Thoughts going in circles.

Thoughts going in circles.

It has been a while since I had regular time to felt, because of different reasons. In my mind, that is almost as if my whole artistic life was on hold, because I believe that it is that regular time that nourishes you, it allows you to both go on with what you usually do and also try out new stuff: both of those two things are important, because I want to be better at what I already do, but also to learn new things and explore without pressures. It often happens that a new idea leads to another when you are exploring, and sometimes this leads to great pieces and you advance towards new landscapes.

Unfortunately, as I was saying, I do not seem to be able to carve out a regular time each week for art at the moment, but I still think about it. Sometimes, my thoughts seem to go in circles without the outlet of the actual making: I do not know if this happens to you as well? It is the making that frees me to go on to a different idea, and may open up the circles, so to speak.

This time, I wanted to make something that would visually express the complexity of our thoughts, sometimes revolving around an idea again and again. Sometimes an idea may have to go through that complex mulling about it until some part of it grows and develops enough to bring a solution that kind of springs out of all that thinking.

So, I started with an idea of circle: to be honest a practical consideration also came into it, because I bought a couple of square frames at a bargain price a few years ago, and I wanted to make something that could fit in that square frame. In the end, the finished work is too big for that frame, because I did not measure beforehand, so never mind, but the idea was there.

Anyway, I set up my background a bit unusually for me as a circular shape with three layers of natural white mysterious wool that I got as part of a World of Wool offer on lap waste. It is definitely wool and not synthetic, a bit coarser than Merino, but very easily wet felted (so no core wool or any of the coarser wools for needle felting). (I sure wish that they put a name on the different stuff that is in their lap waste bags, because I am having to puzzle it out if I want to make a good use of it all! oh, well). I liked the fact that I could finally use that and loved the idea of a natural white background to start with.

Natural white wool laid in a circle on bubble wrap on a table covered with a white towel
Deciding on the shape for the background, I laid out my lap waste mysterious wool in natural white.
A circle of soft and fluffy natural white wool on a bubble wrap on a table covered by a white towel
Three layers done: as it is not a garment but it is meant to be a flat hanging piece, I laid out the three layers horizontally and vertically, adding wasps of wool in other directions were needed, as I did not want it to stretch in any way. You can see that I kept my mysterious wool in a common plastic bag, after taking it out of the all-in bag of lap waste that I had bought it in.
A circle of wet natural white wool with a small green hand sprinkler on a table covered with bubble wrap and a white towel
Wetting with my faithful sprinkler.
A circle of soaped and squashed natural white wool is on a table covered with bubble wrap and a white towel. There are a green hand sprinkler and a small white soap.
After soaping and a light rubbing the circle is pretty squashed and has lost its shape a bit under the netting.
A neatened out circular shape in white natural wool on bubblewrap and a white towel.
After removing the netting, I neatened the shape folding in the edges so that it came out resembling a circle again. I personally am not bothered by not getting a truly perfect shape, and I would not normally straighten my edges too much in one of my works, but I like to have a minimum of regularity in this one, lest I lose the idea of ‘circle’. So, it is a clear circle, but not geometrically so. Of course, one could cut the edges close to perfection after felting it.

Fine, up to this moment it was easy, but that was only the background: I had to chose what to do next, ha ha, that was the hard part!

I kept thinking about circular ideas, circular thoughts, thinking in circles, convolutions: I decided to go for a raised effect that could make apparent this movement in circles. I thought about folds, but then I discarded the idea, as I did not have enough time that day and it takes ages to work on felting folds jutting out of a flat surface! I mean, you must have seen quite a few artworks with that kind of well felted folds: the effect is amazing, but how many work hours are we talking about there? A lot of the big and better artworks of that kind are not even made by one person, they are felted by a team! Obviously, I am not in that league at the moment.

Even though I had made not a big background shape, I needed to keep it easier and quicker than folds..or maybe I needed an easier and quicker way to make folds! That is when I thought about using ready-made folds, so to speak: maybe I could skip the part about making the folds if I had strips of prefelt or felt from previous projects to add! Great, and I could lower my ‘in-case’ stash a bit: all those bits and bobs that I keep from other projects because maybe they will come handy in something else, you know.

The only problem was that I wanted to make something that would match well with the natural colour of my circular background, and I could not see in my prefelted anything that would go well with it, apart from a recent left-over prefelt in various greens (from my Christams card exchange!): too many colours, almost nothing in natural white or close. I debated with myself if I wanted to start making some prefelt for this work, but I decided against a two-day effort: I just could not know if I could find enough time to finish it, once I had to leave it incomplete.

Then, I remembered about the decoration on the wetfelted Merino shawl that I made years ago for my daughter’s First Holy Communion: it is one of the first works that I have made, and I had recently took it out and thought about how I had not used much that idea in other works. Basically, you make lightly felted ropes that you then attach to your background base: in that shawl I attached them by needle felting on the wetfelted shawl and used them to make a decorative abstract lotus flower shape. As I planned to make the ropes only lightly felted, I felt quite confident that I could wet felt them to the background instead of needle felting them.

I decided that I would put strips taken from my green left-over pre-felts as accent of colour in the composition, and catching visual point of interest where the eye would be drawn to. The rest should be muted in colour, so as not to distract too much from the green.

I took a big breath before starting to make the cords, as I had made ropes to use as straps and stuff for other projects, so I have a good idea of how much time it takes to make one: I mean, for lightly felted cords not as long as you would put into well felted folds, but still quite a bit!

I also needed more than one muted colour, to have some kind of play, otherwise that would be too flat, even using the 3-D effect, and I am quite out of natural white wools at the moment: I was supposed to replenish my stash but I never got around to do it! But I had the perfect solution right there: I could use the same lap waste mysterious natural white wool of the background, mixing it with some other colour as needed, and it would also felt in that much better being the same as the one on the background.

Kiki Peruzzi's hand is holding a tuft of carded natural white wool mixed with natural hemp. In the background a circular shape of natural white wet wool, a pair of carding brushes and a hand sprinkler on bubble wrap and a white towel.
Mixing the mysterious wool with natural hemp, also found in the lap waste bargain bag from World of Wool, with my pet brushes, ahem, expensive hand carders..
A circular wool felt shape with green pre felt strips and whitish wool and hemp cords on it.
That is how I started: I put the green bits in first, and then I filled in all the rest of the space with the central green strips guiding me. The green strips have a pewter side and are in a good pre-felt in different greens with locks or fabric or sari silk inclusions.

I used three main neutral coloured additions, plus the basic natural white:

In the center, a blue plastic bag with natural colored hemp in it, and above it two pet brushes, one empty and the other holding hemp fiber.
I added natural undyed hemp to the natural wool, mixing it with hand carders.
In the center, a hand carder with oatmeal wool fiber on it, and above it a clear plastic bag from World of Wool with Blue Faced Leicester wool and an empty hand carder on a white towel.
I also used undyed Oatmeal Blue Faced Leicester fiber, a lovely natural colour.
At the bottom, a hand carder with natural grey wool fiber on it. On the right a second empty hand carder, and on its left a plastic bag from World of Wool with natural grey Merino wool in it. All resting on a white towel.
And natural light grey Merino wool from World of Wool, oh, so soft!

I wanted the ropes to look a bit like brain convolutions, because we are talking about thoughts here, but to also hint to movement and paths. I wanted them to have a rhythm and I tried to give them rhythm both by their colour and by their position and the shape I made with them on the background.

On a bubble wrap and white towel there is a work in progress with a natural white wool background and some cords in neutral colors and green strips on it in fluid shapes.
I kept putting my just prepared wet and soaped cords on the wet and soaped background trying out different positions for them. I wanted darker colours in the bottom part and mostly white in the upper part.
A detail of the work in progress of wet felted wool cords in light brown, natural white, oatmeal brown and light grey on a natural white wool background.
I am reminded of some of the doodles that I used to draw while at school on spare paper, intertwining shapes within shapes..

I am afraid that I did not take many more photos while making the ropes, as I realised that I was very late in my schedule and I had to get on with it if I wanted to finish not too late. Anyway, I can tell you that it took me ages, and I was soon scratching my head about why I had thought that could be a quick job! I also found it soooo boring, apart from the short time that I was actually putting the cords in place (that was fun). Making cords is a pretty repetitive task, especially if you have only 4 colour options.

I wanted the circular movement to be resolved and maybe broken by the green strips, in the same way a plant can grow out of a seed or of soil, forced out by all the life of the soil and part of it at the same time. The green parts feel very positive, and they are reaching out from the closed circles to make a movement that is fluid but not circular, or not only circular, extending from the inside towards the outside of the circle, and from in to up.

That thought made me think about plants growing, and our own growing: it felt very fitting at this time in my life and in my family life to be thinking about growing, in relation to myself, to my family and to any individual, and as an abstract concept relating to all life on earth both in a physical and spiritual sense. Here, I found the right title for this finished piece: ‘Growing’.

That gave me the idea for adding a small lime tree seed pod that I had picked and kept for a while in my drawer of bits and bobs: I particularly like that tree, and I felt that it fits very well in this work. It also helped filling the upper white bit with a meaning and a small point of colour.

In the middle of white wool cords, a small dark brown lime tree seed pod.
Here it is, my lime tree seed pod.
'Growing' by Kiki Peruzzi circular artwork in progress on a bubble wrap and a white towel.
This is a photo of the composition before rubbing: I just wanted to make sure to have it, so I could check if anything had moved after the rubbing.

I used my Makita sander to rub everything horizontally, vertically and diagonally: I thought that it was going to take a lot of time to felt the cords and the strips in, but it was actually quite easy, possibly because I used the same type of wool for the cords as for the background?

Then I rolled the work a few times in all directions, being careful not to be too rough with it: I was very worried about the seed pod, but all went well and it withstood the rinsing as well.

Growing, a felted artwork by Kiki Peruzzi, a circular shape in white, grey, oatmeal and light brown, and green wool.
This is the work finished. i like the fact that the folds seem very organic, I took care not to bother too much about getting cords of the same size and regular, so as to have a lot of differences among parts of the composition.
Detail of artwork in wetfelted wool, made of wet felted ropes in white grey, oatmeal and light brown, and green strips. With a small light brown seed pod on the left of the image.
The seed pod came out lighter because of the washing: I think that I will remove it and add a new darker one instead, sewing it in. The cords on the right need a bit of fixing with a needle, I think.
A detail of the left bottom part of the felt artwork 'Growing' by Kiki Peruzzi, with many wet felted cords in white, light grey, oatmela, light brown and strips of pre felt in different greens.
Another detail of the convolutions in ‘Growing’.

You will maybe notice that there are a few cords not well attached in the right upper part: I will need to needle felt them a bit, to make sure that they stay put, but I have not gone around to do that yet!

As to the green bits that I used, I liked how they felted in. They were left-overs from the Christmas card exchange 2024: I am glad that I prepared more pre felt than I actually needed, you never know. I have a lot more ready to use in other projects.

I hope that you like ‘Growing’ as is, because, though I had thought about making a second work to pair with it, I do not think that I will want to make many more cords, at least not right now!

16 thoughts on “Thoughts going in circles.

  1. Thanks for sharing your thought process regards this work Caterina. I love the layout, you’ve certainly captured a sense of movement and “rhythm” and the green set in to the neutral shades really brings it to life.

  2. Thank you, Karen. I quite liked making something a bit differently and focusing on movement.

  3. Oh yes, we can understand your thinking behind this piece! Love the way the green looks after felting, and replacing the seed pod with a darker one is a good idea as the original one now looks ‘lost’.
    This piece of art lends itself to many interpretations, depending on the viewer, but it really sums up your feelings so well.
    🙂

    1. Thanks for your comment, Lyn and Annie. Yes, I will change the seed pod, then. I also am afraid that the one that has been soaped and wetted may rot in time because of the wetting, even if it is quite dry now, so it may be wiser to just replace it. Xx

  4. I already liked this piece before reading what was behind it, but now it’s even better, Caterina! I love the imagery of circular thoughts, and breaking out of them.

    The seed is an excellent add-in, but like Lyn and Annie, I too think it needs a new, darker one.

    Is it very wrong that I feel like touching all that gorgeous fluff? 🙂

    1. Thank you, Leonor, I am so glad that you like this piece!
      I can not fault you for wanting to touch it: I love its sensory feel and I wish you could all touch it and try its softness and different areas. I guess we all like textiles for different reasons, but we may have that in common: we all like having our hands into and on our materials.
      I am with you all on the matter of the seed, I will replace it for sure.

  5. Caterina, what a lovely piece! I enjoyed your thought process in the making of “Growing”……such a fitting title.

    1. Thank you for your comment, Jacqueline. I am glad that you liked it. I actually quite enjoy explaining my inspiration behind these kind of pieces, as some choices that may seem casual are very deliberate (not all of them, though!:-) sometimes it is just impulsivity or laziness 😀

      Making art and crafting are also growth processes to me, I am definitely always learning about the art or craft and about myself, as you can see by my posts: I am fairly sure that it is a very common experience among crafters and artists. The theme of growth is a common ground in so many ways!

  6. An interesting post Caterina, thought provoking as well as fun to watch your process. The end result is really attractive even if you don’t get time to use the felting needle or, indeed, change the seed. You never know it might start to grow!
    Ann

    1. Thank you, Ann.
      What a nice thought, that the seed might start to grow there! I guess it is a possibility, as wool and hemp can be used to grow seedlings if wetted.. it would be very appropriate considering the title! But I doubt that I could keep a plant alive in the artwork in that case.

  7. Love it, Caterina! I especially enjoy reading about your thought process behind the piece. It reminds me of labyrinths that you follow the path with your finger as you are meditating. It’s funny that I thought making cords is going to take forever 😁

  8. Thank you, Ruth.
    Uh, I should use this artwork to meditate, yes, why not, it is very pleasurable to follow the folds and paths in soft wool, so relaxing I can imagine!

    Do you know that I used to draw labyrinths to play with friends when I was little, or just to doodle? It came into my mind also when I was putting the cords in place for this piece!

    Making cords took ages, indeed, or so it seemed to me! But I only gave them enough consistency as to hold shape and be lightly felted, because I wanted them to felt easily on the background, so it was actually done much quicker than felting and fulling proper flat folds would have taken me.
    There are some artists that I like that create wonderful pieces with loads of folds, and I am always amazed by the amount of work involved, and then I realised that they all have teams of assistant felters with them! It just shows you how much work is in those stunning pieces, totally out of reach for me at the moment and probably forever.

  9. Really lovely, I like the idea of a labyrinth, or I also think of the folds of membrane, or cell linings inside our bodies. It is really thought provoking, and I can see how calming it is just looking at your work.

  10. Thank you, Marie!
    Oh, that is a beautiful interpretation as well, cells membranes and linings inside our bodies would be perfectly into the theme of growth.

  11. It was interesting to read your thought process. The piece is very organic. It make me think of brains and growing plants and labyrinths all at the same time.
    I agree making cords even to the prefelt stage is boring. They must be a better way to make a lot of them all at once. I have always made folds with prefelt and resists between I hadn’t heard of using ropes.
    I agree we often think it is one person who makes the large and complex pieces but usually it is a team. We also forget how much time it takes and some of the artists only make one or two pieces a year.

    1. Thank you, Ann.
      Yes, I also was thinking about brains when making it!
      For personal reasons, I am thinking about how we develop our brain from infancy to adulthood, our brain growth is physical and psychological, so twofold. But any learning of new things is modifying our brains really, throughout our whole life, and it is a spiritual growth that is also grounded in the physical reality of our brain matter.

      I guess one could put parallel strands on the mat and then use a second mat on them to roll several together to produce cords faster. I am not trying that anytime soon, though.

      And yes, those big pieces are usually one or two in a year, often they are a commission, so a team of workers makes sense for them.

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