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Category: Fairs and Shows

Shopping and Felting, I promise (New picture started & Blue Whale)Part1

Shopping and Felting, I promise (New picture started & Blue Whale)Part1

Today we will get to felting, but first…There is a new Fiber festival, Ontario East Fibre Fest, in October, south of Ottawa (Canada). Let’s get up early and drive south just past Smith Falls to check it out. I saw ads on Facebook; it looks like there will be a good selection of vendors. Some of whom you may recognise from past shopping opportunities. This looks like fun you might enjoy joining me! Don’t forget to pack your window shopping money and meet us in the driveway by 8 am. Afterwards we can visit the cottage and continue the felting.

Saturday Morning heading to Lombardy:

The drive is just over an hour; it’s one of those places you can’t quite get to in a straight line. If we had more time, we could stop while going through Carlton Place, at the wool growers co-op and look at fleeces, but there may be some at the sale, so let’s keep going. Smith Falls is part of the canal system that runs from Ottawa to Kingston. (The locks were built to help thwart American ideas of trying to liberate us from the British. The Americans were surprised we liked being British and not American.)

map of part of eastern Ontario and close up of Fair grownds at Lombardy1.1) Map of eastern Ontario & map of the event.

Just south of Smithfalls is the town of Lombardy; we are stopping at the Lombardy Fair Grounds. There is a complex of agricultural buildings, lots of parking, and when we arrived, we could see food trucks. We had made good time on the drive, found the handicap parking, and went to start the line to go in. (We are early.)

3 photos of buildings at the Lombardy fair grounds1.2) The buildings

The event was spread over 3 of the buildings (there were a couple more they could expand into, if they had more vendors in the future). It’s a bit of a hike between the 3, but with the walker it was fine. The organisers had a good mix of vendors, with offerings from raw fleece to finished goods and tools. It was not as yarn-heavy as some large fibre festivals have been at lately, but still had a good variety of yarn. Keep an eye out for Toby’s fluorescent yarn; it glows in black light!!! Do you want to knit something for a rave? Let’s have a quick look at some of the things for sale. There is always room for more virtual fibre in your hoard! Luckily real fibre is quite squishy, so there is room for more of that too!!

3photos of things for sale at the Ontario East Fiber festival 6 photos of things for sale at the Eastern Ontrio Fiber festival2.1- 2.2 ) photos from booths

They had asked one of the local sheep shearers to demo on Saturday and a farmer to bring their alpaca on Sunday.

- Setting up for sheering, - sheering of goat, - volinteers to get sheered, - fleeces and sheep after sheering3.1- )sheep shearing (there were also 3 mohair goat volunteers for a haircut. The youngest was having his first haircut and was not impressed!)

They had arranged 2 food trucks, and one little building had Chapman’s ice cream on cones or cups. One of the food trucks was selling food featuring cheese (I found out later they had a fantastic variety of grilled cheese sandwiches, one with pineapple! The other was handmade tacos. I should have gone over to look more closely!!! Next year.

2 photos, - 2 food trucks, Husband with icecreem4.1) ice cream and food trucks

It’s now past 2 pm; if we are going to also get some raking and felting done at the cottage, we probably should head out soon. By the time we got there, Glenn was wiped, and I was busy trying to get a shot of all the cool things I found. So we put off the raking of the pine needles until Sunday morning.

3 photos - new 3D printed combs, New Fiber and handout from event5.1) Jan’s Loot from the Ontario East Fibre Fest

I wound up working on the blue whale after dinner. I can’t find more of the tongue colour I had used. It’s probably in the missing box with my photo reference pictures. So used what I had left and then started to join the top and bottom sections together.

Sunday:

Glenn inspected the progress Sunday morning

building up under-structure of blue whale5.2- Whale on chair in 2 pieces, working on felting down mouth and colouring tongue, Glenn inspecting whale with 2 parts joined

It’s amazing how weather can change over a short space of time. I was inspired by the steam coming off the creek that looked like little figures dancing above the water (looked a bit dangerous dancing on water; you could fall in and get wet).

The water was flat and reflected the trees and fall colours at 7:30 am. After breakfast, it was still calm, and Glenn spent a couple of hours removing the pine needles over the septic field and up the driveway. He made 3 big piles by the edge of the driveway.

 

While he was busy with the pine needles, I started lunch, ginger orange chicken with peppers and onions over rice. During lunch, we noticed odd noises on the metal roof and finally figured out it was pine cones being pelted by the pine trees at the house! This shock was followed by an increasingly gusty wind and the Pine-Snow-Apocalyptics!!! The beautifully raked yard, the driveway and even the previously clean porch were covered in pine needles and stray leaves! As if Sunday morning raking had never happened.

https://youtube.com/shorts/h0QWWmRMf-U?feature=share

5.3) video of snowing pine needles 

pine needles carpeting the deck, thedrive way and a photo of the creek 5.4) Photos of the area around the cottage of the pine needle apocalypses.

pine needles cerownd rectangle where car was parked which is clearly deliniated5.5)Where the car was parked during the event; you can see the per-raking level of needles under the car.

I guess we can try again next week? Oh well, I did get to work on the blue whale; he now looks more whale-like, but his fin-wires are too high. I promise I will lower them.

Monday was the guild meeting, so I was in early to set up the library, do a check of the circulation file and add a few donated books and a new magazine. Then it was time for the meeting, which was on sock knitting machines and was very interesting. I had a selection of the guild’s books on socks from the post-spinning section. (Post-spinning is things you can do with thread or yarn after you have spun it). (I also have a post-weaving section of the guild library, formerly known as sewing.)

OVWSG library display for topic of sock knitting and photo from meeting about sock knitting machines6.1- shots of the meeting/library set up

Tuesday, I have the new mini tower computer back and am trying to get it set up. I lost all my old beloved hardworking programs when the huge tower computer died. No more Windows 2010 and its fabulous artistic photo editing tools!!! No more Publisher supported by Microsoft, so I was going to dump all their products as soon as I lost my old owned copy. I had been pointed to OpenOffice, but the one I found was very clunky and took much longer to write a blog post on. I later found the newer version LeberOpenoffice, it has lots of features and is still getting updates. I wrote the last blog post in that. I didn’t have extra time to investigate it too far, but I did discover it can open Publisher files, so I’m very happy. I had to reinstall PhotoPad, which both Ann and I use, but the new version is more limited and keeps trying to get us to buy the suite. (annoying)

It took most of 2 days to edit the photos for the blog. It is still slower than windows/old photopad was, but I will create a workaround, and it will get faster, I hope.

Glenn was home earlier than he has been in over a month, so we packed up and went to Kanata for the evening. Glenn played another horrible train game for about 3 hours, and I lowered the whales fins/

As you may remember from the smaller humpback whale armature, they have upper and lower armature body parts. For the bigger blue whale, I had moved the fins to the upper armature since they seemed a tiny bit low on the Humpback whale. I realised I had added more to the underside of the upper body than I had anticipated, so as I joined the upper and lower body parts together, the fins seemed a bit high…. drat. Oh well, if I had left them on the lower armature, they would still be too low. I can relocate them down by adding an extra wire. I tried just bending them to a lower their position but that made the fin support too short. I will get that fixed before I make the wet felted skin.

I inserted a 6-gauge wire between the two armatures about where the fins should be. Then cut the trailing end of the fin wire I had mis-located and wound it around the new, much stiffer wire. Once the wire was positioned, it was time to spend a bit of time firming the area between the eye position and the far side of the fin.

adding 6g aluminum wier through whale then using original 12g to wrap around 6g and hold it in place 7.1) Fin Fixing with augmented 6g wire inserted between armatures.

Oh dear, it’s already very long. I will stop here and share the rest next time.

 

September 2026: Photography, shopping, student and teacher

September 2026: Photography, shopping, student and teacher

The fall has started out with photography, a bit of shopping and the taking and giving of workshops. It has been busy but also fun. Would you like to join me?

We are first off to the town of Almonte. It is about 30 to 40 minutes away depending on traffic, and this year very pretty but hidden by thick fog. The drive displays more trees, a bit of swamp, a small escarpment, and rocks. The Mississippi River runs through the town. The river has cut falls in some of the rocks. When settlers arrived, some built mills (one of the cloth mills was later converted into expensive condos, and the stone building beside the mill, which held the mill office and cloth storage, was turned into a museum). Many of the houses nearby were used by mill workers but have long since lost their fibre workers. There are still lots of people who remember the mill working; my neighbour’s father worked there.

To help support itself, the museum runs Almonte Fiberfest each September on the weekend after the labour day long weekend. The local arena is filled with booths. In the hallway, many of the local guilds and fiber related groups have their displays. This year there was a local food vendor selling empanadas. I have no idea if that is spelt correctly, but the two I tried were delirious.

For a number of years I have taken pictures and sent them off to the museum to both give historical documentation, and future publicity options. I finally have a good working system to sort and organise shots. I have a small book with the booth number written in; I have a pack of Post-it notes with the names of the booths. I spend time Friday afternoon organising the booth page with the name. Then I take a picture of the page with the name, then take shots of the booth. This works until it gets very busy on Saturday morning when I try to get crowd shots. As it gets a bit quieter Saturday afternoon, I go back to booth shots and shopping vignettes. (Vignettes are shots to entice people to come shopping). I took some on Friday night, about 380 shots, so I can pull, crop and colour correct some of the best temptation shots to send to the museum to post on their social media. There were over 470 shots Saturday, and a few, 162, on Sunday while I was demoing needle felting. I still have to finish sorting them. Sorting is extra challenging this year, since I have been working on the old laptop and can’t see the tiny images clearly. (My beloved geriatric desktop computer died and the new tiny tower is not yet working). I mention the number of photos just so you can see the restraint I have shown in not showing you all of them!! OH no! Death by slide show!!!

lower 2 pictures are demoing at the OVWSG table1.1- 1.5)A few shots from Almonte fibrefest, to top up your virtual fibre horde

2.1-2.2)Felting Booths: two suppliers and 2 creators

Taking a workshop:

Before and after Fiberfest, the museum runs workshops. This year one caught my eye and I was excited to try it. How can I describe leatherworking so it sounds like a fibre art? Hmm, not sure I can stretch fibre or leather quite that far. Decades ago I made Viking booties(the leather was lightweight, so I would not say they were boots). Now I was going to try to make a cover for a small notebook or journal. This will involve stamping leather with patterns, dyeing it, then sewing it up.

It was a small class since it was a full day during the week. But we tried our best to be quality students, to make up for the lack of quantity. The teacher was great; she had everything we needed and had the leather pre-cut for us. Starting with a scrap piece, we tried out stamps (she brought a lot of options) on dampened leather. After a very difficult selection, we started on stamping the cover pieces. I chose a flurry of dragonflies across the front and back cover and up the spine. I continued with a few flying around on the inner pieces too.

stamping leather work at workshop3.1 ) Dampening and stamp-ening the unsuspecting leather

Then the box of leather dies came out, and again the choices were fabulous and a bit overwhelming. So I went from light to dark: a light golden brown, a green, then a blue. It was hard to tell when the first selection of die was dry so I could start the next colour. It was fascinating to see the die pool into the indentations of the stamps. At first the dye seemed to be just on the surface, but suddenly it was outlining the dragonflies in a darker line of the green or blue.

adding colour to leather4.1- ) Dyeing the leather

The next step was to stamp holes around the ends of the cover. To keep the leather in place, we needed to add a bit of leather glue, but just around the edge, or the notebook will not fit! We had used an adjustable tool to run around the outside edge of the cover. This was to guide the stamping of stitching holes. It is also used if you were stamping a straight border. Thinking ahead, I kept checking that the holes were clear on the back side, in hopes the stitching would be easier later. The stitching punches came in different sizes (number of points) to make it easier to turn corners. I have one of these at home; I can’t remember what I got it for, but I am pretty sure I did not use it to punch holes.

punching holes in leather5.1) hole punching for stitches

The stitching was assisted by a stand called a pony. It was so helpful to have the piece held, so you could use both hands. The thread was waxed, and the stitching required 2 needles, one on each end of the thread. (3.5 x the length needed to stitch). She showed us a cool trick to split the thread so the needle didn’t fall off the thread.

sewing leather6.1- ) pony stand, stitching and sneaky thread trick

We took quite a while to do the stitching neatly, but it was worth the careful work! I was extremely pleased with the result. There may be more leather working options next Almonte Fiberfest, if you are in the area.

finished leather note book cover7.1-) finished cover

I had a day off to finish putting together the needle-felted landscape kits, then Saturday, I was booked to teach needle felted landscape. I had all the notes (21 pages, plus 2 pages of quick notes), samples of various pictures I have done or am working on, all the supplies the students would need and a carload full of bags of various colours and types of wool for them to work from.

needle felting samples 2 pictures 2 partly 3d moose8.1) the samples of pictures and two of the moose bags

Taking a workshop allows the opportunity to learn something new or a new way of working. For new felters, it can also let them try different options. How will you know what you like to work with if you haven’t tried a few options? When you first start, you may not even know you have options. I brought them a few options to try.

For work surfaces to felt into; I have supplied them with a garden needling pad in a foam like a pool noodle (you have seen me working on one before). It has been seasonally available from the dollar store (Feb-Aug). It is not too expensive compared to the thicker wool mats. If you leave the plastic on, it reduces wool transfer. It has two sides to felt into, so it should last long enough to create a few pictures, which should let students decide if they are enjoying needle felting or not.

I also brought other surfaces for them to try;

  • -100% wool pad 1-1.5” thick (I like this one the best but not everyone does, and it’s quite expensive now.)
  • -Ann’s Woolie buddy, which is similar to the wool pad but has a different end feel: (how the needle feels as it is inserted into the work surface) (I have put it in a zip lock plastic freezer bag and like it much better, Unfortunately i still have to give it back to Ann!)
  • -the craft felt covered foam or sponge (I think I like this one the least, but someone may like it, so it’s good to let the students try it.)
  • -black packing foam, and the black foam sold for needle felting
  • -a burlap bag of rice (I like this one too, but it’s rather heavy to carry around for portable/movable felting).

I forgot the pink foam insulation (this is excellent to teach students not to stab too deeply; it screams at you with each stab). It comes in sizes up to 4’x8’ sheets, which allows for very big landscapes. I could not find my cellulose sponge (never leave a needle in this; it will rust since the sponge absorbs humidity – we are in a high humidity area in the summer).

9.1- 9.5)various surfaces to felt into, students’ pictures in progress, trying some of them

To use as a base or backing to felt their picture on, I had;

  • -a piece of 100% wool felt
  • -a thinner piece of Not-wool craft felt
  • -and a piece of 100% wool Horticultural felt, which we used to make a name tag. They can add more details or images to the name tag after the workshop. Having them felt their name is good eye-hand coordination practice before starting their picture.

I also had small samples of;

  • -100% Merino Pre-felt (because its thin it can stretch or distort as you felt into it) but it is worth trying to see how it works as a ground.
  • -hot-press craft felt (which is usually a mix of recycled fibres and glue); it can be felted on, but I do not like the feel to work with. If you don’t try options, how would you know if you hate it, are willing to work with it, or love it?

I also made sure they had a selection of needles to give them an idea of the options available and how they move more or less fibre depending on gauge and number of barbs. I gave them a reverse needle, which has the barbs positioned in the opposite direction to the other felting needles. The reverse needle is active as you remove the needle. It can loosen overworked areas, pull up under colours if you have a different core or under layer, or they are used to blend colour transitions that are too hard-edged. I also gave them a crown needle, since it has such a shallow working depth. It also is not an everyday needle but it is handy to have when you need it.

I asked them to come a bit early so we could start at 10 am, and they did, and I forgot to take pictures (my hubby forgot too, but he did carry in all the workshop bags and boxes, so he was probably tired! I know I should have been tired; I had a weird nerve irritation late Friday night, so I didn’t get much sleep, but my green caffeinated beverage kept me wide awake.)

The students mostly chose the window (Light-box) tracing option, but one tried Templating to transfer the image. She is an abstract painter and only used the image for suggestions. This time most of the students chose at least one of the two ocean scenes.

The name tags went well. Everyone seemed to enjoy needle felting but were very focused and found it more tiring than most groups. They only took a short lunch so I may have to try to get them to take a bigger lunch brake next time. A few students wanted to keep working on their pictures at home, so didn’t frame them (they did get a wooden frame with glass and a paper mat to put it in later), but half the class decided they had achieved the landscape they wanted. All seemed happy with their pieces.


10.1–10.5) students and finished or pictures in progress.

At the end of the workshop, I went through the fibre bags, sealing up ziplock bags and piling them by the door for Glenn to take to the car. I also packed up all the supplies, including the box of “Safety Fist” finger protectors and the various work surfaces (remember to give the woolbuddy back to Ann). I was wiped, and the nerve was getting irritable, so it was time to pack up and go home.

11.1-11.2) End of the workshop packing up

I will get back to working on the Blue whale. I am still not sure if it’s too long by a bout 2 inches or if it’s fine. But since we have gone through most of September I should give you a break, and we will chat about a new fiber festival just south of Smithfalls Ontario (Canada) and how that whale is coming along. I also did a bit more testing of that wool buddy that still has not returned to Ann, and I have found a modification that makes it much more appealing for me. (I will tell you about that too.)

Have fun and keep felting!

When good marketing backfires

When good marketing backfires

Since I sort of stumbled upon the career of Indie Dyer of Yarns and Fibres pretty much by accident, I never imagined how much time I’d be spending on wool festivals unable to peruse or purchase a single item. Frankly, it’s both refreshing (no money spent, yay!) and a bit weird (all that temptation just out of reach).

As a vendor, I obviously have my setup prepped in a way that will hopefully entice buyers. I also need people to remember who I am among the sea of other sellers, so I got myself a decently-sized banner at eye level. I’m a smart cookie, I think to myself. Well done, me.

Then I take it a step further to really make sure people can see me from a distance. I decide to start wearing yellow – it’s easy to spot, and I bet there aren’t manny people looking like a hyper lemon at festivals (or anywhere else for that manner). I go all out, even my glasses are yellow!
Marketing-wise, that’s sort of when I proverbially shot myself on the foot. My garbs got so popular that I started being known not as Eleanor Shadow but as The Yellow Lady! Drat…

Eleanor Shadow stands in front of her stall at Scottish Wool Producers Showcase 2026, in Perth

Eleanor Shadow stands in front of her stall mid-festival prep

I actually had to change some of my website’s text to include “also known as The Yellow Lady” so the search engines could pick it up!

Since I brought this upon myself, I have now embraced it to the point of just having finished a new pinafore to wear when I’m vending. Do we like?

I'm stood in front of a mirror, taking a selfie to show off my new yellow pinafore that I just finished sewing.

Lots of pockets, easy to spot from afar, job done! I’m pretty chuffed to be debuting this in Inverness in a couple of weeks.

The yellowness has stuck so much that on the rare occasion I visit a festival as a buyer, people ask me why I’m wearing black. For those not in the know, I’m a goth. Ah, the irony.

What’s the most outrageous garment you have in your closet (that you’re happy to share)? 😉 Let me know in the comments section.

2025 OVWSG Guild EXHIBITION  PART 2

2025 OVWSG Guild EXHIBITION  PART 2

Let’s return to the Glebe Community Centre, in South Central Ottawa, Eastern Ontario, (Canada). We have checked out the vendors, the demo team and the make and take table; let’s go see the 2025 Exhibition.

The 2025 exhibition theme is “Gathered Threads: Made in Canada”. We were showing work by guild members, with Canadian-supplied materials, most were also on Canadian themes.

blured figure rushes by grids being set up in forgroundpart of display is set up on tables and on grids 8.0-8.1) Setting up the Exhibition on Friday night, again a blur of activity

Last year, we had shoppers unsure if the exhibition was a booth or an exhibit (there were signs, but they were small). This year, Ann and her team decided to get a stand-up banner for the Exhibition. It was to be as neutral as possible, so we could use it for many exhibitions to come.

New Exhibition pop up banner8.2) The new banner for the exhibition that can be reused for future years

2 weavers admiering woven scarf from exhibition 2 people admiering the exhibit suprized look as admiering quilted jacket with woven sleaves8.3-8.5) Let’s join the people who are already looking at the exhibition

larger group looking at exhibition8.6) The crowd of people looking at the exhibition is getting bigger.

There is a lot of interest in the Exhibition, let us see if we can sneak past and get a better view?

the exhibition before oppening 8.7) A quick shot of the Exhibition before we opened

As you can see, the display was divided into 3 sections: Left Grids, front and back, Centre Table and wall, and Right Grids; Front and Back. The pieces represent a cross-section of the guild. Showing the scope of expertise, from those who have just started their fibre arts fun, to those who have been enjoying fibre and yarn for many years. The Exhibition also shows part of the breadth of interests in the guild, Spinning, Knitting or Crocheted with Handspun, Felting, and various types of weaving from tapestry, colour gamps, to complex weave structures. We have examples of individual projects as well as Guild projects.

While there is a break in the viewers, let’s take a closer look, starting on the Left. Since it’s hard to read the tags in the photos, I have typed out all I could read.  The yellow tags indicated the guild has workshops on that technique.

Left Front Grids:

Left grid panels with fiber arts pieces9.0) Left front grids.

9.1) Wild Weaving By Liane.  “maple stems, thistles anemone, False indigo, pearly everlasting and eving primrose are all native to Ontario. Only the dandelion and Curly Havel are not.”9.1) Wild Weaving By Liane.  “maple stems, thistles, anemone, False indigo, pearly everlasting and evening primrose are all native to Ontario. Only the dandelion and Curly Havel are not.”

9.2) Fall Foliage by Marie-France. “Rusted materials collected while hiking in Kanata. Rusted Techniques were learned from Maiwa in Vancover.”9.2) Fall Foliage by Marie-France. “Rusted materials collected while hiking in Kanata. Rusted Techniques were learned from Maiwa in Vancouver.”

9.3) Woven Basket by Molly.  100% Canadian Dorset Wool, Embroidery Floss Sourced locally, a weathered Branch from the woods.9.3) Woven Basket by Molly.  100% Canadian Dorset Wool, Embroidery Floss sourced locally, a weathered Branch from the woods.

9.4) Blue Handwoven tapestry (Sorry, cannot read tag)9.4) Blue Handwoven tapestry (Sorry, cannot read tag)

9.6) Foraged Fairy Baskets, by Liane “All materials were grown and or Gathered locally “  There will be a workshop on making these through the guild.9.6) Foraged Fairy Baskets, by Liane “All materials were grown and or Gathered locally “  There will be a workshop on making these through the guild.

9.7) From Above, by Nicole  “A view from above looking down at the Canadian Landscape using materials sourced from multiple Canadian provinces flown over by the artist.”9.7) From Above, by Nicole  “A view from above looking down at the Canadian Landscape using materials sourced from multiple Canadian provinces flown over by the artist.”

9.8) Reflections: Morning sky on water by Moira. “This piece stems from my love of dying and weaving with silk and the beautiful colours reflected in Lac Tenpenny in Val-des-Monts, Quebec. This Calm little lake reflects the sky, Sun and Surrounding Forest as the day Progresses: it is ever changing”.9.8) Reflections: Morning sky on water by Moira. “This piece stems from my love of dying and weaving with silk and the beautiful colours reflected in Lac Tenpenny in Val-des-Monts, Quebec. This Calm little lake reflects the sky, Sun and Surrounding Forest as the day progresses: it is ever changing”.

9.9) Scarf in Fall Colours, by Bernadette. “Canadian breed Fleece”.9.9) Scarf in Fall Colours, by Bernadette. “Canadian breed Fleece”.

9.10) Summer at King Mountain, by Barbara (description out of focus) this tapestry will be taught as a workshop.9.10) Summer at King Mountain, by Barbara (description out of focus). This tapestry will be taught as a workshop.

9.11) Maureen’s Vacation 2024, by Jan “guild Member spinning on Canadian guild wheel at Gros More Historic Park”9.11) Maureen’s Vacation 2024, by Jan “guild Member spinning on Canadian guild wheel at Gros Morne Historic Park”

9.12) Crab, By Nicole “this piece is intended to convey the beauty and decay of our Oceans. Using all Canadian Sourced fibres combined with two mass produced dollerama Halloween decorations, the crab shows the interplay between our supply lines and sea life.”9.12) Crab, By Nicole. This piece is intended to convey the beauty and decay of our Oceans. Using all Canadian-sourced fibres combined with two mass-produced Dollerama Halloween decorations, the crab shows the interplay between our supply lines and sea life.”

9.13)  Jellyfish, by Nicole.  “Jellyfish Found off the costs of Canada created with Canadian sourced fibers”.9.13)  Jellyfish, by Nicole.  “Jellyfish Found off the coasts of Canada created with Canadian sourced fibres”.

9.14) Mr. Mer by Jan. “Mr. Mer is a Mer-man or Fish-Person, I started with a Youtube Felt-along (Saraphina Fiber Arts) for inspiration but went way off n another direction. I have made a family of Mer-People with family pets. Each is a unique fish. Mr. Mer is based on a Norther Pike, which I saw frequently at my parents’ cottage just outside of Perth, Ontario.” (Mrs. Mer was canoodleing with her husband in the project bag, and seems to have snuck into the exhibition. She has Canadian wool, and hair from Olive Sparrow and other Canadian suppliers, like her husband)9.14) Mr. Mer by Jan. “Mr. Mer is a Mer-man or Fish-Person. I started with a YouTube Felt-along (Saraphina Fibrr Arts) for inspiration, but went way off in another direction. I have made a family of Mer-People with family pets. Each is a unique fish. Mr. Mer is based on a Northern Pike, which I saw frequently at my parents’ cottage just outside of Perth, Ontario.” (Mrs. Mer was canoodling with her husband in the project bag, and seems to have snuck into the exhibition. She has Canadian wool and hair from Olive Sparrow and other Canadian suppliers, like her husband. You can see her in the photo at the top of this section.)

Left Back Grids:

10.0) The back of the left grid panels:10.0) The back of the left grid panels:

10.1) Triangular Shawl, by (Francesca and Jean) owned by Ann S. “Front panel woven separately, and the back was created by weaving the warp of one panel as the weft of the second strand by strand. The piece was designed by Francesca Overend, and woven by Jean Down, both of Ottawa. The materials were provided by an Ottawa shop and it is owned by a Canadian.”10.1) Triangular Shawl, by Francesca and Jean, owned by Ann S. “Front panel woven separately, and the back was created by weaving the warp of one panel as the weft of the second strand by strand. The piece was designed by Francesca Overend, and woven by Jean Down, both of Ottawa. The materials were provided by an Ottawa shop, and is owned by a Canadian.”

10.2) Garden and Field Shawl, by Amanda. “Shawl made with yarn spun from fleeces of various sheep belonging to people I know, and dyed with a variety of plants from the garden or gathered locally. Crochet pattern from 1970’s  McCall’s Magazine.”10.2) Garden and Field Shawl, by Amanda. “Shawl made with yarn spun from fleeces of various sheep belonging to people I know, and dyed with a variety of plants from the garden or gathered locally. Crochet pattern from a 1970s McCall’s Magazine.”

10.3) Snoweflake Scarf, by Kanika. “Quebec Yarn, woven on a Quebec loom 8 Shaft loom, Canadian Weaver, Glass beads from Canada Bead Supply. The scarf is meant to represent snowflakes which is very Canadian”10.3) Snowflake Scarf, by Kanika. “Quebec Yarn, woven on a Quebec 8 Shaft loom, Canadian Weaver, Glass beads from Canada Bead Supply. The scarf is meant to represent snowflakes, which is very Canadian”

10.4) (upper Right) Shawl, by Ann S. “One of two shawls woven for the wedding of a Canadian by her Canadian aunt,. She had a choice of blue or burgundy and chose the blue. Hence I kept the burgundy.” (on Lower Right) Winter Landscape fence with owl, by Jan. “From a Picture of a winter scene found on the internet of a field south of Ottawa. I added the owl.” I teach for the guild, a needle felted landscape workshop. (On Left) Handspun Eva Shawl, by Carlene. “Local fiber made into a shawl.”10.4) (upper Right) Shawl, by Ann S. “One of two shawls woven for the wedding of a Canadian by her Canadian Aunt. She had a choice of blue or burgundy and chose the blue. Hence, I kept the burgundy.”

(on Lower Right) Winter Landscape fence with owl, by Jan. “From a Picture of a winter scene found on the internet of a field south of Ottawa. I added the owl.” I teach for the guild, a needle felted landscape workshop.

(On Left) Handspun Eva Shawl, by Carlene. “Local fibre made into a shawl.”

10.5) (On Left) 75th Anniversary Moose Bag (Glenn’s), by Jan.  “This is a Canadian Moose, it was made with fiber from a Canadian Supplier.” (On Right) 75th Anniversary Moose Bag (Jan’s), by Jan. “This is a Canadian Moose, it was made with fiber from a Canadian Supplier.”10.5) (On Left) 75th Anniversary Moose Bag (Glenn’s), by Jan.  “This is a Canadian Moose, it was made with fibre from a Canadian Supplier.”

(On Right) 75th Anniversary Moose Bag (Jan’s), by Jan. “This is a Canadian Moose, it was made with fibre from a Canadian Supplier.”

10.6) Quilted Jacket, by Maureen. “ Quilted Jacket with Homespun Canadian wool arms and edging.”10.6) Quilted Jacket, by Maureen. “ Quilted Jacket with Homespun Canadian wool arms and edging.”

10.7) 75th Anniversary Moose Bag Landscape, by Jan. “The theme (of the bag) is a Canadian skein winder (Moose), fiber purchased from Canadian vendor.”10.7) 75th Anniversary Moose Bag Landscape, by Jan. “The theme (of the bag) is a Canadian skein winder (Moose), fibre purchased from a Canadian vendor.”

Centre table and wall:

11.0) Center Display11.0) Centre Display

11.1) Fireside Blanket, by Karin. “Blanket was woven Double Width from Canadian Company Briggs and Little 2ply 100% wool. The Red and Orange wool for the warp were hand dyed by Karin Hendriksen. The black for the warp and weft were factory dyed. The colours remind me of sitting wrapped in the blanket by the fireside, reading a book and sipping hot chocolate.”11.1) Fireside Blanket, by Karin. “Blanket was woven Double Width, from Canadian wool from a Company, Briggs and Little, 2ply 100% wool. The Red and Orange wool for the warp were hand dyed by Karin Hendriksen. The black for the warp and weft were factory dyed. The colours remind me of sitting wrapped in the blanket by the fireside, reading a book and sipping hot chocolate.”

11.2) Poppies Remember, by Barbara. “Made at one of the guilds Workshops with Wendo van Esen”11.2) Poppies Remember, by Barbara. “Made at one of the guild’s Workshops with Wendo van Esen”

11.3) Lighthouse with Flowers, by Ann.  “A lighthouse is iconic from coat to coast, appearing not only on both coast but so many lakes between them.”11.3) Lighthouse with Flowers, by Ann.  “A lighthouse is iconic from coast to coast, appearing not only on both coasts but on so many lakes between them.”

 11.4) Northern Lights, by Ann M. “Northern Lights are an iconic symbol of Canada.”11.4) Northern Lights, by Ann M. “Northern Lights are an iconic symbol of Canada.”

 11.5) Heavy Heart, by Nicole.  “Combining fibres from artisans across Canada. The Sculputre brings together the pople and places of Canada. And when displayed on a scale as intended, suggests the surprising weight of our collective awareness—the lightest fibres gaingin weight and trenght when combined.” 11.5) Heavy Heart, by Nicole.  “Combining fibres from artisans across Canada. The Sculpture brings together the people and places of Canada. And when displayed on a scale as intended, suggests the surprising weight of our collective awareness—the lightest fibres gaining weight and strength when combined.”

11.6) the guild group project, the parliament building in various fiber arts techniques.11.6) The guild group project, the Parliament Buildings, in various fibre arts techniques.

 11.7) Polar Pixies, by Paula. “This piece was made in Canada from Canadian wool processed to roving at a Canadian mill. The yarn was hand spun and knitted by a Canadian too!”  (under the polar Pixies) Nova Scotian Shawl by Jean. “the yarn was dyed with plants collected in the Nova Scotian countryside using yarn from  New Brunswick and hand spun sheeps fleece from the Annapolis Valley. The Shawl was woven in Halifax, Nova Scotia. 11.7) Polar Pixies, by Paula. “This piece was made in Canada from Canadian wool processed to roving at a Canadian mill. The yarn was handspun and knitted by a Canadian, too!”

 (under the polar Pixies) Nova Scotian Shawl by Jean. “The yarn was dyed with plants collected in the Nova Scotian countryside using yarn from  New Brunswick and handspun sheep’s fleece from the Annapolis Valley. The Shawl was woven in Halifax, Nova Scotia.

11.8) Summer Table Runner, by Karin. “The summer colours of theis table runner, woven with Canadian made Orlec from Leclerc, was influenced bythe colours of my perennial garden.”11.8) Summer Table Runner, by Karin. “The summer colours of this table runner, woven with Canadian made Orlec from Leclerc, was influenced by the colours of my perennial garden.”

Right Front Grids:

12.0) The Right Front grids,12.0) The Right Front grids,

12.1) Remembrance, by Carlene.  “The red and black design reminds me of both poppies (remembrance Day) and the Red Dress Project which seeks to remember the Indigenous Women who have gone missing.”12.1) Remembrance, by Carlene.  “The red and black design reminds me of both poppies (remembrance Day) and the Red Dress Project, which seeks to remember the Indigenous Women who have gone missing.”

12.2) (On Right) Canadian Muskox, by Jan. “The Canadian Muskox is a source of one of the most expensive fibers on the planet. We have Canadian Muskox in both the East and western Arctic. I made this for the Canadian 150th anniversary art show. Using Canadian alpaca for the top coat.” (On Left) Canadian Linen Cloth, by Lisa. “Since taking up weaving I’ve learned a lot more about textile supply chains, and about how little we still produce  in Canada. The rustic weft of this piece is from Taproot Fibre, who are trying to revive Canadian Linen production and produce a small quantity of Nova Scotia grown and spun linen and are to my knowledge the only producers of machine spun Canadian grown linen. This piece turned out looser than I want it, but, it make a great wrap for fresh bread!”12.2) (On Right) Canadian Muskox, by Jan. “The Canadian Muskox is a source of one of the most expensive fibres on the planet. We have Canadian Muskox in both the eastern and western Arctic. I made this for the Canadian 150th anniversary art show. Using Canadian alpaca for the top coat.”

(On Left) Canadian Linen Cloth, by Lisa. “Since taking up weaving, I’ve learned a lot more about textile supply chains, and about how little we still produce in Canada. The rustic weft of this piece is from Taproot Fibre, who are trying to revive Canadian Linen production and produce a small quantity of Nova Scotia grown and spun linen and are, to my knowledge, the only producers of machine spun Canadian grown linen. This piece turned out looser than I wanted it, but it makes a great wrap for fresh bread!”

12.3) OVWSG Sheep to Shawl 2025, by the sheep to shawl team 2025. “Vibrant, glow-in-the-dark shawl produced for the Almonte Fibre Fest Sheep to Shawl Competition by October (Toby)ASnderson, Jay Perry, Heather Farrar, and Olivia” (I think this was the first sheep to shawl for all participents, this shawl won Second place!)12.3) OVWSG Sheep to Shawl 2025, by the sheep to shawl team 2025. “Vibrant, glow-in-the-dark shawl produced for the Almonte Fibre Fest Sheep to Shawl Competition by October (Toby) Anderson, Jay Perry, Heather Farrar, and Olivia” (I think this was the first sheep to shawl for all participants; this shawl won Second place!)

12.4) Diamond Jubilee by Ann S. “This piece a diamond made of 22 columns and 22 rows of twill weaves creating 284 diamonds to commemorate the 75th anniversary of the OVWSG.”12.4) Diamond Jubilee by Ann S. “This piece is a diamond made of 22 columns and 22 rows of twill weaves, creating 284 diamonds to commemorate the 75th anniversary of the OVWSG.”

 12.5) Aurora Borealis Skeins, by Bernadette. “Fiber Sourced from Canadian hand dyer.” 12.5) Aurora Borealis Skeins, by Bernadette. “Fibre sourced from a Canadian hand dyer.”

 12.6) (Left) Zita’s Yarn, by Wendy.  Made from a blend of our dog’s fur, locally rased border lester sheeps wool and Cotswold hand-dyed by Bernadette Quaide, this skein of yarn was inspired by the Guild’s Summer Fiber Poker Challenge. (Right) Home Spun Skeins by Maureen. “Hand-spun from Canadian Sourced wool.”12.6) (Left) Zita’s Yarn, by Wendy.  Made from a blend of our dog’s fur, locally raised border lester sheep’s wool and Cotswold hand-dyed by Bernadette Quaide, this skein of yarn was inspired by the Guild’s Summer Fibre Poker Challenge.

(Right) Home Spun Skeins by Maureen. “Hand-spun from Canadian Sourced wool.”

12.7) Scarf by Marianne Heggtveit, owned by Ann.S. “the Weaver, Marianne Heggtveit, is a proud Canadian of Austrian ancestry. She is also proud that Tencel-which is drived from wood pulp- was developed in Austria.”12.7) Scarf by Marianne Heggtveit, owned by Ann.S. “The Weaver, Marianne Heggtveit, is a proud Canadian of Austrian ancestry. She is also proud that Tencel-which is derived from wood pulp, was developed in Austria.”

12.8) Aubergine, by Carlene. “I wove this piece between June 30 and July 7th 2024 and it was part of my Celebration of Canada Day Holiday time. this piece is a study of the colour purple with may shades and textures incorporated into the work.”12.8) Aubergine, by Carlene. “I wove this piece between June 30 and July 7th 2024, and it was part of my Celebration of Canada Day Holiday time. This piece is a study of the colour purple with many shades and textures incorporated into the work.”

12.9) (Framed on Right) On the Prowl, by Marie-France. “I live in the Countryside and foxes are regular daily visitors all year round. this art work is based on a photograph I took on my property in Val-due-Monte Qc. I love the 4 seasons in Canada but Autumn is the one that inspires me the most.” (Top Left Yarn) Handspun Yarn - 4 skeins, by MJ. “1 skein of Bluefaced leicester 2 ply gradient from grey to purple to blue. Peach Suffolk yarn  1 skein 3 ply 1 skein 2 ply.  1 skein of fractal spun dorset in various shades of Grey.” (Center basket with yarn) tag not visiable but looks like natural dies on wool.12.9) (Framed on Right) On the Prowl, by Marie-France. “I live in the Countryside, and foxes are regular daily visitors all year round. This artwork is based on a photograph I took on my property in Val-due-Monte, QC. I love the 4 seasons in Canada, but Autumn is the one that inspires me the most.”

(Top Left Yarn) Handspun Yarn – 4 skeins, by MJ. “1 skein of Bluefaced Leicester 2 ply gradient from grey to purple to blue. Peach Suffolk yarn  1 skein 3 ply, 1 skein 2 ply.  1 skein of fractal spun Dorset in various shades of Grey.”

(Centre basket with yarn) tag not visible, but looks like a natural dye on wool, but could be the natural colour.

12.10) Magical Moose Mittens, by Judy. “These Mittens are made from local Shetland wool that I bought raw and then washed and carded. The white is from a sheep called Amber from Karberry Farm. The brown started out as off white fleece from Steve Welch. I died it with black walnut hulls that I collected in my neighborhood. Then spun the wool into yarn and knit the mittens using my own pattern.”12.10) Magical Moose Mittens, by Judy. “These Mittens are made from local Shetland wool that I bought raw and then washed and carded. The white is from a sheep called Amber from Karberry Farm. The brown started out as off white fleece from Steve Welch. I dyed it with black walnut hulls that I collected in my neighbourhood. Then spun the wool into yarn and knit the mittens using my own pattern.”

Right Back Grids: We have reached the final part of the exhibit, the back of the right side grids.

13.0) Back of Right Grids.13.0) Back of Right Grids.

13.1) We Stand on Guard for Thee, by Carlene. “This piece celiebrates the Ceremonial Guard and their bear Skin hats. I created this Piece in 2017 for our Guild art show.”13.1) We Stand on Guard for Thee, by Carlene. “This piece celebrates the Ceremonial Guard and their bear Skin hats. I created this Piece in 2017 for our Guild art show.”

 13.2) Reflections: Evening sky on water by Moira. “This piece stems from my love of dying and weaving with silk and the beautiful colours reflected in Lac Tenpenny in Val-des-Monts, Quebec. This Calm little lake reflects the coulours of the sky, Sun and Surrounding Forest in an ever changing tableau. This scarf highlights the colours as the water ripples in the lake and the sun begins to sink below the “ 13.2) Reflections: Evening sky on water by Moira. “This piece stems from my love of dying and weaving with silk and the beautiful colours reflected in Lac Tenpenny in Val-des-Monts, Quebec. This Calm little lake reflects the colours of the sky, Sun and Surrounding Forest in an ever changing tableau. This scarf highlights the colours as the water ripples in the lake and the sun begins to sink below the horizon“

13.3) Walnut Smudge Sweater, by Carlene. “Handspun and naturally dyed”13.3) Walnut Smudge Sweater, by Carlene. “Handspun and naturally dyed”

 13.4) Tied On, by Joan. “Made from Silk ribbon bought at a (quintessentially) Canadian yard sale” 13.4) Tied On, by Joan. “Made from Silk ribbon bought at a (quintessentially) Canadian yard sale”

13.5) Basket of tea towels (in front)  Rosebud Trellis towel, by Kanika.  “Maurice Brassard a Quebec company supplied the cotton. the weaver is from Ontario, the Leclerc Fanny Loom is by a Quebec company.” (In the back) Canada Day Tea Towels, by Wendy “..Memories of Canada Day picnics with friends and family.”13.5) Basket of tea towels

(in front)  Rosebud Trellis towel, by Kanika.  “Maurice Brassard, a Quebec company, supplied the cotton. The weaver is from Ontario, the Leclerc Fanny Loom is by a Quebec company.”

(In the back) Canada Day Tea Towels, by Wendy “..Memories of Canada Day picnics with friends and family.”

13.6) Scarf with beads, by Kanika.  (I did  not see a description)13.6) Scarf with beads, by Kanika.  (I did  not see a description.)

13.7) Socks, by Maureen. “ Hand-Spun and knitted from Canadian sourced wool.”13.7) Socks, by Maureen. “ Hand-Spun and knitted from Canadian sourced wool.”

13.8)  2 vests and shirts and tapestry of foxes with fluffy tails. (Lower Left Vest) Chiengora Wool Vest 2, by Doreen. Canadain grown, supn, woven and sewn.” (Upper Right Vest) Chiengora Wool Vest 1, by Doreen. Canadain grown, supn, woven and sewn.”13.8)  2 vests and shirts, and a tapestry of foxes with fluffy tails.

(Lower Left Vest) Chiengora Wool Vest 2, by Doreen. Canadian grown, spun, woven and sewn.”

(Upper Right Vest) Chiengora Wool Vest 1, by Doreen. Canadian grown, spun, woven and sewn.”

13.9) Summer and Winter, by Deborah. “Designed and woven by submitter, handspun yarn spun by daughter. Inspired by the guild’s Summer Fiber Poker Challenge.”13.9) Summer and Winter, by Deborah. “Designed and woven by the submitter, handspun yarn spun by my daughter. Inspired by the guild’s Summer Fibre Poker Challenge.”

The Exhibition Team:

It was not an easy job (there is a rumour that getting guild members to fill out a form and drop off their pieces is similar to herding cats.) Wendy and her team got us all organised and put together a very diverse exhibition. Well Done Wendy!!

14.0) Wendy was the head of the Exhibition team, and did a fabulous job.14.0) Wendy was the head of the Exhibition team and did a fabulous job.

I hope you have enjoyed looking through the exhibition and the OVWSG guild sale from the last post. If you would like to make comments, and you haven’t clicked on the post already, please check the top of the post for the comment button (it is hiding up there).

 

 

 

 

A Yarn and Fiber Artist’s Dilemma

A Yarn and Fiber Artist’s Dilemma

I will be stepping away from scheduled blog posting in 2026. This has been a hard decision for me, as I so value the friends I have made through Felting and Fiber Studio. I was happy to hear I am welcome to submit articles, to be used when regular contributors need respite. My mother’s Alzheimer’s is in the final stage. She is on hospice care doing fine at the moment: but we don’t know the future, do we? I’m also helping my aunt, transition into assisted living care. Brian and I, of course aren’t getting any younger, either. We are using the information we’ve learned,  to start thinking of our own future. We are definitely looking at downsizing, our living quarters, so that means it’s time to do a purge: “death purge” is what many call it. I don’t like that particular terminology, but I agree with the gist of the concept. As baby boomers, we grew up saving everything, “in case we need it,” down the line. We held onto baggage, because our parents and grandparents, told stories of what happened during wars, or depressions. We raised our children, in times of plenty, and they don’t want any of it! As the dutiful family “storage unit,” I have some really nice fiber related items to find homes for. Example: I have a dainty antique wooden swift with finely turned spindles (UK early 1900’s) in perfect condition: made for ladies embroidering fine linens…what do I do with it? It’s easy to think about listing such items, on social media outlets, but there are so many things to research before hand. It all takes time, that seems at a premium these days. A never ending dilemma

Of course, Brian’s answer to everything these days: “burn it!”

His cynicism is predictable, given what he’s witnessed, as my Etsy shipping clerk for 8 years. He sees customer “requests” in messages. In an effort to deliver, and receive the coveted 5 stars, I spend a lot of time doing things, to “make the sale.” Often, after endless messaging back and forth; the person rarely makes the purchase…or worse, never responds back at all. I am getting better at setting limits, but as I’m sitting here typing my article, another request bit the dust…and proved his point again. Hide the matches!!

Last weekend, I agreed to participate in a holiday craft show. My friend of 60 years is very active with a Veteran’s organization. My participation allows us to see each other, and supports a good cause. Because, so many are struggling financially, I chose my offerings carefully. I decided each item needed to be; visually pleasing, useful, with a low price point. I geared them to be used as stocking stuffers, small gifts for teachers, friends or relatives…maybe a child’s gift to Mom. Brian watched me search Pinterest for small items that met my criteria, and used some supplies I already had. I chose to make the following:

Fabric Wristlet Key Fobs Little Hill Craft video,

Beadable Pens and Beadable Key Chains (Search on Amazon)

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Microwave (Baked) Potato Bags YouTube Potato Bag Sewing Tutorial

Potato print fabric, sewn as envelope pouch, for microwave baked potatoes.
Large size microwave baked potato bags. In order to avoid potential fire, all materials must be 100% cotton; thread, batting, and fabric.

If you are unfamiliar with these Microwave Baked Potato bags, you are missing out on the best way to bake potatoes. They yield soft fluffy baked potatoes in less than a quarter of the time. I purchased mine 15 years ago, while on vacation. It’s been well used, ever since. In addition to baked potatoes, you can steam corn on the cob, warm tortillas, and bread/rolls.

I also took Woolbuddy ™️ needle felted animal ornaments, I had in my shop. They retail for $15 and are worth every penny, but I reduced them to $12.50 each, or “buy 4 get 1 free” (33% off retail). To make certain my prices were fair, I took samples to Mom’s facility. I’ve made friends with other family members: I sold a few potato bags and wristlet’s right on the spot. They felt my prices were too reasonable, for the quality and craftsmanship. I reassessed my prices and realized my potato bags needed to be $14, despite Etsy prices of $11. The specialty fabric I used on the outside is brand new and fetches $15/yard or more. I chose to line the potato bags with a brown fabric, instead of the white muslin my bag has. You can imagine the staining from years of constant use. $12.50 was my initial price: only a bit above supply costs.

I wasn’t looking to make much, as we’ve participated in the show a few years ago. I agreed to share a table this time, and gear my offerings to those attending. I sold 4 potato bags ($14 each), 1 pen ($5), 1 key fob ($6) and some of the needle felted animal ornaments for a total of $137. Once the 1/2 table fee, a raffle donation, and food came out, we probably covered the cost of potato bag fabrics. The foot traffic was constant, and we had a steady stream of lookers at the table. People loved the items, pricing didn’t seem to be an issue: I sold as much as the crafters near me. I’m often asked why I don’t sell my things at craft shows! I’ve always felt the time involved in the making, is rarely valued by those purchasing. Maybe it’s the area we live in? Whatever the reason, I had a plan for any items remaining. We are gifting them Mom’s caregivers. I was very careful to keep the samples, away from caregivers view, and that was a very good thing!

Brian still has his thought’s, about those matches…when I whine “what am I going to do with all this yarn and fiber?” I know he would never think of doing such a thing, while I am alive…but if anything happens to me, you might want to make a quick call!!

Happy Holidays!

Am I losing my marbles?

Am I losing my marbles?

Do you feel like the days, weeks and months just keep getting away from you? No matter how hard you work, paddling faster and faster, the to-do list never gets any shorter? It has been 6 weeks since Felters Convergence, I was hoping for a quiet spell before the Christmas rush but it feels like it has been another insanely busy period. When I stop and think, “What have I done / achieved?” I’m at a loss…. I can’t remember!

Thank heavens for the camera roll in our mobile phones!

Early October saw my first ever pit firing with the Manurewa Potters, it was a lot of fun, with a shared lunch but, for me, the results were a little disappointing. I love colour and contrast and this style of firing produces more muted, subtle tones. It’s probably not a branch of pottery for me but I’m glad I got to try it.

These were my pots, the red / orange rings around the top were from underglazes I painted on before firing, the browns, greys and blacks were from the materials added to the fire. I have started waxing the one on the right, which has intensified some of the colours and it’s growing on me but the one on the left I think will be re-fired with some more traditional glazes.

In mid October I hosted my first Open Studio event in New Zealand, as part of the Franklin Arts Trail (which gets unflatteringly abbreviated to FAT). It was a huge success, I met so many fascinating people, introduced some of them to felt-making and even sold a few of my finished pieces, so now I have space to make more!

This photo was taken during the reorganising / scurryfunging, I’m sorry to say I forgot to take any photos during the event. Can you spot the ever-helpful cat (Aoife)?

A few felty friends and I had a play date just before Halloween where we made felted eyeballs using a variety of different techniques (felting around glass marbles, polystyrene balls and making solid wool balls).

Halloween weekend was spent with the lovely Waikato Creative Fibre group at a wonderful 3-day fibre retreat. I even managed to get some spinning done in between teaching a couple of short felting classes and taking a mosaic crochet class.

Fingers crossed I now have enough yarn to finish making a sleeveless top with a tulip hem:

Auckland is starting to feel much more summery and the weeds in my veg patch agree, they were definitely winning…

But after 6 days of hard graft and 1 broken garden fork later I was delighted to find half a dozen leeks, some potatoes and a couple of onions ready to harvest and I no longer cringe at the state of this part of the garden:

I contacted Spear and Jackson about the fork because it had a “10 year warranty” sticker not really holding out much hope that they would replace it but amazingly the replacement has just arrived, all the way from the UK, less than 2 weeks after I emailed them! Now that’s good service 🙂

A few months ago Auckland Felters applied to hold a group exhibition at Nathan Homestead, an historic building that has just completed a year-long renovation, and we were successful – YAY!

The exhibition doesn’t open until next March but deadline for the marketing materials was last week so there has been a lot of frantic activity as we formulated a plan for a felting workshop and market day. The date of our workshop falls on 25th April, ANZAC day (the antipodean equivalent of Remembrance day) so we thought a field of felted poppies would be a fitting project.

With only a few hours before the deadline I found myself hastily felting a sample for the brochure. The result is ok but not my best work. If I can find a spare 30 min I would like to fix the central flower with some needle-felting and add some more highlights and shading.

My local craft / gift shop, Clevedon Creatives + Co, have started stocking some of my work so there has been quite of lot of trips back and forth to get it set up. Now my studio looks even more empty than it did after FAT but I am pleased to have a wider audience for my work.

The Christmas season has already started here with my first artisan craft fair last weekend. This market, at the Franklin Arts Centre in Pukekohe, was a very successful start to the season, fingers crossed this is a good omen for the next few weeks after 2025 started with a bit of an economic whimper.

The felted soaps are eternally popular at my local craft markets so I have been furiously making these most evenings for the last few weeks:

There has been quite a lot of dyeing going on too, mostly silk hankies and silk top as I try to keep up with demand. These plaits will be added to my Etsy shop over the next few days.

Finally a bit of felting fun, a new journal cover. When I started laying out the wool for this I was planning to cover it with yarn in a grid pattern but just as I was about to start laying out the yarns it screamed, “WATER!”. So I rummaged in my bag of prefelt scraps and found some space-dyed orange and yellow pieces. Perfect for fish! A couple of white silk hankies to emulate splashing water / surf et voila!

I’m so glad I ditched the yarn, the jumping, playful fish are much more fun! I can’t help but smile when I see them 🙂

Phew! No wonder the last few weeks have felt busy 🙂 Why couldn’t I remember any of that without my phone…?

Merrickville Ont. Canada, New Fiber Festival -Fiber by the locks

Merrickville Ont. Canada, New Fiber Festival -Fiber by the locks

On Sunday, October 19th 2025, we had a new small fiber sale happening in Merrickville Ontario.  It was a lovely sunny day so perfect for a drive south of the city.

poster of silliwet of a sheep for the Fiber byt the locks sale1.1)poster of new fiber festival

Merrickville is a small town along the Rideau cannel at one of the many locks.  The town has many beautiful stone houses and buildings.  We arrived early and found a good parking spot, so let’s walk over to the locks and take a look around.

map showing the Pew building and Merrickville locks photomaps showing locations of Ottawa to Merickville and the area around the event beside the locks1.2) map showing the Pew building and Merrickville locks.

The pews is the building we were going to on the maps it’s the little red dot. It is also beside the locks and across from the blockhouse (where the guns and soldiers were, in case we were invaded by Americans in 1812). It was a lovely warm not-fall day for October, the leaves were turning and the water was still, giving beautiful reflections of the fall colour. (I was not the only photographer out and we had lens envy chats!)

the Merrickville lockstation with trees changeing colour, red and yellows1.3) the Merrickville lockstation

the Canal locks at Merrickville reflection of fall trees in still water1.4)the Canal locks at Merrickville

the Canal locks at Merrickville looking down the lock trees refecting into still water1.5)the Canal locks at Merrickville

the Canal blockhouse at Merrickville, the military would be stationed here to protect the cannel from American incursions.  I is now a musem1.6)the Canal blockhouse at Merrickville, the military would be stationed here to protect the cannel from American incursions.  I is now a museum.

the Arron Merrick Building (Side) stone block 3 story building with lots of windows1.7) the Arron Merrick Building (Side)

the Arron Merrick Building (front) decoration serounding door way cascading leaves in fall colours with window box of white flowers in front.1.8) the Arron Merrick Building (front)

Its now time to head back to the Pews (formerly a United Church of Canada building, from the 1890’s)

former church now called the Pews. truncated nave with cross esction and tower inset into one corner adjacent to crossing sections. the church is stone blocks. vewed from a lwer angle looking upword agaenst a very blue sky1.9) former church now called the Pews.

The upper part where the church was is still filled with pews and is often used for concerts. The lower hall is accessible from the back of the building. That is where we are heading next, if I can pull you away from enjoying the fall colour.

It’s a small hall, full of 4 foot tables, so it’s a bit snug, but that is more for us to look at. The vendors are just doing the last of their set up (we will wait in the back corner, out of the way, till its time to shop).  One of the vendors just pointed out a doorway with a ramp to another lower section, we can look at that afterwards.

the lower hall filed with 4 ft booths,very full this shows the center booths.2.1) most of the vendor tables in the hall there are a couple more to the left out of frame and at least one more to the right.

Shall we have a quick look around?

2 photos showing a booth with coats and a booth with yarn 2 photos showing a clsoe up of mini tapestrie landscapes and the other photo is of a coil basket 2 Photos; Sewing bags and knit things including a Hat on a manikin head 2 Photos; White Knit? Pumkins and crochet rugs 2 photos: knit hats and jacket and Yarn in skains 2 photos: wool cloth and yarn in many colours and yarn and knit socks and scarf 2 photos of braided yarn in many colours 2 photoss Mohair for sale and locks with wated doll in green outfit2.2-2.9) booths in the main lower hall

The second part of the lower level was accessible through a doorway and a small ramp. This was less finished and more basement-like. It also had an exterior door for accessibility from the outside. The booth sizes were bigger in this back section. There were two felters, which you may be interested in.

2 photos second hall basement: clothing and Upholstery Shop 2 photos second hall basement: Embroidery and anteques table display and close up of back of merorrors 2 photos second hall basement: Felting booth figures photo second hall basement: Felting booth Pictues landscape and Santa photo second hall basement: Edge of felting booth and Husband reading photo second hall basement: second felting booth this one has framed pictures.3.1-3.6) photos second hall basement

We had a thorough look through the event then went up the street to Alpaca tracks in hope of a butterscotch colour of alpaca fiber for a friend’s project. What they had, was not really what I was hoping for, but the store was interesting. Unfortunately, the fiber for sale is upstairs, and I was not feeling up to stairs by that point. So, I will show you a couple quick shots of the ground floor.

Outside and ramp into stone house that has been converted into a store (Alpaca tracks)4.1) the store Alpaca Tracks T(h)read Lightly

2 Photos one of felt flower with yellow center and wall hanging of alpaca 2 photos of displays Mettle frog with umbrella in front of felted mellons and wooden pumkins with cutting bords and scarves in the back ground 2 photos one of window vew with felted sunflowers and one of small wooden cut work candel holders 2 photos, one of Felt orniments including felt dodo bird and small alpaca made of leather.4.2-4.5) displays within the store that cot my eye

It was a store full of cool things to look at, much seemed to be made by local artists. Since I could not find the colour of fiber I was looking for I will have to look in Toronto later in the week.

 

I hope your virtual shopping money has not been badly depleted!! There is still the OVWSG guild sale to tell you about.  If you were in Ottawa the first weekend in November, I hope you dropped by (you might turn up in a blog post!) if you missed it, you can always plan ahead and be there next year!  But, if i am doing this in order, we need to have a quick chat about; reflections in glass, the ongoing Mer project, and a Visit to the Olive Sparrow (where there were lots of options of fiber!) before we can get to the guild sale.

PS the sneaky comment button is still hiding at the top of the page if you would like to chat!

Getting things ready for the Sale and Exhibition and class.

Getting things ready for the Sale and Exhibition and class.

First, there are still a couple of days to sign up for the 3D multi-part resist workshop. It starts on the 17th, so hurry if you want to join us. https://feltingandfiberstudio.com/classes/3d-multi-part-resist/

 

On November 1 and 2 is our guild’s Annual Sale and Exhibition. https://www.ovwsg.com/sale/ Or her on Facebook FB Event The guild runs a booth for people who don’t have enough things to have their own booth. I have been getting my things ready for the booth.

I have a few needle books from several years ago. I had to check the tags, replacing some and adding price stickers. They have 4 needle pages, 2 pouches, 2 pins, 1 needle, on thread storage card, and one needle threader.

I also have some scissors cases with scissors. These are great little scissors, I like the big handles so you’re not tight to get your fingers in or out of.

And there are the sheep keychains. I told you about them here. https://feltingandfiberstudio.com/2025/09/13/this-and-that-5/

I had to iron their ears as they needed flattening. I thought I might need hairspray, but I didn’t.

 

I stamped the back of their cards

I put them into their plastic. I need to finish that. I think I need to get some double-sided tape to keep them centred in the bags. And for some, I may resize their bags.

 

I may put the other things in plastic, too. Do you think it would look more professional?

 

I still have to make felted soap. That is on the to-do list. But now I am out of time for today.

 

 

Felt Connect 2025

Felt Connect 2025

As I write, nearly a week has passed since the 18th Southern Hemisphere Felters’ Convergence drew to a close but that peculiar mix of exhaustion, elation and excitement I felt as I drove home still lingers. I’m buzzing with so many ideas and happy memories! 🙂

The Felters Convergence is usually (pandemics permitting) a biennial event organised by volunteers from Australia or New Zealand. It is an opportunity for antipodean felt-makers to gather and share their knowledge and ideas. This year it was held in the beautifully quaint and historic suburb of Parnell in Auckland, New Zealand.

Before we arrived we were invited to “bring your smile”, a common refrain for anyone attending a social event but this time there was a twist…. We were to arrive with a smile and leave with a smile…. a felted smile! 🙂

Christine Roxburgh and Jenny Forrester (our very talented and incredibly hard-working organisers) put together an amazing, fun-packed program over the 4 days we had together. At almost any given moment there were 3 to 4 different classes or talks taking place and if that wasn’t enough, there was a room full of traders selling all manner of fibres, fabrics and felting equipment and a fabulous felt exhibition to visit. They REALLY crammed a lot in to the 4 days!

A small selection of pieces in the exhibition:

As Christine explained at the opening dinner, the Felt Connect title was a nod to the underlying philosophy of Convergence where feltmakers from far and wide come together to not only share their knowledge and love of fibre arts but also where new connections and international friendships form.

We had just shy of 100 attendees, 30 of whom were visiting from Australia and one came all the way from the US! Our headline tutors were equally international with Nancy Ballesteros from Western Australia, Katia Mokeyeva from Vermont in the US and Jacqui Collins from New Zealand.

Nancy taught for 3 very full days, covering topics such as:

  • colour theory for fibre artists
  • making properly fulled but beautifully drape-able felt in the Art of Drape class
  • the saucily titled, “Hanky Panky” session where she suggested lots of different ways to incorporate silk hankies into your felt
  • the Natural Rhythms class where she shared how she uses Fibonacci’s design principles in conjunction with her colour theory lecture from day 1. This allowed us the perfect opportunity to put some of what we had learned from her colour theory talk into practice while exploring wet-wool layout techniques.

Our sessions with Katia were a technological leap forward for Convergence, having someone teach 100 felt-makers from a different continent was novel and gave us the chance to learn from an expert that most of us will never have the opportunity to meet in person.

An example of Katia’s “Sea Waves” technique from her website

Katia provided us with pre-recorded videos of her signature “Sea Waves” technique and answered our questions over a Zoom call. Jenny did an amazing job of bringing it all together and resolving the inevitable technical issues that required her to hold the speaker jack in the computer so the room full of keen students could hear Katia’s replies to their questions from half a world away.

After our online session with Katia we were set free to experiment with our new learnings in the main hall.

Jacqui provided 4 full days of teaching, her classes were so popular many of them were over-subscribed. She covered a wide range of topics including, how to:

  • felt a fedora style hat using alpaca fibre,
  • make a wet-felted necklace,
  • painting on silk
  • construct and hang 3D wall art

And of course then there was the army of more than 20 volunteer tutors who offered to share their knowledge, a technique or ideas on how to develop your own style in new directions. There really was something for everyone!

A raffle was held to raise seed money for Convergence 2027 and the prizes were drawn on the final day:

Photographer – Pip Sturgeon

The final gala dinner and fashion show was a hoot, with heartfelt closing speeches from Jenny and Christine followed by the very funny “Glitter Sisters” AKA Lynn Evans and Sharon Fergusson, who hosted the felt fashion show with more than 20 stunning creations paraded among the enthralled diners.

L to R: Lynn Evans, Jenny Forrester, Sharon Fergusson and Christine Roxburgh. Photographer – Flo de Ruiter
Just a few of the fabulous felted outfits on display in the fashion parade. Photographer – Margaret Joppa
Bernice Mitchell modelling one of the three outfits she presented during the parade. Photographer – Margaret Joppa

Attending a Felters Convergence has been on my bucket list since I first read about the 2015 event and 10 years later, I’m pleased to say, Felt Connect 2025 massively exceeded my very high expectations and was worth the 10 year wait! Now I am hooked and Adelaide 2027 can’t come around soon enough! 🙂

Thank you so much to everyone who attended, organised and / or volunteered at this event, you are all utterly marvellous!

I did two yarn festivals in a month

I did two yarn festivals in a month

Are you familiar with that feeling of agreeing to do something far away in time because you’re sure Future You will deal with it with grace and organisation? Since you’re sure Future You is much better at things than Present You, it’ll be a breeze when time comes. No? Just me?

As you can tell, I fell into this trap. I had already said yes to doing The Scottish Yarn Festival at the end of August, and when an invitation showed up in my inbox for Summer School mid-August, I thought, “easy breezy, I’ll be prepping for one show already, what’s the problem with another?” Famous last words.
(By the way, I wasn’t the only one flying by the seat of my pants, the Summer School roster doesn’t even include me in the website!)

For those who don’t know me, I am an indie dyer of yarns and fibres going by Eleanor Shadow. I run everything on my own, from admin to web design, to aaaall the hand dyeing of gorgeous fluff for the pleasure of the spinner and knitter. I do love what I do, but it’s hard work.

 

Top view of a hand dyed sock blank in rainbow colours, with sprinkles
An example of a rainbow I love to create, but that comes in multiple steps and takes longer than I ever remember

 

The passion I have for hand dyeing often makes me underestimate how much work something is; pair that with a neurospicy brain and there might be trouble!

The months of July and August were spent in a frenzy of planning, dyeing, sewing and art-batting (I know, not a word, but it represents the nervous energy spent at the drum carder extremely well). I never had enough time.

 

Multiple rainbow yarns drying on a rack, with a cheeky hand spun rainbow yarn in the middle
Rainbow hand dyeing and hand spinning drying. Behind the camera there’s one seriously dishevelled human trying her best to Do All The Things.

 

Top view of yarn in a dye bath, this is Apocalyptic Tweed in the sprinkles phase
Adding sprinkles to my colourway Apocalyptic Tweed

 

The end results, however, were wonderful. I had the most stock I ever had for any show, and consequently sold the most I ever had in a month.

Another fun thing about yarn festivals is meeting lots of different people. I was out-coloured by a lovely yarn-loving truck driver! Behold.

 

I didn’t have much time to peruse other people’s stalls, but I was sorely tempted by this prize-winning black fleece by BeautifulFleece.

 

A glimpse of BeautifulFleece's stall, with a luscious black fleece on display with the winner ribbon on top
Look how shiny those locks look! That prize ribbon gives me grabby-hands feels.

Finally, click here if you’d like to watch a video of my stall (which I’m not uploading directly here because it would be a chunky file!)

All in all, it was a blur of activity and also fun, and I wish I’d taken more photos… neurospicy brain, remember? I’m just glad I got all the yarn dyed and could put two sentences together during the events.

Tell me all about your own festival experiences, whether as a seller or buyer. Got suggestions? Leave them in the comments section, I’d love to know. Thanks for reading!