My local art group got together last week and did some experimentation with alcohol ink. If you haven’t tried alcohol ink before, it is a bit different than standard ink. Alcohol inks are more fluid and are dye based. Alcohol inks dry faster and are reworkable by adding more alcohol after drying. Alcohol inks can be used on non-permeable surfaces such as plastic, resin, glass or ceramic.
Here we are just getting started.
I had decided to use the alcohol ink on packing tape which ends up partially transparent and can be added to other artwork making layers. I started with the tape on freezer paper but then realized the tape wasn’t coming off the paper as I expected. I switched to parchment paper halfway through and that worked better. The photo is of the tape on freezer paper before I pulled it off. I am planning on using these on some of my book pages on the book that I recently started.
Here is Sally trying out alcohol ink on Kraftex (a man made fabric type material). The inks didn’t really work all that well on fabric or Kraftex as it was a very porous surface. You can definitely color the fabric but it really ends up with a very blobby look.
Here are more of Sally’s creations. The ones at the right and bottom are on photo paper. The photo paper works much better as it is non-porous. The chemicals in the photo paper also react with the ink and can cause some unusual and unexpected results.
Paula was trying applying plastic wrap and bubble wrap to the ink after it’s applied to photo paper. It takes much longer to dry with the plastic wrap and really needs more air or it doesn’t dry properly.
Next up, Paula tried adding sticks and salt to the photo paper first and then adding the inks afterwards. The salt has not been removed yet as these were still a bit wet.
I only got one photo of Louise’s pieces. Here she used a base of photo paper and then the bottom half is alcohol ink with some strings of plastic left to dry. Then the stamped motifs were added afterwards.
There are many ways that you can use the alcohol ink but it works best on shiny surfaces such as yupo paper, photo paper or tape. We had fun with our experiments. I will show you my tape on book pages once I get that far.
Last weekend I had my last scheduled nuno felt class until the fall. I had 6 enthusiastic women attending and we had a great day.
Earlier in the week I died some more scarf blanks so everyone would have lots to choose from. I use the scrunch dye technique with MX/fiber reactive dye, from Paula Burch’s site. http://www.pburch.net/dyeing/lowwaterimmersion.shtml
Everyone had fun doing their layout and being creative with fibers. It always amazes me how different they all are.
Of course, there was always all the usual rubbing.
and rolling
6 happy nuno felting ladies.
And their scarves
All in all, a wonderful day with wool and silk. Not quite as much fun as playing myself but still fun. I really like teaching and seeing the amazement on people’s faces when it really works.
I have been thinking I should do more of my stitched felt book. I have August ready to go but I just don’t feel like it. I don’t know why but I am sure you have all felt the same way about a project. So what to do, I am itchy to make something and I need something to chat about. So I went rummaging through my little bits and came up with this, It is approx 4×5 inches/10x13cm. The colours are a bit off the yellow is a bit more green and the blue is a bit more turquoise.
I decided the one on the right looked like some ground then some water and mountains in the background. If you squint I am sure you will see it too.
I started with the mountain adding some shades of grey to define the mountains I didn’t see the funny curved bit on the right until I took a picture, so, had to smooth that out too. I am not sure why our eyes lie to us.
Then I defined the far shore
Onto the trees
And that’s as far as I am. Hopefully, I will have more done by the next post, but no promises.
My art group has started a new project. We are taking old, unwanted books, deconstructing them and then reconstructing into a new creation. Paula has tons of old books, antique papers, photos and memorabilia that she has shared with us.
She found the perfect book for me. A reference book about trees that came out in 1950. It’s a great start on another tree book.
We had a session on mark making. These are tools I have made in the past for mark making mainly using turkey feathers. They give some random looking marks which was great for our project. We used different tools on different types of paper to create some random and some not so random marks. None of these are finished “works of art”, but will be used in different ways when creating the book.
These first sheets were a start using different tools and getting some lighter, thinner marks and then thicker, heavier marks.
I then started thinking more about trees, branches and leaves. The bottom right is a Japanese newspaper that my friend Louise gave us.
Then I started playing with spraying water on the pages and then adding ink to create pine trees. This is a bit tricky on figuring how much water to spray first and then draw your trunk through the water and watch the ink spread. You can add little dots of ink where you need more branches.
This was my favorite of the trees that I created.
Here’s some leaves with different tools used to create different types of marks and lines.
I have also been putting gesso on a lot of pages so that I can either draw or add painting to the pages.
I chose my color scheme from this deconstructed screen print on paper. The colors will be black, burnt siena and yellow ochre. Perhaps there will be touches of green but I haven’t gotten very far yet. This will be another long term project that will be a slow work in progress. I will update you periodically on how it’s going.
Hi all, although I haven’t been doing much felting myself I have been teaching others to do it. I ran my Nunofelt scarf class again this last weekend. I had five lovely ladies at the Ottawa Valley Weavers’ and Spinners’ Guild classroom.
The first part of the class is talking about all the fibres. Students are amazed at all the kinds of silk. I usually bring hankies, tops, throwsters waste and recycled sari silk along will wool BFL locks and sparkly nylon. They get to pick their hand dyed scarf blanks and then spend at least 15 min trying to decide what embellishments they want to use. It’s lots of fun watching and helping with colour and texture choices.
Silk hankies
Silk Tops
Dyed Silk Throwsster’s waste
sari waste
Sparkly nylon
It is so hard to pick.
Then it is on to lay out the wool. Once this starts I put the silk blanks away so no one is tempted to change their mind halfway through the layout. I keep all the wool and embellishments out until they wet everything.
Everyone enjoys using the ball browser sprayers to get everything wet.
In this group, they all stayed together during the different stages of felting. Often they become staggered; someone wants to be first done and another will be very relaxed and go slower. In the end, they always finish and it’s interesting to see the different styles of learning and doing the same thing.
rubbing
rubbing
rolling
rolling
I didn’t get any pictures of the gently squishing and tossing to full but here they are finished.
nuno scarf
nuo scarf
nuno scarf
nuno scarf
nuno scarf group
nuno scarf group
All in all a great class with happy students.
The only odd thing that happened was one lady had brought her own wool, marked merino and she was sure it wasn’t superwash. She added my embellishments. One of her colours did not stick to the scarf anywhere. My first thought was it was superwash. However, it did seem to felt and grab the silk embellishments on top of it. Nowhere she had used the copper coloured wool stuck to the silk backing. It was attached by other colours surrounding it so it’s all one piece but I have no idea what was/is going on with the wool, any ideas?
Around mid-November I was rummaging in a chest of drawers trying to create space for visitors to store their clothes, while also thinking about making some felt Christmas cards to sell at various events. I came across a scarf I’d felted more than 10 years ago and never done anything with.
Scarf I made more than 10 years agoView of scarf from the other end
‘Hmmm…..’ I thought. ‘This is taking up space and I’ll never wear it.’
Why not? Firstly, I can’t wear wool next to my skin. I find it way too prickly/itchy. And secondly, I didn’t like how it had felted. You could almost see the little thought bubble appear above my head: “I wonder if I could make some Christmas cards out of this?”
The scarf didn’t fit the bill for a traditional Christmassy look, but that’s one of the things that appealed to me about it.
Let’s first go back to the scarf-making, in April / March 2014. No, I’m not an exceptional record-keeper, I just have a lot of photos on my phone and happily they’re all automatically dated.
I started off with a bright orange silk scarf I’d found in a charity shop. It was what I think of as raw silk: soft and loosely woven. I wasn’t even sure it would felt well but, foolish as I was in those days, it didn’t occur to me to make a sample, I just ploughed on optimistically.
I decided to add shapes in bright rainbow colours so made a big sheet of multi-coloured merino wool light prefelt, broadly following the colours of the rainbow.
Light ‘rainbow’ prefelt
I cut circular shapes out of it and laid them along the scarf, still following the rainbow sequence. I laid orange merino round the edges and set about felting it.
Original scarf layout
When it was finished, I wasn’t very pleased with it. The silk was unstructured and flimsy and it seemed to hang wrongly. I don’t think that type of raw silk works well as a base for felting, certainly not on its own. I didn’t take a photo of it.
I left it for a while and came back to it about a year later. I thought maybe felting a solid wool layer on the reverse might improve the hang and structure. I felted 2 layers of white merino onto the back. Now it was firmer but a bit too stiff and still didn’t hang well, but in a different way. I just wasn’t happy with it.
That’s the point at which I gave up on it and popped it into a drawer. Since then it’s been shunted around but I’ve never decided what to do with it…..until now.
On to the card making. I decided simple triangular tree shapes might be nice for festive cards so I made myself a little tree template and set about the scarf with my rotary cutter.
Cutting up the scarf to make triangle tree shapes
For the first few cards I refelted all the cut edges of each triangle. This was nice, but took quite a long time both to do and to dry, so I decided to go with raw edges: it didn’t make a lot of difference to the appearance and it certainly speeded up the making. I cut out some different card and paper backgrounds, glued them onto cards, stuck the trees to the backgrounds and drew a stem and decorative dot on top of each tree. Mostly I used acrylic pens but where I didn’t have a suitable colour I used other permanent markers. Here’s the first batch.
Some of the triangles were a little plain and, as I had my acrylic pens out, I decided to do a bit of doodling. I admit, I was rather enjoying myself by this stage. Perhaps I got a bit carried away (some of the trees started to look like pizza slices)!
I grouped the trees into threes, choosing ones that had three different colours on them wherever possible. I found some bright pre-cut papers and chose the nearest colours to the trees in each group. Then I swapped them around so that each tree was on a background that matched one of the others in its group. I finished off by swapping the colours again for the dots and stems.
Here’s a close up. The trees have green, purple and turquoise on them. I picked out the matching papers, put the lime green tree on the purple paper, the turquoise tree on the green paper and purple tree on the turquoise paper. Then I finished off with the dot and stem in the third colour that wasn’t on the tree or background paper.
It’s hard to describe just how much I was enjoying myself, though some of that may be because I was almost certainly supposed to be doing something boring like cleaning or tidying up.
I did sell some of the cards and sent a few too. They’re not the best cards I’ve ever made but I did enjoy making them and was happy to have repurposed a scarf that didn’t really work. I still have plenty of felt scarf left so I may do something else with it in the future.
A little later, I made some other cards that I liked better and that sold really well.
In my charity shop moochings I recently found a really beautiful, large hand-marbled silk scarf. It was way more expensive than anything I normally buy. I’m normally in the £2 – £4 range for a silk scarf and this was £8.50. However, it really was big and interesting and I was intrigued as to how well it would felt. So, I splashed the cash. The marbled dyes sit on the surface of the fabric so I wondered how well the wool fibres would penetrate the silk. Age and experience do have their advantages: this time I made a small sample to make sure it felted well, which it did.
I cut out a long rectangle of merino and silk prefelt and laid a section of the scarf full length along it, flush with the edge of one long side and covering half of the width. Sorry, I forgot to take a photo so I here’s a quick sketch, literally on the back of an envelope.
Once it was felted and dry, I cut it into thin strips ready for printing. I’d found a royalty-free image of a plain green fir tree and, using photoshop elements, dotted it with robins to look like baubles. I printed the images on heat transfer paper, then, using my heat press, printed a tree on some of the strips. I stuck the strips to long cards and this was the result. Not as much fun to make as the other cards but I do like the result better.
8 ‘Robins’ cards above and a close up of one of them, below
On the remaining strips, I printed an image of a friend’s cat, to which I’d added (in photoshop) a Santa hat. I had six felt strips for the cat but one didn’t print properly which left me with five. I thought I’d better save one to send to the cat owner and was going to offer the other four for sale but my cat-owning friend decided he’d like to send the cards, so bought all four. There are lots of cat and dog lovers around so maybe I’ll make some of those next year. What do you think?
Four ‘Layla’ cards above and a close up below
While I was on a roll, I repeated the process using an animal print scarf and a blue patterned scarf to make some cards that are not season-specific. People do seem to like this type of design and quite a few say they or the recipients will cut them out to make a bookmark or just put the card in a frame. The horse chestnut is from a painting my Mum did, the honesty was composed from some photos I’d taken, the ferns were from a royalty-free image I found online and the birds are all from photos of my previous large felt pictures.
I know I’ve said it more than once before but I do love a bit of fabric re-purposing, whether second-hand or from a failed project.
It’s the time of year when thoughts turn to warm woolly sweaters( jumpers). So, where do they get all that wonderful wool in amazing colours? Why for colourful sheep of course. Dyed in the wool as it were. And where do you get those? Well, you make them of course. They can really spruce up a manger scene for Christmas or you can add them to the scenery of your model railroad or add a pin and wear them.
I had 8 lovely ladies to make some cute little sheep. There should have been 9 but one couldn’t make it so her sister who was there paid her materials fee and took some supplies to her so she could make a sheep at home.
After this point, once the students arrive, I forget to take pictures. We start with the legs. I show them how to make them with needle felting. It is long and tedious to make them dense enough to hold the sheep up. Then I show them how to make wet felted snakes to cut up for legs. You can see a plastic bag on the table it has the sheep samples and all the snakes I made so they could have legs and move on the the rest of the sheep. they make bodies, heads, and ears and then they needle felt them all together. they usually look a little wonky at this point and everyone has a good laugh at them and worries there sheep will not look right.
Most of them look like they are on stilts at this point. It is better to start that way and then do some hoof trimming at the end, to get the length you want.
Next is the best part, giving them their colourful ( or natural) coats. we used Bluefaced Leicester curls. they are small nice curls.
As they have all their wool, their personalities emerge.
Everyone seems happy, I will need to find out if I had any comments on the evaluation forms. Fingers crossed there are no complaints. When you teach with our guild we have the student fill out an anonymous evaluation. It helps to head off problems before they really start and sometimes you get good ideas for your next class. Students pop them into an envelope and it’s sealed. Someone else opens it and has a look and you get the feedback later.
This is my last post for the year so I hope you all have a
Happy Winter Solstice! It’s the shortest day of the year so we’re on to longer days now. Yay! The shorter days make it a bit dreary sometimes but I decided to create some Christmas cards to cheer myself up. I saw this method on numerous posts and videos online so I can’t credit one person for the idea. This method makes it fairly simple to create ornaments or baubles for a card with watercolors.
Here’s my set up in the studio. I had several palettes of paint and it works best with two brushes I found. I didn’t use the very thin detail brush until the end. Also, two sources of water, one kept clean, work well too. I found a couple of glass jars in different sizes that would work on my 5″ x 7″ cards.
Get some “juicy” watercolor on to the edge of the glass jar and print it on to your paper or card.
Then quickly add clean water around the edge to get the paint moving. You can also use your other “juicy” brush to add in more color while the paper is still wet. Remember to leave some white spots for the “shine” on the ornament.
I painted sixteen of these in four different colors. This photo shows using a gold gel pen to add the ornament top and string.
Here’s what the cards looked like after that. I wanted to add something in the background or something more festive. I started with the “gold” ones.
I added greenery and some splatters. But I wasn’t particularly happy with the look. It’s okay but I decided to try something different on the other colors.
I started with the red ornaments, added water to the background and dropped in some green paint. Okay, but still not exactly what I wanted.
I changed my green color and then worked on trying to make the background look more like pine branches. This was looking better.
So I finished out the purple ornaments in the same way. Then I glued them down to a regular 5″ x 7″ greeting card with Yes Paste. I have found that is the easiest glue method with cards/paper. So now, my Christmas cards are off in the mail. It was a fun activity and really pretty simple. If you want to try it, there are quite a few YouTube videos showing the process.
I have been slowly working on my Indian Paintbrush artwork. Since the last time I showed you, I have painted the stems and added some blue flowers in the background.
Here it is after I painted the stems and leaves. I didn’t add any further color to the flowers themselves as I thought I might do. Once I was finished, I decided I should have left the bottom stems alone so they blended better into the background. I could add more paint on top but so far I have just left them as they are.
Here’s a closer view of the stems. Next up was to decide if I needed to add anything else. I decided to enhance the blue areas with some hand stitching. I found a hand dyed greyed down blue that was multi valued.
So I used fly stitch and the thread was a thin cotton slightly bigger than one strand of floss. It’s actually hard to see in this photo but you can click on the photo to enlarge it.
Here’s a closer view of the blue stitching. So what’s next? I’m not sure. I have been looking at the piece now for several weeks hanging up in my studio. Does it need more? If so what? I still haven’t decided. What do you think?
On another note, I finally saw the Northern Lights here in Kalispell, Montana. I never realized that you need to look through the camera’s lense to actually see the lights very well. Paula took the photo above and I took the one below. Do you see the constellation?
I went to our annual art retreat over Labor Day weekend (Aug. 30 – Sep. 1) at the Kiwanis Lodge at Little Bitterroot Lake near Marion, MT (USA). Luckily my husband is a Kiwanian so we are able to use this lodge once a year. I got there a bit early and while waiting for the others to join me, I took a few photos and gave Edgar a swimming lesson.
This is the lodge, this side faces the lake. The weather was perfect, sunny and warm, no smoke (August is usually fire season around here) but cold enough at night to need a fire in the fireplace.
Here’s a view of the lake. Even on a holiday weekend, the lake wasn’t busy and we even saw 8 loons swimming about. Edgar, my dog, has short legs and a very dense body. He’s not overweight but weighs fourty pounds. When he has tried to swim in the past, he had a really hard time keeping his head above water. He just sinks. So we bought him a life jacket and I took it with us to the lake. (Edgar got to go to the retreat for the first time because hubby was going to Missoula for a UM football game.)
After a few tries, he got the hang of it and was eager to have me throw the stick so he could swim out to get it. Needless to say, Edgar had a good weekend.
Our main art activity this weekend was indigo dyeing. Both Paula and Louise set up an indigo pot on Friday and then we dyed various fabric, clothing etc. on Saturday. Here you can see the two indigo pots and some clamped fabric soaking in water in the pink bucket.
Louise (left) is putting her first piece of fabric into the dye vat and Paula (right) is getting rid of the “bloom” on the top of her indigo pot before dyeing. I have personally never made an indigo pot but they used the directions that are available on Dharma Trading Co.
Here Louise (left) is explaining to Sally (right) about how to use the indigo pot and getting her fabric ready to put in the vat.
The coolest thing about indigo, in my opinion, is that it comes out of the dye pot green and then when it hits the air and oxidizes, it turns blue. The longer you leave the fabric in the dye bath, the more blue it will end up.
Here are a few pieces drying on the grass. The one on the right was rust dyed first and then put into the indigo.
Paula brought some clamps and different shapes of wood, which once clamped on the fabric, resist the indigo. You can see the results of some of those in the right hand photo.
It was a wonderful weekend and we enjoyed some gorgeous sunsets while sitting out on the porch.
For those of you who wish they belonged to an art group (felting group or whatever), my suggestion is to start your own group. If you meet someone who might be interested, ask them to join a group. All the people in your group don’t have to be felt makers. You can learn so much from creative people who enjoy other media. So don’t be shy, just ask others that you know or meet and start up a group of your own. That’s what I did and now more than ten years later, we are still going strong.
