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What if I ……?

What if I ……?

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Like a cat (and like most of us here) I have had many previous lives. At one stage I worked in finance, I was never really let loose on customers (possibly a good thing for all our sakes). When not fitting out apartments, I was strictly a numbers gal. This was before computers landed on all our desks. When they did, I found them mouth wateringly fascinating (I guess you are beginning to understand why I was best kept in the back office). The first software I had a chance to get my head around was called Symphony. It was one of the first spreadsheet packages the company bought into. I loved it. It had a great function called “What-If”. It’s still around today although Symphony is long gone.

You might now wonder why I am bringing this up. Well, I was bored recently. So I decided to play and to resurrect my own version of the ‘What-If’ function. In short, I had fun. Honestly I don’t do it enough.

So I just kept asking myself ‘what if’ questions, actioning them and seeing the results. I suppose this is the question we all quietly ask ourselves when we play….

Anyway, back to my playtime. What got me started was the question, what if I just doodle a resist? The only limitations I put on this was that I wanted an opening at the top and the bottom. Here is the result:

The resist I used

 

Next, it was decision time, the background colour…. What if I used black merino for this? Would it swallow up all my decorations? Would the whole experiment be a waste of time? So what if it was! Chickening out was not an option!

The last big question I wanted to ask was what if I laid all of the decorative elements against the resist and then laid my background? That’s not really rocket science, is it to felt blindly. But it does add to the loss of control over the piece but also provides an interesting element of surprise when the piece is turned the right side around after the resist is removed (and there’s no going back).

So here is the result of my what if experiment. I will take you through each element briefly to give you, I hope a clearer picture of the game. Each decorative element began with the question ‘What if’ so I won’t bore you with constantly repeating this. Let’s get started:

I laid a thick mix of linen and viscose on the widest opening of the vessel.

shiny viscose and no sheen linen

The reaction was quite interesting. The sheen of the viscose disappeared to a great extent so I suspect what I am looking at is more likely the linen element which was a dull red to start with. Both have adhered well and have produced a nice wavy pattern as they felted into the shrinking black fibre.

Viscose with linen fibres – viscose sheen is drowned out by the linen

I laid down some art yarn that I had purchased from someone who was reducing their stash.  This was in no way guaranteed to work as I don’t feel that person who sold it to me ever experimented with it. Here is what it looks like on the ball. I have absolutely no idea of its composition but I reckoned it was worth a try.

Art Yarn from a stash someone was selling off

 

So I meandered it around two sides of the vessel. I actually love the result! It was caught by the black merino and is firmly embedded but not swallowed. A total win!

art yarn

Next I laid down a thick layer of viscose in two different colours; first the red and then a beautiful shade of purple.

red and purple viscose (purple too close in colour to back merino – swallowed in felting)

The purple was laid over and alongside the red. Because I was working in reverse, I expected that the red would dominate the line with the purple acting as an edging when the vessel was turned right side out. I was hoping that where the viscose laid on top of each other, they might decide to mix a bit. This result was surprising as the purple viscose was swallowed up by the black merino. The red adhered beautifully and kept its sheen so it looks quite different to the fibre mix used at the opening (mentioned earlier).

red and purple viscose

 

 

Next, I used a piece of lightweight silk chiffon that I dyed some years ago and had been foolishly keeping for a ‘special occasion’. I do have to ask myself why I find it so hard to cut into beautiful fabrics (I have too many of these!).

I dyed this silk some years ago (clamped)

 

 

I expected the black to swallow up the silk completely but this didn’t happen (confession: I did give it a light shave to see what would happen). Very pleased with the result here.

Hand dyed nuno

 

 

On a rummage, I found some prefelt I made ions ago, it was time to throw this into the mix.

Remnants of thick red merino and viscose used in raised lines

I had made this red prefelt using viscose as a decorative element so I roughed up the back, cut it into strips and laid it down on the resist. I was able to play with these lines when I was fulling it and create a 3 dimensional surface on the vessel. It was fun twisting and turning these as I worked them. The black fibre migrated through and they now remind me of coils for some reason.

red viscose and merino prefelts felted in and then pinched to create ridges

Turning over to the other side, I played with the notion of a felted ‘shibori’ element. I found some prefelt and made the 3D elements stuffing the prefelt and tying it off. I then roughed up the back. I laid some black merino on top of the prefelt (avoiding the balls) so that the ‘shibori’ would protrude from the vessel background. These were then laid face down on the resist. I did not have the same control when felting as I could not get my hands near the bases of the ‘shibori’ That said, it produced interesting results.

Prefelt – shibori effect

 

My next experiment was to nuno felt some fabric into the vessel but to leave a hole where there was no merino used.

Silk, lace and pencil roving used in window and nuno (purple silk)

I was inspired by something I learned on a course with Jorie Johnson but I used a different process to Jorie’s here.   I decided to double up on the fabric to make the hole a little more interesting I used a purple silk behind a very delicate lace which came from an old mantilla someone donated many years ago. Before laying down the fabric I outlined the future hole with pencil roving, then popped the fabric on top. The purple silk extended way beyond the featured hole and it felted in wonderfully. I love the overall effect.

Purple Nuno, and window (black lace and purple silk)

 

Then I used some very special locks. The donor was a Leicester Longwool sheep aptly named ‘Bright Eyes’. These were sourced from my buddy Leonor who is the creative genius behind Eleanor Shadow (https://eleanorshadow.com/) Be sure to check out her website and all her beautiful hand dyed products.  Here are some of the locks I used.  The colours are gorgeous!

Eleanor Shadow’s beautiful hand dyed locks

 

I thought I would add a little of Bright Eyes to the mix to see how it would react to being totally felted into the vessel. The fibre kept its lustre and happily felted in without being swallowed. I do have to add that I would prefer to see these beautiful locks move freely as a statement on a piece rather than being ‘imprisoned’ in this way. Just glad I only used a few!

Bright Eyes locks felted in close-up

 

Finally, my last experiment involved taking some of the hand dyed silk I had used earlier, I gathered it by hand stitching, I laid it down on the resist so that the hand stitching was uppermost and then added the black merino background. I had no real control as to how this would felt in so I needed to do a bit of pulling to loosen up the fabric once I turned it as the black fibre had come right through all the layers. All a learning experience. Next time I will work with the stitched fabric on top of the fibre as I will be more in control and have less tugging and pulling (and cussing) at the end.

gathered silk then nuno’d

 

All in all, the play was fun. No methodical approach to sampling here, just good fun. And sure don’t we learn when we are having fun!  Here is the final piece:

 

Next: the update on workshops taken. Just one this time, flowers with Diana Nagorna. I supersized one of two of the flowers (just for fun of course) Here are the results.

 

 

Lastly, registration is open for my online course wet felting a spiral. The course will start on 30th October and run through the month of November.     You will have access to step by step videos, a downloadable PDF and, of course yours truly here in the virtual classroom. Please feel free to click on the following link to find out more https://feltingandfiberstudio.com/classes/hanging-felted-spiral/   It will be the last spiral session for 2026 and as I plan to do a bit of travelling next year I am not sure of my scheduling for 2027.

Happy felting (and playing) all!

Helene x

Top view of two feet, one wearing a very oversized knitted slipper.
I tried felting some slippers. It didn’t go well.

I tried felting some slippers. It didn’t go well.

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*So… I scheduled this post to come out yesterday, but made a mistake on the month… Apologies! Here it is today, 12th Oct*

I am usually late to the party when it comes to viral trends; that is, if I ever decide to embrace them at all. A while ago however, there was a knitting pattern called Sailor Slippers that garnered a lot of attention, and I filed it in my brain as Something To, Maybe, Perhaps, Try One Day. I never expected it to come to anything, as my ADHD brain often has its own crafting agenda.

As it happens, my brain actually nudged me 3 weeks ago, and as I was vending at the Scottish Yarn Festival I was tempted by a fellow vendor’s wares and bought the yarn to knit said slippers. I chose two colours, black and purple. Both yarns in Aran weight have little bits of tweed that complemented each other.

I decided to also use some very old stash yarn, two single-ply and very bulky mystery skeins in black and teal for the soles and edge trims.

Now, the keen minds among you may have noticed one tiny, barely remarkable, detail: the yarns I was using weren’t of the same weight or, indeed, the same brand or composition. Yes, they were wool and non-superwash, but that was likely the end of the similarities. Nothing wrong can come of this, right?…

The way this pattern works is, you knit the slippers in a specific size and, once you’re done, you machine wash them and they should shrink and felt. Here they are before felting, fit for a giant. The aran weight yarn was doubled to reach appropriate gauge.

Top view of two feet, one wearing a very oversized knitted slipper.

Top view of my feet with socks, one of the foot is wearing an oversized knitter Sailor Slipper. My cat Marshmallow is next to my feet.

I would have normally worried a little bit at this stage, but having seen other projects out there (there are literally hundred of thousands), I knew the very oversized look was expected. Next step, knit the top trim, then machine wash. Voilá, a pair of Sailor Slippers ready to be worn.

Reader, they didn’t fit me. The bulky, single-ply yarn shrunk decently, but the top one refused to shrink like it was meant to. Into the machine it went again. Then once more.

One Sailor Slipper on my kitchen counter

I apologise for not taking a picture of the slippers on my foot, but by this point I was getting frustrated with the lack of progress and just wanted to see the back of this thing.

However. I am nothing if not stubborn, so I decided to do one more thing before calling it quits: hand felting.

If you know me, you know that wet felting is not my forte. It’s definitely not something I have a lot of experience doing, and I know the fulling process can take hours.

one Sailor Slipper in a tub with hot water and suds. My gloved hand holds it.

I tried, I really did. I alternated very hot and quite cold water; I rubbed it with soap. I told it to cooperate or else. All I got was fuzzier wool and not much, if any, extra shrinkage. In ultimate despair, I popped them in the tumble dryer. Nothing changed!

At this point I was ready to call it quits and forget I ever did this.

I vented my frustration to my other half. He listened and commiserated. That’d be the end of it…

…then I looked at his big feet. “Put them on,” I told him. Can you guess what happened next?

A pair of Sailor Slippers on my husband's feet

They. Fit.

At this point I didn’t know whether to be glad my time hadn’t been wasted, or to go bang my head against a hard surface. You see, my husband isn’t what we’d call Knit Worthy. It’s not that he’s not appreciative of the hard work that goes into a handmade garment, but he either overheats, or complains it’s itchy (gasp, merino wool, itchy?!)

I’ve now told him he has to wear these slippers often to appease the gods of wool, otherwise my next knitting project shall be cursed. I’ll also try not to look at his feet when he’s wearing them as I’d love to forget how much this did not go my way.

Want to share a “failed” project with me in the comments section? I’ll commiserate with you!

 

 

 

SHAPESHIFT – making felt sculptures

SHAPESHIFT – making felt sculptures

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I’ve been reviewing the future direction of my felt work. I’ve decided to stop having so many exhibitions and sales. I will still do some exhibitions but I’d like to focus less on what people might buy and more on the things I’d like to make, irrespective of whether or not they are saleable. 

In particular, I’d like to do more complex 3D & sculptural work as I particularly enjoy it. So it was a happy coincidence that Gladys Paulus was offering an online felt sculpture course called SHAPESHIFT.  

My very first blog on this site was about a 3D seed pods workshop I took with Gladys Paulus in November 2019.  Herfe’s a link if you want to take a look.

https://feltingandfiberstudio.com/2019/11/14/a-felting-adventure/

I really admire her work and found her an excellent tutor so it was a bit of a no-brainer: I signed up for SHAPESHIFT with a glad heart. 

You can find a full description of SHAPESHIFT through the link below. Essentially it is about developing your eye and aptitude for sculptural felting rather than producing a specific ‘thing’. Working from a 25cm flat circular resist, Gladys takes you through play, intuition and discovery, building confidence and a developing a sculptor’s eye.

https://onlinetutorials.gladyspaulus.com/courses/shapeshift–458f1e58-42de-4b8f-af48-722cf56fd241/salespage

The course materials are clear and thorough with extensive text and video descriptions. Gladys also gave generous, thoughtful, insightful and encouraging personal feedback, which was invaluable.

So, let me introduce my 10 sculptures. 

The materials list suggested working with light coloured wool batts.  The only light batts I have in a large quantity are Corriedale (25-29 mic) and Merino (23 mic) both from World of Wool.  I started with the Corriedale, which is quite a bright white colour. All the sculptures start off with the same flat circular resist.

1) SEEDHEAD

This was my first sculpture. It’s quite a complicated shape and took me a long time but I was happy with the result. I could do with de-hairing it (I tried a heat gun but didn’t really get on with it).

2) CONTORTION

I lost sight of the overall shape of this one and had to go back and felt it some more. Isn’t felt a wonderful material that it lets you do that! It’s my least favourite shape but I learned a lot from it, which really is the point.

3) WRAP

I called this ‘wrap’ as it feels a bit like a hug. It’s less complicated than the previous two. Although it’s not obvious from these photos, it also tips slightly which gives it a slightly fragile feel.

4) SLIPSTREAM

With ‘Slipstream’ I was specifically working on getting smooth transitions between different planes: some nice sharp edges.

5) RINGS

I may go back and re-work ‘Rings’ to exaggerate the fact that the rings aren’t parallel. At the moment it feels a bit ‘meh’, although I do like the way you can see the light though the hole.

I thought my sculptures so far were tending to look like vessels. I’ve made a lot of vessels in my time so I decided to try to move away from those shapes. At this point I also switched from using the Corriedale to the Merino batt. It’s a more cream colour, felts slightly more quickly and gives a lovely smooth finish.

6) LEAVES

With ‘Leaves’ I worked on making more concave shapes. I particularly like that it looks completely different from the top (picture 2) than from the sides.

7) PLANES

More work on refining planes and angles

8) LEAF OR SHELL?

Similar to ‘Leaves’ in that I used some of the same shapes and didn’t want the sculpture to look like a vessel. I also like this one as it looks very different from different angles

9) UPTIGHT

I think with ‘Uptight’ I pushed the limit of how many different ribs and planes I could get across the shape. It was a bit of a tussle to get it as I wanted it, though I’m happy with the result. For a long time it was a horizontal sculpture but near the end it became upright, which contributed to its name.

10) TILT

I knew ‘Tilt’ would be my last sculpture for the course and tried to go with something a little more relaxed. I like that it seems to be balancing. I thought I might make a shape like three pebbles balancing on top of each other but decided they would be too small – I may make something like this using a long oval resist.

It was good to see other participants’ sculptures – they were all so different. For me it really illustrated the enormous flexibility of the medium, and how much the shaping is entirely in our hands

I absolutely loved this course.  I learned some new techniques, which I will continue to use, but most of all I reveled in taking time, letting things develop slowly, experimenting and learning as I went along.  I have a bit of a felting gap now due to other commitments but I am already thinking about what sculptures to make next.

I’ve always enjoyed wet felting, but this course really re-awakened my excitement in making felt.  I woke up in the morning thinking about felting and couldn’t wait to create my next sculpture.  That was joyful and a great gift.  Gladys is working on a more advanced sculpting course called RESIST! Will I be signing up? What do you think?!

Two Coats Colder

Two Coats Colder

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Back in April 2002, before I became infected by felt and  was still interested in woven tapestry, I plucked up courage and attended a Tapestry Weaving Course run by professional tapestry weaver Bobbie Cox.  If you live in or near Rochester in Kent you may have seen some of her work as there are four of her tapestries adorning the Lady Chapel in Rochester Cathedral.  My report of the workshop was published in the March 2003 edition of The Journal for Weavers Spinners & Dyers.  I have reproduced it here.  I’m afraid that there weren’t any photographs for me to show you as I didn’t own a camera at that time.  I have tried to produce the sketches that I made and you will see why I say that I can’t draw, except with a felting needle!

inside a cathedral showing stained glass windows with tapestries below and a tapestry on the front of an alter with 2 candles on it
Lady Chapel, Rochester Cathedral – Bobbie Cox Tapestries

“Peter Tavy, Two Coats Colder than Tavistock”

“And I wish I had known before I went!  Still this only related to the weather and was in contrast to the warmth of the welcome from the inhabitants of Peter Tavy when I joined 16 others on an ‘overflow’ course on Design & Tapestry Weaving given by Bobbie Cox at Peter Tavy Village Hall (formerly the school) in the second week in April 2002 (the original course had had such a long waiting list that Bobbie had arranged an additional one).

“Our first task was to explore the village taking in textures, colours and atmosphere, making notes, taking wax rubbings and collecting samples.

“On returning to the hall we discussed what we had found and then Bobbie told us that our theme for the course would be ‘windows’.  She showed us slides of photographs she had taken from the inside looking out, outside looking in, of misted window glass, and raindrops, of reflections and shadows.  She reminded us that windows are the eyes of a building and can be looking at us whilst we are looking at them.  (I’ll never regard a window in the same way again!)  Then she sent us out around the village again to ‘collect’ windows.  The villagers were (with one unpleasant exception) very tolerant of the students gazing at their properties in a very odd way, even the overwintering inhabitants of the sole remaining farm’s cowshed.

“The students were of mixed ability, from complete beginners (three of us – one of whom was our ‘token man’ Peter) to the quite advanced.  Bobbie showed us three ways of warping our frames, how to decide on the set of the warp and how to spread the warps appropriately.  She gave us advice and encouragement and showed us some of her many sample pieces to illustrate her points and her tips.

“After a picnic lunch beside the River Tavy, it was back to work – perfecting our designs with paint and pencil.  (I stayed up till 11.30 getting mine done.)

“Next day Bobbie set up an Indigo vat – in the back of her car!  (Well it was very cold out and much warmer inside the car which was standing in the sun, indigo vats need to be kept warm.)

“We all took turns to dip various yarns and fibres, re-dipping and over dyeing some coloured yarns for various periods during that day and also leaving some in the vat over-night.  In between times we started the actual weaving of our tapestries, all the time receiving tips and advice from Bobbie.

“She advised us to watch out for shrinkage or ‘waisting’ – the tapestry pulling in at the sides as the weaving progresses.  It is unlikely that this will be the result of poor selvedges, but more likely to be because the use of several different yarns in one pic, or ending one or more kelim slits in a single pic.  Bobbie’s suggestion was that we should insert a number of ‘guy ropes’ by sewing one end of a spare piece of warp thread near the edge of the tapestry (but not too close to it) and tying the ends to the sides of the frame.  If this is done on both sides of the tapestry, the tension will help to prevent the waisting. (I wondered what the purists would think of this, but if it’s good enough for Bobbie Cox it’s good enough for me.)

“Day 3; and after removing the yarns which had rested in the dye vat over-night, some of us tried some more in what was thought just to be the exhaust of the indigo.  In fact there was still quite a bit of life there and we dipped several skeins each.

“As the sun was still shining, we decided that we would lay out on the playground the yarns which had been dried over-night so that Bobbie and those students with cameras could photograph them.  It was then that we received some exuberant visitors.  They were some of the inhabitants of the cowshed on their way through the village to alternative accommodation.  They were moving at high speed in all directions, frantically followed by the farmer.  Bobbie saw off the ones which had decided to see what the activity was at the Village Hall.  I understand that they were eventually rounded up and led of to their new abode, having left liberal donations for the rose garden in the streets.

“Before lunch, delivered to the Village Hall by Jill, the Peter Tavy Sandwich Lady, some of the students accompanied Bobbie on a walk up to Dartmoor.  Some of us, not having sufficient warm clothing, decided to stay and work on.

“During the day Bobbie showed us some more slides of windows and also some of her own work.  However the highlight of the day was a visit to Bobbie’s own studio.  She was not working on anything at the moment, being very much involved in the administration of her touring exhibition ‘Woven Water’.  She did have two of the larger pieces from this Exhibition, ‘Spring’ and ‘Autumn’, which she  hung along with some other pieces for us to see, including a recently completed commission – a large tapestry inspired by the beach at Blakeney Point in Norfolk entitled ‘Tidelines, a Woven Memory of Blakeney’.  Also on display were picture boards showing the inspiration and development of that design and some of the Woven Water tapestries as well as some smaller samples and bundles of wefts tied and dyed.  Bobbie explained the mechanics of her large high warp loom and how she works on it.

“The next day – our last – was Sunday.  Now we were all working hard trying to get as much weaving done as possible before our visitors arrived.  At Bobbie’s suggestion we had all asked our bed and breakfast hosts to morning coffee and to see what we had been doing during our stay.  This is apparently a feature of Bobbie’s courses and many villagers visit regularly.  The noise level rose dramatically as the visitors wandered around and chatted.

“Bobbie did manage to fit in a few more tips for us though:

“1        Don’t be in too much of a hurry to cut the work off the loom, live with it for a while in case you subsequently decide that you want to add to it or make some changes.  It won’t be possible after it’s off the loom.

“2        Ends of yarns are usually left hanging at the back of the work, unless it is to be viewed from both sides.  Don’t cut them too close to the weaving or they will start to work through to the right side.

“3        Darn in yarn ends which are near the selvedge or kelim slits.

“4        When you darn in, slide the needle up or down the warp thread, not across the warps – it might show.

“5        Consider the mechanics you will use to hang the finished tapestry (although this should have been thought out at the design stage).  You may need to weave further pics in the heading, for instance if you will be incorporating a metal (preferably stainless) rod or a wooden slat.

“6        Weighting the bottom of the weaving will help it to hang better.

“7        Steam press the work on the reverse side – using a cloth and pressing lightly.

“At three o’clock we started to pack up and then display our work and our design drawings so that they could all be looked at and photographed.  It was amazing what diverse designs had been achieved.  We had all learned something, particularly we three beginners.  Bobbie  had encouraged us to try our own ideas and allowed us to make our own mistakes, lessons being better learned by trial and error than by example.

“By the time that we finished at about four, we were all very tired by very happy.  One usually finds on a course like this that there is one person who spoils things for the others, but it had been noted that our group was particularly lucky in that we were not “blessed” with the student who wanted to grab all the tutor’s time, or the one who wanted to be the centre of everyone’s attention (boring or noisy or both), or the hypochondriac.  We all had a great time – thank you Bobbie.

“PS If you attend another of Bobbie’s courses in Peter Tavy, better diet before you go – the food in the local pubs is marvellous – so’s the beer!”

partly completed tapestry of the four paned window on a wooden frame loom
Window Tapestry – still on the loom I’m afraid and I don’t think it ever progressed any further.

A couple of weeks later I attended another tapestry workshop run by another professional but I’ll save my report of that one for another day.

 

Sven Came Home

Sven Came Home

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We got the call the other day that our new (baby) ram is ready to come home. We decided to call him Sven. He has grown since April. He now weighs 70 pounds(32 kg).

Here he is with his fellow lambs. He is the one in the back with the white on top of his head. He knows something is up.

HI is still a baby, so he was easily rounded up and carried to the dog crate in the back of the van. He was not impressed with his travel accommodation.

Here he is looking back as we drove away. It made me feel sad.

But that didn’t last long, and he was looking out the front window. He didn’t complain much at all.

And now he is in his new temporary home. He will stay here for a few weeks to settle in, and then we will put him next to the Storm, our current ram, and the ladies to get acquainted.

Here he is listening to Storm and the ladies yell greetings from the other side of the barn. This was a couple of weeks ago. He is settling in nicely and no longer thinks my son is going to kill him when he brings him his grain. He will even let him pat him if there is grain on the offering.

Lastly, a couple of close-ups of his wool. I hope to make something nice out of it next year. The sun shot shows you the lovely colour.

Twist 2025, Part 1 new booths of interests

Twist 2025, Part 1 new booths of interests

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Twist 2025 new booths of interest

Some of you have joined me in previous years on the trip to Twist Fibre Festival in Saint-André-Avellin, QC. It’s about an hour and 15 minutes from home, a bit longer with construction detours this year. It is worth the drive in shopping opportunities and usually has lovely scenery. (We had some of the smoke from fires much further west so it was too hazy for the views overlooking the river). Twist is also the largest of the close fiber events to Ottawa.  Please join me as we take a peek, first at the demos and a new booth that I hope will catch your interest too. We will take a look at more of the event in the next post. Don’t forget to meet me at La Toquade restaurant for after shopping Dinner of comfy duck sandwiches.

photo montoge of line up getting into Twist on friday morning (it was very hot) and close ups of the decorations by the sign which is a sheep on a rocket1)Lining up to get into Twist 2025

Demo Hall way,

There are two halls (Gym and Arena), one on either side of a main hall, which also leads to the back of the building, where more vendors in a large tent were located. The hallway is where the demos from various fiber arts groups are located, including the local weaving guild and our neighbour guild across the river. Let’s take a quick peek before heading into the main hall. I was sure I had taken pictures of the knitting guild, and author and one other group at the end of the hall by the tent but I don’t seem to see them. This year we had examples of weaving, spinning, and a bit of felting at the guild table.

OVWSG Demo table table loom on table OVWSG Demo table Suport spindle spinning2.1-2.2) OVWSG Demo table

Gatineau Guild of weavers banner and table display2.3) Guilde des tisserandes de Gatineau; our neighbour guild on the other side of the Ottawa River

lace makeing pillow with hands moving bobins2.4) The Lace makers guild

Association des Artisans de Ceinture Flechee de Lanaudiere banner Association des Artisans de Ceinture Flechee de Lanaudiere table of finger woven bands2.5-2.6) Association des Artisans de Ceinture Flechee de Lanaudiere

While at Twist fiber festival, I spotted a few new booths which caught my attention and I thought you would also find interesting. So I am going to focus on one of the booths today but we will look at the rest of the event hopefully in the next post.

New Vendor has felt

At this point, we had arrived, said hi to the morning demo team, and started looking for booths selling fiber or (Needle) felting supplies.  It was close to opening time, and was still quite busy with a rush of shoppers.  I had to wait to get into the booth. The little I could see from outside had me curious as to what else might be in there. I was sure it would be worth the wait.

glimps of wool felt between people stopping and walking in front of where i was trying to see in3.1)I see wool! Yes, that definitely looks like wool. I wonder which booth this is?

As the crowd parted, I could see the signage “Field & Fleece” and “WoolGrown”.  Behind the sign was a 3 foot tall roll of felt!! As well as bags of fiber (I think I overheard the bags of fleece were mixed rideau-arcott sheep fleeces?)

montage of photos, signage and bags of wool, lamb covers, wool pellets for gardening3.2) When the crowd parted and I could see part of the booth!

rolls of various lenths and widths of horticultural felt.3.3) Precut lengths of felt, some have holes cut out for planting plants, others are solid.

samples in booth of poducts made from this felt, jacket bag, art, and small bags of fiber 3.4) There were examples of wool Felt use; Jacket, purses, art, small batts in bags

There were also small strips of wool rolled up on the table. They were selling them to start seeds in. I looked at them and saw name tags!!!

3" and 4" widths of felt in long strips, they are to plant seeds but i am going to make name tages 3.5) wool strips  for sale in the booth

The strips were being sold as “Seed starting wool strips the eco-friendly evolution of the innovative seed-starting method known as the “Seed Snail.”” The concept seems to be to un-roll the wool strip about 4” x 4’ long, add moistened potting soil mix, roll up the dirt with wool, making something that looks like a less tasty cinnamon roll. Plant the seeds at the top of the roll, so the roots will grow down between the circles of wool. That sounds like an interesting concept but I still see name tags when I look at these rolls. There were a few different widths so I selected a few of the wider (about 4”) and a couple of the cheaper 3-ish” ones.

If you noticed the little square about an inch thick by about 4 inches, I picked up one of those too. I will try it out as a felting surface later.

Since I had finally got to the front of the booth and had already found a small selection of items, I kept looking.

ceramic sheep bole with blacksmith made masonre nails. (to use for mordenting dies)3.6) OH my! What is that?

Not the prins, look in the cup! I was just apologising to Glenn, as we drove here, that I suspected the booths selling blacksmithing items or supplies would again be rather thin.(ok, None. I am sure it’s just an unintentional oversight that will be fixed at some point in the future.) Those rusty items are square-headed nails, and look like blacksmith-made objects! I asked about them and was enlightened that they were the “nails” from a brick wall that had been taken down and she didn’t have the heart to toss them. She was selling them for dyers to mordant their dye baths. I bought a little bundle for Glenn so his day was not just carrying my packages and taking naps on a bench while I shopped or photographed.

Since you have seen the extreme relaxation (napping) demonstrated at various fiber festivals I should not deprive you of another sighting.

Husband sitting on bench sleeping peicefuly while shopping happens behind him4.1) Fibre festivals are a good spot for extreme relaxation.

Mer-Boyfrend self-feling his own abbs Mer-Boyfrend self-feling his own abbs another vew4.2-4.3) The Mer-boyfriend got impatient and started to work on his own abbs. I spent too much time explaining why I was making another mer-person to people stopping to ask what I was doing and how did it work? (Yes, I got another voodoo comment too!)

I filled in at the OVWSG Demo Friday afternoon, as the demo started to pack up, I “rushed” back to buy the roll of felt but they were unfortunately closed…. Drat. Ok almost everyone is faster than I am at the moment.

While we are still in town, we can go enjoy the comfy duck sandwiches at the La Toquade Restaurant. It’s part of the enjoyment of going to twist, and I think about this sandwich for a year between twists, so let’s go see it they are still as memorably delicious as it was last year. (Oh yes it was!!)

on a long rectangle plate, good fries, a small salid with rasbary balsamic vinagret, frenchfrie dipp and the amazing sandwich ingredients listed below photo5)“Club sandwich au confit de canard- Servi dans un pain abricot-raisin-tournesol garni de bacons, oignons, pommes vertes, céleris et mayonnaise maison et un choix de frites ou de salade mesclun” / (Google helped and translated the above to English for me: “Duck Confit Club Sandwich – Served in an apricot-raisin-sunflower bun topped with bacon, onions, green apples, celery and homemade mayonnaise and a choice of fries or mesclun salad”.  the dip for the very tasty french fries was “choix de mayonnaise maison” and the small salid had a fabulouse rasbary baslamic vinigret. Desert was Mousse au chocolat (I think that has to be one of the best types of Moose). If you make it to twist, this may tempt you to stay in town for dinner or a late lunch.

After a delicious dinner, we headed for the highway, through rolling hills and past a very picturesque stream, which I keep meaning to stop and take pictures. Unfortunately, shortly after getting on the highway, we found the highway was closed, so wound up enjoying rock cuttings and farm land while following a very round about detour. (We eventually found out the road was closed for paving.)

pick up truck (licence plate obsured) has bound (tied up) small couch in back.6) I suspect I have been watching/listening to too much US political news on you tube. We saw this in front of us on the detour. Can you guess my first thought as to who must be having a quick getaway visit to Canada?

We did make it home after enjoying parts of Quebec we had not seen before. I spent the rest of the evening reviewing Fridays photos and posting some on the OVWSG Group FB page, I did a bit of investigating on the internet since I regretted not buying one of the rolls of felt.

WoolGrown Company web site: www.woolgrowncompany.com

WoolGrown Company on Face book: www.facebook.com/profile.php?id=61568471715075

This is a Canadian company, based in southern Ontario. It is a lot closer to drive to Twist (Just over 1 hour east), than to drive west, well past Toronto (Over 6 hours south-west of Ottawa). (Which is why I was trying to get back to twist on Sunday.)

As I heard at twist and saw on their web site, they were looking at ways to diversify their farm production (sheep farming).  On their web site i found links for Wool pellets for mulch, Garden & Horticulture Felt (which was the felt I purchased on Friday, but not the option with holes precut in it for plants) and Sheep Tea Pouches. In their booth, were also examples of; felt art, Felt Jackets, Felt Bags and felt Pots as well as the felt itself.

I tried messaging the company on their Facebook page (but they were likely very busy recovering from day 1 of twist) since I knew going back on Saturday was not an option. I would have to hope to be up and running… er, walking… ok rolling on Sunday.  Glenn said he was up to joining me again, (he was hoping for more Comfy duck), so off we went back to Twist early Sunday morning.

large roll of felt (hordicultural) 3' tall and very long. sitting partly behind sign saying Feild and Fleece7.1) 3 foot tall roll of wool felt!

Ah good they have not sold out, but as I got closer, there was a lot of stock missing. The 10 foot by 1 foot rolls were gone and so were the other sizes I had seen on Friday (Drat). Luckily, Sunday morning at opening was not as busy as Friday, or I heard Saturday had been, so they said they could cut me a piece from the big roll.

mesureing out 4 feet of the lenght from the roll mesureing out 4 feet of the lenght from the roll7.2-7.3) I got 4 feet of the big roll.

I am hopeful I will be able to use this with my picture felting students. I need cut pieces that are a bit bigger than 5”x7” finished picture size.  I want my students to feel the difference 100% wool felt feels, when compared to the cheap part wool, to full acrylic non-woven options for picture felting bases.

close up of some of the pices i purched from this vendor. 8.1) “Horticultural”, as you can see there is some kemp and a bit of VM. Even so, it looks like it will make a good base for picture Needle felting.

Let me show you some of what I wound up with from this vendor, I will show you the rest later. I am looking forward to investigating this wool felt, hopefully soon.

Today (which will be yesterday as you read this) we headed south of Ottawa to Kemptville for a much more intimate fiber festival. I had wonderful chats about felting and fiber and thoroughly enjoyed myself. (Glenn read a book and had another nap, I told you fiber events were extremely relaxing, soon all husbands will want to attend with us, just for the quality napping!!) I would like to show you a couple of interesting displays and booths there too, but let’s finish off visiting Twist next. Don’t forget to save a bit of virtual or actual money for shopping at Almonte Fiberfest on Sept 6th 2025 if you are in the area!!

Upgrading my Fiber Prep system

Upgrading my Fiber Prep system

Comments 21 comments

Earlier this spring we went out to Princess Auto to look at some fiber prep equipment, who would have thot they would have such fabulous fiber equipment. The item I was considering was on sale, but Glenn thought he could modify my small fleece washing bins. I was getting sore, so we headed home without it. I had not-buyers-Regret.

It’s now June, last week was very hot, sunny and perfect for washing fleeces, but I had no buckets ready to go.  I was finding it more and more difficult to use the large buckets and strainer baskets. Tipping the buckets when they were full of water was getting challenging. What I was looking at has a drainage system that a tap and hose could be attached to. That would eliminate the tipping of heavy buckets full of very dirty water.

We are very lucky, we live in a city with two Princess autos. I went online to see if the West End store had one in stock, nope, but the East End store has four. So off we went in my little KIA soul to find “the item”.

75galon stock tank black with a drain.1) LITTLE GIANT 75 Gallon Black Poly Stock Tank, SKU: 9281205, In Stock Online, 4 available for In Store $129.99

This is called a stock tank. It is meant to hold water for cows or horses. This seems to be the smallest size with a drain option.  This one is 48 x 34.5 x 18 in. (L x W x H). In larger sizes, they are also used by athletes for ice baths, and by koi as a backyard pool.

When we arrived at Princess Auto, we headed to the customer service desk. The nice lady immediately asked what I was driving. I said “a KIA”! Her response was “I hope it’s not a Soul”. “Why yes, my soul is grey, not black!” I replied. She looked worried and called the warehouse. She asked if they thought it might fit in a Kia Soul. They were sure it would. I added “with a walker?”  The answer was still “it should”. We were to browse for about 5 minutes, and then go pick it up at the back of the store.

Ooh Lovely!! Yes, that will probably fit in the car. I purchased it and a couple of other things we found while browsing and headed back to the car.  Glenn was able to put it in the back of the Kia Soul, and stuff the grocery bags in the tub and still have room for the walker too!

When the last renter next door moved out, he left a metal backless bench. It’s very rusted and doesn’t have a cushion. I was going to put plants on it. I think I have a better idea. Glenn found the hose extension and the tap attachment, which we hooked up to the tank, which is now sitting on the bench with a base of 3 4×4’s for extra support.

close up vew of tap and hose extender 2.1) The stock tank sitting on 3 4X4s on top of the metal bench. Connected to the drain is a hose extender, then the tap valve and the old hose to send the water down the driveway.

All right, I have a hypothesis. This should be easier to use than the big round bins I had been trying to bend over to lift baskets and tip the bin to drain. (Lately, it tended to get me wet and make me sore. But, they did work!) You have seen me use the strainer baskets in previous posts, but I have to go one basket at a time. I think I can do at least 3 baskets per wash in the stock tub, and just turning the drain should be much easier on my back.

Now I need a volunteer fleece to help me test out the new tub. Cupcake has volunteered! Thank you, Cupcake!

flece a mix of colours from dark brown to bage and grey 3.1) Cupcake is a BFL X Romney fleece, which was 6.4lbs. 

Normally, I would set up my skirting table, but I gave away the extra small rain barrels, which were part of its supports. Ok, it looks like it was well skirted, and not too much Vegi-matter. So let’s see if I can sort directly into the strainer baskets.

I gave the stock bin a quick rinse and realised the drain is over an inch up the side….. ok, there will need to be a bit of tipping to get the last bit of water out. Silly me, I got too excited to be fleece washing again and put the soap in before getting a couple of inches of water added. Oh well, the suds will dissipate, eventually.

added soap too soon as i added water stock tank now has water covered in suds3.2) Too many suds, I guess the fleece is about to have a bubble bath instead of scouring.

Since I don’t have hot water outside and I don’t have a space inside to set up to wash fleeces, the fleeces get a bath in the ambient temperature water. That’s ok, if there is a bit of lanolin left in the fleece, it works wonderfully to wind bird feet and toes.

Now let’s see how many bins I can fit in. I think I may be able to get four in the stock tank! The fleece is (6.4 lbs), and I split it into five bins. It’s a bit tight, but I can get 5 bins in.

5 strainer baskets in soap filled stock tank3.3) 5 bins just fit in this size!

There is a smaller size of strainer basket if I want to work in smaller amounts. What I have now is the larger one from Dollarama.

the soap is helping the wool get wet 3.4) The soap (not Detergent) helps with wetting the fibre as well as releasing the dirt. Look at all the fabulous colours in this fleece

soap has disapated, water is a shade of dark brown, the 5 bins sit in the stock tub3.5) A good soaking and suds-be-gone, so time to get out of the bath.

draining one bucket before hanging it up to finish dripping, the dark brown water is visible in the stock tank.3.6) Look at the dark brown colour of the soap wash water as fleece-filled strainer buckets are coming out. That sheep was dirtier than it looked!

starting to refill the stock tank (the tank has 3 rings each suggests it is 25 gallons. i will be filling to the first line so 25 gallons3.7) Rinse #1 refilling stock tank to the first ledge.

lighter brown water after fist rince 3.8) Rinse #1, after the strainer baskets have been removed, inside the stock tank, the water is getting closer to clean!

The inside of the stock tank has 3 stepped edges, which are spaced to suggest each is 25 gallons, since the total it can hold is 75 gallons. So, I am using about 25 gallons for each wash and rinse of five strainer buckets.

Rinse #2 cleaner still, but we were rushing against the weather, which was threatening rain. I also had a camera malfunction…. Both the battery died (I can recharge it) and the lens cap I just bought a week ago broke. I will order another one.

2 stranier buckets saoking in second rince Draing strainer basket by resting it on the edge of teh stock tank. you can see the water is closer to clean then rince 13.91-3.92) End of rinse #2. And resting the strainer bucket on the side of the rim to drain most of the water out before hanging it up to finish dripping.

I can not feel the lanolin, and the fibre feels quite clean. I have had to rinse out fine sand each time I clean out the stock tank. Did this sheep have a fabulous beach holiday?

Glenn is on holiday, and since we are not going to the States, he is helping me today. Two of the strainer baskets look like they need another rinse, but three are looking good. So each basket that seems clean gets gently dumped into the spin dryer.

RV hand washer spinner for cloths4.1) This is an RV washer/spin dryer.

Think of it like a giant salad spinner for clothes, er.. Fleece! There is a dial at the lower edge that can turn on the drain or keep the water in and rotate your clothes.  I set it to drain, and Glenn spun it for me! I found this at a second-hand store, recognised it as a wonderful fibre prep equipment, and bought it!!

the lid off teh RV washer spinner showing fleece inside4.2) just like a giant salad spinner (but I don’t advise it for clothes or salad after all the fleeces it’s been washing.

Glenn brought the drying racks (from Ikea) up from the basement and put them under the covered area of the back patio (the part that doesn’t have blacksmithing stuff)

sears Robuck light dutie farm forge, and larger forge under cover.5.1) the small forge, Sears-Roebuck light duty farm forge and the bigger forge under the large black cover.

We set one drying rack up behind the large forge and the other on the other side by the house.

the green strainer bucket is from the RV spin washer 5.2) The green bucket is handy to move the fleece to the drying racks.

first bucket full on driying rack with plastic owl watching in back grond wool is on ike cloths drying rack5.3) The plastic owl takes his job of guarding the wool seriously.

the patio behind the bigger forge, has 2 drying racks full of fleece, a rain barrel and wooden fence in background  5.4) Two buckets on the right drying rack, and one on the Left. The plastic owl is still supervising. I hope it keeps the evil chipmunk from “Helping”. He will be eating all my blackberries shortly!

blackbarry plants with flowers along the back of the brick house, blue tarp covers blacksmiths foot vice5.5) This is part of the blackberries along the house, and one of Glenn’s blacksmith footed vices under the blue tarp. It could be a very good crop of blackberries (which will make up for the rabbit cutting all the canes off at about a foot for the raspberries.

We pulled out the last two buckets to drain a bit before going onto the racks. And I got busy weeding and then adding more little plants of Tie basil and parsley to the planters. There is a bit more Thai basil and weeding to do, but it’s starting to drip.  What have we learned in previous summers about drying wool?  If you put wool out to dry, it will probably rain….

We moved the 2 draining buckets a bit closer to the overhang, moved the umbrella to give more cover and then put the drying fleeces back in their buckets and moved them and the racks under the cover of the dog-covered area of the side yard. I had a barking Cat, not a dog. He didn’t like to go out if it was raining, so we had to cover a section for him. It’s where I set up my outdoor studio. I haven’t got that sorted out yet this summer.

2 ikea cloths driying rack full of drying fleece5.6) Moved drying racks under cover to avoid the rain.

In the morning, the wind is up, and the fibre is still there, but still not dry. Ok, one drying rack when in front of the garage under the last umbrella, and the other went by the side door.

one drying rack moved under umbrella by garage one rack by side door wool is getting closer to dry but still is a bit damp5.7-5.8) I still have one strainer basket to put out to dry.

strainer basket of wool wating for space to put wool on drying rack5.9) The last strainer basket waiting for space on the drying racks.

I have been ready to start another fleece, but with the drying racks being full, I don’t have a spot to put them once they are washed. So this is the new bottleneck in fleece washing.

Let’s review the Stock tank: Pros /Cons

chart of pros and cons of the stock tank

6.1) Chart of pros and cons that I can think of for the stock tank as a fleece washing tool.

For those who want to see if the washing worked, let’s take a last look at this lovely fleece.

locks of wool draped accross fingers locks of wool Blue faced lester cross romni draped on ruler very crimpy lenght is up to about 3.5inches long7.1-7.2) Washed locks of BFL X Romni. The locks are very soft and crimpy. Unstretched, the locks range up to 3.5 inches

If you think this may work for you and are now thinking about a quest for a stock tank, look at farm supply stores if you don’t have access to such a diverse store like Princess Auto (they also have some blacksmithing equipment).

So I think the stock tank will be a great improvement to fleece washing. I will now have to figure out an upgrade to my fleece drying equipment. Maybe I will have to take the long, arduous, 7-stop sign (one is in their parking lot) trip to IKEA and get a third drying rack. I love an excuse to go to IKEA!!! (and it is just down the street, dangerously close to home.) I hope you are enjoying lovely fleece washing weather and getting some fun felting done while the fleeces are drying!

UPDATE: the Princess Auto Flyer just arrived. the 75 Gallon stock tack will be going on sale July 1-13th 2025, but the store is closed July 1st for Canada day. check on line, there may be a free shipping option. or watch for one at a garage sale!

A frontal photo of the Side Eye jumper
When knitting rebels against you…

When knitting rebels against you…

Comments 15 comments

…or, “when you’re a monogamous knitter and can’t bring yourself to knit anything else, even when you’re tired” – that could be the alternative title, it just slides out the tongue, doesn’t it?…

I am the sort of weird person who can’t stand multiple unfinished projects, I’ll definitely forget they exist if I don’t give them my full attention until completion. Sadly, this means I am stuck with a knitting project that challenges the brain even when said brain is clearly too tired to work on it. I’ve been very busy lately but also very stubborn and insisting I can knit something complicated even when I can hardly keep my eyes open.

Clearly this is headed for success!

Let’s backtrack: I got obsessed with a colourwork jumper I saw on Ravelry a while ago called Side Eye. To my eyes it is magnificent and just the sort of thing my wardrobe is wanting. I had some precious baby Yak yarn that would be perfect for it.

A frontal photo of the Side Eye jumper
Photo by Caitlin Shepherd

Of course, I apparently also crave chaos, because the version I really wanted to knit was one that had some colour changes. I wanted the same version as a Ravelry user called Viorelknits had made. Their version took my breath away and I needed one just like it.

Viorelknits' version of the Side Eye jumper
Photo by Viorelknits

To the unconfounded mind, this version might seem like a simple question of creating a couple of extra rounds in the knitting to switch colours and Bob’s my uncle. To my very confounded mind though, this was a bit of a nightmare. My tired braincells just refused to compute the change. Did this mean I rested and came back later? No, this meant lots of swearing and persisting!

My version of the Side Eye jumper, still unfinished

I have so far managed to knit the bottom successfully, but had trouble interpreting the changes Viorelknits made to their version to make the colour change possible in the section shown on the needles above. This means the beginning of my ram’s head doesn’t look as neat, and now there’s a possibility I might have to frog part of the top bit – can you imagine how much work it’ll be undoing colourwork?

So, wish me luck and keep me accountable, let’s see if my next blog post features a finished jumper, or whether I have instead gone into hiding and hate all yarn until infinity.

See you next time 🙂

One frog and one toad, both hand knit, sat on a desk. One is wearing a turtleneck jumper and the other one dungarees and a shawl
When knitting is tiny

When knitting is tiny

Comments 23 comments

Does your crafting mojo wane and wax like the phases of the moon? Mine does. I have a fairly narrow set of interests but it’s up to the Gods of Craft when I work on one of them.

After my knitting took a back seat for a few weeks, I started feeling the need to get the needles and yarn out and create something cute and tiny. I didn’t feel ready to tackle a bit knitting project, my brain was asking for a quick reward. Enter a frog and a toad!

One frog and one toad, both hand knit, sat on a desk. One is wearing a turtleneck jumper and the other one dungarees and a shawl

If you are familiar with India Rose Crawford on Instagram, you’ll know her cute frogs poised in adorable miniature cosy scenes. If you’ve never heard of her, I highly encourage you to have a look, her attention to detail is fantastic.

I bought a knitting kit featuring India Rose’s frog pattern (jumper included) and when the time was right I begun working on it. My first attempt didn’t quite go to plan, as I mistakenly placed the eyes on his bottom… poor thing ended up looking much more like an axolotl than a frog.

 

Axolotl
A real axolotl. Photo by National Geographic

 

A knitted from resembling an axolotl
My “frog” with eyes on his bum, poor thing…

The knitting gods were mocking me but I persisted! A couple of days later I had a new cute amphibian with a wired armature.

An unfinished knitted frog with wires for arms. My hand is holding his torso.

Knitting an i-cord around wire isn’t easy, let me tell you. It’s fiddly work but the end result is super worth it. And yes, the background for the photo above is my pyjama bottoms – evening knitting works best in cosy loungewear.

A knitted frog next to a mini knitted jumper, still on the needles

The gods played tricks on me once again as I didn’t have enough yarn to finish the mini jumper, so I frogged it (if you’re not familiar, “frogging” refers to when you remove a project from the needles and undo the stitches, the resulting “rip-it” motion being similar to the word “ribbit.” Fitting for this post, no?) After adding some blue stripes this dapper gentleman was ready to stay cosy.

I seem to enjoy making things in pairs, as soon as I was done with the frog I decided it needed a friend and Toad was born. I even bought a tiny dungarees pattern for added whimsy. The front pocket was my own creation.

A hand holds a small knitted toad wearing knitted brown dungarees.

And there you have it, two quick dopamine-inducing knitting projects that eventually led me to a human-sized jumper a few days later. I’ll have to frog that project too, but that’s a subject for another day.

A hand knit frog is sat on the edge of a table with a standing knitted toad next to it.

And, finally, here is an image of what India Rose Crawford does with her knitted frogs. Amazing, isn’t it?

Photo by @indiarosecrawford on Instagram

Maybe I’ve inspired you to knit something tiny. If you do, let me know in the comments section. Thanks for reading.

View of finished cowl multicoloured hand dyed with procion dyes wet felted onto margillan silk
Rethinking old sayings

Rethinking old sayings

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My American Aunt, Rose (born in Ireland but she lived her adult life in the US as a religious sister and kids’ teacher) used to have a phrase about nice things.  They were ‘for special occasions and bonfire nights’. I suspect it was from a time when folk had one good outfit in their wardrobe but it’s a phrase that has stuck with me and, while the saying sounds fun, it has led to me not letting go of beauty, storing them up in boxes or in the wardrobes for that ‘special occasion’ to come along.  As I get older I have come to realise that every day I get to be on this beautiful earth is a special occasion and so it is time to get out the glad rags and let loose!  I am finally applying this simple principle to my fibre stash; so in this post I want to talk about some of those gorgeous samples that I made during the various dyeing workshops I have taken over the past nine months.  I wrote about them in my last three posts and you can find them all here if you would like to catch up with them. Adventures in colour Part 1; Adventures in colour Part 2; Dyeing to Eat.

I have to confess, it took a while for me to brave using the results of the workshops – the special occasions and bonfire nights phrase was stuck in my head and I was afraid I might ruin the samples (silly!).  In the end, I decided to simplify things and just play.  I started with a little weaving.  Some time ago I bought a small loom, nothing fancy, it cost less than €13.00.  It’s from Sostrene Grene, it’s a great shop for reasonably priced bits and pieces and it now is online.  Their website is here

Here is a photo of my little loom.  It’s great for playing as I watch TV:

Wooden hobby loom
Small wooden hobby loom with pen included in the photo for size perspective

 

As I did not have specialist thread and as this was just a play, I set the warp up using cotton thread.  Then I got to work, using some of the fibre and yarn which I dyed during the natural dyeing workshop last November.  I also used a cotton yarn for the background of the piece.  Here is a photo of some of the hand dyed fibre:

The final result for the fresh nettle dye. I love the variety of tints!

Here is the result of my first play:

Hand dyed (natural dyes) fibres were woven on a small hobby loom. Background is cotton yarn and highlights are provided with wool skeins merino and linen fibres. beige and yellow colours
Background is cotton yarn and highlights are provided with wool skeins merino and linen fibres.

Next, I decided to use some of the yarn which I dyed during the Procion dye workshop.  At this stage I had purchased proper warp thread and I decided to use a metal hoop for my base. I used a small nylon ring within the hoop and I set this off centre when I was setting up the warp.  Again here are some photos of the fibre and thread used.  I love the vibrancy of these colours!

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And here is the result.  I plan to add nylon fishing line to this and hang it as a mobile.

Hand dyed (procion dyes) fibre woven onto a circular hoop. Autumnal orange colours
Hand dyed (procion dyes) fibre woven onto a circular hoop.

Next, it was finally time to be a little brave and use one of my favourite fibre samples.  This is merino wool which was randomly dyed in the dye pot.  I loved the result as it reminded me of photos taken of deep space by Hubble. Here are two photos of the fibre sample I made.

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I felt I might ruin the effect if I didn’t felt it carefully.  So my layout had to be simple.  In the end I decided to make a cowl with it.   The sample length was 60cm and it was quite thick so I divided the fibre lengthways into two equal bundles being careful to keep the colours intact.  I took the two bundles and stretched both out very thinly width wise, again being careful to maintain the colours.  As the fibres were going to run in one direction I decided to use the nuno technique to stabilise the piece. I used margillan silk for this purpose (measurement length of sample x 2 by the width of the stretched fibre).

Then I cut a resist which was the same length as the sample.  I wrapped the silk around the resist as it was to form the base of the cowl.  I wet this to keep it in place (margillan is so light it has a habit of wandering!).  Then I carefully laid the fibre on top of the silk. (Tip: the start and end of each of the two lengths of fibre were not placed at the edge of the resist to avoid any possibility of creating a ridge).  I wet the piece down, rubbed and started rolling. (lots of rolls to encourage the fibre to go through the silk).  Once this was done I started fulling the piece.  Here are some photos of the process:

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And here are photos of the finished piece.  I am pleased with how the colours have kept their integrity and it has not become a muddy mess!  All set for the cooler weather.

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Next, I took some silk fibre which has been dyed in the same pot.  Here is a photo of the fibre:

Front view: Silk fibre. I can’t help thinking about Hubble when I see this photo!

This time I set it onto a black background.  I was so pleased that it adhered well to the fibre but the black did not destroy the colours.  This was probably helped by the fact that I did not fully felt the piece as I intended to frame it so I knew I could stop my process whenever I found it aesthetically pleasing.  There’s lots of texture in it which I am pleased about.  The black background definitely reminded me of deep space! Once rinsed and dry, I set to work doing some free motion embroidery. Lots of little stars.  I then added some silver seed beads for a little starry sparkle.  What do you think?

Hand dyed silk fibre (procion dyes) wet felted onto black merino free motion embroidery and silver beads for the stars
Mixed media: procion dyes were used on silk fibre which was then felted onto merino. Machine embroidery and hand beading introduced stars to the piece

Next, a quick update on my more recent dyeing exploits.  I attended  wedding recently and I needed a cover up which would tie in with my dress.  I did not have time to felt a piece but I knew that I had some light wool fabric which would be perfect if dyed.  Previous samples from the Mexican dyeing course I attended confirmed that I could achieve the colour I wanted from avocados.   I prepared my fabric (scoured and used an alum mordant) ate the avocados and then I dyed the fabric.  I threw in a little prepared merino and silk fibres too to see what might happen.  Once dyed, I hemmed the wool shawl.  I am delighted with the result.  This is one piece that will not be kept for ‘special occasions and bonfire nights’.  Here is the result:

woollen fabric which has been dyed with avocado skins and stone and made into a wrap. colour is light golden brown
Handmade wool fabric wrap (dyed with avocado skins and stones) natural dyeing

Then I decided to use the merino and the silks which were dyed in the same pot to make a flower.  The colour achieved was a lot lighter but I am pleased with the result of the experiment:

hand felted and beaded flower (dyed with avocado skin and stone) colour is pink tinged brown
hand felted and beaded flower (dyed with avocado skin and stone) Merino and silk fibres used Natural dyeing

Finally, every year, there is a local collaboration between two of our neighbours a farmer and a food producer (we live in a rural area).  They grow a field of sunflowers which members of the public are invited to pick and make a donation either online or through their honesty box to the local hospice charity.  It is always a popular event.  I picked some sunflowers this week and they are now looking gorgeous in my sun room.  I took off the bottom leaves from the plants before placing them in water.  I decided it might be fun to see if I could extract dye from them.  I also made a little pigment.  Unfortunately, the photos do not fully do justice to the beautiful green tones I achieved from the dye, but I thought I would share them anyway:

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I know I am not alone in my need to behave like a squirrel and hoard my treasured items.   I am so pleased that I have taken a tiny percentage of my mine and transformed them into something else which in my view are aesthetically more pleasing.

Now it’s time for you to share.  Are you a hoarder too?  If so, what do you hoard and do you ever think about transforming some of your stash?

Happy creating,

Helene x