Repairing my fingerless gloves

Repairing my fingerless gloves

After having a green Christmas, winter has arrived in Canada at last.  In the past week Ottawa has received a few dumps of snow.  There is definitely an Arctic chill in the air.  As a result I have been firing up the wood stove and layering up to try and keep warm.  One of my favourite winter indoor accessories are these Possum Merino fingerless gloves.  I have a couple pairs of these and sadly at some point some hungry moths have eaten some holes into this pair.

Pair of fingerless mitts with holes in them from moth damage
Pair of fingerless mitts with holes in them from moth damage
Fingerless mitt with moth hole
Moth hole in cuff of the mitt
Fingerless mitt with moth hole
Moth hole in the glove

 

 

 

 

 

 

Fingerless mitt with moth hole
Moth hole in the glove

A few years ago I repaired my husband’s fingerless gloves by darning them with embroidery thread. The repairs were functional but overall I was unhappy with the results. This time around I wanted to try a felted repair. Unfortunately I could not find my felting needles. I am sure they are safely stored somewhere in my house.

Felting needles

Luckily I was able to purchase a few needles from Jan.

Next I needed to find some wool. I picked out this lovely Gotland fleece from Dover Farm Canada.

Grey gotland locks from Dover Farm Canada.
Using my hand carders to card some grey gotland wool

I quickly carded up a few locks using my hand cards.

I now had a mass of loose wool to use for my felt repairs.

Small pile of carded wool

Patch 1 before fixing (hole visible)

With my tools gathered it was time to start work. I placed the glove onto a piece of foam (pool noodle). Then added some wool and started poking away with the felting needle.

And here is the first hole after repairing it with wool. The felting needle shows where the hole was. Now I have a nice solid glove again.

Patch 1 after fixing. No more hole. The felting needle shows where the patch is.
Patch 1 on the inside of the mitt.

Here I have turned the glove inside out and I’m showing you the back of the repair. You can see the grey fuzz of the new patch of wool.

After I completed the first hole, the new few were quite easy to do. I will include a few more before and after photos below.

Patch 2 being started. The hand shows the small amount of wool used for the repair.

Starting patch 2. In my hand is the small bit of wool I will use for the repair.

Patch #2 after fixing. No more hole. Yeah!

Patch 2 after fixing. No more hole. The felting needle shows where the patch is.
Patch 3 before starting.

Hole#3 before fixing.

Patch #3 repair in progress.

Patch 3 repair in progress. The needle shows where the work is being done.
Patch 3 after fixing. No more hole. The felting needle shows where the patch is.

Patch #3 after a bit of poking.

Patch #3 on the inside of the glove.

Patch 3 after fixing showing the inside of the mitt.
Patch3 after fixing. This shows the inside of the mitt and how fluffy the new wool patch is.

Patch #3 from the side. This shows how fuzzy the inside of the mitt after adding the felted repair.

It only took me a couple of minutes to repair my gloves. Gathering the supplies (felting needles, wool and foam) took more work than the actual repair.

Fingerless gloves after repair. No more holes!

My fingerless gloves after being repaired. I fixed three moth holes and one thin spot that I found when checking over the mitts.

After the repair the gloves look a bit shabby.

Fingerless gloves after repair. No more holes!
Fingerless gloves after repair. No more holes!

But they feel comfortable.

I am delighted that my fingerless gloves are fixed and hope they give me many more years of service. I also hope the hungry moths stay far away. But if they don’t, at least I know I can fix any damage they do.

Ooops! i got another felting tool. It’s A “Hey Truool”

Ooops! i got another felting tool. It’s A “Hey Truool”

Oops, I did it again. I was browsing for something else and accidentally saw something that caught my eye. Even worse, it was on sale for New Year’s!!!! Oddly, the same item had four different listings priced from $117.00 (Canadian) with only Chinese instruction in photos to $137.00 (Canadian) the only 1 of 4 that had some English instructions in the associated photos.  Since all listings were from the same seller, I started a long….. series of questions both technical and why the variation in prices. Was there a difference in motor strength? I was assured that all were the same and that it was just that there was a sale for New Year’s.

After looking carefully at all the pictures, with lovely but unreadable text, I had figured out some of my questions, then being pointed to the 4th listing with the English diagrams I was able to figure out most of the rest.

I showed Glenn what I had found and decided to order one. I suppose I should not hold you in suspense and show you this interesting addition to my collection.

smallish cardboard box with Chinese writing on it1) Mysterious Cardboard box arrived in the mail

I am sure this helps a lot and you know exactly what I got! No?

Ok, how about a peek at the end of the box that has some letter shapes that look more familiar?

the end of the same box says Hey Truool which is not too illuminating as to what is inside2) the end of the same box says Hey Truool which is not too illuminating as to what is inside

Yes, it’s a “Hey Truool”!!! (something to do with a sheep with eyes closed tight?) no? ok, let’s cut the tape very carefully, not to frighten the concentrating ram and look inside the box….

the box inside the outer box, has a line drawing of an electric felting machine3) the box inside the outer box,

Well, that looks intriguing, don’t you think? (Nice technical illustration line drawing but maybe you would like a bit more information?)

the inner box has irridesent ink for the diagram. its very cool graphic design and technical illustration.4) the inner box has iridescent ink for the diagram. It has a very cool graphic design and technical illustration.

OOOH love the interesting colour shift in the printing! Very nice graphics. Ok, I like the outside of the inside box but maybe I should stop admiring it and look further inside.

inside the inside box showing instructions and the end of the macheen

5) inside the inside box showing instructions and the end of the machine

ah yes, I see the problem…. I am likely just as dyslexic in Chinese as I am in English because this is as understandable as grade 1 English was when I was in grade 1. Maybe I will be lucky and there will be subtitles further in?

a close up of the open instructions absolutly no English instructions! but there is a lot of fine print so im sure it would have been helpfull if i could read it.6) a close-up of the open instructions, there is a lot of fine print so I’m sure it would have been helpful if I could read it.

No,….. this Chinese is all Greek to me. Well, let’s not get held back by a lack of reading skills, and continue on to looking at the implement!

the tool wraped in a translucent paper with more instructions7) the tool held gently in a protective surround of black foam.

Oh My, the excellent graphics and very nice packaging continue (sorry I really, really like technical illustration and when I bump into good graphic design and packaging I am very happy)

ok, what I am impressed with is the slightly translucent paper-like cover protecting the tool. It has helpful graphics and labels. Unfortunately not in English, but still what a nice placement and it would have worked fabulously if I could have read it. Maybe the most expensive version has English graphics?

turning the tool over to show the back of the protective wrapper has a predesigned tair away spot.8) the back of the tool showing the other side of the protective paper sleeve

There is a handy tear strip on the back, which I have refrained from tearing. (Instead, I have been slipping it off and on between uses.)

Now what is the little box to the side of the foam packing?

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9.1-9.2) the little box at the side of the black foam packing holds the Accessories

Ahhh, Accessories!!! 2 large enough to fit my finger’s leather finger cotts! (some of the ones from China have some very odd notions as to the size of my fingers…. They think I am some delicate thing with tiny elegant skinny fingers….. Nope, that is not me.) The USB charging cord (a bit short but it works!) and the vile of needles.  ok, the last isn’t as important for me since I still have the remains of 7 different boxes originally holding 500 needles each.

At this point, I admitted I needed a bit more info. So, I messaged Ann about translation Apps for phones. I remember her saying something about, “Just take a picture of it, and the phone will translate it into English”.  She thought my phone probably came with one installed. After much rummaging into corners of my phone I had not visited, I decided it was still not as smart as it said it was… I told it to go online and find an app which it eventually did, then after more rude words I convinced it that yes, I did want to download it and use it. Unfortunately, my phone proved it was not as smart as the average camera and refused to copy or save the text. So I used my real camera and took bad pictures of the sections of translated text!! I may be a Luddite but I am a sneaky Luddite that knows how to use a camera.

translated text photographed from my not so smart phone. text on gray background highlighed in white, it is not a grate shot becouse of screen distortion which will also occor in next shot.10) translated text photographed from my not so smart phone.

I painfully read the text, which mostly made reasonable sense. The first part being generic, power tool safety instructions, and then we got to the part I wanted to know about.

more text from my not too bright phone, translated from Chinese to English still has screen distorion11) more text from my not-too-bright phone, translated from Chinese to English

First-time use: Do not charge more than 4 hours. It is charged when all the lights are on. If the lights by the power switch dwindle it’s time to recharge.  Recharge every 2-3 months if not in use. I also translated the other long instruction card which was quite helpful and checked back to the online info and compared it to the translations. (From previous experience with Microsoft’s spellchecking inability to handle something as simple as my spelling, I may be unfairly leery of Google’s ability with others’ spelling)

I read about the on / off button, and extended hold to power it off and on, while a light tap will pause and start it once it is powered on.  It has 5 speeds of operation, (one of the online info photos had the motor speeds for each).

I checked the stats for the machine and found more interesting info

last phone shot i promise!this gives technical stats for machine12) last phone shot I promise!

One of my original questions was about run time and rest time. The Orange Fly from Ukraine and the Silver Mettle felting machine from China both had run and rest times suggested so you didn’t offend your motor and have it die on you out of spite.

The person I was typing with suggested;

“20 minutes use, 10 minutes rest is suggested” Alibaba Translation

“the machine can run 1 hour after fully charged” Alibaba Translation

“it can be used during charging as well” Alibaba Translation”

The technical details say full battery time is 30 to 50 minutes, with a bit more reading I found it was due to which speed you are running it at. I suspect also, how many needles you are running since more needles will give more resistance to the motor.

Now, let’s move on to the part of the machine that had originally intrigued me. I am sure you remember the mechanics of the clover tool (Green) and the fake clover tool (Blue) with its protective sleeve, which retracts when used. The new felting machine also has a sleeve guard. This one retracts and can be set at different levels, which sets the depth of the needle penetrations. (This gives you the ability to set a constant working depth.) if you are wanting to work at a shallow depth make sure you are engaging at least the barb closest to the tip of the needle, without barb engagement you are not going to get very far with your felting.

This diagram is from the English sale posting;

Manufacters diagram showing adjusting depth gauge of machine13) Manufacturers diagram showing  adjusting depth gauge of machine

That is not the only interesting feature of this machine. Let’s look at how each machine deals with needle exchanges. With the other two, the orange fly is a bit tricky to change needles (it gets better with practice but it is not “Easy”) and the other mettle one from China requires the needles to have the top crank removed (cut or sawed off). This new one (also from China) has an easy needle-changing setup, no cutting or fighting with needles required). You can choose to run it with 1 to 5 needles, depending on what you are doing. I have tried it with three T-38 333 needles.

14.1-14.2)

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14.1-14.2) Manufacturers diagram

The one warning I would suggest is carefully looking at image 2 above. I opened the needle holder while the machine was in a horizontal position. Oops, I almost lost the little mettle square you can see in image 3 above. Not to worry I found it and got everything back together.

Once I had it charged, (USB cord charging off my computer) I tried on the butt of Moose #3. It did felt a bit but Moose’s gluteals are extremely firm already so it was unfair to ask it to compact an already well-compacted surface.

I brought it with me to the social on Monday and got a few minutes after guild stuff, library and photography to try it out with a felt picture on my soft 1.5-inch thick wool mat. As we found with the other electric felting machines, the faster speeds were more effective. The tool is lighter and has less kick-back, than the mettle one from China, I was showing you last year. (Oh! Time is doing that spontaneous jump forward again…was that a year ago?) I had hoped to bring the 3 machines to the social and have Ann help me show you the features and go over how they compare. Unfortunately, she had been feeling ill on the weekend and although better was not feeling up to drive into the guild.

Hey Truool felting machine sitting on just started chickadee picture on top of 1.5 inch thick light grey wool felt mat.15) Hey Truool felting machine sitting on just started the chickadee picture

I will add this one to the chart I had with the others and will give you more info when Ann and I  can get together and compare them.  In case you were making a chart for yourself, I can give you this data to add to it. The “Hey Truool” is winning on ease of needle change and the ability to set the working depth is very appreciated. The Orang Fly with only one needle seems to run faster and is of a similar weight.  The Mettle one from China has the most kick back but I will admit it is working a bit better on a brush work surface.

So far, I am very pleased with this addition to my collection of felting tools. I am looking forward to showing Ann and getting her opinion too. It can be used with both 2D and 3D projects. For 3-D, I am still likely to work with single or double, hand-held needles, but it is always good to have options. I can see using this to build up and sculpt the underlayers (I may have to hand felt the layers closest to the armature but if it can speed up the understructure it will allow me to tackle more projects since I keep coming up with more things I want to felt!)

Hey Truool felting machine white box sitting in front of coffy machine at local guild social.16)  Hey Truool felting machine sitting on the counter as it attends the local Guild Social

If you would like to read the info from the manufacturer, the more expensive English instructions are with this machine’s listing. Scroll down to see them;

https://vi.aliexpress.com/item/1005006303168768.html?spm=a2g0s.imconversation.0.0.25b43e5fsgJIEw&gatewayAdapt=glo2vnm

The cheaper but less textually illuminating version is here, again click on “View More” to see all the pictures:

https://vi.aliexpress.com/item/1005006117756592.html?spm=a2g0o.order_list.order_list_main.11.793f1802E6SDAR&gatewayAdapt=glo2vnm

For both listings, you can ask questions in the “Message” button. (I am sure your questions will not be as difficult as mine were!! Their representative was very helpful and did try their best to help with my inability to read Chinese.)

I am not suggesting rushing over and buying one instantly, but if you are investigating an electric needle felting tool then this one should definitely be added to your list of considerations.  (I would give it bonus points for ease of needle changing and work depth adjustability. oh, and you can run it without the safety covers if you really want to. Good hunting for felting tools and Keep Felting!!

PS, there is a new version from the manufacturers of other felting machines from China. for the new version they are selling a replacement motor and an adapter that allows you to use regular needles. Unfortunately, from chatting with there contact person, the old version that i have will not work with the new adapter (DRAT!).

PSS, I have now seen a Moose project bag with a woven scarf and red yarn in his antlers! Once there are a few more augmented Moose project bags, I will do a post to show you them.

 

 

Samples for my Valentines class.

Samples for my Valentines class.

I was asked to give a Valentine-themed workshop, specifically hearts. No surprise there. This is a short evening class. I am teaching in person in Ottawa at my guild on Feb 7, 2024. https://www.ovwsg.com/events/event/2407-felted-hearts/I had no pictures to put with the workshop so I had to create something. I decided on heart-shaped baskets with rope handles.

I started by finding a heart shape on the internet and sizing it up to about 6 inches across. I decided to do one this size and one bigger to end up at 6 inches.

 

they will fit nicely onto my rolling mat. I need to keep an eye out for a bigger one of these. This one is supposed to be for drying dishes. It might do for one person for their lunch dishes.

I decided on one in red and one in this year’s Pantone colour of the year coral pink. The colour doesn’t show well wet but you will see it when it’s dry

Next was adding embellishments. Coral pink is one of my least favourite colours so I added some sari silk in the colour Salsa. It is primarily red with bits of other colour in it.

The red looked pretty plain so I added a pale pink heart

Next of course was all the rubbing and rolling and cutting it out and rubbing and rolling and fulling. The red one is now 6 inches across and the pink one is 4 inches across.

 

I rolled a couple of snakes for handles. The idea was to poke holes in the hearts to poke the snake ends through and tie a knot. the pink one was okay, but the red one wasn’t long enough so I just felted the ends in. Jan thinks they should have a bell on the tip but I am not sure. I think I will offer them to the student but I don’t think I will add them.

And here they are on Jan’s new photography backdrop which I am sure she will be telling you all about in a later post.

Tada!

I like the picture of the pink one best. The angle is good. The red one is more from over the top of the heart. The chocolate hugs are some Jan gave me as a librarian present. Perfect for a Valentine’s photo shoot.

 

 

Forest Floor Update

Forest Floor Update

I have continued to make slow progress on my forest floor piece. Since I showed you last, I have stitched down the rocks and added some shadows.

Nuno Felt Background with appliqued felt rocks stitched in place.

I decided on the final rock placement and then stitched them in place. I moved the rock that is now on the top right over from the left since it was much lighter. This reinforces the feeling of the light shining from behind the trees. Once the rocks were stitched in place, I decided they needed a bit more definition as they kind of looked like potatoes to me.

I remembered a book about nature journaling that I had checked out from the library by John Muir Laws. I decided to look him up online to see if he had some information about drawing rocks. I found a wealth of information on his site about drawing in nature. If you would like to improve your drawing skills, this is an excellent resource.

Photo of forest floor piece with tracing paper and rock shadows sketched in with pencil.

I took the photo from above and printed it out. Then I used a piece of tracing paper to sketch the rock placement. Then I used hatching techniques to give some shape to the rocks. These aren’t specific rocks. I find it much easier to draw/sketch when I have a photo of what I am trying to draw or I can look at a specific rock or landscape. But they look more like rocks than potatoes now.

I decided to use the same blue that is already in the nuno background for the shadows. That would tie all the blue bits in as shadows and move the blue over on to the right side of the composition too. I used a straight stitch to do the “hatching” on the rocks using #12 Sulky cotton thread. Once those shadows were in, I knew I needed to add cast shadows from the rock on to the ground. So I brought out my navy blue sheer fabric to create some cast shadows.

Nuno Felt Background with appliqued felt rocks and sheer fabric cast shadows stitched in place.

Here’s the piece after adding the sheer fabric around the rocks. I stitched the sheer fabric down with #40 machine thread with tiny stitches. Now guess what? I need more shadows in front of the trees. It’s always funny to me that I am working along and when some shadows are added, I can immediately see that I need more. So the next step is more sheer blue fabric to add the cast shadows from the trees. Then I will begin adding more leaves and the white flowers so that it will resemble my original collage below.

Paper collage of landscape of forest floor, white flowers and tree trunks in the distance.

 

Pictures and Plant Pots

Pictures and Plant Pots

In December I was trying to supply lots of different places with felt things. In truth, I was a bit over-stretched. I decided to focus on making plant holders, with a few tea light holders and a couple of vases.  Oh, and some cards. Here’s an overview of the things I made. 

PLANT POTS AND VASES

First I made four plant pot covers from merino wool and silk pre-felt and incorporating different pieces of vintage lace

Next a couple of vases, also with a pre-felt base

On to some plant pot holders. When cutting the resist out of the vessel, I use the smallest hole I can that will allow me to fit the plant and its pot inside. All of these have a water proof plant pot holder inside, plus the plastic pot with drainage holes that the plants are supplied in. I like to start by looking at a plant and ‘asking’ it what sort of pot cover it might like. 

These nesting bowls were made using a carded merino and silk batt and are very lightweight

One of the galleries where my work was part of a month-long Christmas local makers market

PICTURES

Now we’re into the new year and I really have to focus on making some pictures.  I mentioned at the end of my last blog that I’m delighted to have the opportunity to fill the walls of a lovely local Michelin starred pub / restaurant (The Sportsman in Seasalter) with felt pictures for 6 weeks in April / May this year. The ‘fill’ bit is something of a challenge. I tend to make enough work as I go along for my normal sales and exhibitions. Making an extra 35 to 40 wet felted pictures for this exhibition will take a lot of work. I’m finding the prospect of making all those pictures both exciting and rather daunting.

In preparation for the picture making, in November I ordered 2 batches of solid beach handmade frames from my lovely local frame maker: 10 at 63 x 63cm (approximately 25 x 25 inches) and 10 at 35 x 35 cm (approximately 14 x 14 ins). I will have to order more soon but I thought this would give me a good start.  I had some serious studio-tidying to do last week before I set about the pictures… and finally I was ready to start. Where to begin?

First I made a ‘big wave’ picture for one of the larger frames.  I say ‘big wave’ in inverted commas as the waves round where I live are generally very small so we’re not talking surfing potential.  I’m endlessly intrigued by wave and sea patterns and have made this type of picture several times before.  They always end up looking very different.  I’ve taken lots of reference photos such as this one……

Example of a wave reference photo

…..that I use as a starting point.

Here’s the layout using lots of colours of (mostly) merino wool for the water; merino and kid mohair top, silk hankies, mohair and sheep locks and some vintage lace scraps for the wave; and hand-made pre-felt cut into pebble shapes for the beach. These were laid on 4 layers of merino for the base.  I’m not really sure why I did 4 layers – it makes a lovely firm base but it’s a lot harder work to felt than 2 layers and as this is going behind glass, it was a bit over-kill.  I’ll try not to do that again. 

Once it was felted and dry, I used a small metal tool to pick up some sections of wave, to make it more 3D.  Here’s the final picture and the picture sitting on top of its frame, waiting for me to get round to framing it.

I’ve worked on this for more than 12 hours spread over 4 days, not including making and cutting the pre-felt pebbles, which must have taken another couple of hours, and I’ve still got the framing to do.  I’m very conscious of how many pictures I’ve got to make, so I decided to go smaller and quicker for the next 3.

One of the ways I can speed things up is to use recycled silk fabric to provide the pattern (and texture) for the water and the beach.  As an avid buyer of silk scarves from charity shops, I have 2 huge bins of material to rummage through and upcycle.

Picture two – which I’ll call leopard print – I chose a sheer leopard print scarf for the beach and a small blue striped one for the water.  Because the blue scarf is not very wide, I have to join two pieces of fabric.  To reduce the visibility of the join, I first cut into one of the pieces so that the join would be staggered. You can see it in the layout but hardly at all by the time it’s fully felted.

I’m reasonably happy with this, though I think the wave is a bit too solid-looking.

Picture three – ‘dark blue sea’ – I go with a rather lovely dark blue patterned scarf for the water and a pale patterned beige one for the beach. 

Again, reasonably happy with this.  I like the sea effect and the less solid wave but the blue cobweb felt strip I put in front of the wave to look like the remains of a previous wave is a bit dense and straight.

Picture four – ‘reversible silk’ – I’m rummaging around for a different piece of silk to use for the water. I find one I like but I’m not sure quite how it will felt. It’s also reversible and I’m not sure which side to use.  I decided to make a very small sample to see how it felts and it occurs to me also to see what happens if I cut strips to alternate the two sides of the fabric.

Here’s the sample layout. I’ve run out of merino wool in this pewter colour but fortunately have some Corriedale. I felted it very quickly and forgot to take a picture of the finished sample but it was enough for me to conclude it felted well and it was worth trying the reversed strips thing.

Quick sample layout to test the silk and laying out in strips

The beach fabric is also a little different – with a bigger and higher contrast pattern.

Here’s the layout and near-final picture.  I say near-final as I only finished fulling it yesterday afternoon.  It’s still damp (I think the silk will become a little lighter and shinier when fully dry) and I haven’t yet picked up any of the fibres in the wave.

This is my favourite actual wave so far – I definitely like the variation in colour and greater impression of transparency.  I’m pleased with the way the cut up silk worked for the water too.  I’m not yet decided about the beach pattern – interesting or too much? 

And finally, a photo of the large and a small picture side-by-side, so you can get some idea of scale

I’m framing the three small ones without glass and the large one with. People react differently to this.  Some like to see (and feel) the texture and not have the reflections you get with glass.  Others worry about dust. A few (me included) worry about moths.  Most of the pictures will be behind glass but a few won’t. I’ll review this as I go along

By the time I write again in March, I should have lots more pictures made.  Wish me luck! I will be making some large ones with sea birds but these take so long, I’ve decided to make some less complex ones first to see how long I’ve got to spend on the most time-consuming ones. I’m having to step-up my levels of planning and organising to try to make sure I have enough work to fill the venue.

Happy new year everyone.  I hope it’s full of joy, peace and creativity.

Wearable Arts In Auckland

Wearable Arts In Auckland

Despite the media hype around it, this dress didn’t even make my favourite top ten from this exhibition. Don’t get me wrong, the Imperial Yellow dress was beautiful and very intricately embroidered but the standard of all the dresses / gowns in this exhibition was genuinely mind-blowing, it was like being able to walk amongst a World of Wearable Arts show. A week later and my head is still buzzing with inspiration….

This photo doesn’t do the colour justice, it was a much brighter golden yellow with gold embroidery

Guo Pei’s story is as fascinating as the engineering behind her dresses. Growing up in communist China, fashion did not exist, so when she announced that she wanted to be a fashion designer everyone thought she wanted to be a seamstress, the concept that the shape and silhouette of clothing could be altered was not commonplace in China in the 1970’s and 80’s.

Added to that, China in the 70’s and 80’s was a very patriarchal society, women were not expected to be entrepreneurs, if they worked outside the home / domestic setting it was as an employee not an employer, making Guo Pei’s journey to owning her own fashion house all the more remarkable.

Sadly, it appears the hundreds of artisans who worked on bringing her designs to life, were not well paid, especially in the early days. Hopefully, the notoriety Guo Pei is receiving now will be reflected in the wages paid to her extremely talented embroiderers and seamstresses.

The attention to detail in each ensemble was impressive. Each gown had its own accessories and shoes which were works of art in their own right. However, I imagine some of the shoes would be like walking on stilts 🙂

I wouldn’t normally advocate taking photos up someone’s skirt but at this exhibition it is a must. I think the organisers missed a trick not putting mirrors on the floor under some of the dresses as the workmanship inside the skirts is amazing. The detailed beading and embroidery we see on the outside doesn’t stop at the hem.

View from the ground looking up a model’s leg

This dress was intriguing, viewed from the side the model appears to be very pregnant but from the front you are presented with a hollow but inflated skirt….

That is filled on the inside with hundreds of golden flowers…

I’m not sure if Guo Pei was trying to make a statement (I see soft, opulent petals in a voided pregnancy) with this dress but this idea of presenting two very different faces on the same garment fascinates me.

Some of the gowns were definitely more Art than Wearable…

The V at the front and silhouette created by the wide skirts of this dress kept luring me back to look at it. I feel the need to use this as inspiration for something but I’m not quite sure what yet….

I was equally fascinated by the engineering behind some of the dresses as I was by the beautiful designs and forms created. This voluminous skirt appears to be constructed from threading a flexible rod through a channel sewn into the fabric, creating a continuous coil that was attached at the waist.

Sadly we were not allowed to touch the dresses (there were attendants in every room making sure we did not get too close) but oh how I wanted to feel the fabrics and look more closely at how each dress was constructed!

If you get the opportunity, this really is a MUST SEE exhibition, I know a few people who have been to see it several times already!

 

2024 Photo shoot!! New Tools, Ann and Jan get new toys!

2024 Photo shoot!! New Tools, Ann and Jan get new toys!

Just before Christmas, Ann and I were chatting about photo shoots for things we had made from felting.

I had been using my, by now quite old, camera (Lumix DMC-FZ70 by Panasonic) and an older Flannelette half sheet as my backdrop.  The sheet is attached to bulldog clips, which are hooked on S-hooks. This has worked but I can only set it up directly in front of my computer, so conveniently located but not portable. It also is limited in colour, white. I guess I could get another sheet colour…

flanelet sheet held up by bulldog clips attached to S hooks. Ring light sitting in front1) sheet clips and ring light

Close up of bulldog clip2) Close-up of bulldog clip hooked over a large S hook.

moose bag #3 posisioned in front of Flanelet sheet set up3) using this set-up for a photo of Moose bag #3

The sheet is working OK, but I think I can do better.

Ann and I had looked at full-size photo backdrop set-ups, but they require a lot of floor space, which neither of us has extra of. (if you have floor space why are you not adding more wool?) We had looked at the smaller photo boxes but they work for small things, so would not work well with a felt hat or Mer-person.

Then we spotted a tabletop version of the large photo backdrop, which looked like it may work. It has a tripod base with an extendable upright, which supports a crossbar. It came in a few size variations, and after looking both, at those available through Amazon.ca and Aliexpress I selected this one. I ordered it from Amazon and let Ann know when it arrived.

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4.1-4.3) 2.2ft Wide 2.6ft High (adjustable height from 1.5ft to 2.6ft)

https://www.amazon.ca/Linco-Lincostore-Photography-Backdrop-Background/dp/B072FJR8QW/ref=pd_vtp_h_pd_vtp_h_d_sccl_2/146-5765676-4725532?pd_rd_w=oP80i&content-id=amzn1.sym.54a077ab-41be-4d2b-b691-c4848b60dd3b&pf_rd_p=54a077ab-41be-4d2b-b691-c4848b60dd3b&pf_rd_r=Q1ZVP4V01FF62GNX9MSZ&pd_rd_wg=7N0fP&pd_rd_r=4c28de17-cf4b-4d95-bd52-6a3f2cec3b85&pd_rd_i=B072FJR8QW&psc=1

This is one of the smaller tabletop versions.  It has a sturdy wide base and comes apart to fit in a small bag. There are other models, which are both higher and with a longer cross arm. After considering what projects Ann or I would likely want to photograph, the smaller tabletop version should work for most of the projects.

the stand comes in parts, base, cross pices and clips.5) Un-assembled stand and clips. In the background, you can see the white styrofoam that the backdrops were warped around for shipping.

the bag the stand fits in6) all the parts fit in a bag for easy storage and transport.

I could use the flannelette sheet attached to the crossbar with the clips provided, but I would like more options as a background. The size that seemed to be the best option for backgrounds was 57cm by 87cm. As I investigated the options I found that there are 2-sided options (with different images or colours) as well as lots with the same colour on both sides.

I found some I liked at Aliexpress and ordered two options which arrived much quicker than expected. One was black and white.  The other was two mottled tones of rose and grey, which I suspected would be a more versatile option.

two sided black and white PVC photo back drop 2 sided PVC back drop in mottled grey and rose 7.1-7.2) The first two PVC sheets I ordered cost C$7.24 each.

I had taken Photography as one of the practical art options at university, but it was more focused on experimental composition and darkroom work. I am now working with digital photography, the darkroom work has changed to mostly adjusting the colour balance and a bit of cropping. While I didn’t study studio photography, I have a rough understanding of the concepts.  It will be fun to explore this further.

The local guild Ann and I belong to was having a last social/spin-in of the year on Dec. 30th, from 1-4 pm. We decided to come in early, so she could see the stand and the backgrounds that had arrived.  I brought the two Moose bags and Ann brought the samples for her Valentine’s Day workshop (No peeking, she will be showing you shortly).

The 2 background options had been rolled tightly around a Styrofoam core. then wrapped in packing foam and plastic which did protect them during their travels. It feels like a stiff plasticized paper and is described as “PVC Double sides printing Waterproof Photo Studio Photography”.  Whatever it is, it left them not inclined to stop curling immediately after unwrapping. I think they will stop curling if I can store them flat rather than rolled.  With a bit of sneaky persuasion (some mettle book ends, a clip and a magnet), we were able to proceed with the photo shoot.

mettle bookend and extending handle with magnet8) mettle book end with extendable handled magnet, usually used to pick up fallen needles.

Ann and her phone using the stand and the backdrop 9) Ann and her phone taking pictures she will show you later.

Ann tried both sides with her bags but I only used the mottled grey. I had a bit of trouble with deciding how to display the handles of the moose bag while shooting Moose bag #1, Glenn’s Moose.

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10.1-10.4) Moose #1, Glenn’s Moose

Moose back #2 black moose with tan legs and blue yarn wrapped in antlers11) Moose #2 Jetta’s Moose

With moose 2, Jetta’s moose, I figured out I could have the handles looped over the top bar wing-nut to keep them out of the way.

As you can see the hole set up is not large, easily fitting on a 6×2 foot fold-up table, but it is large enough to photograph a large project bag. Since the backdrop is only clipped on, if you needed more width, you can position it horizontally rather than vertically. When set up vertically you can use the curve of the PVC to not get a distinct edge as you would find looking at a backsplash and kitchen counter. If you want to have that hard edge change, You can use a second background as a ground to position your subject on.

diagram of hard edge from photo backgrounds12) 2 backgrounds, one is used as the background and one as the surface the item sits on.

The third way to use the PVC photo backdrop paper is as a surface to place your item and shoot directly down. When Ann shows you her photos you will see her doing this.

Since we had fun with this photo shoot, when I got home I continued looking at PVC backdrops and ordered a few more options. I hope you will get to see them for some upcoming blog posts.

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13.1-13.5) This second group was from a different seller and should arrived Jan 18.  The cost was $6.65each

If you are photographing your felting and fibre arts, having a stand and a few backgrounds would be fun. Consider what size most of your work is, to decide what will work best for you.  I would suggest considering the double-sided PVC sheets since they give you more options than the single-colour options.  If you decide on the  PVC versions, they can be used with wet felting, while it is still wet!  (this would not work out the same with cloth or paper).

That said, You don’t have to invest a lot of money to photograph your work. you can still do a lot with a couple of bulldog clips, a couple of S-hooks, an old sheet and a couple of ring lights or even a couple of flashlights or a window. My last frugal idea was some heavy-weight Christmas wrapping paper. Although it is not as sturdy as the PVC sheets, it will work for a single or a few photo shoots. The wrapping paper comes in lots of interesting patterns. Some are double-sided, so don’t forget to consider the back too. Even better it’s on sale just after Xmas!

christmass wrapping paper rolls in two patterns14) Christmas wrapping paper Moose with hat and copper snowflake

If you are looking for something in between the PVC and wrapping paper for backdrops, I can think of 2 other frugal options. First, as I originally started my fibre journey as a weaver, I have a few rolls of cheap wallpaper stored with the table looms. I went for the ugliest, cheapest, rolls of wallpaper from a second-hand store. You could keep an eye out for the slightly less hideous patterns than I have, as possible backgrounds. And lastly, I have various weights of canvas left over from painting which can be dyed or have washes of paint added to it to make a backdrop. lightweight canvas drop cloths are large and could be cut up into many pieces. Oddly, I still look at something and see that it could be used in some other way. I am not sure I will ever outgrow the frugal “starving art student brain” setting.

I know we haven’t chatted yet about lighting options.  You can see one of my 2 mid-size ring lights in photo #1 (ring light from Dollerama and the stand is an articulating desk stand from amazon.ca). Your lighting choices will depend on what you are photographing, where you are set up and whether you want a diffuses or more raking light source. The topic of lighting options can wander off into a big blog on its own, maybe a chat for another day.

Do you have favourite photo shoot equipment you use or cool tips for photographing your work?

 

 

 

 

 

 

 

1st quarter Challenge-done

1st quarter Challenge-done

Well, I must say this is the fastest I have ever done the challenge. In fact, I finished it before it was issued. It was a Christmas present for my hubby. My husband loves cast iron cookware. It does cook well and hold heat. He looks after them so I don’t have to worry about wrecking the seasoning by doing it wrong. The handles on the frying pans are hard to get a grip on when they are hot. Oven mitts always seem too big. we have some silicone ones but I always feel like the pan is trying to twist inside them. So this is where the felting comes in . I thought I would make some felt handle covers. wool is fire-resistant and a good insulator, so should work well

I measured the handles and then headed for the studio. I found a scrap of floor underlay for the resist and measured out 2 so I could do 2 at once.

Just about a perfect fit for my rolling mat.

I decided on a nice bright blue and added 4 layers of wool. I am not sure how much wool as it’s not a very large amount I just made sure both sides would have the same amount. Nothing beats guessing if it’s right. LOL

After both sides were wrapped around and wet I decided they were boring but being in a hurry ( leaving it too close to Christmas) I just added a strip of orange down the middle of both sides. I didn’t want there to be a right side up.

After wetting down it was on to felting: rub rub rub, roll, roll, roll.

I cut the handles in half so I had two the same size. Then a little more rolling and onto fulling. these are small and were coming together quickly so I fulled them in my hands by rolling them in a tube shape and in a ball.

One down and one to go

And they are now being used on the stove. they are nicly heat prove but not so thick you can’t get a good grip.

So how’s that for reading Lyn and Annie’s minds and being ready with my first post of the year? How about you? did you make someone something practical for Christmas or a birthday?

 

Mark Making on Felt – Online Class Registration Opens

Mark Making on Felt – Online Class Registration Opens

Would you like to learn new methods of “mark making” on your felt? Are you looking for ways to create work that is uniquely your own? Are you wondering about surface design on felt? If you are looking for a new learning experience, please join me. Registration opens today for my online classes! The classes are listed below with a link to each class page.  You don’t need to be present at any certain time to participate in a class and you will receive PDF’s to keep with all the relevant information learned in the class.

Screen Printed Felt Journals by Ruth Lane

All four modules of my class, EMBELLISHING FELT WITH SURFACE DESIGN TECHNIQUES – A MIXED MEDIA APPROACH, will begin on January 12th  and end on February 23rd. Registration opens today for these online classes. Click on the class link below to register for that particular class.

Nuno Felting with Paper Fabric Lamination

Experimental Screen Printing on Felt

Free Motion Machine Stitching on Felt

Printing, Stenciling, and Playing with Thickened Dye on Felt

Click on any of the links above to find out more about the class and to register and join in the fun.

Our Wet Felting for Beginners class is always available. You can start any time and follow along at your own pace. Register here.

 

2024 First Quarter Challenge

2024 First Quarter Challenge

Christmas Wreath

Annie’s Christmas door wreath made with foliage, fruit and berries from her garden

We wish you all a happy, creative 2024 – and what better way to start the new year than with a challenge!

The first quarter challenge is to make a cover using textile multi-media.

Damaged plant pots/vases need covers to keep them serviceable, sewing machines need covers to keep the dust from the workings, digital devices need covers to prevent scratches to screens, tables need covers to prevent damage and to look decorative  … this list could go on for a while!

Please post photos of your textile multi-media challenge makes in the Felting and Fiber Studio Challenges  or in the Gallery by submitting your photo here

In 2006, we visited Abbotsbury where the villagers and wider community got together to make a cover for the grand piano in the church.  Here are a couple of photos of parts of the cover.

Textile cover for grand piano

The studio challenges are open to everyone so please do join in!