Dying Background Fabric for Golden Grove
One of my goals for 2025 has been to finish pieces and have them ready for framing at the same time that the piece is complete. I seem to have missed this by a long shot with Golden Grove. I looked it up in my posts and I finished working on this piece in March. I didn’t have a piece of background fabric for matting so it got set aside. Now it’s December and I have things to take to the framer so I am doing last minute dyeing, stitching and lacing to get everything ready to frame. I thought I would show you a basic dyeing method for cotton fabric using fiber reactive dyes (Procion MX).
The first step is to mix up soda ash and water to soak the cotton fabric in advance of dyeing. I used one cup of soda ash to one gallon of water. I use the soda ash water for many dye baths and it keeps well at room temperature. I let the fabric soak in the soda ash water for 30 minutes.
I am not a precise dyer. I don’t take the time to try and create a specific, repeatable dye bath. I do have some work I have done for classes where I keep track of amounts, color results etc. but I tend to add some dye to a cup of water until I get the color I want. I put down a wet paper towel, put a cup of water out and then add however much dye powder seems right to me. (Please remember to use proper safety precautions such as wearing gloves and face mask and use containers, measuring devices etc. that are only used with dyes.) I mix the powder into the water and then test the results on a clean paper towel. I used two different colors of red and a black dye. And if you’re paying attention, you will see that one of my dyes is an acid dye. I have used a combination of both fiber reactive that is used for plant fibers and acid dyes which are used with protein fibers. In my experimentation, I haven’t seen much difference between the two dyes as long as you use an acid (vinegar or acetic acid) for protein fibers and soda ash for plant fibers.
Here’s my first attempt. It helps to remember that you lose some of the dye intensity when it’s rinsed. I put a little dye on a clean paper towel and then looked at it near my completed piece. This seems a little too light so I needed to add more black.
And looking again after I added more black. The test on the right side of the paper towel was the final color.
Next up was to wring out the cotton fabric that had been soaking in the soda ash water. Then I poured the dye liquid into another container and added the fabric. You can also do this in a gallon plastic bag. I wasn’t worried about getting a solid dye on the fabric. More dye would have been needed for that.
The next step is to let the fabric “batch” or sit in the dye bath. Normally, I leave it overnight but I didn’t have time for that here so I let it sit for 4-5 hours. I didn’t go back and move the fabric around which would have given a more solid dye but I wanted some variations so I left it. Then on to rinsing. I rinse three times in cold water to get the soda ash out. You can feel it when you’re rinsing, it feels slick. Once that slick feel is gone, it’s time for textile detergent and hot water. The textile detergent is just a few drops into the hot water and then add your fabric. I usually let that soak for a couple of hours and then put it in the drain and spin cycle of the washing machine.
Once it’s out of the washing machine, I iron it when it’s still wet and you can see I got a lot of variation. But I wanted that to look like sunlight through the trees and I was happy with the end result. Too bad most of it gets covered up.
And here’s Golden Grove stitched down to the dyed fabric and then laced on to matte board. It’s ready for framing (only 9 months behind schedule).
Have you tried dyeing? I really enjoy creating custom colors and getting a piece of fabric that is unique. If you haven’t tried it, you might want to give it a try.
















15 thoughts on “Dying Background Fabric for Golden Grove”
Yes! You’ve got a great result Ruth. I’d forgotten about the Golden Grove picture and seeing it again was good. Your matt fabric goes really well with it.
I used to use Kemtex Fibre Reactive Dyes many, many moons ago. I particularly liked using their Charcoal, Turquoise and one of their greens, (can’t remember which one now) because if you just sprinkled them onto the fabric after soaking it in the fixative solution the pigments making up the colours would separate out and you’d get fantastic random results. I don’t know if this happens with other makes of the dyes or if it was just Kemtex’s.
Once this piece is framed and off to the Gallery, I bet it won’t “hang” around for long before someone snaps it up.
Ann
Thanks Ann, I think most dyes will split if sprinkled on unless they are the true primary. I have ice/snow dyed where you sprinkle the powder on the ice/snow but haven’t tried it directly on the fabric. I will have to try that.
Late is better than never!
Golden Grove is gorgeous – what makes it come alive is the yellow in the background and the backing material you dyed just accentuates it more.
Yes, you’re right, at least it’s done now. Thanks for the kind words!
This was a good result. I really like how it worked with the art piece that it went under.
Wondering if you have tried ice dyeing? It’s pretty much all I have done for the few years, I love the lack of precision and dye splits I get. Of course, if you’re dyeing with the primaries, splits are not going to be pronounced, if they happen at all.
Thanks Jody, I had already tried some different fabric colors underneath the art piece so I knew what color I was trying for. Yes, I have done quite a ice/snow dyeing and yes, it’s lots of fun with unexpected results.
The colouring on this picture is wonderful, it really does look like its lit up! I havent done much dyeing but what bit I have done has also been deliberately ‘patchy’ rather than a solid colour. I once got some beautiful (unintended) colour splits painting different colours of dye on to pelmet vilene. The resulting project looked far more interesting than it would otherwise have been!
Thanks Karen, I love playing with light and shadows so I’m glad it looks lit up as that is what I wanted to achieve. It’s always interesting when you get color splitting as it is so random and to me, usually quite beautiful. I do think that hand dyed pieces definitely improve a project.
Truly a golden grove. Gorgeous colour, and I feel the sun is definitely casting a beautiful golden glow.
Thanks Marie, I am happy the “light” is glowing. It’s fun to play with light and dark.
Wow, Golden grove is wonderful Ruth. To me you’ve totally captured the glow from a summer setting sun.
You worked hard to achieve the perfect complementary backing fabric, allowing your picture to literally shine.
Thanks Antje, I did want the “sun” to shine through on this one. I’m happy with the backing fabric but was kind of sad to cover most of it up.
Love the reds, Ruth! I’ve yet to try fibre-reactive dyes but it’s on my list! You clearly know your way around it 🙂
Thanks Leonor, I’m sure you wouldn’t have any problems with the fiber reactive dyes. Just need to use soda ash and you don’t need any heat. But you can use your acid dyes and it won’t make much difference. Try it if you have cotton yarn and a soda ash soak. I’d love to hear your results.
Now I’m *very* curious! That’ll be on my 2026 To Dos 😀