The Passage of Time
I thought I’d show a few things I’ve been up to since my last post in December, starting with some pendants.
A while ago I did an online workshop with feltmaker Aniko Boros to make her beautiful wet felted Fuchsia pendant. It wasn’t my intention to carry in making more fuchsias but rather to learn Anikos technique for making complex pendants so I could apply it to my own designs. And so the fuchsia led to this yellow/grey pendant which in turn has led to a recent request from Region 8 of the International Feltmakers Association to teach how to make it.
I was concerned that some in the group I will be teaching may not be used to working with Superfine fibre on such a fiddly scale, so over the Christmas/New Year period I created three more sample pendants. Two of these involve some different techniques to Aniko’s, making them easier and quicker to create than my grey one, but they will produce a similar look. The third sample is made without resists and aimed more for absolute beginners, just in case we have any attend. The other obvious difference with these new samples is the addition of beading which can be optional. I’m looking forward to teaching this class on the 8th March.
Another project I’ve been working on recently is a planned IFA exhibition of Feltmaking titled Felt Connected: Bringing People and Fibre Together. It came about after we surveyed Region 8 members as to what they wanted from their Regional Coordinators and one of our members, Jo Cook, suggested we organise an exhibition of members work. Since then Jo and I have been working together to organise the event which will take place next month in Harding House Gallery in Lincoln. We have a total of 17 IFA members taking part with the aim of not only showcasing their talent but demonstrating the versatility of fibre and what can be done with it while at the same time promoting the IFA and hopefully attracting more members. If you are in the area we will be holding a Meet the Artists session from 1pm – 3pm on Saturday 14th March and it would be great to see you there.

Earlier this month I started work on The Passage of Time, my submission for the IFA 2026 online exhibition “Time” that launches during our AGM on March 28th. When I first read the theme title I have to admit that for a day or two I struggled to see anything other than clocks! Then I had a lightbulb moment, I’d make an Ouroboros, the mythical serpent that is often represented in Alchemy art depicted eating its own tail. It’s a symbol of the cyclical nature of time, the universe, and self-renewal and represents the concept of eternity and endless return. Image source: https://www.bbc.co.uk/culture/article/20171204-the-ancient-symbol-that-spanned-millennia

I created my 3D mobius wet felted version using Merino fibre but when it came to photographing it, no matter what angle I took it from, it looked really dull and boring. So I abandoned that idea and instead I’ve taken inspiration from the beautiful sandstone slabs on Seahouses beach in Northumberland. Coastal erosion and fossils are both dramatic indicators of the passage of time so seemed a fitting replacement for the failed Ouroboros!






The base is a mix of Carded Corriedale and Bergschaf fibre with silk fabrics, wallpaper, Tyvek, free motion stitch and hand embroidery. I’ve included a piece of felt I made a few years ago which mimics fossils, it’s one of two experimental samples I made and didn’t get around to using until now. After auditioning both of them in the pre-made hole I went with the darker option, which doesn’t look as dark in the flesh as it does in the photo. I’ve submitted this piece for the online exhibition but I’ve since felted another slab to add to the first one. It will be embellished in a similar way, to create a larger piece of work for another exhibition that Jo and I are hoping to launch in July.

I’ll leave you with a piece of work that was created by a lovely lady called Avie, also known as The Curly Sheep. Avie came to spend a day with me last month to learn how to wet felt a picture and how to do free motion stitch. Turns out she’s a natural at both as I’m sure you will agree!





1.1) The pile of stuff is ready to go, with the black grids just visible behind the folding tables.
1.2) Busy setting up the team, the room and dome is beautiful, but possibly had a leak
1.3) the various guild teams bringing in the guilds and vendor stuff (the blur of activity is Ann)
1.4) The booths popping up look like magic! (but it’s actually a lot of work)
2.1) Molly Underhill’s Birch Trees
2.2) Molly’s Canada goose bag and Glasses cases
2.3) Inge Dam’s Weaving
3.1) info table with survey and QR Code (QR removed since the draw is over!)
3.2) The Door prizes
3.3) Even if you don’t win a door prize, you still get to pick a sticker!
4.1) Ann helping a new spinner in the demo area
4.2) Weaving and spinning Demos
4.3) Felting Demo (I am looking forward to seeing how this progresses)
4.4-4.5) Make and take table, the team was busy most of the weekend!
5.1) The Vendors list and Map, in case you get lost, we will meet at the end near the exhibition
5.2) These are blankets woven on the Guild’s 100-inch loom. The proceeds will help fund the guild.
5.3) A few of the items in the co-op booth
5.4) Booth 2, Wendo’s Booth
5.5) Booth 3, This is October Knits, a NEW vendor, with hand dyed yarn and fibre.
5.6) Booth 4, Judy Kavanagh and Don Haines
5.7) Booth 5, Studio Three Fibre Arts and Unwoven
5.8) Booth 6, Top of the Whorl
5.9) Booth 7, Wööl, emporium de laine
6.1) Booth 8, Luna
6.2) Booth 9, Fab Fibre Two (Jean Sharp and Bernadette Quade)
6.3) Booth 10, Handweaving by Janet Whittam
6.4) Booth 11, Strapped for Cash
6.5) Booth 12, WindWeft (NEW this year)
6.6) Booth 13, Inge Dam’s Handwoven Textiles
6.7) Booth 14, Wayside Weeds and Wool (Amanda Carrigan) Handspun yarn, natural-dyed yarn, handknits, kits and patterns
6.8) Booth 15, Farmer Brown’s
6.9) Booth 16, Weave Me Be
7.1) Booth 17 & 20, Mapi Creations
7.2) Booth 18, Maple Weaves
7.3) Booth 19, Felt by Molly
7.4) Booth 21, Carmen Deschênes, Lise Susin-Horth, Elisabeth Davy
7.5) Booth 22, Makeloo Studio























1 poster for the Spencerville fibre festival 2025 (they have a Facebook page if you want to contact the organisers)
2 Front of the Drummond building in Spencerville, where the fibre festival takes place.
3 Let’s pay our $5.00 entrance fee and head in to see what the vendors have brought for us this year.
4.1- As we entered the hall
4.2 Luna Spinning has woodworking, spun yarn, fibre and crochet tools
4.3 Janet Whittam does weaving and basketry, you may remember her work from other shows too!
4.4 This was Krys Dallaire’s first time selling and had a very nice booth. She was selling Ile de France cross North Country Cheviot (close up showing crimp), Bluefaced Leicester cross North Country Cheviot (the bag being purchased), Fin (the dark fleece that came home with me) and North Country Cheviot (bags on the shelves). She was also selling maple syrup!!
4.5 Yvieknits Yarn had lots of yarn and a bit of fibre; she also had these lovely examples of knitting with her yarn.
4.6 You have seen Top of the Whorl spindle at a few past festivals too. They had some new spindles, spindle cases and lazy Kates for spindles. This is also where I found Naalbinding needles.
5 at the Top of the Whorl, a drop spindle lesson was happening.


7 Ann was interested in the rug hooking techniques, which gave a lot of textural elements depending on what was used with the rug hook.
8 It’s labelled as a fleece of Gotland Finn Cross, it was so soft to touch, I was very tempted.
9.1- I missed the name of this booth, but it had a mix of tools and supplies for weaving, felting, and knitting. Ann seemed very interested in the knitting pattern cards. I wonder if we could do that for felting? Maybe shapes of resists or book resists for the wet felters?
9.2 Pretty String Yarn Co., lots of colours to entice you into knitting
9.3 Sheeps Ahoy. They have the most beautiful patterns that remind me of Philosophers wool who closed many years ago. I wish I could knit
9.4 Crazy about yarn, they use themes to create their Colour ways. I think the purple was one of the galaxies, and the ones behind her are part of the planets series.
9.5 Studio De laine Cactus Yarn Studio, did you see the support chicken kits? She always has such interesting packaging.
10 We spotted Carlene and compared loot. We also saw a few others who showed off their finds.
11 Reflection of the barn in the river water
12.1 Great Blue Heron waiting for lunch to come over the dam and be delivered to him or her.
12.2 Heron, waiting to select the entrée to dinner.
12.3 Spencerville Mill, the Heron is in front of the trees on the other side of the river, just left of the concrete at the far end of the dam.
13.1 My purchases that followed me home.
13.2-13.3 It was definitely a fibre-focused shopping day, and there seems to be some similarities in colours too. I was trying to push out of my comfort blue, but seem to have only shifted over one to mainly green with a bit of red/orange and of course blue.
1.1) The museum, which was the old mill office and attached stone building
1.2) the other old stone mill building has been turned into expensive condos.
1.3) the sign for our exhibition “Remembering/Reimagining: Celebrating 75 Years of the Ottawa Valley Weavers’ and Spinners’ Guild”
2.1) the back hall where the work was coming in, before being moved to the exhibition space.
2.2) Kieran carries in a well wrapped piece to the display space.
2.3) Liane unwrapping pieces and making notes
2.4) the Guild Tapestry project has arrived!
2.5) this is not really a “Vanna White” moment, it is to document the packaging of each piece.
2.6) grouping pieces to hang together.
2.7) Maybe and Liane take a moment’s break (I brought chocolate cookies and rice crackers)
2.8) the Mer’s are ready to go for a swim around the museum.
2.91) oh no the museum will be closing shortly, so we will be back tomorrow to continue working.
2.92) Fall colours by the Museum
3.1) the list of artists, their image, square number and the technique they used.
3.2) the Guild Tapestry project. Liane has added the cool brass plaque
4.1) This is the back door to the Mill office/ Museum, it has a ramp which is easier than the front steps if you have a walker.
4.2) getting this panel of scarves hung required more ladder work and the big level.
4.3) The Mer family and pets are having fun swimming around above the show.
4.4) Hanging on a long woven tapestry of Iceland required a much taller ladder
4.5) Liane hanging the elephant weaving
4.6) Elephants, copper and parliament with the edge of one of the coverlets on the right. There are cookies
4.7) Oh no the Museum is closing, but we can stay a bit longer!
4.8) just a bit more to do but it’s looking good!
5.1)almost ready, that blanket needs a bit of straitening but this end of the exhibit is looking good!
5.2) the nuno felted shawl just got straitened we have to get the ladder away and put that pile of packing stuff away for later.
5.3)Maybe got the Slide show going
5.4) getting ready to put up the signage for the pieces.
5.5) the signs are up and we just have to clear the table away
5.6) Glenn gives the exhibit a quick sweep




1) Font of flyer
2) the doors into the sale, let’s take a look inside
4) The door prizes for filling out the survey, which were drawn at the November guild meeting.
5 )the 75th anniversary moose bags
6) Magazines for sale
7) Spinning and Weaving demo
8) Pine needle basket demo
9) Felting demo
10) a spinning lesson with Mayonnaise lid spindles
11) weaving on little frames
12) the exhibition
13) Molly’s Wet felted Vessel
14)The wheels
15) Size comparison of CPW and Tyrol wheels
1) Sharkboy standing in his project beg attached to Jan’s black walker with her husband (and the back of my Grey Kea Soul, I am sure you were expecting I possessed a black soul!).
2) Stone Spindle Farm Booth; with alpaca yarn, fibre and hats. The vendor is hanging up suit cages full of low-grade alpaca to provide the birds as nesting material.
3) baskets are strewn artistically under a few trees with an E-Bike near the front with pannier baskets.
4) A quick overview of part of the vendors.
5) digging for colours in balls of hand died Superwash Marino fibre.
6) More fibre from the Black Lamb booth.
7) Beautiful project bags and purses
8) Moose Hill Woodworks had lots of fibre tools, all beautifully made. (Yes, I got another spindle of a type I didn’t have.)
9) Odd new spindle, I was trying it with some of the new extremely soft Finn wool I also purchased. The back of the tag says Yellow Birch, 1.3oz/39g
10) Beaux Arbres booth had basketry
11) This booth had fibre samples you could feel (the bags of them are behind the table.)
12) This is the side table of the same booth with the fibre. Check out her fine ponies!
13) Fin roving is actually semi-worsted the vendor has her own mill!!! I have never felt such a soft Finn sheep.
14) This was an ingenious support spindle case.
15) The booth the support spindle bag came from had more spindles and lots of rolags.
16) A couple of booths had yarn for weaving and knitting.
17) This Was Susan Allen’s Booth with weaving yarns, I think this was a Cotton or a Cottolin that Ann was looking at.
18-19) Janet’s Basketry
20) Janet’s booth, she is just finishing setup as the first customers arrive
21) Shark Boy standing in his project bag, attached to my walker.
22) Shark Boy checks out the special parking for Mer-people (and those with walkers) as we arrive at UCV.
23) The entrance buildings of Upper Canada village.





