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Recycled Coffee Capsules

Recycled Coffee Capsules

It doesn’t seem all that long ago when life was simple and the only decisions we needed to make regarding our daily fix of caffeine were “instant or percolated”, “black or white”, “with or without sugar”?

How times have changed! Nowadays we have a dazzling array of flavours and styles to chose from when visiting our favourite Barista. I did once try a cinnamon and syrup latte in M&S and have never forgotten how vile that was…..give me a straight forward, simple latte every time! On the other hand, if you like your coffee more exotic, there are plenty of rather weird (and probably not so wonderful?) tastes to explore. The Farm Girl Cafe in Portobello Road could be the place to visit if you fancy a black charcoal latte made with activated charcoal, date syrup and cashew milk. Or how about their blue Butterfly Matcha made with organic blue matcha powder (now there’s an interesting ingredient to look up) with almond milk or their most famous creation, the rose latte (a double shot with rose water infused milk and petals)….there is obviously a market for it but personally I think I’ll pass!

Of course we no longer have to go out to get our fix of posh coffee thanks to the popularity of the domestic barista machines and the single use coffee capsule. Although many of these are said to be recyclable, according to Nestle, only around one third of their capsules (Nespresso, Dolce Gusto, Tassimo) were being returned to the manufacturer for recycling in 2020. The rest were ending up in landfill where it’s predicted they will take 500 years to breakdown!

Photo source: http://www.johnlewis.com

A “not for profit” organisation in the UK called Podback are now working with local councils and other organisations to make it easier and more convenient to recycle our capsules with roadside collections alongside other household recycling. Consumers also have the option of leaving them at over 6,500 Yodel drop off points and we should soon (if it’s not happening already) have them collected by supermarkets when they drop off our online shopping.

That’s all sounding good but many of us are finding more creative ways to recycle our coffee pods, albeit on a far smaller scale. One use is to add them as interesting, textural ‘inclusions’ to a felting project. The first time I saw this done was in 2018 when I attended a Felted jewellery workshop with the wonderful German tutor Ricarda Assmann. Although we were working with fabrics, not capsules, three of the necklaces Ricarda brought as workshop samples had the aluminium crushed pods in them. At that time I didn’t have any capsules but the contrast between the hard texture of the metal and the soft feel of the fibres really appealed to me.

Another fabulous feltmaker, Judit Pocs, created this enormous “Gate” wallhanging in response to a commission from the Feltmakers Association. It is something like 2mtrs tall and studded with crushed capsules in a multitude of colours. Judit also makes beautiful rings with them and teaches the technique for making these in her online workshop.

The Gate by Judit Pocs
The Gate detail showing the capsules
Felted capsule rings by Judit Pocs

The year before I attended Ricarda’s jewellery workshop I had the idea to recycle my collection of Tektura acrylic wallpaper samples as inclusions in my pendants (I never throw away anything that might have a use in the future!) It’s a simple process but very effective, wet felting the “waterproof” paper discs between pieces of prefelt. Four years on, and with those papers almost depleted, I’m now starting to use coffee capsules instead. Being thin aluminium they can be crushed by hand (that’s how I did the gold one in the ring) or they will flatten more easily with a little persuasion from a hammer, in which case I find it best to cover them with fabric first to avoid the hammer scratching off the colour. I’ve also started using them in some of my brooches.

I’m sure some of our readers will have tried Felting with capsules and I know Ann did some experimenting with them which you can see here, has anyone else tried this? They could look great in 3D pieces such as bags, sculptures, etc. I did a google search and didn’t find any other images of felt with capsules but I’m sure there’s lots out there somewhere. I did find zillions of “non felted” ideas for recycling on Pinterest, Etsy, YouTube, etc and websites including ecogreenlove.com, these are just a few…..

Nespresso Pendant and Earrings
Necklace
Floral Arrangement

There are so many inventive ways to create with coffee capsules and with Christmas fast approaching they could be used for decorations or even nativity scenes like these found on Pinterest…….

I will leave you with one of the most impressive uses I came across which was the stunning 2017 catwalk collection by Birmingham designer Rhys Ellis. Rhys studied Fashion Design at Birmingham University and, as part of his course, he spent a year in Italy studying at the Politecnico di Milano design school alongside world-renowned tailor, Guiltiero Fornetti.

“It was while I was in one of the markets that I saw a lady making very simple jewellery from these coffee pods and something just clicked and I knew that I could create dresses this way.“ “I also liked the idea of using material that would otherwise be thrown away.”

Photo source: http://www.comunicaffe.com

I won’t be making anything that dramatic but I am planning to make lots more pendants and brooches. I might just add some capsules to my next felted bag too. If you’ve done anything with them we would love to hear about your projects in the “comments” and you could always post them on the Forum.

First Quarter Challenge Part Three

First Quarter Challenge Part Three

I am still working on ideas from the paint poured felt and fabric that I created for the first quarter challenge. I had several good ideas from the comments on my previous posts and I was thinking along the lines of stitching and then making the painted cotton into something else. But I couldn’t find a good tutorial on sewing a pouch with a zipper. I am hopeless with zippers and just couldn’t seem to make out what the instructions meant. Then someone on the forum asked about inclusions in felt and Karen of Lincs in Stitches showed us her wet felted pendants with acrylic paper inclusions.

What if I used the painted cotton fabric as an inclusion in felt? I love how our little community always helps me out, even if they don’t know it!

I decided to make a sample to see how it would work. I used two different colors in the layers. I didn’t want the top black layer to be so stark and I have found it’s easier to see where to cut out the inclusions if you have a little migration of color through the areas where the inclusions are not. The bottom layer is a mix of natural wool colors that is fairly coarse.

I cut a few pieces of the painted cotton and place them on top of the bottom layer.

The top layer is short fiber black merino and I added a gray embellishment fiber out of my stash. It’s not silk but I have forgotten what it is. Bad me for not labeling things better.

Then I felted it. You can see where the inclusions are because it is more black in those areas where the bottom layer fiber hasn’t migrated through.

Here’s the first inclusion showing through after cutting. The cotton got fairly wrinkled up. It adds texture but I decided I might like to see how it would work if I used a piece of plastic as the resist and then cut it open as above. But then I would remove the plastic and insert the painted cotton. That way it wouldn’t get all wrinkled up during shrinkage and I would know the exact size to cut it to fit inside the pocket. But that’s for next time.

Here’s the piece after it’s completely dry. The poured paint is a very nice contrast to the black wool. I may stitch around the edges to make sure it stays in completely. It won’t fall out but you could definitely grab it and pull out the painted cotton pieces.

Here’s a couple of close up shots so you can see the texture of the painted cotton against the felt. This technique has definite possibilities. This could certainly be used for making felt and paint jewelry or for adding embellishments to almost any kind of felt. I have quite a lot of poured paint that I need to do something with so there will probably be more experiments coming up.

2016 Third Quarter Challenge

2016 Third Quarter Challenge

Well, it may be hard to beat the first two quarter challenges.  But it will also be possible to combine those two processes to help create this one.  Adding dimension to our projects.  This is something I’ve been working on since I began learning to create texture in flat pieces.

I became totally intrigued with this in the first challenge I participated in which was mixed media using clay, curing clay, felt, fabric, metal and paint.

https://i0.wp.com/feltingandfiberstudio.com/wp-content/uploads/2013/09/mnelsonchallengeoverview.jpg?resize=499%2C432&ssl=1

More about it here:  https://feltingandfiberstudio.com/2013/09/30/third-quarter-challenge-marilyns-entry/

I was hooked.  The challenge became to create dimension in felt alone.

Its what I like to call it having the picture jump off the page.  Being able to touch and interact with the story.  And there are many ways to do it.  Using resists, carving, fiber sculpting and forming, cracked mud:

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SDO 4 spikes flower sdo 5 anemones

 

 

 

 

 

 

Marilyn's Carvings
Marilyn’s Carvings

Marilyn's Tiles
Marilyn’s Tiles

Stewart Stephenson - Marilyn
Stewart Stephenson – Marilyn

 

 

 

 

 

 

 

 

 

Building up with needle felting:20151014_152228

Needle felting and wet felting:

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Adding dimension thru layering and fabric manipulation:

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Inclusions:

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Combining techniques:

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It doesn’t mean having to make a 3D object, but you can also add dimension to one.

closeup front

A  recent example for the resist challenge came from Ann.  Plenty of dimension here.

ann vessel

Or Teri Berry’s flame hat with foil. Teri I can’t imagine how you’ll top your recent work, but I hope you’ll try.

teri flame hat with foil

Of course, there are many more examples we’ve seen here on the Studio and the forum. While many of you do this routinely, please challenge yourself to take it to the next level!  And if it’s the first time, take baby steps.  I look forward to seeing how you create dimension.

Seeing Spots

Seeing Spots

Last month I visited the San Diego Aquarium and a couple of tide pools while seeing relatives and touring the area.  I’m always fascinated with the beautiful creatures from under the sea.  When I returned home, I did some more research and came across the Blue Spotted Ribbontail Ray.  You can read more  about them here:  https://en.wikipedia.org/wiki/Bluespotted_ribbontail_ray

You can also Google them and see some really beautiful pictures.

I have seen other Stingrays in Sausalito, California, but nothing this beautiful.  Of course, the colors made this guy pretty attractive to me.  I thought it would be a fun, challenging project in felt.

Although I know the body is fairly flat, I started out with making a resist.

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The eyes were a challenge because they have an unusual shape with a cutout (spiracle) behind them.  I  made tight ball which encased a glass eye and a rock for the spiracle portion, then covered it with the yellow merino.

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I used one layer of corriedale as my base on each side, then used a white batt on the underside. To give the back some height in the middle I added extra layers. Once I was satisfied, I attached the eyes and a piece of a batt to attach a tail.

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The tail was next. I used a corriedale core and covered it with a batt, then rolled it into shape.  I tried to use roving to make the blue stripes, but the rolling moved it around to much, so I striped it off.

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The tail also includes the stinger near the end. The tail is actually one and a half times the length of the body.

I had to do some studying of the anatomy to try to get it close to reality.  The nostrils, mouth, nasal flaps and gills are underneath.  I didn’t add claspers or pelvic fins.

Next was decorating.  It took a long time to cut out the spots from handmade prefelt in various sizes. I  placed a batt over the top taking care not to overlap to the underside which would stay white.  Then came the spots.

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There was a lot of rubbing before rolling.  I used a gray roving to highlight the mouth, nostrils and gills on the underside.

Once the felting was near complete, I cut out the resist, the gills, mouth then finished the fulling. The eyes came last. They were a bit tricky. The glass bead and rock had moved during the felting.  Removing the rock took a little  doing and I ended up using a tweezers. A little needlefelting helped finish off the eyes and put stripes on the tail.

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I wanted to show the ray in motion so I put two plastic bottles under the flaps while it dried, but even after drying as soon as I layed it down the ray went flat. Plan B was to use Modge Podge to hold the shape.  It did the trick, but I wasn’t happy it remained white.

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Here he is hanging on the wall near my work area.  It’s hard to tell, but the wall is a light blue.

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I sometimes wonder why I come up with these types of projects. I did enjoy the learning process though.  What challenges have you had lately?

 

 

 

 

Final Project

Final Project

Happy holidays everyone and to those who celebrate,  Merry Christmas!

As we wind down for the year and start planning for next year, I’ve decided to share my final project from Fiona Duthie’s Surface Design class.   My intention is to use it as a reminder of incorporating more of these techniques in my felt work going forward.

I didn’t set out to use a specific number of techniques, but let the picture dictate which ones to use.  We learned many more than I used here.

I started with making a bridge using the lace technique and decorated it with pencil roving and stitching with yarn on the top  to create a handrail on top and matching decoration below.

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I added the cracked mud/tile effect to the ends of the bridge.

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Before adding techniques and felting

 

The water is fabric manipulation using some silk habotoi with some shadowing under the bridge.  The hills in the background were prefelt cut outs with silk embellishments for texture.  I also used pencil roving to define the shoreline in the distance.

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On the beach is a tree trunk made using the shibori and carving techniques then added beads, cotton batting  and gems as inclusions under silk gauze.  I used silk and locks for the water rushing over the sand and to embellish the sky.  There is a 3D water lily on the waters edge.

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I also added loops on the back to be able to hang the picture.   I debated straightening the edges, but decided I like the organic edges.  While its not gallery material, I enjoyed making it and am proud to hang it in my family room.

The class was fun and I learned a lot.  I would highly recommend it to anyone wanting to expand their felting techniques in a classroom setting working at your own pace.

What projects or techniques are on your list to try next year?

 

 

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