WHERE ART MEETS EMBROIDERY PART 2 (LEVEL 3 STUDENT’S WORK)

WHERE ART MEETS EMBROIDERY PART 2 (LEVEL 3 STUDENT’S WORK)

Earlier this month, Ruth Lane’s blog post covered work done by Gail Harker’s Level 4 students. Check that post out here.

https://feltingandfiberstudio.com/2026/03/21/where-art-meets-embroidery/

My post will cover work done by two of the five Level 3 students, Gloria Shelton and myself.

Here we are at the Opening Reception which was held on February 28th.

4 women
Tesi Vaara, Penny Peters, Gail Harker, Gloria Shelton

The exhibition Where Art Meets Embroidery is currently on display at the Pacific Northwest Quilt and Fiber Art Museum (QFA) in LaConner, Washington USA through May 31st.

As Ruth stated in her post, if you live locally, please do try to visit the museum to see our exhibition in person. Photos don’t really do this work justice.

I’ve been on this creative journey with Gail Harker since about 2013. I finished Level 3 Art and Design in 2019. At the completion of that course, we had our exhibition in her studio in LaConner. That was more of a hands-on exhibition for the students as we learned how to display our own work. The museum handled the displays for this exhibition.

We did, however, have the opportunity to rent a space across the street from the museum for two days right after the exhibition opened so that we could share our working notebooks, samples and other artwork that was not at the museum. This was my favorite part as we got to share the story of our work process with people one on one. When you work on a piece for so many hours, it’s nice to see the process from a different person’s perspective. Visitors spent hours going through all of our sketchbooks. Some even bounced back and forth between the two venues several times.

One of my tables had work from Level 3 Art and Design and Level 3 Experimental Stitch.

artwork and sketchbook information

L3 Art and Design work against the wall and L3 Experimental Stitch on the table

Table display of working sketchbooks
Table display of color schemes and print to stitch sampling

Here is a photo of Gloria’s table items.

Gloria Shelton’s table with work samples of her Paris piece

Now, let’s move over to the actual museum exhibit…

Gloria made a poster-type wall hanging after visiting Paris. Her husband took the photo of the three policemen on skates.

The policemen were printed onto fabric and are heavily stitched.  The rest of the components of this piece are also heavily stitched.

artist with stitched artwork of Paris memorabilia
Gloria Shelton with her Paris piece
artist with collaged fabric pieces
Gloria with three of her monochromatic color schemes holding her pansy
artist with stitched pansy in pink and purple threads
Gloria’s lovely pansy stitched with silk thread

Gloria LOVES pansies and does a wonderful job of stitching them in a variety of ways.

Here I am with My Secret Garden…

artist next to framed garden scene
My Secret Garden

Here is a closer view.

mixed media piece of a garden scene
My Secret Garden
closeup of sunflower area
Closeup of sunflowers, crocosmia and foxglove

Here are the other pieces I had in the exhibition.

artist with 4 framed pieces
Myrtle, Hazel, Andy and Cattails

These were all constructed using a Print-to-Stitch method. I really learned a lot from making the three pieces of the people. These were made from old black and white photos taken in the 1920’s of my grandmother, mother, and grandfather.

Myrtle (My maternal grandmother. AKA Gram)

woman in a burgundy dress
Myrtle
Myrtle original photo

Hazel (My mom)

Hazel
Hazel original photo

Andy (My maternal grandfather. AKA Dedaddy)

Andy
man standing on planks
Andy original photo

I have two more photos that I would like to add to these three. Hopefully someday I will get them completed and framed as well.

 

Hazel on bike
man and woman standing
Andy and Myrtle

I am blessed to live on a small lake. These cattails are in front of my property. This time of year, the red winged blackbirds are nesting in this area and it’s fun to see them blowing in the wind while they are hanging onto the reeds.

Cattails
Cattails original photo

The exhibition has been a wonderful way to showcase our current work done over the last 3+ years of study with Gail (and Penny). I hope you get an opportunity to visit the exhibition while it is at the museum. I hope you enjoyed the “tour”!

Happy creating!

Tesi Vaara

 

 

11 thoughts on “WHERE ART MEETS EMBROIDERY PART 2 (LEVEL 3 STUDENT’S WORK)

  1. Mind blowing work from the both of you!
    Gloria’s parisian piece is amazing and her pansy is gorgeous.
    Love your secret garden – it’s so sunny and serene and we want to go through the gate to see more beautiful flowers.
    Your ancestral and lakeside print-to-stitch pieces are brilliant.

    The amount of painstaking work and hours you both put in must make you proud with the end results 🙂

    1. Gloria’s pansy was so lovely! It looked so soft that I really wanted to reach out and pet it.
      I am happy with how my secret garden turned out. I just need to figure out where I’ll hang it in my house once I get it back from the museum.

  2. Like your blouse Tesi, I bet you made it? Gloria’s jacket looks interesting, and I love her pansy too.
    Coppers on roller skates? I’d love to have seen them in person! Were they really seen in Paris? It doesn’t seem likely somehow.
    Your Secret Garden is beautiful, and thank you for giving us a close up, you can see things that weren’t immediately apparent in the first picture. That’s what I love about textile images, you can sit and gaze at them but still see something new or different when you view from a different angle or in different light. I never tire of looking them, except for the very simplest images.
    It’s fascinating seeing what you (and Ruth) have done with photographs printed on fabric. I have a photo of my parents’ wedding and several of my father in Naval uniform and you are tempting me to have a go at doing this.
    Will we see what you have done in your Level 4 work? I hope so.
    Ann

    1. I wondered if I should have added a comment about my blouse in the body of the blog!
      Yes I did make it. It was a quilt top that I didn’t really like enough to finish it off as a quilt. I was taking a Wearable’s class several years ago and one of the challenges was to repurpose a quilt. I barely had enough fabric and there was definitely not enough to line things up like I would have liked to in the front. In fact, the yoke in the back is an additional stash fabric. I love this blouse and love being able to wear it to special occasions.
      Yes! Have a go at your photos. There are so many ways to work with them and most can be easily printed using an ink jet printer. The black and white photos were challenging but also gave me a lot of leeway with how I wanted to proceed with coloring them in.
      I don’t think Gail will be doing any more Level 4 courses. And I don’t know that I am up to committing to another 2-3 year course of such intensity. I plan to do some dabbling though and look forward to where that takes me!

  3. Such a wealth of gorgeous work, Tesi. It’s difficult to pick a favourite but I find the printed & stitched images very poignant. Who’d have thought that adding stitching and colour would bring them so much to life? My other favourite is the cattails. I love the texture you’ve added to the cattails (which I know as bulrushes, though looking at them again I think they should be called hotdogs) and you’ve created a real sense of the water too. Beautiful.

    1. Thanks Lindsay! There were quite a few print to stitch pieces in our exhibition. I am drawn to them too. The trick is to enhance and then know when to stop. I need to get better at manipulating the photos prior to printing them onto the fabric. I was down at the shore a bit ago and I have a floating dock that I can barely see thru the reeds and I think there is a goose on a nest. Either that or it was a dead goose lying on some reeds. It didn’t move one bit so it was hard to tell. I’m glad it didn’t attack me anyway.

  4. Your stitched family photos turned out beautifully and I hope you finish the other two. Your secret garden has so much work in it and has real depth. It’s hard to see the details in a photo. But I still love your color study book 😍 It’s such a wonderful resource to use for future projects.

    Gloria’s pansy is my favorite of her pieces. I hope that anyone nearby will take the time to see the exhibition in person. It’s well worth it.

  5. Thanks Ruth. It was such a thrill to see all of our hard work displayed for others to see. That color scheme book really brings me joy. I just bought some more wool so I can make small applique pieces for the monochromatic and complimentary schemes and get them into a book. I need to get back to the museum to revisit our work!

  6. Absolutely stunning work from you and the group. You have all worked so hard to produce such lovely work. The work on the photos/images is so beautiful.

  7. Magnificent work Tesi. You have brought these beautiful people into my home with the power of your magic stitches. Your photo of Myrtle and Andy could have been taken last week (two very gorgeous people). Your work is stunning. Many congratulations on your creative achievements!
    Helene x

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