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Medieval Spinning

Medieval Spinning

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I took a Class in Medieval spinning with a distaff last Thursday. I originally signed up for the class before the COVID-19 lockdown.  So I have been waiting a while to do this class.  This was a 2-hour evening class.  We were learning 2 things at once. How to spin in hand and how to use a distaff. Our teacher Judy said it’s like patting your head and rubbing your tummy at the same time.

First, we got some distaffs to dress. This means we had to tie the fiberbatts to a stick. Judy had a couple of nice wooden ones, but mostly we had forked branches she had taken the bark off.

Judy brought several spindles with different whorls. The whorl is the disk that adds weight, so the spindle spins better. The whorls are removable. Once you have some yarn built up on your spindle, you can remove the whorl.

First, we practised twirling the spindle with the leader.  You have to make a half hitch on the end of the spindle and then twirl it.

Judy showing us how to twirl our spindle

Lucie is seeing if it is easier standing up.

Then we practised the drafting and the twirling at the same time. milking cow motion on the right and twirling on the right. This is the patting your head and rubbing your tummy part. The only thing we had to bring to class was a belt to stick the distaff in. I do not own a belt, so I got some bailer twine and braided myself a belt for the night. You can see this great fashion piece below.

Then we started spinning. It’s hard to know where to look, at the hand that’s trying to twirl correctly or at the hand trying to draft the fibre down from the distaff.

Here I am winding on. The idea is to make a football (rugby ball) shaped cob on the spindle.

Here’s a close-up of twirling and short suspension. You can let it drop a bit on the last twerl before winding on. Usually, you need to keep it in-hand so you can twirl it again.

Here is what I managed to make by the end of the class. It’s lumpy and thick and thin just like the yarn I made when I first started spinning. I was just starting to wind off when I remembered to take a picture. I haven’t decided if I will ply it or not. First, I have to find my spindles.  I’ve seen them recently in their little case. Of course, I couldn’t find them before the class. I will find them again when I am looking for something else. I hope I will be smart enough to grab them and not think I will remember where they are.

Spinning mostly

Spinning mostly

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I haven’t been felting much lately, other than teaching, but I have been doing some spinning. I borrowed a friends blending board to try making some fancy rolags to spin from. I used 2 shades of orange, a purple wool, some silk and a tiny amount of  trylobal nylon on the board. It was my first time using the blending board so I was getting instructions and pointers from Judy.

I spun it on my new top whorl spindle. I don’t usually use a top whole spindle but I couldn’t resist this one from The Clay Sheep

Here I am spinning on it.

The yarn came out quite nice. I could have added more sparkle but I am always cautious of adding to much sparkle.  I wound it into a center pull ball the other night so now it is ready to be plied.

The other cool thing I got with my spindle was a hair stick. I asked her to make it as a special order.

Thanks To Jan Scott for the great pictures of me with the blending board and spinning. I think you took the hair stick pictures too even if it was on my phone.

 

 

Threads and Yarns

Threads and Yarns

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Around this time last year I was still doing the Take A Stitch Tuesday challenge. I struggled with it, and didn’t always enjoy it, but I did like what I produced when I used some felt offcuts from a piece I’d made with natural wools for placemats and coasters. I used my own handspun thread to sew the stitches. This is one I made using chain stitch, and this is one using cretan stitch. I hadn’t used my threads in a while, but recently I’ve been inspired by my flickr-friend, Marchi Wierson, a sculptural fibre artist who uses a variety of techniques in her work, such as wet felting and crochet, and loves working with natural wools and fibres. Her recent vessel commission and some gorgeous natural fibre yarns had me rummaging through my wools and fibres and getting my spindles out to spin more thread and yarn. I decided to use three shades of Shetland Wool.

shetlandI pulled off some of the tops from each shade.

tops

Then I looked through my embellishment fibres for some I thought would make a nice match. I chose Soybean top, viscose top and flax.

fibresI added some of each fibre to the Shetland tops.

fibreThen I blended them by hand.

blend
I got a couple of my spindles out, this is one I made and painted a few years ago.

spindleI made a small amount of thread, though even a small amount of wool and fibres goes a long way when spinning thread. This is it wound around the spindle.

threadThen I blended up some more Shetland and fibres and spun a thicker yarn. I will probably use the yarn in a wet felting project, though I have used them for needlefelting before.

OLYMPUS DIGITAL CAMERADo have a look at Marchi’s photostream if you have time, her work is amazing and inspiring 🙂

You might have noticed a few changes to the site recently. We’ve been updating it and adding more photos to the galleries. We’ve also added a new page for Fabrics, and Ann’s ever popular Cat Cave ‘how to’ is now listed on the Wet Felting Tutorials page.