Last month I showed you my yarn experiment. I had woven some yarns then felted them. Many of them were synthetic. If you hadn’t seen the post, here it is:
Ruth suggested I put eyes in it. Which I did try. I needle felted some marbles into the piece.
Then I mounted it on a canvas frame. Her it’s laying on the counter.
But when I hung it on the wall, it creeped me out. So, I removed the marbles and needlefelting. Sorry about the dark pic, it’s been raining and snowing here all day.
I’d inteded this post to be mostly pictures of some ‘scruffy’ felt pieces I’d made recently, but as I was editing the photos, I was thinking about how they came about, because they’re not my ‘usual’ kinds of pieces, but I really enjoy making them and teaching people to make them.
Last year at the Well Being centre we had a lady join us who only spoke French and Arabic, and even one of our regulars who spoke French well had trouble finding felting terms in French to help her understand, so we just muddled through. I thought the best way to go was to have her copy what I was doing, which was making a soft, cobwebby layered felt with lots of fancy yarns and embellishments. She made an absolutely beautiful piece, but was disappointed because when we first started, we only had some firm felt to show her what we were making, and because hers was nothing like that she felt like she’d failed.
Disappointment and feeling like a failure is not something you want people to feel when you’re doing a class at a Well Being centre, so when the classes changed and we did something more structured, I planned the classes so that they were more about ‘experimenting’ and trying things out and seeing how what we do in our layout and felting processes affect the end result. There’s no right or wrong, just process and outcome really.
I learned too that if the ‘expectation vs reality’ is close in outcome, it gives a lot of encouragement. So if we get some absolute beginners joining, I like to get them to try the soft, cobwebby pieces first (which I think of as ‘scruffy’ or ‘tatty’ felt) because there are no neat edges; it’s decorative not functional – so it doesn’t have to be firm, and the embellishments don’t have to be securely attached; and because it has many fine layers of wool and yarn, it still results in a well made piece even if the layers aren’t all even or have a few gaps.
This is a piece I made with mostly yarns and cotton scrim or gauze as the embellishments:
I like to ‘deconstruct’ (pull apart!) some of the commercial art yarns, especially the loopy ones, this one looks like synthetic wool locks:
Lots of yarns converging
Purple isn’t the easiest colour to photograph, I’ve discovered, but it’s a great colour for using with blues and greens:
I love the textures from the many different embellishments, it doesn’t get lost because the pieces are softly felted/fulled:
This is another ‘deconstructed’ loopy yarn, a smaller shiny one:
This is a copper piece I made recently, I know many people don’t like browns, but I find them rich and warm, so matching them with shiny brown yarns and fibres gives a metallic look:
Greys and pinks appear silver and coppery, this is silver soy staple, and coppery silk throwsters waste:
Ruth suggested I put eyes in it. Which I did try. I needle felted some marbles into the piece.
