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Category: Fiber Art

A little picture

A little picture

I have been thinking I should do more of my stitched felt book. I have August ready to go but I just don’t feel like it. I don’t know why but I am sure you have all felt the same way about a project. So what to do, I am itchy to make something and I need something to chat about. So I went rummaging through my little bits and came up with this, It is approx 4×5 inches/10x13cm. The colours are a bit off the yellow is a bit more green and the blue is a bit more turquoise.

I decided the one on the right looked like some ground then some water and mountains in the background. If you squint I am sure you will see it too.

I started with the mountain adding some shades of grey to define the mountains I didn’t see the funny curved bit on the right until I took a picture,  so, had to smooth that out too. I am not sure why our eyes lie to us.

Then I defined the far shore

Onto the trees

 

And that’s as far as I am. Hopefully, I will have more done by the next post, but no promises.

Grove of Trees – Part Three

Grove of Trees – Part Three

Slow progress is happening on my new nuno felt landscape. Again, it’s the find the difference in the photos challenge 😉

I had laid out the background trees at the end of my last post. Now I have stitched them down. I haven’t stitched the more foreground trees down yet because I need to work on the forest floor section at the front.

I wanted to play with some shapes of fallen trees on the forest floor. I had some cheesecloth scraps that worked with the colors so far. I added some shadows on the larger fallen tree.

Here I have added more shadows to the fallen tree. I am using another edge of nylon scarf in a dark red violet and a few scraps of blue violet silk organza.

Then I needed to figure out what to do with the rest of the foreground. Here I have added one layer of orange nylon scarf over the top of the fallen logs. Hmmm…

I changed from one big piece of orange nylon scarf and had multiple strips across with fringed edges. I realize you can’t see it very well in the photo. I put the fallen logs on top this time. Hmmm… still needs something. Aha! My usual suspect, it needs value changes.

Here I have added some darker red violet pieces of scarf amongst the orange. I think you will be able to see the changes more easily in the next photo.

Here it is with more of the darker red violet interspersed among the orange. That gives more contrast, so looking better.

I added the fallen logs back into the foreground and another tree. I am planning on adding more trees but now I need to get some of this stuff sewn down. I hope you aren’t getting tired of this project, still a ways to go yet.

Grove of Trees – Part Two

Grove of Trees – Part Two

I’m working on my grove of trees nuno landscape slowly. I think that some of you may think that this is a “find the difference” in the photos as they look pretty similar. But this is how I work, I add something, take a photo, look at the photo to see if it works, then add something else etc. That means there may be only one small difference from photo to photo, maybe I took something off, maybe I added something.

Nuno felted landscape background with fabrics added for background horizon and tree shapes.

I had the background “horizon” and the large dark tree on the left when I left off. Now to add more trees. There are three little lines added on. These are the folded edges/hems of the nylon scarves I use to add layers of color. I usually just cut them off and don’t use them but I thought they might work for background trees. I tried maroon, yellow and orange. Not exactly what I wanted.

Nuno felted landscape background with fabrics added for background horizon and tree shapes.

Then I added a mid tone grey one. I liked that better as it pushed the line further into the distance.

Nuno felted landscape background with fabrics added for background horizon and tree shapes.

I added more mid tone grey trunks and moved the orange one closer to the “sun”. That looked better.

Nuno felted landscape background with fabrics added for background horizon and tree shapes.

The I added a few more orange ones keeping them on the right hand side where the light is coming in.

Nuno felted landscape background with fabrics added for background horizon and tree shapes.

I wanted to use more of the silk organza for a few more bigger trunks in the mid ground to foreground.

Nuno felted landscape background with fabrics added for background horizon and tree shapes.

And a couple more smaller ones in the same deep red color. I was happy with how it was coming along.

Nuno felted landscape background with fabrics added for background horizon and tree shapes.

Here I have added a few white “branches” to see what that would look like. I am inspired by Wolf Kahn’s tree paintings and was looking at several that showed white marks to denote branches like in this painting. I would need a lot more of the white lines to give the same effect. I will be pondering on that idea a while yet.

Nuno felted landscape background with fabrics added for background horizon and tree shapes.

I decided I didn’t want to add too many layers without starting to stitch down the under layers. So I stitched the darker “horizon” background down to the nuno felt. Now I need to stitch the skinny trees down. I still need to figure out the foreground and there will be more layers of fabric on the larger trees. Still a long way to go. But I’m happy with my progress.

Grove of Trees Nuno Felt Landscape Part 1

Grove of Trees Nuno Felt Landscape Part 1

It’s the new year so it seems appropriate that I am starting a new “grove of trees” nuno felt landscape. I am trying to be a bit more abstract so I thought I would start with strips of silk instead of one piece of silk and see what happened.

Strips of yellow and red violet dyed silk laid out on white background.

I had a lovely dyed piece of silk in my stash from my friend Paula. So I tore it into strips and laid it out horizontally. I wanted to emphasize the lighter area at the top as sky.

Red orange, tan and yellow wool laid out in rectangle.

I laid out some short fiber merino batts with more yellow at the top.

Silk strips laid on top of wool layout.

Then I put my strips in place, ready to felt.

Silk strips nuno felted on to wool background.

Here is the felted result. The ends of the strips didn’t felt in well although the middle portions felted fine. I worked on the ends as much as the middle so I’m not sure of the difference. Oh well. Then I started trying to ‘see’ my landscape. I didn’t take photos but laid some fabrics on top to get started. I didn’t like it. I trimmed the visible wool edges and started looking from different directions.

Nuno felted background ready for applique with edges trimmed and oriented vertically.

After reorienting the piece, I “found” my landscape. This direction gave a feel of trees in the background and the sun shining from the right. This was much more exciting to me. Here comes that vertical landscape again.

Piece of nylon sheer scarf laid over bottom of nuno felt background to give horizon line.

Here’s a piece of sheer nylon scarf (dark blue) over the bottom portion to show the horizon. Yes, this should work.

Layers of nylon sheer scarf laid over nuno felted background to create horizon line and distant "shrubbery".

I cut and frayed four pieces of the nylon scarf to give a feeling of ground in the tree grove. I will work more on the foreground as I get there. But I need to get some trees defined.

Nuno felt background with distant "shrubbery" and added tree trunk on left with silk organza.

I used the strip of nuno felted fabric on the left as a guide and placed blue violet silk organza into a tree shape. I have loads more to do as I want to put a lot of applique texture and hand stitching into this piece. But I have the idea going which sometimes is the hardest part. What are you working on in the new year? We would love to see, submit a photo of your work here. 

Needle Felted Sheep Workshop.

Needle Felted Sheep Workshop.

It’s the time of year when thoughts turn to warm woolly sweaters( jumpers). So, where do they get all that wonderful wool in amazing colours? Why for colourful sheep of course.  Dyed in the wool as it were. And where do you get those? Well, you make them of course. They can really spruce up a manger scene for Christmas or you can add them to the scenery of your model railroad or add a pin and wear them.

I had 8 lovely ladies to make some cute little sheep. There should have been 9 but one couldn’t make it so her sister who was there paid her materials fee and took some supplies to her so she could make a sheep at home.

After this point, once the students arrive, I forget to take pictures.  We start with the legs. I show them how to make them with needle felting. It is long and tedious to make them dense enough to hold the sheep up. Then I show them how to make wet felted snakes to cut up for legs.  You can see a plastic bag on the table it has the sheep samples and all the snakes I made so they could have legs and move on the the rest of the sheep. they make bodies, heads, and ears and then they needle felt them all together. they usually look a little wonky at this point and everyone has a good laugh at them and worries there sheep will not look right.

Most of them look like they are on stilts at this point. It is better to start that way and then do some hoof trimming at the end, to get the length you want.

Next is the best part, giving them their colourful ( or natural) coats. we used Bluefaced Leicester curls. they are small nice curls.

As they have all their wool, their personalities emerge.

Everyone seems happy, I will need to find out if I had any comments on the evaluation forms. Fingers crossed there are no complaints. When you teach with our guild we have the student fill out an anonymous evaluation. It helps to head off problems before they really start and sometimes you get good ideas for your next class. Students pop them into an envelope and it’s sealed. Someone else opens it and has a look and you get the feedback later.

This is my last post for the year so I hope you all have a

Happy Holiday and a Fantastic New Year!

A Knights Helmet continued

A Knights Helmet continued

Last time I left you with the main part of the helmet drying.  I also made a nose piece and strapping.

It seems I did not take pictures as I thought I had. I guess I must just think about taking pictures and then when I am busy working it is completely out of my mind. Jan got one of me working. I was using a darker grey to create the look of rivets as I attached the strapping and nose guard. I look so serious.

We did get lots of shots of it finished.  And not so serious

Here are a couple on the hat stand in my studio

I am happy with the way it turned out.  I need to make it look like it lost a battle. I wet it down again and rolled it in a towel to get most of the water out. I scrunched it into a ball and then opened it again. I think it looks like a crumpled helmet.

So then it was off to the guild Sale and Exhibition. I think we put Jan’s part and my part together the morning we opened. I think we were both too busy on set-up night to even think about it. It is all a bit of a blur.

we did a little photo shoot after the sale too it is very hard to get a good shot into the inside of the helmet.

 

I have no idea what to do with it now. What do you do with your projects after the show?

Painting the Landscape

Painting the Landscape

The last time I showed you my Indian Paintbrush piece, I was undecided about the way the stems were ending so abruptly on the background. So I left it for awhile before making a decision on what to do.

The first thing I decided to do was add some stems to the blue flowers. I didn’t want the stems to be too visible so I chose a thread that was close to the background color. You can click on the photos to see them enlarged.

Green nuno felt with appliqued Indian Paintbrush and small blue stitched flowers with stems added in wool couched stitching.

It’s probably hard to see here but I did think that the stems helped the piece feel “more grounded”. But the stems of the main flowers still looked like they are not integrating with the background. So I decided to add paint to cover the end up a bit. Unfortunately, I didn’t get a photo with just the paint over the bottoms of the stems and over the lower third of the piece.

Green nuno felt with appliqued Indian Paintbrush and small blue stitched flowers with stems added in wool couched stitching. Addition of paint and stitched flowers to the stems of the Indian Paintbrush.

I added more blue flowers with stems over the base of the larger flower stems and the stems are looking better. I have decided it’s finished and now need to find a background fabric so I can finish it and get it ready for framing. This one is named “Painting the Landscape”.

A Christmas card swap, except Jan’s card is still with me

A Christmas card swap, except Jan’s card is still with me

Firstly, if you’re Jan and don’t want a spoiler about your card, stop reading immediately!

I think I’m jinxed. There, I said it. For last year’s seasonal card swap, I was paired with the lovely Hélène and the card I sent her was returned to me by Irish Customs, who didn’t deign my wares good enough to cross its country’s borders. This year, I am unable to send my finished card to Jan because Royal Mail says no (well, Canada post says no, they’re not accepting any mail until their strike is resolved).

If I take part in next year’s swap, you might want to avoid me as a partner…

This year I decided to take the notion of a postcard rather literally; I wanted something the size and look of one, and so decided to put my sewing machine to use.

Some pre-felt on top of a hessian stabbing mat, with sewn lines made to resemble a postcard

I cut some pre-felt almost to size and marked down the lines typical of a postcard using a heat-erasable pen. See the twisted red wool on the top left corner of the photo? At first I had the idea of felting the lines with it, until I realised it would take me forever and not look half as good as using the sewing machine. I changed tactics.

After sewing those lines I wrote down my seasons greetings. I was ambitious in what I wanted to say, as you’re about to see.

The beginnings of the writing on my wool Christmas card, where I wrote "Dear Jan, Happy..."

Using yarn, I worked with a felting needle and carefully started following the outlines of the words. I immediately realised my “handwriting” wasn’t going to be as small as I intended. Oops. If you look carefully at the picture above, you’ll see the next word I was meant to write was “holidays,” which is larger than the already felted “Happy.”

More words needle felted onto the wool, saying "Dear Jan, Happy Xmas! L xx"

Where did the word “holidays” go? Well, sometimes you have to pick your battles. Let’s pretend this was the plan all along, shall we?

And then, off to the decorating and making it a more seasonal card.

The almost-finished card with a 3D Christmas tree needle felted on the right

There was something missing in the background… so I did the foolish thing of working that part after having the foreground finished. However, I think it was worth it, but you can judge by yourselves.

The same felted card as before but the needle felted Christmas tree has a blue background also in wool felt

Much better, I hope you agree! I particularly like the detail of the present with the bow made from yarn.

Now it was time to cut the card to size and glue it to a real postcard (a blank one made from watercolour paper). I sadly don’t have a good enough photo of the card’s front, so you’ll just have to imagine the above image in the correct size and without the markers that I removed with a steam iron.

Here’s the back of the card:

The back of my card, made of paper. It has some drawn birds, a doodle of a cat in lieu of a stamp and some greetings to Jan

“I hope this card reaches you in time” was written before I knew Canada postal services were not only delaying deliveries but had altogether halted them. Sorry, Jan!

I will have this on its way to you as soon as possible.

(By the way, see the smudge under the flying bird? That wasn’t me being clumsy at all, no siree, that was completely on purpose and represents the movement and plight of the avian creature as it strives to reach its maximum potential. Cough cough…)

Seasons greetings, everyone! Thanks for reading.

 

A Knight’s Helmet

A Knight’s Helmet

Along with the Ottawa Valley Weavers’ and Spinners’ Guilds 75th anniversary Show in Almonte that Jan told you about here https://wp.me/p1WEqk-hG9 we also had a smaller exhibition at our guild sale with the theme of Diamonds. I told you about making the diamonds here https://wp.me/p1WEqk-his   They needed something to make them more relivent so I enlisted Jan to make a dragon hand. I am sure she will tell you about it.  Then I thought I should make a bowl for everything. That seemed a little boring so I decided a Knight’s Helmet would be much more dramatic.

The helmet needed to be sturdy to hold the shape so I decided to use some Tyrollean wool batt I got before the pandemic, I think. It makes a nice sturdy felt. I think it is a type of Bergschaf. I am told bergschaf just means mountain sheep and not a particular breed. It would be a different breed in different places.

It had this helpful chart on the back.

It is a very nice grey, the batt is fairly consistent and I didn’t need to add many extra bits to thin spots. Most batts I have tried have been very inconsistent in thickness.

Next was laying out wool for the top, bottom and nose peice of the helmet.

At this point, I decided I didn’t want the nose piece attached. it was going to affect the shrinkage in the spot so I removed it and made it a separate piece along with the strapping that will go on later as well.

After that, it was a lot of rubbing and rolling and bashing until it was shrunk to the right size.

then it needed to dry in the right shape. I wanted it to be round. No idea why, it was just what I had in my head as the idea. I found a bowl the right size and stretched it into shape, fine-tuning the edges by using small tugs until the edge was “straight”  Sorry for the bad picture, it was on the dining room table and windows or glass fronted cabinets are the only options for backgrounds.

Next time I will show you the extra pieces being added and the finished piece.

Shepherdess and Sheep

Shepherdess and Sheep

I spent some time working on the flock of sheep. Maybe not the most elegant sheep transport and sounds a bit like a horror show when you say a bag of sheep and sheep parts but it’s a bit of a production line when working on a flock of them.

As you can see I was being supervised in my Dr Franinstien endeavours. In this picture, she is wearing her first shirt and coat. You can see the sleeves are too big around and I didn’t like the way the hood worked on this one.

 

Last time I had finished the clothing, or so I thought. I ended up doing the shirt 4 times to get it the way I wanted it. The third one would have worked but I cut the neck hole too big.

I did get them finished and she had a dress fitting. I added a blanket stitch to the neckline and a blue star to her dress. I think this kind of dress is called a pinafore. You can see some of her flock in the background.

I took her to the Almont Fiberfest that Jan told you about and she supervised while I got her sheep some wool. This is the opposite of the way sheep, wool and shepherdesses usually work.

And another unshearing.

Next post there will be hair, a new coat and more colourful sheep. And a picture of them on display at the museum.

Happy Thanksgiving to all our Canadian followers. I hope you had a great Turkey Day!