Here’s the progress on my slow stitch project. I am still stitching away about 15-30 minutes per day on this piece.
The last time I showed you, it looked like this.
First, I added some more darker values with the deep purple thread in the mid ground area. Then because I thought that I needed a little more contrast in that area, I added some deeper red orange to look like more foliage.
Then on to working on the foreground trees. Here, I was looking at negative spaces and giving some darkness and shadow to delineate the tree trunks. I am continuing to use seed stitch and used a neutralized dark green in between the tree trunks. Since the stitches are so small, this definitely is in the slow stitch category. I am still working on the right hand side. Once that’s finished, I have more tree trunks “to pull out” on the left side.
And here’s how the entire piece looks as of now. I may need to darken up the shadows between the foreground trees and I have to decide what to do on the left hand bottom corner. The foreground trees will get some stitched leaf additions too. Plus the foreground will need work in front of the trees. I am definitely enjoying this project more since I’m not trying to force working on it for longer stretches.
The last time I updated you on my autumn nuno landscape it looked like this. I have been slowly continuing to add more color into the middle background area with seed stitch. I added a lot of red orange as well as green and even some dark purple.
Here you can see more of the red orange additions and the purple that I used for a shadow color. I decided to use the dark purple instead of brown or black. Black is definitely too stark and I think the cool color in the middle of the red orange gives it more “pop”.
Here is the area where I added more green. You can see on the left that I haven’t finished filling in the green.
And here is the piece as it is at this point. I still need to add some more shadow shapes in the red orange swath and perhaps a bit more definition of the aspen trunks in the distance. Can you see the area that will become the foreground aspen trees? It is finally looking more landscape to me. So I will keep on with my slow stitching and update you on my progress next month.
Here is the fifth in my series of nuno felted landscapes. It is called Up the North Fork after a portion of the Flathead River here in Montana.
Here is the layout and after wet down and felted slightly.
And here it is after felting. You’ll notice that the foreground has wool on top in browns and orange. I decided to remove that because I wanted it to look more like a river and I think the silk does that better than the wool.
I added fabric trees and fused those in place before machine stitching. This is before I decided to remove the foreground wool. The plan was to shave it off. I tried that but finally decided just to pull it off. Then I shaved the edges a bit at the edge of the “river”.
And here is the finished piece after much stitching of trees and a huge variety of green threads changed in and out of the sewing machine. The photo on the left shows the organic edges and the one on the right is cropped as if matted and framed.
I did talk to a framer about these 6 pieces and he thought I should keep the organic edges. His suggestion is to attach each piece to a matching background fabric, stitch the piece in place and then wrap the background fabric around foam core board. Then I could use a simple black frame and the background fabric will look like the matting. And you can still appreciate the organic edges. So I think I will try that and see how I like it. Only one more piece to finish and I’ll start choosing the background fabrics and get the pieces ready for framing.
I am working on my third nuno felted landscape piece. This one was made with “Halloween” cloth which is some type of cheese cloth that is black but very loose weave.
Here’s the piece before stitching. I used nepps for the bear grass and then a bit of green for foreground grass and purple for the sky. I left it very loose and full of holes as I was planning on adding a background behind it. I was thinking stormy skies when I was creating it.
I then added green wool thread and couched it down for the stems and leaves. If you don’t know what bear grass is, here’s a photo.
Here’s a little closer view of the stitching. Now I had to decide on the background color. I tried a bunch. Here are a few of my choices.
I tried a bunch of shades of blue. Then I threw in an orange and a magenta to get more contrast. For stormy skies, I think the bottom left one works the best, it’s a dark blue and purple background. But I can find merit in all of the colors. Perhaps I could make a changeable background and you could insert a new background depending on your mood. But that doesn’t sound very practical. Which one do you like?
I told you last week about our nuno felting party. I made six landscape pieces that I plan on adding either hand or machine stitching.
I don’t think I showed you this one. I used a piece of prefelt, covered it entirely with silk and then added a variety of wool for the mountains and curls for the autumn “bushes” and ground cover. It has a little bit of nuno as surface design so I suppose it counts in the 2nd Quarter Challenge. I had already started a little bit of outline stitch with stem stitch and hand dyed wool thread when I realized I hadn’t taken a photo of the piece before stitching.
The silk sky got a bit hairy so I decided to shave it down. This is the before shaving photo.
And the after shaving photo. It does make a difference in the shininess and colors in the sky.
Here is the finished piece. I used a distorted detached chain stitch in the “bushes” and a straight stitch for the grasses. The next question is how I am going to finish and frame the piece. I do like organic edges but I don’t think it looks as professional when you’re trying to sell a piece. So I cropped the photo on the right as if it was in a matte and frame. What do you think? Leave the organic edges or cover them?