My last part of 2024: what I have been up to

My last part of 2024: what I have been up to

This will be a kind of hold-all post, a jumble bag of works completed and not, none of them good for a full post but maybe all together they can make a good photo of my Autumn 2024.

I will start with an abstract that I had felted earlier on, but that I have completed only this Autumn: this will be a bit of a leit-motif of my Autumn, as I tended to try and finish a few projects started months ago.

I had it there waiting fro inspiration for a while, because I was not happy with it. I asked for suggestion to the fabulous FFS group of friends, and they suggested that I tried my ideas on a transparent paper superimposing it on the felt, to gauge the effect before committing to stitching or changing things. I just had a clear florist plasticky sheet from a bunch of flowers that I had received and I could use it for that: it worked a treat to help me think about additions that I liked.

A rectangular wet felted abstract work by Kiki Peruzzi. Its background is brilliant white and the organic shapes and lines on it are bright yellow, orange, royal blue, grey and black.
Finished! A good sized (70×37 cm or 27,5 x 14,5 inches) wet felted work in bright colours. I used a silk handkerchief for the yellow organic shape in the upper left part, orange locks, white undyed eri silk and bits of blue left-over prefelt with mulberry silk. All the rest is Merino wool.
A hand is holding a wet felted work where there are some straight black stitches and a threaded needle.
Hand-stitching the work without a frame: I do not like using embroidery frames!
Detail of the abstract felt work by Kiki Peruzzi, upper left part, with a yellow organic shape on the left, a bright blue circle on the bottom right, a bright orange shape in the upper center and a bright orange irregular line on the center right. Bright blue diagonal line and black diagonal line in the lower center, and silk white irregular lines marked by black stitching in the lower left and upper right parts. Some lines and a semicircle in black thread on the yellow organic shape.
Details of the stitching in the upper left part of the work. I also used black thread to underline and make the shiny white eri silk pop-out.
Upper left corner of a wet felted work by Kiki Peruzzi. There are organic shapes in yellow and grey on a white background, a light blue and a grey smudgy shapes in the yellow one, black orange and white lines intersect the shapes and space. There are black thread stitches underlining white silk slim rectangles.
Detail of the upper left part of the work.
Details of the right side of the rectangular artwork in felt by Kiki Peruzzi. There is a royal blue circle in the upper central part, close to a small black smudged circle and a small yellow organic shape. There are grey smudges on the left side, an orange lock on the left bottom part, and three white eri silk and black stitches vertical lines in the lower central and right side. There are a small black and white circle between the second and third white vertical lines and a small orange organic shape.
Detail of the right side of the work.

I also felted a few new artworks, sometimes just for the fun of it and trying to use colours and lines/shapes that are unusual to me and make me go out of my comfort zone.

Work in progress of a wet felted artwork by Kiki Peruzzi. There is wool laid out in a rectangular shape on bubble wrap and white towel on a table, and a wooden chair and a vase of red flowers are in the background.
This is the only photo that I have taken of the process for this artwork, as I did not want to bother about social media right then, but I wanted to just make some felt for myself. You can spot the natural red eri silk bag from World of Wool: I love that colour!
Wet felted artwork 'Power' by Kiki Peruzzi on a white wall. It is a rectangle in grey as background, with circular lines in purple, violet, plum and reddish brown and yellow creating a vortex and straight lines in reddish orange eri silk seemingly originating from the center and expanding out of it.
This is the finished result. I called it ‘Power’ because I was thinking about the power that is within us and our creative power, but also about how lack of control/power can make us feel, and I had pretty ambivalent feelings about it all.

I was pretty satisfied with that one, but not as much with this, that also uses unusual colours and silk handkerchiefs:

A wet felted abstract artwork by Kiki Peruzzi on a white wall. Its background is grey. There are lines in different pinks, blue, white rose fiber, purple and a few wisps of black. Light plum silk hankies make semitransparent organic shapes on the lines, in the bottom,and in the central right side of the work.
Merino wool, silk hankies, rose fiber and tussah silk. Well, I do not know, what can I say, it was just for exploring different things, but I did not feel confident enough to go out of my comfort zone that much.
Detail of Kiki Peruzzi's felted artwork. A white rose fiber wisp in the center, among pinks and blues, with a few black accents.
A detail with rose fiber prominent: I find rose fiber very similar to eri silk for shininess and very easy to felt in. It is still too expensive, though.
Detail of Kiki Peruzzi's artwork, with light pink and blue lines on a grey background.
A different detail, with lighter pinks and blues.
Detail of Kiki Peruzzi's felted artwork, with purple pink and purple lines and a pink hankie layered over them.
Another detail with more purple and the silk hankie visible.

For some of the works that I felted in this time, I do not have photos, as I felted them for me and sometimes I do not think that they are finished yet.

I also started working very early on ideas for the FFS Christmas card exchange: I wanted to have plenty of time to think about it. I sketched some ideas with felt tip pens for bright colours and bold lines, looking for making traditional themes a bit more abstract.

I started with a Christmas tree, because it is maybe easier!

A drawing in felt tip pens of an abstract Christmas tree made with rectangular green shapes piled up, circular red shapes as baubles, and a yellow triangle as point.
First design of an abstract Christmas tree. I really liked it.
A drawing of an abstract Christmas tree made with red circles on a background made of lines in different greens.
Second design: mh, maybe all those circles are a bit too chaotic?
A drawing of an abstract Christmas tree made of green horizontal lines, with different colored circles all over it to represent the baubles. The background is grey and light blue horizontal lines.
The third idea: mh, it is more colourful, but definitely more confused. My friend liked the colours, but I was not convinced by it.

In the end, I preferred the first option, with a few adjustments, and set up to make prefelt in different greens, with different fabrics, threads, yarns, and fibers in them, for variety.

I tried out the position of the prefelt strips that I had cut against the drawing.

On white paper with a drawing in felt tip pens there are strips of pre felt in different greens.
Trying out the position of the prefelt rectangles on the drawing.

I also prepared the white Merino prefelt for my card, that I wanted made of two sides. I already had the red prefelt for the baubles, a left-over from another project, that very conveniently had a blue silk side that provided a little bit of  shading in the finished stage. I decided to make the tree point with a bit of yellow silk fabric from a scarf, so I could shape it a bit like a star: very traditional.

So, I felted the different bits all together on the white background:

An abstract Christmas tree shape in felt on a white background.
My tree looks good but is lacking for some bling! It is a bit on the right side, because I originally was thinking about writing or hand stitching something on the left side, but then decided against it.

At the same time I got to work on ideas for the second side. It was a bit harder to come up with a simple enough Christmassy idea, but I finally decided on a traditional robin, mainly because I was itching to use some bright orange locks that I really love and can’t find a place to use in.

A felt tip pens drawing on white paper. There is an abstract robin in white, grey, orange and brown on a green branch with leaves.
First design for the robin. Trying to keep it to very basic shapes and lines.
An abstract drawing of a robin on a green branch with felt tip pens.
Second drawing: mh, simplifying the shapes a bit too much now? But I like the red berries and a bit more leaves.
A third drawing of an abstract robin on a green branch with red berries.
Third try: mh, no, I do not like it. Sure, the head is less abstract so you can see the bird more, but no, I do not think so.

It was a bit discouraging, because some of the people that I was consulting on which one was best were not even able to recognize the robin as such, meh! Anyway, I liked the idea of the robin and decided to go on with the actual felting.

On bubble wrap and white towel, there is a white felt background with strips and shapes in felt and wool and fabric to make an abstract robin on a branch.
Composing all the bits on the white prefelt background: I loved the fact that I could use small bits of fabric and prefelt left overs from other projects to make the snow of the background more interesting and for the branch and leaves and berries. I also included a repurposed vegetable net that was compostable on the bottom part. For the robin’s body, I used a scrap of fabric from a scarf, and of course the orange BFL locks that I was dying to use.
A wet felted small work with a white background. There is an abstract robin on a green branch with red berries.
The robin after felting and after adding some stitches for its beak, its eye, the round body shape, and the leaves and branch.

I wanted to give some more bling to it, so I added some stitching with a white shiny DMC thread. On the tree side I stitched some diagonal lines in shiny white over the tree, adding crossed stars as additional decoration at the end of the branches. I also added French knots with the same shiny thread as falling snow on the white background.

I decided that I wanted to make a small pouch of them: one could use it as decoration or something, and I added a small bag of Christmassy pot-pourry in it, so it could be used as aroma diffuser as well, in a sense. So I stitched a pressure button in it and a small red velvet handle to hold it.

A small felt pouch is being held by a hand. The image on it is a stylized robin on a branch.
This is the finished robin side.
A small felt pouch is held by a hand. There is an abstract Christmas tree depicted on it.
The finished tree side with the hand stitching.

Another small project that I tried is to make myself a small decorative collar. I was not totally satisfied by the results.

I used black Merino as background and mulberry silk in bright colours as accents: the silk was actually eaten by the wool much more than what I thought (maybe because I used my sander to speed up the job), so the final effect was less colourful that I wanted.

A work in progress. Black Merino wool and bright wisps of silk in green red and purple on bubble wrap and a white towel.
Before the wetting: all the colours are very bright.
A finished felt collar in black Merino wool and green red and purple silk on a wooden table.
The much muted end result.

I also happened to needle felt some small things, such as this small pumpkin while I was waiting somewhere: you can tell that we were close to Halloween!

A work in progress of a small needle felted orange pumpkin on a small foam mat on a table.
Adding a stalk and finishing touches to my pumpkin.
A needle felted orange pumpkin is resting on a windowsill close to two plant vases.
And here it is finished.

One thing that I am doing is stitching a few things, and I have some more stitching waiting for me when I will be finished with the ones that I am doing at the moment.

I am stitching a bowl that was born as a failed hat (!) and that I am using now as a slow stitching sample: first I stitched the side with the yellowish eri silk using a simple design in synthetic yellow thread found at a charity shop.

A felted bowl in blue on a white surface

This is the felted bowl that I am stitching inside and outside

Side of a felt bowl in blue and with yellowish natural eri silk vertical wisps.
This is the side, with natural off-white eri silk vertical irregular vertical lines.

I seem not to have any photo of the bowl stitched with the yellow thread, so I will just explain it here: at the center there is a circle that is partially doubled. Then, a bit further out from it there are vertical lines starting and going up to the edge: they alternate with the eri silk vertical lines and they do not start all from the same height, but all go up to the edge, where there is a double line going all around. All done with chain stitch and grass stitch.

On the other side of the bowl, the one that is lighter blue at the center, darker blue and then grey towards the edges, I am couching a red cotton yarn with a blue/indigo Anchor stranded thread: the effect is totally mesmerising and a bit unexpected for me. It takes ages, but I am keeping up because I like the result, although it will probably not pair well with the other side of the bowl: they are surely very different!

A blue felted bowl with a red yarn couched on it in a spiral shape
Hypnotising spiral!

I have also felted another very circular artwork, but I will talk about it in my next post.

Well, not too bad considering the fact that I did not have much time during this last part of 2024!

11 thoughts on “My last part of 2024: what I have been up to

  1. Wow, what a smorgasbord of offerings here. You have certainly achieved quite a bit considering you had little time.

    I love seeing and reading about your design development, particularly your wonderful Christmas exchange for your partner. She must have been delighted.

    I too enjoy stitching on felt, it is so easy to work on (and very forgiving) and particularly enjoyed your couched ‘tree rings’.

    1. Thank you, Antje!
      You are right, the red rings seem a lot like tree rings! Maybe that is another reason why they feel so satisfying.
      I feel that I have loads of ideas that I did not have the time to try, but isn’t it always the case? 😀

  2. Absolutely adore the robin/tree bag – so beautiful – the white shiny DMC thread really added the finishing touch.

    The thread couching on the bowl must be very time consuming but what a fabulous look – it will also give a lot of stucture to the bowl.

    Your pumpkin with its delicate touches of colour looks good enough to eat – would definitely want to pick it up as it looks so tactile.

    ‘Power’ is great and it can certainly be interpreted several ways depending on how you are feeling when you look at it.

    1. Thank you!
      I must confess that the pumpkin has been a last minute improvisation, so that I had not all the colours that I wanted with me when needle felting the details, and I guess that helped with adding unusual colours as shading. I had to make my own brown by mixing by hand green and red wool fibers, and it worked quite well, actually! In the end I found it a lot of fun and I think that it came out fine all considered!

  3. Looks to me like you had “loads” of stuff you have worked on with minimal time. It’s great that you take little bits of time and continue to work on things as you can. Love the couching with blue thread on the orange, it really gives a cool look to your bowl. And your Christmas bag is wonderful!

    1. Thank you, Ruth.
      I find that felting is in general very forgiving of a limited amount of time, so that you can always take some project up when you can, put it down when you do not have time, than take it up again after a while. You can rework your pieces, add and take off, and generally most things will come out one way or another. Felt is also very forgiving of mistakes.. Actually, I think those are reasons why I find it very suitable to my life, at least at the moment 🙂

  4. For some reason my comments yesterday didn’t load Caterina. Trying again (shorter version) Loved reading about your process. Very inspiring! Robin is such a cutie on the gorgeous bag. Pumpkin is just so sweet. I absolutely adore your couching – mesmerizing.
    Helene x

  5. This time I can read your comments, Helene, and thank you for reposting them!
    I am glad that you liked those works and I have to confess that I am still keeping my little pumpkin on my windowsill, even if Autumn is gone for this year, just because it is so jolly!

  6. You seem to have been quite busy for having no time. Both side of the Christmas bag are wonderful. I wonder if the reason you don’t like the blue/red art piece is it doesn’t seem to have a focal point. Maybe some stitching would help that. I like the collar, have you tried giving it a shave to see if it brings the silk back to the surface? I find shaving things like that helps immensely.

  7. I absolutely loved my handmade Christmas Bag! It’s hanging right next to me right now. It’s fun to know the fishnet at the bottom was a recycled veggie bag. I thought it was a scrap of vintage handmade lace! Very cool that I was fooled. 😊 My favorite fiber element was the curly orange locks! They were so coiled and beautifully placed! I think the way you created tree in offset rectangles was so creative. Thank you again, for such a special gift.

    Capi

    1. Thank you, Capi! It is nice to know which bits surprised you and which parts you liked! Do you know that I am complimented on my new hat that you gifted me? People say that it suits me very well, everybody is amazed when I explain that you knitted it and dyed the yarn yourself, and yesterday a person asked me for your contact to buy yarn for her daughter. It is a real conversation starter!

Leave a Reply to helenefeltzenCancel reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Discover more from Felting and Fiber Studio

Subscribe now to keep reading and get access to the full archive.

Continue reading