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Category: free motion embroidery

Whitefish River Landscape

Whitefish River Landscape

Comments 19 comments

I showed you the start for this landscape last week. It’s based on a photo of the trees in winter on the Whitefish river. I really like the way the orange branches look against the sky and in the reflections in the water.

Here’s the photo I took and then the layout of the felt on the right. I used what silk I already had to represent the sky and the water and then added a little wool for the land and for the large tree trunk on the left. The felted piece ended up about 8″ x 11″.

I then started stitching the most distant background features. I forgot to add any support behind the felt at this point but later on added a heavy weight Pellon interfacing to support some of the heavier machine stitching.

Now to add some sheer orange fabric for the trees. I also stitched in dark brown along the edge of the river and the shore.

Then on to adding in the trees along the shoreline. I did baste down the orange sheer fabric to hold it in place while stitching. I added more stitching for the reflections of the trees.

I cut back some of the orange in the trees to show the sky in places and added a second layer of sheer orange over some of the branches. I then stitched more branches in orange thread. I did the same for the reflected trees.

Now on to the large foreground tree. I added some bark details with my darkest brown thread.

And then stitched in the large foreground branches. I started from the top dark branches and moved downward. I added one layer of sheer fabric over the yellow in the bottom left hand corner by the trunk to tone it down just a little. After looking at this for a while, I decided to make a few small changes. The right hand corner was drawing my attention to much with the background trees. There was too much contrast between the white clouds and the dark branches. Also, the shoreline wasn’t quite right.

Lighter brown stitching was added to the background trees and to the shoreline. I used a small amount of oil pastel to make a shoreline reflection in the water. And it was finished. Or at least finished for now. I will need to find a background cotton fabric for it’s matte and then get it framed. On to the next landscape!

For those of you who wanted to see the end result of Penny Peters 25 Million Stitches piece, here it is. You can read more about it here.

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Nuno Felting Landscapes

Nuno Felting Landscapes

Comments 13 comments

I have started creating some nuno felted landscapes so that when the world returns to “normal”, I will have work that I can take to different galleries to sell. These are created with hand dyed silk (5 mm) and white merino prefelt. Some of the silk I used this time was dyed by my friend Paula Rindal. She gave me her silk when she decided to stop felting. Thanks Paula!

This is one of the pieces of silk from Paula. I see an autumn landscape developing from this piece. I don’t always have a plan in mind until after these are felted. Then I look at the piece from all angles and decide what I “see” in the piece. Then I progress from there. This one I am planning on hand stitching.

This piece was one of my hand dyed pieces of silk. I haven’t quite decided on this one yet but it might be mountains in the distance with Montana wildflowers in the foreground. I might use a combination of machine and hand stitching.

Again, another one of my hand dyed pieces of silk. I think this might be a lake with mountains in the distance, perhaps machine stitched?

This last one I based on a photo I took of the Whitefish river. I laid the pieces out based on the photo and then it will be all machine stitched. You can see I have started by adding background trees. I forgot to take a photo of this one before I started stitching.

So what do you see in these? It’s always interesting to me that people see different things in an abstract background. What would you create out of the top three backgrounds? I will be showing you the progression of each of these as I work through them but I’d love to hear your thoughts.

First Quarter Jewelry Challenge

First Quarter Jewelry Challenge

Comments 14 comments

Lyn and Annie’s First Quarter Jewelry Challenge has been in the back of my mind while I have been busy with other things. I had thought I would use cut pieces of printed or screen printed felt (still using stuff up) and machine stitch them together to form a necklace. I originally thought that I would use many pieces and essentially just stitch them together into a big circle.

So I started cutting out some pieces from my chosen felt. The green is green on both sides but the red is only printed on one side. These are both from old wool blankets that have been dyed, printed or screen printed.

I started laying out some of the pieces and decided to create a focal point and have the rest of the necklace be a chain or some other form of attachment.

Now I had to decide how I would keep the pieces all aligned while stitching. I decided to pin the pieces to heavy paper, stitch them and then pull the paper off. As you can see the backs of the red felt is pretty ugly so I decided I would use two layers of red with grey sides facing in.

Next up was choosing the thread I wanted to use and machine stitching them all together. I used a Sulky #12 thread as it is more heavy weight and should be more sturdy. The first round of stitching went well with no major issues.

So I left really long tails to use as the rest of the necklace or for attachment to a regular chain. Then I tore the paper off the felt. I had to use tweezers to remove some of the tiny bits of paper that were stuck but so far, the process was working. The photo on the right shows the necklace stitched but the backs of the red pieces were still grey. If they got flipped over while wearing, it wouldn’t be a pretty sight. So I thought I would just machine stitch another piece of red felt to the backs.

Bad idea. The two pieces together were way too thick. I had difficulty maneuvering them while stitching and the thread kept breaking. If I was to make another one, I would hand stitch the backs on. That would have looked better and been much easier.

So here’s how it looks if it was worn. I don’t wear jewelry much, meaning hardly ever, so this probably isn’t something that I will wear. But it was fun working out how to make it and I do like the look of it. Thanks for the challenge, Lyn and Annie.

Have you made any fiber based jewelry? We’d love to see your contributions to the challenge this quarter. Just post them over on the forum.

 

 

Felt Pod with Differential Shrinkage Has a Mind of It’s Own

Felt Pod with Differential Shrinkage Has a Mind of It’s Own

Comments 16 comments

I am continuing on in the differential shrinkage experimentation mode and wanted to try a different shape with a resist and try again on the machine lace inclusion.

I stitched the stamen in a radiating pattern and doubled the length since my last ones were too short. I also am using a lighter inside wool color so that the black thread will show up better.

First, I decided on my resist shape and then covered it with four layers of batt on each side. The photo on the right shows the piece after a bit of felting. I really didn’t do that much felting but I should have paid a bit more attention. It was too felted and really already past the pre-felt stage. I haven’t used these short fiber merino batts that much and boy do they felt fast! But since I wasn’t paying enough attention, I just kept going.

I then cut the “pre-felt” into 5 pieces and started on the inner layer.

I used the same resist again and put the machine lace stamen in place over the resist. I covered that with a thin layer of merino wool in a yellow (with a green tinge). Then at the last moment, I decided to add a stem. So I whipped up a stem with brown and burnt orange and added that to the inner layer.

Now to add the “pre-felt” back over the inner layer and ready to felt. I took quite a bit of time trying to get the green to adhere to the yellow but it just wasn’t to be. I did add a bit more green wool to the top of the “petals” so that they would adhere better to the stem.

It seemed like it had started to adhere slightly to the yellow so I thought if I took the resist out and worked from the inside, that it might get those yellow fibers to adhere to the back side of the green.  But that really didn’t work. There were a few places where it adhered slightly but I needed to have roughed up the inside of the green felt and that might have worked. But really, I should have done less felting of the green so that it was still pre-felt.

So it didn’t turn out as planned. It looks more like a flower than a seed pod. The yellow layer is separate from the green and therefore, I didn’t get any differential shrinkage. The new stamen worked better than the last experiment and didn’t adhere to the felt even though I never covered them with plastic. But it is an experiment so I will just go with the result.

I decided the stem needed more dimension so I needle felted some grooves and notches to give it a more natural feel.

I’m not sure how many times I need to learn that sometimes wool/felt has a mind of it’s own. Also, that I can’t rush the process or not pay attention. That’s usually when I set myself up for disappointment. But I accept that it’s just another learning opportunity and an experiment. And perhaps, next time, I will remember to not rush the process.

 

Fabric Collage Landscape Part 3

Fabric Collage Landscape Part 3

Comments 13 comments

Here’s the next edition of my progress on the fabric collage landscape I have been working on.

In the photos from left to right, I worked on texturing the middle ground green area. I used a mixture of chopped up pieces of fabric, thread and yarn. I worked small areas at a time since the fabric mixture was easily shifted around as I machine stitched it. Using a wooden skewer to hold things in place definitely helps and protects wayward fingers. Once the green was all stitched in place, I noticed that the water on the left didn’t look exactly right. The portion of water going into the distance towards the left should have been shadowed by the hill behind it and not had any pink reflection. I needed to fix that.

So I covered that piece of water on the left with more of the blue green water fabric, stitched it down and then stitched along the edge of the shore and into the pink reflection to integrate it into the area better.  I also added a few more fingers of purple sheer fabric into the water on the left in front of the peninsula. Then on to more stitching details along the shoreline.

You probably can’t see a lot of difference in the photo on the left but I added black stitching along the shore line to give a bit of shadow at the water’s edge. Then in the right photo, I used a dark green thread to add some details including tree shadows into the water and little “island” bits and tree shapes on the peninsula portions.

Next I checked the green foreground again to see if I needed to fix anything else in the completed parts before I started the foreground. Another water error was definitely in evidence. Water should look like it is lying horizontally to the horizon line. My water was falling down the front because of the pink lines that were diagonal instead of horizontal. My stitching lines should have been more horizontal as well but they didn’t show as much as those pink fingers. Those needed fixing!

I used some scraps of the red sheer fabric and filled in the areas so the diagonal pink fingers were disguised. This looked much better and I was satisfied with the background and mid ground so now to move on to the foreground. Stay tuned for the next edition!

Fabric Collage Landscape Part 2

Fabric Collage Landscape Part 2

Comments 9 comments

Continuing on with the saga of the fabric collage landscape, I am steadily working my way down the piece.

I added texture to the mountains including threads, yarns and bits of cheesecloth.

I then stitched the bits down with free motion machine stitching. The trickiest part here is keeping everything in place but I just didn’t worry if things shifted. I kept going and moved things back as needed and just got it all stitched down.

I decided the grey cheesecloth was a bit much on the central mountain and added more brown cheesecloth on top. Then I stitched that in place.

Then I discovered that I didn’t like how the orange cloud and the distant mountain were so much alike. I tried stitching some darker thread on the mountain first and that helped.

But I thought it still needed a bit more attention in this area, so I added more blue stitching into the sky. I didn’t want to eliminate the orange, I just wanted more distinction between the sky and the mountain.

Next up, the central mountain needed a bit more detail. So I stitched some vertical dark lines in place. The trick is to add enough detail to get the impression you want but not to over do the distant mountains. The detail needs to be less here than in the foreground of the picture. (I just noticed that I must have stitched this part before I stitched the sky but you get the idea, I hope.)

 

Next up, I put the green mid ground in place and worked on the water. The sunset reflection had felt a little dark so I place a piece of light blue fabric in that portion instead of the blue green going all the way across. I then added a blue purple sheer fabric covered with a red sheer fabric. I messed around with the edges to make them look more natural. You can see here on the left if you look closely that there is a straight line going down the right side of the sunset reflection, that is where the blue green fabric butts up against the light blue fabric. I cut that edge in V’s so that wouldn’t catch my eye so much. I also played around with foreground fabric to see how it would eventually look with more green added at the bottom of the picture.

I then stitched the water into place. I wanted the water to have minimal stitching and texture so it would appear flat against the rest of the textured landscape.

Then I added the green mid ground pieces and fused them down with the iron.  You will notice that there is some white in one of the green mid ground pieces. The original photo that I was inspired by had snow in the mountains. In the end, I decided not to have snow in my picture so that will be covered up soon.

Next time I will show you texturing the green mid ground and some changes I ended up making to the water. Luckily, this is a forgiving process so mistakes can be covered up pretty easily.

Fabric Collage Landscape Part 1

Fabric Collage Landscape Part 1

Comments 16 comments

I was inspired by Antje’s post recently about creating a fabric landscape. I have had this on my list of things I wanted to do for a long time. So thanks Antje, for giving me the push to get it started. I have piles of hand dyed and commercial fabric. Many are just small pieces and scraps and I thought this would be a good way to use some of them up.

First I needed to find some inspiration. I looked through my photos of Glacier National Park and I wanted to create a landscape featuring Hidden Lake where we had hiked several years ago. Sadly, that was one of the years that we had thick smoke in the area from wildfires so my photos were not impressive. So I googled images of Hidden Lake and found one I liked to use as inspiration.

I used heavy interfacing as a backing and then started putting together my sky fabrics. In Antje’s post, she didn’t mention anything about fusing the fabric down as I would normally do so I decided to just wing it. I added threads over the top and then started stitching.

I started with light blue thread and stitching across trying to catch all the various elements down. I switched to a darker blue thread and then to two tones of orange thread. It was a little frustrating as pieces moved as I went but I just kept going.

I had less control over where each piece of fabric was and that made it less “perfect”. But that’s OK because I was trying to see if I could do a piece that was more “abstract”. (Not that I ever get too abstract.)

Then I started finding the mountain fabric colors and giving them a trial against the sky. I did put fusible on the backs of the mountains so I could iron them in place before I added the “texture” on top.

I continued to play around with a variety of fabric pieces to get the mountains the way I wanted.

Then I moved on to the green mid ground. On the left, I am trying the fabric I might use to see if it is the correct value and color. Then I cut out pieces to the correct shape for the mid ground area with trees.

I realized at that point that I would need to place the water before I attached the green as there was water on the left hand side underneath the green “fingers” of land that stretched into the lake. So this is a trial for the water.

Then I needed the reflection of the sunset in the lake. I tried a piece of cheesecloth on the left but it was a bit too pink and also too textural. I wanted the water to feel smooth against the textures of the trees and foliage. So I found a couple of pieces of hand dyed sheer silk organza and gave them a try. It’s looking better but still feels a bit dark in the reflected area. I also tried the green in the foreground. It’s looking more like a landscape but I still have a long way to go. It takes a lot of time for the trial and error of finding the right piece of fabric for each portion of the landscape not to mention the time spent stitching.

I hope you don’t get tired of seeing the process of this fabric collage as it appears there will be several posts to go before it is completed.

Adding a Focal Point to Rebekah’s Collage

Adding a Focal Point to Rebekah’s Collage

Comments 8 comments

In March, when my sister Rebekah visited, we had one of our group art meetings. She and her daughter Lizzie went along to do some ice dyeing and create a paper fabric collage.

This is Rebekah’s collage. She decided to leave it with me and since I didn’t want to have more stuff piling up in my studio, I decided I needed to add a focal point to it. The one I made that day was not to my taste and I gave it to Deb who has since stitched on it. These collages are made with thin paper, thin fabrics, fusible and paint.

I had recently sketched this succulent plant and thought it might be a good addition to the collage. (Marilyn has since told me that this is called a jade plant.) My original plan was to free motion machine stitch the design on to the collage. But after a little trial and error, I thought it would look better with more color than just outlined in thread. So then I decided to applique with fabric and then machine stitch. I had already decided on purple thread so I opened up my box of colored fabric and right on top was an ice dyed purple fabric that worked perfectly. I guess it was meant to be as that fabric was ice dyed the same day the collage was made. The fabric was supposed to turn out grey but was purple instead. Funny how that worked.

Here is the fabric cut out and fused down to the collage. I used the fusible paper to trace the design from my sketch above. I did leave out a few bits but I don’t think it made any difference to the design.

Then I free motion machine stitched around the edges. I did use a piece of heavy interfacing behind the paper fabric collage as it was quite thin. The focal point of the jade plant definitely helped the composition. I have one more of these to do as Lizzie left hers with me as well.

This is the last chance to sign up for my April session of online classes. Classes start tomorrow. The next session won’t be until September.

You can register at the links below:

Nuno Felting with Paper Fabric Lamination

Experimental Screen Printing on Felt

Print, Stencil and Play with Thickened Dye on Felt

Free Motion Machine Stitching on Felt

From Tiny Acorns

From Tiny Acorns

Comments 12 comments

I completed the second nuno landscape that I was working on. I showed you the first one here.

Here is the piece of silk that I used. I can’t even remember how this was created but it looks kind of like deconstructed screen printing, perhaps. But it looked like a tree trunk to me, as usual everything looks like a tree to me.

Once it was felted, I used the silk screen shown to print some leaves at the top of the trunk. I combined silk screen medium and acrylic paint to print directly on to the nuno felt.

Here’s the piece after I printed the leaves. I added a few light ones on the ground as well by just using a small portion of the screen at a time.

The edges of the silk were loose and I decided that I would go ahead and clean them up a little before I started any machine stitching. So I pulled the edges of the silk around to the back and hand stitched them down. The photo on the right shows what it looked like from the front after stitching the silk to the back.

Then I started machine stitching some of the leaves. I used several browns, several reds, orange and yellow thread. I didn’t stitch all the leaves because I wanted some of the leaves to look like they were more in the background. So they have less detail and less bright color to allow them to “fade back” and give more depth.

I then added dark olive and light olive green to give a little definition to the trunk and create a few roots.

And here’s the final piece entitled “From Tiny Acorns’. You click on the photo to enlarge it. I am happy with the result and I had better get started on finishing and framing some of these pieces so I don’t have to do that at the last moment. I am planning on these pieces being in an exhibition in August.

 

Machine Stitching Japanese Edo Period UFO

Machine Stitching Japanese Edo Period UFO

Comments 15 comments

I am still busy using stuff up and trying to do something with all the UFO’s (unfinished objects) lying around the studio. This piece was started in September 2017 for one of the Quarterly Challenges. You can see the post here on how I created the piece thus far.  Until I reread my post, I had forgotten what a pain this was when I was making it. I’m sure that’s why it got put away and left for dead.

Here’s the piece before I did anything too it. It’s OK, but I thought it might be improved with some free motion machine stitching. I worked on it in the mornings before work for 10-15 minutes at a time. I have the machine all set up and ready to go so I can sit down and start working for short time periods.

I decided to fill the inside shapes with dense stitching. I used a light lavender thread in Sulky 30 weight cotton. I wanted to have a contrast between the dark design and the thread but still be able to see the color of the silk underneath.

I completed all the stitching inside the design and it really helped the design to pop out from the felt. Then I added a couple of circles around the design. I used a bowl to mark around with a dressmakers pencil so I had a line to follow. The pencil just wiped away after stitching.

Then I cut the circle out around the outside stitched line. I even like the back side too.

Now I have to decide how to finish it and hang it. I have a 12″ x 12″ canvas that I could cover with fabric or paint and then attach the circle. The photo above shows a possible fabric choice. I only have a small piece of it so I would have to dye more. Perhaps slightly darker than this background? If I painted it, I considered making a partial stencil to decorate the corners of the square with a similar design. I guess I could try that and if it didn’t work, I could always cover it up with fabric. What do you think? How would you finish it? Hubby suggested using it as a hot mat but the silk on top wouldn’t hold up very well. Plus I have absolutely no pink in my house so it doesn’t exactly go with anything.

Updating my post to remind everyone that Terri Berry’s online concertina hat making class registration opens on February 7th. Go here for more information.