The Unperfect 10!

The Unperfect 10!

A few years ago I was invited to join a felting group. It is called Unperfect 10 and it is currently made up of 10 members who are based in Germany, The Netherlands, Portugal, Ireland and Canada. Distance requires that we meet online and we aim to be there every 6 weeks. The challenge is that we can only use 10 grams of fibre in our projects.

There’s a good deal of catchup and banter when we meet up. Then we each present our piece, our thinking behind our design and we briefly describe how we made it. After that we decide on a theme for our next meet up, whether we can use a resist and at times we will work to a specified colour too.

I thought I might show you some of the pieces I have produced over the past while and tell you a little about each piece.

The Twister:

The challenge was 10 grams of fibre over a 20cm circular resist and incorporating prefelts.

I thought I would play with differential shrinkage here. The dark base took a little over 4 grams of fibre (2 layers each side). The remaining weight was divided between 6 colours and an ombre effect prefelt was made in 4 layers. Then it was cut into 1cm strips, 7 in total. These were wrapped around the circular resist. This gave 6 layers around the main section of the resist and 30 layers where they all came together at the top and the bottom. It shrank nearly 50% and then I twisted it until I got this spiral effect.


Facing darkness:

was this session’s 10g challenge. My theme was life’s challenges, the curveballs that are thrown at us all. At first, they appear insurmountable, difficult to navigate, and find a way through. Then, often, we start to see the possibilities as we look closer. Or we experience acceptance and light dawns. We regain our momentum and move forward often stronger from the experience. My slide show takes the viewer through this journey from the darkness of the challenge when initially faced to personal progression. For this challenge, I laid out a variety of different colour fibres on the resist. Then I topped it off with the black merino and some angelina fibres. Once fulled, I cut out shapes and added a little stiffener to it as I wanted it to maintain its shape. An LED tealight completes the piece.

Home:

The theme on this occasion was Home. We were free to decide how we represented it once we kept to the 10 grams.

Home to me involves a specific room in the house, the kitchen. It is the place for gatherings, family and/or friends, happiness, and informality. This is not a time to pull out the best china cups. It’s the mismatched crockery and, at its centre, the cup of tea. It can be my kitchen or yours. It’s home, and no one present cares about dusty surfaces or dirty windows. It’s home and it’s love.

I worked around a resist and kept a little fibre back for the handle of the cup. I worked with a number of colours; peach and green for the outside, white for the inside and brown for the tea. I added the handle to the prefelt and formed the ‘cup’ by turning the top of the area (white and brown part) to the inside of the cup.

Carnival:

Another theme was Carnival. For this challenge we each made a piece of prefelt which we then sent to a partner. Our felting buddy interpreted the theme on the prefelt and then returned it to its owner.

I chose to go back in time to the early Venetian carnivals. These were “silent” celebrations, participants did not speak lest their accents gave them away! (In theory it was supposed to allow the classes to mix but I suspect that the wealth showed through on the garments) To ensure this ‘anonimity’, masks were held in place by the mouth, a strap for the men, and a ball or button for the ladies. Today, many feel it safer to ‘button our lips’ as our opinions are being shot down. This ancient addition acknowledges it.

The curls are a ‘nod’ to the Romans, who are believed to have invented carnival. I used part of the prefelt that my buddy sent to me, and added margillan silk, extra merino and, of course a button. Everything brought the weight back to 10g.

Escher inspired:

The next theme was Escher inspired.

  • Black and white fibre,
  • optical illusion,
  • tessellation,
  • 3D.

My illusion was the creation of 2D that presents as 3D. Mine weighed in slightly under the 10 gram (9.62 to be exact 😉). I decided to mount the finished work on pins so that it floated above the base. I created three prefelts which were then cut to a pattern I had made and felted together. I had to take great care that I did not all it to distort when it was shrinking. It was a real challenge and I learnt a lot during it.

Botanical:

I have many more but I will just show you one more.

The challenge was as follows:

  • 3D or sculptural art piece
  • Botanical
  • 3 colours of summer
  • 2 pieces unconnected, can be interactive, second piece can be hidden or integrated inside
  • use resist or no resist

My inspiration came from the poppies growing in my garden. Being the lazy gardener, I love the way they self seed! Their petals are fragile so not a lot of fibre is needed. So photos here attempt to show the stages of growth, the closed petals opening and falling to reveal the pod. I hand beaded the seeds.

I hope this post might inspire you to set up your own group. A resolution for the New Year? It doesn’t have to be felting, it just needs to have a particular focus and a challenge that everyone commits to for the following meeting. I am here thinking it’s a bit like a book club but instead of reading and discussing a chosen book, everyone is presenting their interpretation based off an agreed theme and limits.

As a group, we are always amazed at how diverse the interpretations are. It’s great fun but it also gives me direction when I feel my creativity is drying up!

I wish you a wonderful festive period.

Thank you for reading this post (I know everyone is so busy at this time of year).

Wishing peace, happiness and great health to and your loved ones in 2026.

Helene@feltzen

31 thoughts on “The Unperfect 10!

  1. Great idea. I mostly work in isolation.

    Janice McKay B203/8 Duke st Point Frederick NSW 2250 Australia Tel. +61 488074407

    Sent from Proton Mail for iOS.

    1. Hi Janice, possibly something that might work for you then. Small and focussed centred groups are ideal. It keeps everything simple and leaves members time to enjoy their creativity. Helene

    1. You are most welcome. Might this be something that could fit into your creative life?

  2. Thank you for sharing a glimpse behind the imperfect 10 curtain and what you have been making, I always find it fascinating how we all interpret the same theme do differently! How do you all keep coming up with new themes at each meeting?

    1. Thanks Terry, we do a bit of brainstorming at some stage during the year and we use these keywords. Then at times, someone will just make a suggestion at the meeting. Sometimes I come away from the meeting wondering if I can ever interpret the theme but we leave 6 weeks between each meet up so it’s plenty of time to allow ideas to take wings.
      Have a super festive holiday.
      Helene x

  3. Yes fascinating Helene. Thanks for the insight into your creations.
    I think an arms length group like yours (and ours) is probably the best way, at least for me. We used to have a group in Stur, 3 of us started hiring a small hall and working away at our pieces, chatting occasionally. This was great until we invited other local crafts people to join. We had one – there’s always one isn’t there – who spent so much time talking that the rest of us just couldn’t concentrate. We gave up in the end.
    I’m just glad to belong to FFS.
    Ann

    1. How right you are Ann. I like to go into my own world when I’m creating – I think that might be the reason why I find being a student in face to face workshops! There’s always THAT person (or chatty group) who can never give it a rest.
      It’s a shame that you had to abandon it but I can understand why this was the best option – the world can be a very small place.
      I agree, the FFS has done so much for me too. Never in my wildest dreams would I have thought 15 years ago that I would meet such wonderful creatives and be part of the FFS community.
      Helene x

  4. Yes Helene, groups are good … unless you have an unfortunate happening as Ann’s group had.

    When we had the challenges on FFF we found that we made pieces we wouldn’t have thought of had it not been for the push of the challenge!

    ‘Facing Darkness’ is profound. What a huge statement from such a small, beautiful sphere of felt. Any of the photos showing the light and colours would make beautiful wall art.

    Thank you for sharing these wee wonders with us.

    1. Thanks so much ladies!
      Sometimes I leave the meeting not knowing what to do and it takes a while and a lot of deep reaching for pieces to come into being. I love it when it becomes a personal statement and expression of an intimate belief. Thanks also for your comment about the photos. I must look closer at them and see if I can find space on the wall for one.
      Helene x

  5. This is the most inspiring post! Can you please tell me how you attached your poppy petals to the stem? I’ve made several flowers (I love calla lilies) but I still struggle with that step.

    1. Really glad you enjoyed the read!
      The petals are initially formed on two resists
      the bottom one is a full circular disk (resist 1)
      the top one is the same circumference but it has a hole in the centre. (resist 2)
      To make, place resist 1 on the bubblewrap. Then fashion petals on this resist making sure that they all meet in the centre. This way, they will all be joined together when they are felted. Wet down with soapy water and place your netting over. A little light rubbing follows.
      Next, lay resist 2 on top of this, making sure that the hole of the donut is in the centre where the petals of resist 1 meet. Fashion more petals, again making sure that they are linked in the centre, both to themselves and to the bottom layer. Arrange these petals so that they sit between rather than on top of the petals of the first layout. Wet down in same manner as layer one.
      You could continue making more petals, just have a donut resist between each layer.
      When you felt this pay particular attention to the fibres which all meet in the centre of the donut making sure that these are well felted together. Shape and reshape the petals while fulling and full completely. Leave it to dry over a small round shape (something like a golf ball perhaps!
      In one of the photos you can see a tiny hole (the photo where the stem and the flower head are separate. When the flower head is dry, cut a small hold in the centre of the flower head. This is how you thread the stem through to bring both parts together.
      If there is anything unclear, please let me know and I will see if I can help.
      Have fun!
      Helene

  6. Thank you for sharing your post. What a creative and thought provoking group, love the theme work. In this busy world, it seems like a lovely creative push without the weight of a huge project. Inspiring!

    1. Thanks so much Deb. I love being part of Unperfect 10. It’s extra special because we don’t invade each other’s creative space by sharing ideas – we simply work independently without obstruction.
      Helene x

  7. Jumping in quickly to say Happy Christmas Helene. Great article! It makes me think about ways to look at smaller amounts of handspun yarns too. I spin for relaxation these days; it’s about feeling the fibers as they go through my fingers, and the colors. I find myself fretting about what will I do with it? You’ve given me something to think about! 🤔 Little bits of zen. Namaste my friend!

    Capi

    1. I couldn’t have put it better myself Capi. Little bits of zen!
      Many happy returns Capi.
      Helene x

  8. Lovely post and inspiring projects Hélène! I’m recently finding myself enjoying working on a smaller scale so these little challenges really appeal to me. I particularly like Facing Darkness, such a powerful message from a tiny amount of fibre. Carnival and Escher are both wonderful too.
    Wishing you good health and happiness for 2026 x

    1. Thank you Karen. There’s something very agreeable about these small pieces. I feel the creative energy stays at the same level and perhaps they create their own challenges, given the limitation of weight but they can be just as rewarding as big pieces.
      Have a lovely Christmas Karen and may 2026 be a healthy happy and peaceful one for us all
      hugs
      Helene x

  9. Thanks for a wonderful post Helene! I love all your creations and I totally agree that working with groups adds so much to my creativity. The limititation of fiber weight helps to make these “simpler” and you can concentrate on what your theme is and not worry about a “big” project.

    Hope you have a wonderful holiday season and a creative 2026!

    1. Thank you so much Ruth. Many happy returns and here’s to a health, happy and peaceful .
      Helene x

  10. Dear Helene – this is a well thought out spectacular post – thank you so much! I was particularly interested in the Escher post! Some time ago, I experimented a lot with tesselations for a vest and I had quite the time managing the shapes so they would ‘fit’ when felted – I used two colors, pink and grey to differential the shapes. I did learn quite a bit. I admire your work and love how you used pins to mount your piece!

    1. Thank you so much for your kind words Margo. I am a bit of a fan of Escher. I watched a documentary about his life recently and a real catalyst for him was a visit to the Alhambra in Spain. I could see why when I got to tour it a few years ago.
      Yes, maintaining the ratio of all the shapes can be quite a challenge. I have done a few bits since then and I think I am getting a bit better at it. At the start I found myself defining the fulled piece with free motion stitching around each shape but my latest piece has worked without the stitching. (Unfortunately I can’t show it at this point as it is for a piece in a publication).
      The pins were a real pain to get right so I finally put a bit of glue at the back of the board (at the point where they pierce the board and it stopped them moving around. There has to be a better way to do this. Some day I might discover this.
      Have a lovely holiday and wishing you peace, good health and happiness in 2026.
      Helene x

  11. Just a quick question Helene – what do you do with your little masterpieces once they are finished and produced to your group. This is the one question that usually stops me attempting “artistic” pieces rather than things that can be used for something:- “Great idea, but what am I going to do with it?”
    Ann

    1. Hi Ann,
      That is a really good question. We have toyed with the idea of staging an exhibition at some stage but this in itself is a challenge, given how we are all dispersed. Perhaps one day….
      Personally, I have framed some of the pieces, others I hang from fishing wire and they spin in my studio.
      I put more of an emphasis on the impact these creations have on my mindset. They are little bursts of intense creativity that allow me to pause and take stock. Our lives are pulled in so many directions – it gives me some personal time without becoming this huge ‘Do Not Disturb’ time (does that make sense?) I can return to the everyday knowing that my creativity is still alive and kicking. I feel reinvigorated.
      So, in themselves, the pieces are not functional but the action of creating and making has a much higher function as it taps into the psyche. For that very reason it is one of my most worthwhile endeavours.
      Helene x

  12. Heléne, I love your post and everything you’ve created, each being very different in meaning and personal significance, concept and not least construction.
    Like others I totally understand and sympathise about groups. I also understand the need for ‘thinking time’. When our textile group has a workshop I need to do some research first, which includes what we are likely to be creating and the style of the tutor….I personally need that thinking time to make the piece ‘mine’. Occasionally it means I go off at a tangent, but I always follow the instructions!

    What I would be interested to see is the work of your compatriots….how did each of them interpret ‘facing darkness’ for instance.

    Wishing you a healthy, creative and fulfilling year to come.
    Xx

    1. Thanks Antje. I can be in awe of individuals who can walk into a workshop, chat away and produce beautiful results. That is not me and never will be. I need preparation and, to a huge degree just reflective noise (like nature etc).
      I was just saying to Ann that we have spoken among ourselves about staging an exhibition but the logistics are a bit of a challenge. Perhaps some day! We do display on Instagram but we do not have a dedicated page as it would involve someone giving up time to upkeep it. We do tag the pieces on Instagram (something I had omitted to do recently and correctly that this morning). Some pieces can be found at #unperfect10.

      Thank you for your kind wishes Antje. Many happy returns to you and your beautiful family.

      Helene x

    1. How very true Anke, I love working within groups. Each member can be an inspiration for others. It is a lovely way to work. Thank you for the link. Unfortunately I cannot access the map as it is password protected. It must be a great resource.
      Happy new year, may 2025 be filled to the brim with creativity for you and yours.
      Helene x

    2. Oh!
      So sorry: it’s password protected for members only. But it is possible to become a member by contacting Ina on the website.
      🙋🏽‍♀️

    3. Thank you for sharing that information Anke. This is a fantastic resource and a superb idea.

  13. Wow, Hélène! I never thought about the amount of lovely things that can be done with only 10g of fibre, being used to working with 100g increments usually…

    I now need to know the story of how this group came to be! And: aren’t you ashamed you’re cheating on us with other wool people?! 😂

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