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Category: Surface Design

Vessel Class

Vessel Class

I taught a lovely and fun group of ladies how to make a vesel. One of the ladies made a really nice Instagram reel. I am going to try embedding it here. Fingers crossed. It was hosted here https://hookingoutsidethelines.com/  I will share stills of the finished vessels below it. If it doesn’t work, then try this link:

https://www.instagram.com/reel/DI7Voy2xnr2/?utm_source=ig_web_copy_link

 

Here’s a group shot,

Here are some closer pictures of the vessels.

This one was cut across the circle about 1/8 of the way down to get the resist out, so she has a flat coaster, too

 

This one was also cut about 1/8 of the way down, but she opted for a shallow dish.

This one was cut just about halfway. She has two similar-sized bowls. Here, I was showing her how she could reverse them to have the pattern on the inside.

A nice round green one with lots of sari silk waste

Pretty pink with silk hearts on it

Jan told you about the sale we went to a little while ago. I was much better behaved and only bought a few things. Two small sample rolags and 3 bags of slubs. I have been wanting to try slubs. I know the neps are very hard to keep in the yarn when spinning, and do not like to stick to a felting project. I am hoping slubbs will stick better in both. If they do, then I may have to order some and dye them myself. One more thing on the to-do list.

Learning and Experimentation with Online Classes

Learning and Experimentation with Online Classes

Have you wanted to be a little more experimental in your fiber art practice? Do you want to learn new techniques and add embellishments to felt or other fabric? Why not try an online class all about embellishing felt? Anyone from anywhere in the world can take these courses, no need to show up at a certain time (you can even wear your pajamas) and the classes are 6 weeks long so you have plenty of time to learn a new technique and try out an experimental approach. My online courses are 4 stand alone classes under the title Embellishing Felt with Surface Design Techniques – A Mixed Media Approach.  You can take just one or work through all of them. The classes are only $45 US for 4 weeks of video and written PDF’s plus 2 weeks extra time on the class website with full instructor support. Registration is now open and the class begins on May 16, 2025.

The first module is called Nuno Felting with Paper Fabric Lamination. The bark I created above used this technique.

You will learn the technique of Paper Fabric Lamination and then how to use these pieces in nuno felting. As you can see from the examples above, there are many possibilities with this technique. Click here for more information and to register for the class.

The second module is Experimental Screen Printing on Felt.

You will also be able to use these techniques to screen print fabric such as silk to use in nuno felting. These same techniques can also be used on cotton fabric to use in fabric collage or quilting.

You will learn how to create thickened dye, make your own screens and many ways to use these screens in an experimental approach. Click here for more information about Screen Printing and to register for this class. 

The third module in Embellishing Felt with Surface Design Techniques – A Mixed Media Approach is Printing, Stenciling, and Playing with Thickened Dye on Felt.

This one is really fun and experimental. Learn to make stamps, stencils and how to use a variety of objects from around the house to create your own unique surface design on felt. Develop your own style with designs you have created.

The techniques you learn in this class can be used for felt, other fabric types and even paper. The stamps and stencils can be re-used over and over and applied in different ways to create exciting patterns. Click here for more information about Print, Stencil, and Play with Thickened Dye on Felt and to register for the class.

The last module in the series is Free Motion Machine Stitching on Felt.

In this course, you will learn the basics of free motion machine stitching and how to use this specifically on felted projects. Does the thought of machine stitching seem a bit scary? If so, you should take this course to get a handle on how to use your sewing machine to create wonderful embellishments on felt paintings or other felted items.

We’ll start with how to set up the machine and some great practice techniques that will build your skill level until you feel comfortable with your machine. Then you’ll learn about machine lace, thread sketching and how to incorporate machine stitching into felt paintings. Click here for more about Free Motion Machine Stitching on Felt and to register for the class.

I hope you want to expand your fiber art skills. If so, click on any of the links above to read more about the classes, see the supply lists and to register. I look forward to “seeing” you in class!

And don’t forget, if you are a beginner, our online class Wet Felting for Beginners is always available.

This class teaches you all about wet felting. You’ll learn how to make a piece of felt, how shrinkage works and how to calculate it and the basics of felting, fulling and creating felt from wool fiber. Click here for more information and to sign up. 

 

 

 

Another Great Nuno Felt Class

Another Great Nuno Felt Class

Last weekend I had my last scheduled nuno felt class until the fall. I had 6 enthusiastic women attending and we had a great day.

Earlier in the week I died some more scarf blanks so everyone would have lots to choose from. I use the scrunch dye technique with MX/fiber reactive dye, from Paula Burch’s site. http://www.pburch.net/dyeing/lowwaterimmersion.shtml

4 jars fill with silk scarves and dye a pile of silk scarves

Everyone had fun doing their layout and being creative with fibers. It always amazes me how different they all are.

wool of various colours laid out for felting wool of various colours laid out for felting wool of various colours laid out for felting wool of various colours laid out for felting wool of various colours laid out for felting wool of various colours laid out for felting

Of course, there was always all the usual rubbing.

group of ladies making felt: rubbing

and rolling

group of ladies making felt: rolling the felt

6 happy nuno felting ladies.

Ladies showing off their new nuno felt scarves.

And their scarves

finished scarf finished scarf finished scarf finished scarf finished scarf finished scarf

All in all, a wonderful day with wool and silk. Not quite as much fun as playing myself but still fun. I really like teaching and seeing the amazement on people’s faces when it really works.

A little picture

A little picture

I have been thinking I should do more of my stitched felt book. I have August ready to go but I just don’t feel like it. I don’t know why but I am sure you have all felt the same way about a project. So what to do, I am itchy to make something and I need something to chat about. So I went rummaging through my little bits and came up with this, It is approx 4×5 inches/10x13cm. The colours are a bit off the yellow is a bit more green and the blue is a bit more turquoise.

I decided the one on the right looked like some ground then some water and mountains in the background. If you squint I am sure you will see it too.

I started with the mountain adding some shades of grey to define the mountains I didn’t see the funny curved bit on the right until I took a picture,  so, had to smooth that out too. I am not sure why our eyes lie to us.

Then I defined the far shore

Onto the trees

 

And that’s as far as I am. Hopefully, I will have more done by the next post, but no promises.

Repurposing and Card Making

Repurposing and Card Making

Around mid-November I was rummaging in a chest of drawers trying to create space for visitors to store their clothes, while also thinking about  making some felt Christmas cards to sell at various events.  I came across a scarf I’d felted more than 10 years ago and never done anything with.

‘Hmmm…..’ I thought. ‘This is taking up space and I’ll never wear it.’  

Why not?  Firstly, I can’t wear wool next to my skin.  I find it way too prickly/itchy. And secondly, I didn’t like how it had felted. You could almost see the little thought bubble appear above my head: “I wonder if I could make some Christmas cards out of this?”

The scarf didn’t fit the bill for a traditional Christmassy look, but that’s one of the things that appealed to me about it. 

Let’s first go back to the scarf-making, in April / March 2014.  No, I’m not an exceptional record-keeper, I just have a lot of photos on my phone and happily they’re all automatically dated.   

I started off with a bright orange silk scarf I’d found in a charity shop. It was what I think of as raw silk: soft and loosely woven. I wasn’t even sure it would felt well but, foolish as I was in those days, it didn’t occur to me to make a sample, I just ploughed on optimistically.

I decided to add shapes in bright rainbow colours so made a big sheet of multi-coloured merino wool light prefelt, broadly following the colours of the rainbow. 

Light ‘rainbow’ prefelt

I cut circular shapes out of it and laid them along the scarf, still following the rainbow sequence. I laid orange merino round the edges and set about felting it.

When it was finished, I wasn’t very pleased with it.  The silk was unstructured and flimsy and it seemed to hang wrongly. I don’t think that type of raw silk works well as a base for felting, certainly not on its own. I didn’t take a photo of it.

I left it for a while and came back to it about a year later.  I thought maybe felting a solid wool layer on the reverse might improve the hang and structure.  I felted 2 layers of white merino onto the back.  Now it was firmer but a bit too stiff and still didn’t hang well, but in a different way. I just wasn’t happy with it.

That’s the point at which I gave up on it and popped it into a drawer. Since then it’s been shunted around but I’ve never decided what to do with it…..until now.

On to the card making. I decided simple triangular tree shapes might be nice for festive cards so I made myself a little tree template and set about the scarf with my rotary cutter. 

Cutting up the scarf to make triangle tree shapes

For the first few cards I refelted all the cut edges of each triangle.  This was nice, but took quite a long time both to do and to dry, so I decided to go with raw edges: it didn’t make a lot of difference to the appearance and it certainly speeded up the making. I cut out some different card and paper backgrounds, glued them onto cards, stuck the trees to the backgrounds and drew a stem and decorative dot on top of each tree. Mostly I used acrylic pens but where I didn’t have a suitable colour I used other permanent markers. Here’s the first batch.

Some of the triangles were a little plain and, as I had my acrylic pens out, I decided to do a bit of doodling. I admit, I was rather enjoying myself by this stage.  Perhaps I got a bit carried away (some of the trees started to look like pizza slices)!

I grouped the trees into threes, choosing ones that had three different colours on them wherever possible. I found some bright pre-cut papers and chose the nearest colours to the trees in each group. Then I swapped them around so that each tree was on a background that matched one of the others in its group.  I finished off by swapping the colours again for the dots and stems.  

Here’s a close up. The trees have green, purple and turquoise on them. I picked out the matching papers, put the lime green tree on the purple paper, the turquoise tree on the green paper and purple tree on the turquoise paper. Then I finished off with the dot and stem in the third colour that wasn’t on the tree or background paper.

It’s hard to describe just how much I was enjoying myself, though some of that may be because I was almost certainly supposed to be doing something boring like cleaning or tidying up.

I did sell some of the cards and sent a few too.  They’re not the best cards I’ve ever made but I did enjoy making them and was happy to have repurposed a scarf that didn’t really work.  I still have plenty of felt scarf left so I may do something else with it in the future.

A little later, I made some other cards that I liked better and that sold really well. 

In my charity shop moochings I recently found a really beautiful, large hand-marbled silk scarf.  It was way more expensive than anything I normally buy.  I’m normally in the £2 – £4 range for a silk scarf and this was £8.50.  However, it really was big and interesting and I was intrigued as to how well it would felt. So, I splashed the cash. The marbled dyes sit on the surface of the fabric so I wondered how well the wool fibres would penetrate the silk. Age and experience do have their advantages: this time I made a small sample to make sure it felted well, which it did.  

I cut out a long rectangle of merino and silk prefelt and laid a section of the scarf full length along it, flush with the edge of one long side and covering half of the width.  Sorry, I forgot to take a photo so I here’s a quick sketch, literally on the back of an envelope.

Once it was felted and dry, I cut it into thin strips ready for printing. I’d found a royalty-free image of a plain green fir tree and, using photoshop elements, dotted it with robins to look like baubles. I printed the images on heat transfer paper, then, using my heat press, printed a tree on some of the strips. I stuck the strips to long cards and this was the result.  Not as much fun to make as the other cards but I do like the result better.

8 ‘Robins’ cards above and a close up of one of them, below

On the remaining strips, I printed an image of a friend’s cat, to which I’d added (in photoshop) a Santa hat.  I had six felt strips for the cat but one didn’t print properly which left me with five.  I thought I’d better save one to send to the cat owner and was going to offer the other four for sale but my cat-owning friend decided he’d like to send the cards, so bought all four.  There are lots of cat and dog lovers around so maybe I’ll make some of those next year.  What do you think?

Four ‘Layla’ cards above and a close up below

While I was on a roll, I repeated the process using an animal print scarf and a blue patterned scarf to make some cards that are not season-specific. People do seem to like this type of design and quite a few say they or the recipients will cut them out to make a bookmark or just put the card in a frame. The horse chestnut is from a painting my Mum did, the honesty was composed from some photos I’d taken, the ferns were from a royalty-free image I found online and the birds are all from photos of my previous large felt pictures.

I know I’ve said it more than once before but I do love a bit of fabric re-purposing, whether second-hand or from a failed project.

Learning and Experimentation with Online Classes

Learning and Experimentation with Online Classes

Have you wanted to be a little more experimental in your fiber art practice? Do you want to learn new techniques and add embellishments to felt or other fabric? Why not try an online class all about embellishing felt? Anyone from anywhere in the world can take these courses, no need to show up at a certain time (you can even wear your pajamas) and the classes are 6 weeks long so you have plenty of time to learn a new technique and try out an experimental approach. My online courses are 4 stand alone classes under the title Embellishing Felt with Surface Design Techniques – A Mixed Media Approach.  You can take just one or work through all of them. The classes are only $45 US which is a tremendous deal for 4 weeks of video and written PDF’s plus 2 weeks extra time on the class website with full instructor support. Registration is now open and the class begins on January 10, 2025.

The first module is called Nuno Felting with Paper Fabric Lamination. The bark I created above used this technique.

You will learn the technique of Paper Fabric Lamination and then how to use these pieces in nuno felting. As you can see from the examples above, there are many possibilities with this technique. Click here for more information and to register for the class.

The second module is Experimental Screen Printing on Felt.

You will also be able to use these techniques to screen print fabric such as silk to use in nuno felting. These same techniques can also be used on cotton fabric to use in fabric collage or quilting.

You will learn how to create thickened dye, make your own screens and many ways to use these screens in an experimental approach. Click here for more information about Screen Printing and to register for this class. 

The third module in Embellishing Felt with Surface Design Techniques – A Mixed Media Approach is Printing, Stenciling, and Playing with Thickened Dye on Felt.

This one is really fun and experimental. Learn to make stamps, stencils and how to use a variety of objects from around the house to create your own unique surface design on felt. Develop your own style with designs you have created.

The techniques you learn in this class can be used for felt, other fabric types and even paper. The stamps and stencils can be re-used over and over and applied in different ways to create exciting patterns. Click here for more information about Print, Stencil, and Play with Thickened Dye on Felt and to register for the class.

The last module in the series is Free Motion Machine Stitching on Felt.

In this course, you will learn the basics of free motion machine stitching and how to use this specifically on felted projects. Does the thought of machine stitching seem a bit scary? If so, you should take this course to get a handle on how to use your sewing machine to create wonderful embellishments on felt paintings or other felted items.

We’ll start with how to set up the machine and some great practice techniques that will build your skill level until you feel comfortable with your machine. Then you’ll learn about machine lace, thread sketching and how to incorporate machine stitching into felt paintings. Click here for more about Free Motion Machine Stitching on Felt and to register for the class.

I hope you want to expand your fiber art skills. If so, click on any of the links above to read more about the classes, see the supply lists and to register. I look forward to “seeing” you in class!

And don’t forget, if you are a beginner, our online class Wet Felting for Beginners is always available.

This class teaches you all about wet felting. You’ll learn how to make a piece of felt, how shrinkage works and how to calculate it and the basics of felting, fulling and creating felt from wool fiber. Click here for more information and to sign up. 

 

 

 

The Mer’s Preparing for the 75th Anniversary Exhibition Part 2

The Mer’s Preparing for the 75th Anniversary Exhibition Part 2

In my last post, I showed you Mr. Mers’ new fishy northern pike spots (in silk!) and his son’s fancy new hair, eyes and jewellery. now let’s look at Mrs. Mer.

Mrs. Mer

I have been questing for the perfect Red for her Kohaku Butterfly Koi body.  Koi-red comes in a range of red-nesses from an orange-red to a deep intense red and in various intensities of those reds. I had found a small project bag of reds in various fibre types and preparations. I had picked up a very promising red with silk top and locks to match but it had too much pink in nature light, I had another set that had too much yellowness to the red, making for more of an orange colour. The locks I found to go with it were fabulous and if I do a mermaid that is part goldfish it would be perfect.

Mrs. Mer perused my offerings and we both agreed on the deep red bat from  Alpaca Tracks T(h)read Lightly and the lustrous long locks from Monica at Olive Sparrow. So dark red it is!

Alpaca tracks small bats of red wool Held by Mrs. Mer's Hand3.1 Alpaca tracks small bats of red wool

Odd I was sure I had a shot of Monika’s locks, let me look a bit more…oh I have a shot from the Olive Sparrow booth at the Almonte Fiberfest on Sept 7-8th.  The bat and locks go together perfectly!!

top row way to the left is right red Mer hair I was looking for. The are lots of different colours of  locks in 2 lengths.3.2 The top row way to the left is right red Mer hair I was looking for. The are lots of different colours of locks in 2 lengths.

Ok, I have the colour of fibres I was looking for! Next where to put the fiber. Great more fun research!! (really, I do enjoy the quest. research is fun!!!)

After a lot of previous browsing about koi and butterfly koi, I decided on Kohaku (the white fish with red spots) if you are curious you can check out a brief overview here.  https://nextdaykoi.com/koi-fish-facts/many-faces-kohaku/

After looking over the options of head and body patterns, and reading up on scale types,  we decided that Yondan or Godan would likely be best. If you count the red hair as a spot she would be a Godan pattern but if the hair is not counted as a spot she has the Yondan pattern. Since go is 5 in Japaneses, I bet you can guess how many spots a Yondan koi has! (4)

Head and scale diagram of Red and white Koi fish Body paterns for red and white koi fish3.3 this is a helpful chart showing Kohaku (red and white Koi)

I found the batt of “Canadian Wool” was an interesting springy, crimpy wool, not coarse but not as soft as merino or even corriedale. It is not a long staple and it needle felted wonderfully. I think it was the T38-333 I was using to add the red wool. (if you were curious about the needle used)

When I had started to block in the fishy parts of Mrs. Mer, Ann suggested it looked like the fish was eating her. I kept that in mind as I started to work on the spots making sure the red spot at her waist/hips were integrated with both her human and fish parts. Thinking of non-fishy parts I finally got around to adding her ears.

The long locks were the perfect colour and a lovely long wavy length. I found a small hair clip so she could wear her hair partly up.

Side vew of Mrs Mer admiring her new hair in a side vew3.4 Side view of Mrs Mer admiring her new hair in a side view.

Mrs. Mer Back view3.5 Mrs. Mer Back view

close up of Mrs. Mer admiring her new hair3.6 close up of Mrs. Mer admiring her new hair

I sent Ann a picture to get her suggestions.

Ann said, “Needs Eyebrows.”

Hummmm, ok, I can do that.

close up showing new eye brows and her new necklace (Red Agate, 2mm and shell)3.7 close up showing new eyebrows and her new necklace

I think both Mrs. Mer and Ann should like that! Did you notice her shell necklace? Those are very tiny stone beads (one strand of Red Agate, 2mm)

I got new project bags so Mr and Mrs Mer would not get over excited and mess up their hair! (I will have to consider a non-see-through project bag if I find them cuddling again!!!) I added Shark-boy and the Mer pets, Sharkette and Miss Manta, to another project bag. I printed out a copy of their entrance forms, for each of them, ready for pick up for the Almonte show.

Item #2  Ice Dragon

I had asked Glenn what else I should send, and he suggested either the Ice Dragon or chickadee I had made for him. I went with Ice Dragon since I would need the chickadee for a workshop in December.

Ice Dragon,  ¾ view, Wire armature and wool body and wings 4.1 Ice Dragon,  ¾ view

Ice Dragon,  Back View, wire armature and wool body and wings,4.2 Ice Dragon,  Back view

Ice Dragon, from the back ¾ view, Wire armature and wool body and wings 4.3 Ice Dragon, which I had made for Glenn ¾ view from the back

Item #3 Maureen’s Vacation

My third submission is Maureen’s Vacation which you saw earlier too. If you would like to get more information on this one look back to Summer 2024.

I chose it because it shows one of the guild members enjoying spinning outdoors. it seemed to make sense to include it in a show about the guild and its members!

Landscape of Maureen's vacation, woman sitting with spinning wheel infront of grasses, with rock with arches, trees and the ocian in the distance5 Landscape of Maureen’s vacation

I packed everything up, Glenn lugged it all out to the car, and off we went to the guild social on Monday. Ann got to check out the Mers and their new hair and spots!

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6.1-6.3 Ann Inspects the Mer’s at the studio

some of the items ready to go to the Almonte Textile Museum Bags and boxes on a table in the guild studio. in the back ground spinning and chatting are happening at a soical6.4 some of the items ready to go to the Almonte Textile Museum

There were quite a few pieces ready to go to the Almonte show, waiting on the table for pickup. The organizing team will get them after the social. I am sure we will let you know when the show is up and ready for viewing!

Now on to moose bags again! I have one more partly 3D moose bag underway and am starting a more 2D version of the picture too. I will keep you updated on these as they progress (I hope you are not getting bored with variations on a moose!!) (I am trying to inspire more Moose augmentation!!)

Until the next time we chat, Have fun and keep felting!

 

Felt Vessel Workshop

Felt Vessel Workshop

I had my first workshop of the fall season last weekend. It was a fun one, Vessels. I like vessels because they do not have to fit anyone when they are done. They can go completely sideways from the original idea and still turn out great.

I had 5 lovely ladies for the day. They had a great time( or seemed to at least) and I had fun too. I love to see people marvelling at the magic of felting and go from very sceptical to amazed at what they have made.

In this class, they all started with the same round resist. Everyone always asks about size. In this case a good sized dinner plate. Very technical.

On to the pictures

Laying out the wool. I like to teach laying out 2 sides without wetting and then go back to do the wetting and wrapping. I don’t know that there is any great difference but I don’t like laying out wool on a wet resist of wet wool.

here they are wrapping one side of the wool around the resist. For those whose layouts grew a lot, we feather the wool towards the middle so it will be more even. You can see the second side waiting to be placed on top, wet down and then wrapped around.

Next, were the embellishments. This part is fun for them and me. I love to see how diverse the ideas are. I usually bring wool, handspun yarn, silk tops, throwsters waist, trilobal nylon, sari silk waist, silk hankies and locks for people to use. I seem to be missing one pot.

Then, of course, there is all the rubbing and rolling. This is the point where I usually gabb on about wool and felt, the eganomics of making felt and sheep….. and anything else that helps pass the time so there are fewer complaints about how long they have to rub or roll. It is a boring sort of thing to do, I usually listen to an audiobook.

We talked about different ways to cut open your felt to get different types of pots and how shaping can change them. one lady said she wanted a pot more like a fruit bowl shape. I suggested turning her pot into two bowls by cutting across the middle. She decided not to but it inspired 3 others to cut their pots at 1/8, 1/4 and 1/3 to get 2 pots as a set.

 

I am missing one there Not sure how that happened. Here are some pictures students sent me of the pots dry

 

The Mother of Invention

The Mother of Invention

There’s a proverb I like: “necessity is the mother of invention”. Apparently it started with Plato. I’m going to test it today in two ways. Firstly, I’ve had a lot of sales and exhibitions recently and I haven’t made much new work. I’m writing this while stewarding an exhibition. So, as my blog is due and I’ve nothing new to show you (necessity), I’m drawing on some work I did earlier in the year and reflecting on that (invention). Secondly, it was actually the need to create a lot of pictures quickly (necessity) that led me down the different style of pictures (invention) that I’m going to talk about.

As I’ve covered in previous blogs, I had a large exhibition to fill in April/May this year so had a big push from January to March to make lots of new pictures. As all wet felters will know, wet felting is not a quick process and there’s no mileage in trying to hurry it. So, as well as making my usual style of pictures, I had a think about the quickest felt pictures I could make while not skimping on the quality of the felting. Quicker pictures would also allow me to offer them at a slightly lower price than my other work.

Nuno felting (which is including fabric in felt) with patterned fabric is a quick way of creating colour and pattern as it bypasses complicated and time-consuming wool layout. And now that I can print onto felt (again covered in a previous blog) that’s a comparatively quick way of introducing images. 

This was my first picture. 

Square wet felted picture with patterned grey fabric on the lower half, two blown trees towards the top left on a white background with wisps of grey cloud in the white sky
“Monochrome Tree #1”

The fabric was a lovely fine wool scarf that I had bought (as always) in a charity shop. I have the solid beech frames made for me in batches in advance so I knew what size I was aiming for. I used a commercial prefelt of merino wool and silk  – again trying to minimise the layout time and it’s also lovely to work with. There are plenty of legitimate, free-to-use images on the internet. Sourcing, scaling, printing and transferring them to felt is quite time consuming, especially as I only planned on using each tree once for this first set of pictures, but I’m sure I will come back to them.

For the next (and subsequent) ones I decided to make them slightly smaller than the frames, leaving a small border around the felt. I added a line of recycled tapestry wool at the top of the fabric, just because I liked the look of it, and decided against patterning the sky. 

I then fished out some black and white silk scarves from my charity shop finds and used those instead of the wool scarf. 

I added a crow silhouette in the tree on the left picture. A bit fiddly but I liked it.

My next experiment was to switch from black and white to coloured silk, tapestry wool and trees.  

When I was printing on Green Tree #1 I accidentally pressed a fold in the corner. It came out with a hot iron but I didn’t remember to photograph it again afterwards.

After I’d made these two, it occurred to me that I could double the width of the wool and fabric to make two pictures at the same time, cutting them apart before printing on the trees.  Why hadn’t I thought of that sooner? Super-speedy. 

Continuing with the limited colour palate, I chose a silk scarf that was red / orange with some colour fade across the scarf. 

rectangular wet felted fabric with orange / red silk felted in, covering just over the bottom half of the fabric. There's a variegated line of red/orange wool yarn felted across the  join between the silk and the white wool background.
After felting and before printing

When the felting was finished I wasn’t sure I liked how much the white fibres showed through the red / orange silk. The previous fabrics had either been partly white or were light coloured so the movement of the white wool and silk fibres through the fabric had been less visible. 

As I contemplated this, I decided that I liked the long rectangular shape for a change.  I happened to have some frames that were more or less the same shape and proportions….and so “Red Trees” became a double-width landscape with two trees. 

Rectangular wet felted picture as in the previous image but with two orange/red trees printed in the top left of the felt with the bottom of each trunk touching the yarn line as if growing from there
“Red Trees”

That wasn’t where I thought I was heading but it’s fun to take an unexpected turn,

I have now sold more than half of these pictures, and I’d say they’ve sold slightly better than other work. I’m a little ambivalent about this. I like the new pictures but I don’t feel as much for them as my usual bird, beach and/or water pictures. I suppose that shouldn’t matter. They have definitely attracted a slightly different audience. When I get back into the studio I will be making some more. Not because of their speed as I’m not now under the same pressure, but because people seem to like them and I’ve enjoyed trying something new.  I think I will stick to the monochrome fabrics but try out some different colours. Having a group of different strong colours like the red and green might make a good display. 

And so, it seems, on this occasion, that necessity was indeed the mother of invention. I made a new line of work and I have a blog to post! 

The Quest Continues

The Quest Continues

I left you last time as I was about to felt my sequins. I put the fabric on both sides of some felt and felted them most of the way. They felt quickly. The fabric they are attached to has a very open weave.

After they were dry I cut out diamonds.

sequined fabric cut into diamonds

I now have a great admiration for everyone who sews costumes or anything with sequins. What a mess they make. Sequins have ambitions of being glitter and being everywhere. I am sure I will be finding them in odd places they flew for quite a while.

cut sequin mess on a towel

 

I felted then again to seal up the edges

diamond shaped sequined fabric

A quick trip in a side direction. Jan did some shopping for me at Twist. I didn’t ask for anything but she knows I would have bought it if I had been there.

A New Brunswick woold worker who specialises in fibre arts accessories, had made a palm felter.  It looks really beautiful, it feels really nice in your hand, and it works great. It has a shorter profile and shallower indentations and is lighter than the other similar ones we all know. I found that one quite heavy when I had a look at it at a fibre show.

Back to sparkle. I made 4 colours using super bright trilobal nylon to make some squares. The nylon is on both sides. Again I felted them most of the way and they will need to be felted a bit more to seal up the edges.

after cutting them out I had little shards of sparkly nylon all over. I guess sparkle just likes to spread.

 

I think I have way more than 75 diamonds already. Jan has been working on her dragon hand for this project. I am sure you will hear about it from her.  I have had to pause this project to get on with my sheep and shepherdess for the Guilds retrospective at the Museum. They need to be ready much sooner. I need to make more legs. but that’s another blog post.  As always seems to be the way, you curse along ( lol, that was supposed to be cruse along but curse seems to fit too) with no deadlines or pressing projects then, all of a sudden you have too many.