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Month: July 2024

Mark Making on Felt – Online Class Registration Is Now Open

Mark Making on Felt – Online Class Registration Is Now Open

Would you like to learn new methods of “mark making” on your felt? Are you looking for ways to create work that is uniquely your own? Are you wondering about surface design on felt? If you are looking for a new learning experience, please join me. Registration is now open for my online classes! The classes are listed below with a link to each class page.  You don’t need to be present at any certain time to participate in a class and you will receive PDF’s to keep with all the relevant information learned in the class.

Screen Printed Felt Journals by Ruth Lane

All four modules of my class, EMBELLISHING FELT WITH SURFACE DESIGN TECHNIQUES – A MIXED MEDIA APPROACH, will begin on July 19th  and end on August 30th. Registration is now open for these online classes. Click on the class link below to register for that particular class.

Nuno Felting with Paper Fabric Lamination

Experimental Screen Printing on Felt

Free Motion Machine Stitching on Felt

Printing, Stenciling, and Playing with Thickened Dye on Felt

Click on any of the links above to find out more about the class and to register and join in the fun.

Also, don’t forget about Teri’s concertina hat class or her felt bag class. Registration is open but closes soon on July 16th. So don’t miss out, click on the links above for more information and to register.

 

Our Wet Felting for Beginners class is always available. You can start any time and follow along at your own pace. Register here.

 

Travel Inspiration (& a little bit of felting)

Travel Inspiration (& a little bit of felting)

For various reasons, I’ve not done much felt-making recently and I’m now in the very fortunate position of finding myself on holiday / vacation in California when this post is due. So, I’m going to talk about some of the creatively-inspiring things I’ve seen while I’ve been here, and then show you a little felting I’ve done as a result.

As I’ve been on holiday I’ve been looking at and mulling over some of the things around me that I find inspiring when I’m deciding what to felt. Visiting California, these have fallen broadly into three categories: coastal, botanical & textile.

COASTAL

For the first week, I was staying in Redono Beach, just south of Los Angeles, so there was an obvious coastal connection. As I walked along the beach each morning I looked at the ocean and things that were washed up at the water’s edge.

I found two “sand dollars” (actually skeletons of flat, burrowing sea urchins) which were beautifully patterned so popped them in my pocket for further consideration.

Left & bottom the 2 sand dollars I found

There was lots of interesting sea weed – I quite fancy wet felting some sea weed – though you’ll be glad to hear I didn’t pocket that.

Branched seaweed on a sandy beach
Seaweed that looks like a small tree with roots
A big pile of ribbon-like seaweed
A pile of seaweed

 

 

 

 

 

 

 

 


And I found the usual bits of shell, pebble & sea creatures. Plus a nice view of a little egret

An empty piece of shellfish shell on a sandy beach
A piece of a shellfish or crab
A little egret walking along the shoreline with waves and surfers in the background
A little egret at Redondo beach

BOTANICALS

Around LA there were some lovely plants & trees. I found the bark of some trees and stems of cacti or succulents in Huntington Botanical Gardens especially intriguing. 

Close up of a cactus or succulent stem, bright green with lots of fin-shaped bumps

These could inspire some really interesting 3D felt pieces.

I also loved these bougainvillea at the Getty Center.  Metal rods support or encourage the plant to grow up inside their structure, then the stems, with their bright pink bracts & tiny white flowers, cascade out of the top looking like giant bunches of flowers. I think there’s a felted vase idea in there somewhere.

Bougainvillea at the Getty Center, LA

I gathered these in the garden of the next house we rented in the country near Solvang. I’ve wet felted seed pods, including eucalyptus, before. It was interesting to see the remains of the flowers on the tree on little green pods, then (I assume) the dried version, followed by the matured pods.

  • Close up of Eucalyptus flowers & seed heads on a tree
    Flowers & seed pods, eucalyptus

Maybe I’ll do some more eucalyptus pods some time.

TEXTILES

Also at the Getty Centre was this bust of a Sudanese man by Charles Cordier. This is a bit of a cheat in that it’s a representation of textiles but I marvelled at the way the artist had managed to make the hard marble-onyx look so much like softly draping fabric.

At The Broad modern art museum I found this enormous draped piece, “Red Block”, both extremely beautiful and very poignant. Created by Ghanaian-born, Nigeria-based artist El Anatsui, you can read the gallery’s text (below). Made primarily from reused gin bottle caps it is lovely in itself. As the text describes it, it also references traditional kente cloth, cultural appropriation and the damage caused by alcohol, colonialism & global markets, among other things. I also liked that the decision on exactly how to hang it is up to the exhibition’s curators. Presumably it would be different in every place it’s shown, reflecting the curators’ interpretation.


By artist El Anatsui

The Broad also had two textile pieces I found interesting. A large fibre-based work by Channing Hansen…..

Photos

8-Manifold, 2017, by Channing Hansen

….and a huge felt piece by Robert Morris

On to the Museum of Contemporary Art, I found this work, “African-American Flag” thought-provoking.

African American Flag, 1990 by David Hammons

As was this huge wool tapestry by Goshka Macuga.

Goshka Macuga
Death of Marxism, Women of All Lands Unite, 2013

Visitors to The Broad were encouraged to stand quite close to these giant canvases by Rothko, which positively vibrated with colour.

I thought these could provide a good stepping-off point for wet felting, given how layered the colours are. Though it would take a lot of wool, space and elbow grease to achieve anything like the experience of standing in front of the Rothkos.

I had hoped to find some unspun wool while I was out and about and maybe get in a little recreational felt-making but it wasn’t easy to find.  Lots of yarn but no unspun wool.  Then, visiting La Purisima Mission in Lompoc, I found some small samples of Navajo Churro wool available in their gift shop, taken from their own flock. There wasn’t much of it & the colours were limited (3 shades of grey) but I bought a little, thinking back to those grey sand dollars.

Navajo Churro wool, carded slivers


I gathered together some very basic equipment and cut out a sand dollar shape from scrap bubble wrap to act as a resist.

I’m always happy to remember that you really don’t need any fancy equipment to make wet felt. Just these bits & pieces, some dish soap, warm water & my beach towel.

A reused drinks bottle with holes in the lid, a pit holder, a plastic garbage bag and a piece of bubble wrap
Felting tools

Here’s the wool laid out and wetted down ready for felting.

Top
Bottom

And here is the result.

Top

The wool is fairly course and felted well though the floor looked like I owned a very shaggy dog afterwards. There was quite a lot of shedding. The patterns aren’t as distinct as I’d have liked because I couldn’t get quite enough colour differentiation but that’s OK. I might do a little needle felting on it when I get home, or I might just leave it as it is.

I hope you enjoy my trip around California.  I certainly am!

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

I hope you enjoy my trip around California.  I certainly am!

Auckland Felters Inaugural Exhibtion

Auckland Felters Inaugural Exhibtion

I was surprised to discover this was the first group exhibition for Auckland Felters, this is such and active group full of very talented people it never occurred to me that I would be the first one crazy enough to suggest it.

For anyone thinking about getting a group of likeminded friends together and hiring a gallery space… Do it! This has been such a fun ride with the most wonderful group of people 🙂 It is quite a significant amount of work but with an enthusiastic group to spread the load it is perfectly achievable, even while working (more than) full time.

The first stage was to find out who might be interested and then get them together to decide on a title / theme for the exhibition. This we did over Zoom in July 2023. Armed with that information and some example photos of our work I set about applying to a gallery I know quite well from teaching in their workshop space. I am sure it also helped that the manager is a felt-maker too so was immediately supportive.

The title we settled on was – Resilience, the fibre that connects us. There was lots of brainstorming and different suggestions (I love working with creative people!) but in the end we agreed the title should be very flexible and open to interpretation in lots of different ways.

The next few months were pretty chilled as everyone worked on their pieces, just touching base at our Auckland Felters meetings on topics like different methods to hang or frame felt.

As the installation date approached, everyone became so quiet I started to worry only a couple of us would have something to hang and I would end up scratching around under the bed to find old pieces of work I could make fit the theme.

One month out from the installation and people started delivering their pieces and we began working on the advertising. Sarah Ritchie was incredible, preparing eye-catching posts for social media, a printed catalogue and posters for the gallery:

Advertising sorted, we turned our attention to making the opening event as enticing as we could, I’m sure we have all been to exhibition openings where there are drinks and nibbles, everyone wanders around chatting about the exhibits. All nice enough but I thought we could do better…

The gallery is conveniently located in a community centre, with the gallery, workshop area and a cafe on one side of a large atrium and the library on the other side. This is a great space for holding small indoor markets and attracts quite a lot of foot traffic, even before we turned up….

We had a selection of stalls selling felted goods, fibre and felting tools and equipment:

We offered four, have-a-go felting classes in the gallery’s workshop area, this is Lynn preparing for her felt beads class with me interrupting:

We had an amazing felting demo table, with members from Auckland Felters providing entertainment throughout our 4 hour event:

Daniel, Angela’s son, and honorary Auckland Felter, blessed us with live music, accompanied by his friend and teacher, Trish.

And of course there was the exhibition. We created an online catalogue with a description of each piece and the inspirations behind them, you can read it here.

If you are quick, you can still see all the wonderful pieces in person until 4pm on Monday 8th July. For everyone from further afield I videoed a short tour of the exhibition so you would not miss out. Enjoy!

 

One last thing…

My online classes are now open and accepting students until July 16th (if you are thinking about joining the concertina hat class I recommend registering ASAP if you need to buy / make a hat block so you are ready for the first felting tutorial on the 18th). Please click on each class for more information:

Concertina Hat Class

Felted Bags and Cases

OVWSG 75th Anniversary Party and Tapestry Project

OVWSG 75th Anniversary Party and Tapestry Project

Happy July 4th to those to the south of us.

I apologize, I have been a bit busy lately with Guild work.  Our 75th anniversary party was on June 22nd. My main job was to add 10 years of Photos to the slideshow, which I originally made for our 65th anniversary.  I also volunteered to felt one of the squares in the tapestry project which I had started to tell you about in a previous blog. (https://feltingandfiberstudio.com/2024/02/17/square-16-ovwsg-tapestry-project-and-template-transfer-method/)   Another job was Name tags, but I will tell you more about those later.

For the tapestry project idea, I spotted another group online, that had broken an image of Starry Night by Van Gogh into sections, and then each person recreated their square in their own medium. Ann and I searched for an image. Our criteria was:

  • a recognizable image of Canada. (not a new work that is not recognizable when broken up into pieces and then reformed in representational sections.)
  • an image that breaks up into interesting sections. (all or mostly sky, water or a monotone homogeneous colour image will not produce interesting pieces to work on for the participants.)
  • not too cluttered an image that would make it hard to recognize when separated into parts
  • an image available in a high enough resolution we can work with.
  • if a square is not completed we would have to have a backup image to replace the missing spot.

After looking at many images, Ann chose a view of the parliament building, from the back of the building, in the fall.  She cropped and blurred the photo and divided it into 24 squares, with each ending up 6 inches by about 6.25 inches. Ann Printed out each square to the exact size needed and gave each participant their project. Our goal was to make a representation of our square in whatever medium we favoured. A few of us chose felt, but we also had various types of weaving, spinning and knitting. I was hoping for basketry too.

You may remember that Ann gave me the bottom of the Parliamentary Library, well that makes sense, I have been the guild librarian for a long time (I joined at the AGM in 1988 or 1989, where I volunteered to help with the library and was elected librarian. I did warn them about that little spelling problem, but they were unconcerned until I made them a subject catalogue. It was not in English or French but in my native dyslexic. We used it until I finally put the whole collection into a database.) But, back to the square.

I went back and looked at a less blurred image so I could see the buttresses more clearly. As you saw before I chose needle felting, and used the template method to transfer the image to a good felt base. I worked between the two images (Blurry and Less Blurry) to create my Squair.  It looked very messy as I worked on it.

pictuer in felt with reference pictures of bottom of Canadian parlemtal library1) Images I am working from bulldog clipped to coroplast in the background with the image I am felting in the foreground on a thick wool pad.

It got a bit better. I hope you can start to see the architectural buttresses a bit more clearly now.

pictuer in felt with reference pictures of bottom of Canadian parlemtal library2.1) ready to hand in my image. On the Left, the image Ann gave me, in the centre the felted representation, and on the Right the de-blurred and pixelated image.

close up of felt with original image checking size its close2.2) close up of felt with original image checking size it’s close

If you were curious, Here is a shot of the back. I was working on my 1.5” thick wool pad, I think it was the 8”x10” size.

back of the felt image showing the amount of wool push through has occurred2.3) the back of the felt image showing the amount of wool push through has occurred.

I was well-supervised by moose, as I worked on this. He was very supportive and carried the picture, wool pad, references and the fibre for me.

partaly 3D moose is getting a bit scruffy from ware.3) Moose looking a bit scruffy from all his hard work carrying fibre, reference and the felting for the tapestry square project

Ok, we are now caught up to where I handed in the Square.  The next we will see it will be after they have all been assembled and unveiled at the 75th anniversary party.

So let’s go to the party!! Don’t worry I have your invitation and just to tempt you further here is a preview of the 2 of cakes!

Anniversary Cake in English and French with the invitation in between (there was a French version of the invitation too)4) Anniversary Cake in English and French with the invitation in between (there was a French version of the invitation too)

Come in and don’t forget to sign the guest book! If you are a member of the guild, select an odd sheep name tag in the studio and then meet us in the Unitarian’s room.  There are a number of displays, a make-and-take table, demonstrations of weaving, spinning and felting as well as the Cake and punch we should check out! OH and you can buy your own Moose bag, there on the table beside the great wheel, you can’t miss them!

Since we are just inside the door let’s take a quick peek at the make-and-take table, Liane was organizing this. There was; a tapestry loom set up to try, mayonnaise lids drop spindles, small popsicle stick looms to needle weave with, CD weaving looms to make coasters and wet felted acorns to make.

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5.1 5.3)  Make and take table

This spot was quite busy most of the party and seemed quite enjoyed.

The next table over was a display of work by Grade 10 students (from Lecole Secondarie Catholique Beatrice-Desloges in Orleans) in the School Outreach Program, run by Carmen Deschenes, one of our guild members and Daniel Cote, the school’s art teacher. The guild provided a floor loom and guidance on how to use it. This looks like it may be an ongoing project. The students were interested and each designed a woven project. One wanted to weave a representation of water so wove in wire to allow the wave to hold its shape. These are a few of the pieces that were in their art show on display today.

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 6.1- 6.4)

If we move a bit further around the room Ann Sunahara put together a display of the Bertha Grey Haze workshop on miniature overshot patterns. The 100-inch loom team wove coverlets showing some of the patterns from the workshop, one of which was on display. Alison brought her 4 harness Saori loom and wove one of the patterns. There were also samples from the workshop and the book the workshop was based on, which is in the OVWSG  library.

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7.1-7.4) Miniature Overshot Display from the Bertha Grey Haze Workshop

Next was a mysterious covered item, we will come back to that when it’s time for the unveiling, and then the slide show that I had been working on for months. There are now 921 slides! I promise I will not show you all of them!! I tried to select a few I thought you might enjoy.

covered tapestry and slide show8.01) a mysterious item is draped with a handwoven coverlet waiting for its time to be unveiled.

watching the slide show which was running on a loop throughout the party.8.02) watching the slide show which was running on a loop throughout the party.

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 8.03-8.13) a few of the slides from the slide show

If I can pull you away from the slide show now, I was felting in the corner but didn’t get a picture of myself (I have not figured out selfies on my getting ancient Lumix camera). On the other side of me, there was a Great Wheel demo. It was a bit crowded so let’s see if we can sneak in for a peek.

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9.1-9.2) great wheel demo

The Guild was selling moose project bags and showing off some of the door prizes, many from Louet Canada (it’s their 50th anniversary this year!).

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10.1-10.2) moose bags and prizes

If you have your moose bag now, let’s go look at the samples from various workshops the guild has given.

samples from workshops of teh OVWSG11) Some of the Samples from workshops given by the OVWSG.

There are samples of weaving, felting, basketry and Spinning workshops given by the guild on this table. After you have checked them out there are two cakes sitting on the next table.  Jean will do the cutting in a moment, then we can try a piece.

Cake, Cake sliceing and Punch12) Cake and punch at the party

Lets take a look at the demos, there were floor and table looms, fibre prep, spinning and Felting.

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13.1-13.2) lots of interest in the Demos

Ok, we still have a few minutes before the unveiling, so let’s follow one of the tours up to the 100-inch loom room and the classroom! We can also take a quick peek in the studio too.

Studio tour and Name draft of OVWSG name 100 inch tour Classroom tour14.1-14.3) Tours of the Studio, 100 inch loom room and the Classroom.

Excellent! We made it back in time to see the unveiling!

speaches before unvailing tapestry15.1) Quick speeches  then it was time to find out what was under the coverlet

we had a surprise guest, Michael is the curator of the Almonte Textile Museum. He and Carl Stuart do the Unveiling15.2) we had a surprise guest, Michael is the curator of the Almonte Textile Museum. He and Carl Stuart do the Unveiling

close up of tapestry15.3) Close-up of the tapestry

names of who did which square (Text over transparency of tapestry image)15.4) names of who did which square

admiing the tapestry15.5) Admiring the tapestry

There were 24 members, who each made a square, using a technique of their choice. There is; Weaving, Tapestry weaving, Hand spinning, Hand Dyed, Felted and Knit Squares.  The team who did the mounting of the blocks were; Liane Thiry-Smith, Moira White, Paula Smith, Wendy Birkette Willbond, Annie Jackson, and Carlene Paquette. I hope Carlene will be able to tell us more about this part of the project. (ok, I may be the only one who gets excited about mounting and framing.)

The last of the door prizes were drawn and then it was time to wind down the party and put everything away.

drawing the last door prize16) The last of the Door Prizes is drawn

Before you head out, let’s take one last look at the tapestry project.

a closer view of the squares17.1)  a closer view of the squares

I wonder if I can find the image Ann had us working from. Yes! (Thanks Ann) so you can see what we were working towards for each square

this is the image Ann selected so you can see what we were working towards. a blurry vertion of athe back of the Canadian Parlement building in awtum 17.2) this is the image Ann selected so you can see what we were working towards.

 Thank you for joining us for our 75th Anniversary Party, it was a lot of fun and a lot of work. I am looking forward to celebrating the 80th but luckily we have years to recover before we start planning again! If you are in the Ottawa area, in the Fall of 2024, check out the Almonte Textile Museum where the tapestry will be on display. The Anniversary Comity has more planned for this year, I am looking forward to seeing what project we are working on next!

2024 THIRD QUARTER CHALLENGE

2024 THIRD QUARTER CHALLENGE

Lyn and Annie wearing straw hats in garden

Hello Summer!  Hello to wearing silly hats and enjoying Annie’s garden!

This quarter’s challenge is to capture the essence of summer in a textile representation.  Realistic or abstract, large or small, practical or not, it’s a free choice.

Summer is a time to sit and enjoy the view;

2 wooden chairs looking out over flowers with sea in the distance

to feel the sand between your toes;

sandy beach, sea, blue sky with wispy white cloud

to walk in the shade of trees in full leaf;

canopy of trees in full leaf

to dine al fresco on a warm evening;

eating al fresco on a warm summer evening

to eat home grown fruit

raspberries and blackberries grown in the garden

and to bring summer indoors with garden flowers picked in July.

Flowers from garden in July arranged for indoor display

This little summer study, in felt and machine stitching with a little bit of acrylic paint, was done by Annie back in 2016 and was inspired by the bees buzzing around the chive plants on her patio.

felt with machine stitching bees and chives

To recap – the challenge is to make a textile piece that says ‘Summer’.  Realistic or abstract, large or small, practical or not, it’s a free choice.

Please post your entries in the Studio Challenges section on the The Felting and Fiber Forum

If you have difficulty posting a photo, please use this form