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The Bull

The Bull

We have three public houses in Sturminster Newton (at one time there were 11 in our small market town!) and The Bull Tavern is one of the oldest. The building consists mainly of a 3 roomed 17th Century cottage with an attic room, built of old timber infilled with wattle and daub. Some additions were made in the 18th Century. Records show that the cottage was definitely an alehouse by the late 1700s. Apparently there was a slaughter house at the rear and a Pound where straying animals were kept until collected – upon payment of a fee of 1 shilling (which must have been a fortune when you consider that a married man’s weekly wages at the Town’s Workhouse were all of 9 shillings and a single man’s only 6). Part of the C18th additions was a stable block (which eventually became a skittle alley and later part of the restaurant of the pub). It is rumoured that the horses stabled there were used to help get carriages and carts up the adjoining steep hill leading to Sturminster Common and the small community of Broad Oak.

The building, known to Thomas Hardy (one of our famous inhabitants) as The Old Bull Inn,  is shown on the earliest known map of the area dated 1783, as being part of the Pitt-Rivers Estate.  You can learn more about the Pitt-Rivers family here: https://www.dorsetlife.co.uk/2012/04/sturminster-newton-and-the-pitt-rivers-family

About 18 months ago, after our then favourite landlords moved from the White Horse Inn in Hinton St Mary, the pub was closed for refurbishment. Hinton is a village about 1.25 miles away, where the Pitt-Rivers manor house is situated.  We used to walk there 3 times a week – our exercise with benefits – but since the benefits had disappeared we decided to patronise The Bull – for our exercise of course.  The only trouble with that was that it’s uphill on the way home whereas it was down hill from the White Horse.

During that time we had come to enjoy the chats with Marianne and Lance, the Bull’s managers.  Lance being the very good chef, and Marianne “Front of House”.  Early in January 2021, they announced that on Christmas Day they had got engaged.

One of my felt paintings – commissioned by a mutual friend –  had been given to the White Horse landlords as a wedding present a few years ago, and Graham, my husband, suggested that I do something similar as a wedding present for Lance and Marianne.

Felt picture of sepia tint image of old public house
My interpretation of an early image of The White Horse, Hinton St Mary

Although The Bull itself is a very interesting building, I wondered if I should do a picture of an actual bull for them. No date had been set for the wedding at that time, but I thought I should at least start collecting reference pictures, both of the pub itself, including some of their Pub sign and of some animals. I thought about breeds that might have been around in the 16th Century – White Park Cattle and black Gloucesters; and also looked at Herefords since that was the breed on the Pub sign.

image of Bull Tavern sign with hereford bull above image of the public house
The Bull Tavern and it’s sign
image of black bull with winners rosettes and image of large white bull
Gloucester and Park White Bulls
image of hereford bull head, image of bull grazing, image of bull in field
3 Hereford Bulls. I eventually picked the one at top left.

In the end I decided on a Hereford bull. After a lot of thought and manipulation of pictures, and also starting on a background field for the bull to stand in, I still could not come up with a layout that I was happy with. One idea was to surround the image of the bull with cameo pictures of nearby local landmarks – the water mill and the mediaeval bridge – with perhaps an image of the pub itself as well.

Then, just after Christmas 2022, Marianne said that they had set the date for the wedding – 10th June 2023.  Now I had to get my ideas together and get on with it.  The picture would need to be simplified if I was going to get it done and framed in time.

It was about then that my picture of the horse on the hillside in Devon was finished and it occurred to me that I could use a similar method of producing a figure with more depth.

image of felted horse on background of trees and stream
Detail from my Glorious Devon picture showing the horse added to the finished landscape.

  I finally decided upon a cameo type picture of the bull’s head and shoulders and I would use the background which I had made back at the beginning of this saga.  I would paint (with wool) the shoulders and neck and outline of the head on to a piece of flat wet felted core fibres.  With a separate face and ears, and a further separate set of horns and the nose on another piece.  I would cut all of the pieces from the backing when these were substantially finished.  I would fix the torso and neck onto the original background and layer on the face and ears, horns and nose, then I would do the final titivating and framing.  I made a start and here are the initial progress pictures:

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As I said earlier, it was intended that this picture would be a wedding present for Lance and Marianne, but at the beginning of April this year, they told us that, because of various unforeseen difficulties arising out of successive pandemic lockdowns (which included them catching Covid between lockdowns so having to shut the pub again)  they had decided to give up the tenancy of the pub.  They had obtained a job, with accommodation, managing a Touring Caravan Park in Cornwall.  Marianne was leaving almost immediately and Lance would stay on for a couple of weeks, with his last trading day on the 19th April.  So the picture was going to have to be a leaving present.

That caused a bit of a panic at home as you can imagine, so I had to get my head down and finish it NOW!  These were the final steps;

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I managed to finish the picture and, with Graham’s help, I mounted it in a deep box frame in time to hand it over to Lance on the 19th, when we went in for a final lunchtime meal.

So here’s the completed and framed picture – my entry for the 2023 Third Quarter Challenge – Something Special About Our Town.

image of felted bull head and torso on a field and sky landscape in wooden box frame
Finished and framed.
Influencing Shape with Fiber Layout and Prefelt

Influencing Shape with Fiber Layout and Prefelt

I am continuing with my experiments with how fiber layout and prefelt effect the shape of three dimensional wet felt. I decided to combine two of the things that I had tried before.

The first was the circular layout that I showed you in this post. The cone above was made with the same circular layout. I used orange wool and laid it in a circular pattern to make a small circle. Then I used an idea from Kim Winter of Flextiles which she showed in this post. I cut up some old felt into pieces and made sure the back fibers were roughed up.

Here’s the layout. There is a resist under the circle but I didn’t use it. It was just to get the circular shape easily. I removed it before felting. I then got so involved in working on the piece that I forgot to take any photos until I was finished. But I wet this down, turned it upside down and worked from the back side for quite a while rubbing and making sure that the yellow felt pieces were attaching. It actually worked better than I thought it would and the old felt attached right down to the orange wool. Thanks for the tip Kim!

Here is the result. When I was felting and fulling this piece, I kept working around in a circle so that the orange wool would shrink into a cone shape. With the addition of the yellow felt, the shape was definitely effected by the radiating felt shapes. It turned into a squash blossom all by itself! The formation of the 3D shape developed with minimal effort and shaping on my part.

Since it looked so much like a squash blossom, I added it to my squash pod from last week. They went together like I had planned it from the beginning. Of course if I had planned it, I don’t think they would have worked so well, but cheers for happy accidents.

Throwback Post – Texture

Throwback Post – Texture

We were talking about doing some ‘throwback’ posts this year, and while I was giving the site a bit of a tidy-up and adding a new 3D page over the New Year, I came across this one of mine from September 2014, and thought it’d be a good one to start with. Do you ever revisit your old work and get inspired with new ideas?

A while ago I bought a weird fluffy, knitted, tubular scarf from Poundland to try felting with. If you ever buy one, make sure you cut it over a bucket or newspaper or something to catch all the bits! I laid out a couple of layers of very wispy pink Merino tops left over from a book cover I made last year, then I added the piece of scarf, and 2 more wispy layers of wool tops. It didn’t take long to felt. This is one side of it:

OLYMPUS DIGITAL CAMERAThis is the other side:

OLYMPUS DIGITAL CAMERAAnd this is what it looked like holding it up to the sky:

OLYMPUS DIGITAL CAMERAI don’t remember how long after, but I decided the scarf sampler might make a nice sculptural piece similar to one I’d made before. I didn’t make it in exactly the same way, I concertina’d it and stitched in place, then twisted and felted and fulled more. This is the top:

OLYMPUS DIGITAL CAMERAClose up of the ridges:

OLYMPUS DIGITAL CAMERASuper close up of the texture:

OLYMPUS DIGITAL CAMERAThis is the back:

OLYMPUS DIGITAL CAMERAA close up of the back:

OLYMPUS DIGITAL CAMERAAnd a super close up of the texture:

OLYMPUS DIGITAL CAMERANow, what do I do with the other 8 square feet of fluffy knitted stuff? 🙂

Exploring Different Pod Shapes

Exploring Different Pod Shapes

We have another Guest Post by Tracey from the Forum today.

I wanted to carry on exploring how to make different shaped pods by altering the shape of the resists. I thought a stone shape may open up new possibilities regarding the surface design. I have always used pond liner for my resists, I think it is perfect for the job, especially as we had a lot left over from pond construction! Here is the resist, it roughly measures 15.5” x 10.5”.

As before I placed six layers of Merino wool either side of the resist and here it is wetted down with yellow and orange silk hankies as decoration, the colour of the wool is a lovely rust so I thought how this would compliment it.

After lots of hard work felting, I cut a cross to take the resist out, it is a small hole, luckily I have small hands to get inside to start the fulling!

Once it was fulled, I packed it with fabric to help it dry out, by doing this it creates ‘memory’ and hopefully retains the shape you want it to be. When it was dry I had plans to decorate it slightly with some Mother of Pearl nugget shell beads that needed a home, the colour matched perfectly. Here is the finished pod.

Because by then, I definitely had the bug, I made more.

When I am layering the wool, I try to lay it neither too thinly or too thickly, but evenly of course. I was putting down six layers of wool each side of the resist as I have mentioned before. However, when I have held my pods I feel that the very bottom ‘gives’ a little, even though I work them until my shoulders and arms ache!, so I was not very happy with this. I decided to go to seven layers, a lot of wool!, but I am far happier with the outcome, much sturdier and thicker of course!

I then decided to change the shape of the resist once again and cut an oval shape, this one measures 16.5” x 13.5”.

For this design I put down four layers of Merino each side, wetting down each time. I then added two small circles of resist to reveal craters in the end design, with a different colour underneath. Here is the picture, I didn’t realise at the time but it looks like a happy grinning martian! I then continued with the remaining three layers each side.

I then decorated it with lots of lovely Blue Faced Leicester locks and wool nepps.

Lots of hard felting and fulling later, here it is, with a little bead detail.