mat board or trim them off as I did in the one I sent.

I wish I had a better picture for you but I have put it someplace safe and now I can’t find it. I am sure I will come across it when I am looking for something else.

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