Browsed by
Category: Fiber Art

Needle Felted Sheep Workshop.

Needle Felted Sheep Workshop.

Comments 11 comments

It’s the time of year when thoughts turn to warm woolly sweaters( jumpers). So, where do they get all that wonderful wool in amazing colours? Why for colourful sheep of course.  Dyed in the wool as it were. And where do you get those? Well, you make them of course. They can really spruce up a manger scene for Christmas or you can add them to the scenery of your model railroad or add a pin and wear them.

I had 8 lovely ladies to make some cute little sheep. There should have been 9 but one couldn’t make it so her sister who was there paid her materials fee and took some supplies to her so she could make a sheep at home.

After this point, once the students arrive, I forget to take pictures.  We start with the legs. I show them how to make them with needle felting. It is long and tedious to make them dense enough to hold the sheep up. Then I show them how to make wet felted snakes to cut up for legs.  You can see a plastic bag on the table it has the sheep samples and all the snakes I made so they could have legs and move on the the rest of the sheep. they make bodies, heads, and ears and then they needle felt them all together. they usually look a little wonky at this point and everyone has a good laugh at them and worries there sheep will not look right.

Most of them look like they are on stilts at this point. It is better to start that way and then do some hoof trimming at the end, to get the length you want.

Next is the best part, giving them their colourful ( or natural) coats. we used Bluefaced Leicester curls. they are small nice curls.

As they have all their wool, their personalities emerge.

Everyone seems happy, I will need to find out if I had any comments on the evaluation forms. Fingers crossed there are no complaints. When you teach with our guild we have the student fill out an anonymous evaluation. It helps to head off problems before they really start and sometimes you get good ideas for your next class. Students pop them into an envelope and it’s sealed. Someone else opens it and has a look and you get the feedback later.

This is my last post for the year so I hope you all have a

Happy Holiday and a Fantastic New Year!

A Knights Helmet continued

A Knights Helmet continued

Comments 10 comments

Last time I left you with the main part of the helmet drying.  I also made a nose piece and strapping.

It seems I did not take pictures as I thought I had. I guess I must just think about taking pictures and then when I am busy working it is completely out of my mind. Jan got one of me working. I was using a darker grey to create the look of rivets as I attached the strapping and nose guard. I look so serious.

We did get lots of shots of it finished.  And not so serious

Here are a couple on the hat stand in my studio

I am happy with the way it turned out.  I need to make it look like it lost a battle. I wet it down again and rolled it in a towel to get most of the water out. I scrunched it into a ball and then opened it again. I think it looks like a crumpled helmet.

So then it was off to the guild Sale and Exhibition. I think we put Jan’s part and my part together the morning we opened. I think we were both too busy on set-up night to even think about it. It is all a bit of a blur.

we did a little photo shoot after the sale too it is very hard to get a good shot into the inside of the helmet.

 

I have no idea what to do with it now. What do you do with your projects after the show?

Green nuno felt with stitched flowers with stems added in wool couched stitching.
Painting the Landscape

Painting the Landscape

Comments 9 comments

The last time I showed you my Indian Paintbrush piece, I was undecided about the way the stems were ending so abruptly on the background. So I left it for awhile before making a decision on what to do.

The first thing I decided to do was add some stems to the blue flowers. I didn’t want the stems to be too visible so I chose a thread that was close to the background color. You can click on the photos to see them enlarged.

Green nuno felt with appliqued Indian Paintbrush and small blue stitched flowers with stems added in wool couched stitching.

It’s probably hard to see here but I did think that the stems helped the piece feel “more grounded”. But the stems of the main flowers still looked like they are not integrating with the background. So I decided to add paint to cover the end up a bit. Unfortunately, I didn’t get a photo with just the paint over the bottoms of the stems and over the lower third of the piece.

Green nuno felt with appliqued Indian Paintbrush and small blue stitched flowers with stems added in wool couched stitching. Addition of paint and stitched flowers to the stems of the Indian Paintbrush.

I added more blue flowers with stems over the base of the larger flower stems and the stems are looking better. I have decided it’s finished and now need to find a background fabric so I can finish it and get it ready for framing. This one is named “Painting the Landscape”.

Some pre-felt on top of a hessian stabbing mat, with sewn lines made to resemble a postcard
A Christmas card swap, except Jan’s card is still with me

A Christmas card swap, except Jan’s card is still with me

Comments 19 comments

Firstly, if you’re Jan and don’t want a spoiler about your card, stop reading immediately!

I think I’m jinxed. There, I said it. For last year’s seasonal card swap, I was paired with the lovely Hélène and the card I sent her was returned to me by Irish Customs, who didn’t deign my wares good enough to cross its country’s borders. This year, I am unable to send my finished card to Jan because Royal Mail says no (well, Canada post says no, they’re not accepting any mail until their strike is resolved).

If I take part in next year’s swap, you might want to avoid me as a partner…

This year I decided to take the notion of a postcard rather literally; I wanted something the size and look of one, and so decided to put my sewing machine to use.

Some pre-felt on top of a hessian stabbing mat, with sewn lines made to resemble a postcard

I cut some pre-felt almost to size and marked down the lines typical of a postcard using a heat-erasable pen. See the twisted red wool on the top left corner of the photo? At first I had the idea of felting the lines with it, until I realised it would take me forever and not look half as good as using the sewing machine. I changed tactics.

After sewing those lines I wrote down my seasons greetings. I was ambitious in what I wanted to say, as you’re about to see.

The beginnings of the writing on my wool Christmas card, where I wrote "Dear Jan, Happy..."

Using yarn, I worked with a felting needle and carefully started following the outlines of the words. I immediately realised my “handwriting” wasn’t going to be as small as I intended. Oops. If you look carefully at the picture above, you’ll see the next word I was meant to write was “holidays,” which is larger than the already felted “Happy.”

More words needle felted onto the wool, saying "Dear Jan, Happy Xmas! L xx"

Where did the word “holidays” go? Well, sometimes you have to pick your battles. Let’s pretend this was the plan all along, shall we?

And then, off to the decorating and making it a more seasonal card.

The almost-finished card with a 3D Christmas tree needle felted on the right

There was something missing in the background… so I did the foolish thing of working that part after having the foreground finished. However, I think it was worth it, but you can judge by yourselves.

The same felted card as before but the needle felted Christmas tree has a blue background also in wool felt

Much better, I hope you agree! I particularly like the detail of the present with the bow made from yarn.

Now it was time to cut the card to size and glue it to a real postcard (a blank one made from watercolour paper). I sadly don’t have a good enough photo of the card’s front, so you’ll just have to imagine the above image in the correct size and without the markers that I removed with a steam iron.

Here’s the back of the card:

The back of my card, made of paper. It has some drawn birds, a doodle of a cat in lieu of a stamp and some greetings to Jan

“I hope this card reaches you in time” was written before I knew Canada postal services were not only delaying deliveries but had altogether halted them. Sorry, Jan!

I will have this on its way to you as soon as possible.

(By the way, see the smudge under the flying bird? That wasn’t me being clumsy at all, no siree, that was completely on purpose and represents the movement and plight of the avian creature as it strives to reach its maximum potential. Cough cough…)

Seasons greetings, everyone! Thanks for reading.

 

A Knight’s Helmet

A Knight’s Helmet

Comments 10 comments

Along with the Ottawa Valley Weavers’ and Spinners’ Guilds 75th anniversary Show in Almonte that Jan told you about here https://wp.me/p1WEqk-hG9 we also had a smaller exhibition at our guild sale with the theme of Diamonds. I told you about making the diamonds here https://wp.me/p1WEqk-his   They needed something to make them more relivent so I enlisted Jan to make a dragon hand. I am sure she will tell you about it.  Then I thought I should make a bowl for everything. That seemed a little boring so I decided a Knight’s Helmet would be much more dramatic.

The helmet needed to be sturdy to hold the shape so I decided to use some Tyrollean wool batt I got before the pandemic, I think. It makes a nice sturdy felt. I think it is a type of Bergschaf. I am told bergschaf just means mountain sheep and not a particular breed. It would be a different breed in different places.

It had this helpful chart on the back.

It is a very nice grey, the batt is fairly consistent and I didn’t need to add many extra bits to thin spots. Most batts I have tried have been very inconsistent in thickness.

Next was laying out wool for the top, bottom and nose peice of the helmet.

At this point, I decided I didn’t want the nose piece attached. it was going to affect the shrinkage in the spot so I removed it and made it a separate piece along with the strapping that will go on later as well.

After that, it was a lot of rubbing and rolling and bashing until it was shrunk to the right size.

then it needed to dry in the right shape. I wanted it to be round. No idea why, it was just what I had in my head as the idea. I found a bowl the right size and stretched it into shape, fine-tuning the edges by using small tugs until the edge was “straight”  Sorry for the bad picture, it was on the dining room table and windows or glass fronted cabinets are the only options for backgrounds.

Next time I will show you the extra pieces being added and the finished piece.

Shepherdess and Sheep

Shepherdess and Sheep

Comments 11 comments

I spent some time working on the flock of sheep. Maybe not the most elegant sheep transport and sounds a bit like a horror show when you say a bag of sheep and sheep parts but it’s a bit of a production line when working on a flock of them.

As you can see I was being supervised in my Dr Franinstien endeavours. In this picture, she is wearing her first shirt and coat. You can see the sleeves are too big around and I didn’t like the way the hood worked on this one.

 

Last time I had finished the clothing, or so I thought. I ended up doing the shirt 4 times to get it the way I wanted it. The third one would have worked but I cut the neck hole too big.

I did get them finished and she had a dress fitting. I added a blanket stitch to the neckline and a blue star to her dress. I think this kind of dress is called a pinafore. You can see some of her flock in the background.

I took her to the Almont Fiberfest that Jan told you about and she supervised while I got her sheep some wool. This is the opposite of the way sheep, wool and shepherdesses usually work.

And another unshearing.

Next post there will be hair, a new coat and more colourful sheep. And a picture of them on display at the museum.

Happy Thanksgiving to all our Canadian followers. I hope you had a great Turkey Day!

Green nuno felted background with appliqued flower and stitched blue flowers added.
Indian Paintbrush Continues

Indian Paintbrush Continues

Comments 13 comments

I have been slowly working on my Indian Paintbrush artwork. Since the last time I showed you, I have painted the stems and added some blue flowers in the background.

Full view of green nuno felted background with appliqued flower and stems painted darker yellow green.

Here it is after I painted the stems and leaves. I didn’t add any further color to the flowers themselves as I thought I might do. Once I was finished, I decided I should have left the bottom stems alone so they blended better into the background. I could add more paint on top but so far I have just left them as they are.

Green nuno felted background with appliqued flower and stems painted darker yellow green.

Here’s a closer view of the stems. Next up was to decide if I needed to add anything else. I decided to enhance the blue areas with some hand stitching. I found a hand dyed greyed down blue that was multi valued.

Green nuno felted background with appliqued flowers and stitched blue flowers added.

So I used fly stitch and the thread was a thin cotton slightly bigger than one strand of floss. It’s actually hard to see in this photo but you can click on the photo to enlarge it.

Green nuno felted background with appliqued flower and stitched blue flowers added.

Here’s a closer view of the blue stitching. So what’s next? I’m not sure. I have been looking at the piece now for several weeks hanging up in my studio. Does it need more? If so what? I still haven’t decided. What do you think?

Northern lights in Kalispell, MT 10/10/2024

On another note, I finally saw the Northern Lights here in Kalispell, Montana. I never realized that you need to look through the camera’s lense to actually see the lights very well. Paula took the photo above and I took the one below. Do you see the constellation?

Northern lights in Kalispell, MT 10/10/2024

Felt Vessel Workshop

Felt Vessel Workshop

Comments 10 comments

I had my first workshop of the fall season last weekend. It was a fun one, Vessels. I like vessels because they do not have to fit anyone when they are done. They can go completely sideways from the original idea and still turn out great.

I had 5 lovely ladies for the day. They had a great time( or seemed to at least) and I had fun too. I love to see people marvelling at the magic of felting and go from very sceptical to amazed at what they have made.

In this class, they all started with the same round resist. Everyone always asks about size. In this case a good sized dinner plate. Very technical.

On to the pictures

Laying out the wool. I like to teach laying out 2 sides without wetting and then go back to do the wetting and wrapping. I don’t know that there is any great difference but I don’t like laying out wool on a wet resist of wet wool.

here they are wrapping one side of the wool around the resist. For those whose layouts grew a lot, we feather the wool towards the middle so it will be more even. You can see the second side waiting to be placed on top, wet down and then wrapped around.

Next, were the embellishments. This part is fun for them and me. I love to see how diverse the ideas are. I usually bring wool, handspun yarn, silk tops, throwsters waist, trilobal nylon, sari silk waist, silk hankies and locks for people to use. I seem to be missing one pot.

Then, of course, there is all the rubbing and rolling. This is the point where I usually gabb on about wool and felt, the eganomics of making felt and sheep….. and anything else that helps pass the time so there are fewer complaints about how long they have to rub or roll. It is a boring sort of thing to do, I usually listen to an audiobook.

We talked about different ways to cut open your felt to get different types of pots and how shaping can change them. one lady said she wanted a pot more like a fruit bowl shape. I suggested turning her pot into two bowls by cutting across the middle. She decided not to but it inspired 3 others to cut their pots at 1/8, 1/4 and 1/3 to get 2 pots as a set.

 

I am missing one there Not sure how that happened. Here are some pictures students sent me of the pots dry

 

Progress Made

Progress Made

Comments 12 comments

I am making some progress. I refelted the cut diamonds

 

They are now in a bag waiting for me to work on the diamond project.

I did more work on sheep and shepherdess.

Jan made me a wire shape or the shepherdess for me.  Then I wrapped it in some waste wool and used a felt ball for the head. than wrapped that in Corriedale.

Once I added wool it was not stable enough to stand. So I asked Jan about adding a piece of wire front and back to stabilizers. so she took it and started working on it. We added a ball in the bottom but then I decided she was too tall for the sheep I was making, and she cut the ball in half and squashed her down. Jan added a snail tail that stabilises her well. It will be covered by her cloak.

I have been putting sheep together. I make the parts separately. Long snake to cut into leggings and ovals for heads. I made some flat pieces in the 3 colours for the ears. I cut them out but I want to felt them some more.

After I add the ears to the sheep I will add the curls like the orange sheep on the right. I also need to make some clothes for the shepherdess. I think she will be a brunette but I don’t think she will get a face.

Lastly for today, is why felting small things and holding them with your fingers and talking to people is not a good combination.

 

 

Green nuno felted background with foreground center Indian Paintbrush flowers stitching completed.
Indian Paintbrush Applique on Nuno Felt

Indian Paintbrush Applique on Nuno Felt

Comments 10 comments

Slow progress is being acheived on my Indian Paintbrush landscape that I have been working on. With my other classwork and out of town visitors, it’s not as far along as I had hoped it would be, but it will get there eventually.

Green nuno felted background with foreground center Indian Paintbrush flowers stitching in progress.

I started on the foreground, larger flowers. The center one needed to be completed first as it had overlaps from the flower on the right. The furthest away petal is stitched down first and then other petals are added over top, working forward as I go.

Here’s the progress of the center flower. I am using a very small needle to avoid fraying the cotton organdy fabric. I also push the needle up along side the petal and then back down into the petal. Hopefully, the fabric doesn’t fray as much this way.

Green nuno felted background with foreground Indian Paintbrush flowers stitched in place.

Here’s the piece after all three foreground flowers were stitched down. I’m still thinking about whether the background flowers need any suggestion of stems. If I do add any, it will be thin thread in a running stitch.

 

Green nuno felted background with foreground Indian Paintbrush flowers painted in centers to achieve deeper values (close up).

After looking at the foreground flowers and comparing them to my original photo, I realized that I needed some darker values in the centers and by the stems to create more depth. I decided to use acrylic paint to achieve this. I dry brushed the paint on carefully in very small amounts at a time as I didn’t want to get too much on. It would be very difficult to remove or cover excess paint.

Green nuno felted background with foreground Indian Paintbrush flowers painted in centers to achieve deeper values.

And here it is so far. I will probably add some other shades of orange into the foreground flowers so they look a bit more realistic. I am also going to add some yellow green to the leaves. Then I think that I might add some suggestions of blue flowers where there are blue blotches in the foreground. Perhaps the common camas? How would you add suggestions of blue flowers? Stitching? Painting? More applique? Something else? I’d love to hear your thoughts.